Quotes about heavy
page 5

Sadegh Hedayat photo

“Treasure maps; Czarist bonds; a case of stuffed dodos; Scarlett O'Hara's birth certificate; two flattened and deformed silver bullet heads in an old matchbox; Baedeker's guide to Atlantis (seventeenth edition, 1902); the autograph score of Schubert's Unfinished Symphony, with Das Ende written neatly at the foot of the last page; three boxes of moon rocks; a dumpy, heavy statuette of a bird covered in dull black paint, which reminded him of something but he couldn't remember what; a Norwich Union life policy in the name of Vlad Dracul; a cigar box full of oddly shaped teeth, with CAUTION: DO NOT DROP painted on the lid in hysterical capitals; five or six doll's-house-sized books with titles like Lilliput On $2 A Day; a small slab of green crystal that glowed when he opened the envelope; a thick bundle of love letters bound in blue ribbon, all signed Margaret Roberts; a left-luggage token from North Central railway terminus, Ruritania; Bartholomew's Road Atlas of Oz (one page, with a yellow line smack down the middle); a brown paper bag of solid gold jelly babies; several contracts for the sale and purchase of souls; a fat brown envelope inscribed To Be Opened On My Death: E. A. Presley, unopened; Oxford and Cambridge Board O-level papers in Elvish language and literature, 1969-85; a very old drum in a worm-eaten sea-chest marked F. Drake, Plymouth, in with a load of minute-books and annual accounts of the Winchester Round Table; half a dozen incredibly ugly portraits of major Hollywood film stars; Unicorn-Calling, For Pleasure & Profit by J. R. Hartley; a huge collection of betting slips, on races to be held in the year 2019; all water, as far as Paul was concerned, off a duck's {back]”

Tom Holt (1961) British writer

The Portable Door (2003)

Bruce Springsteen photo

“Music was my way of keeping people from looking through and around me. I wanted the heavies to know I was around.”

Bruce Springsteen (1949) American singer and songwriter

Time magazine (27 October 1975)

Ilana Mercer photo
James K. Morrow photo

“Let’s just hope that gravity isn’t as heavy as it used to be…”

James K. Morrow (1947) (1947-) science fiction author

Source: The Wine of Violence (1981), Chapter 1 (p. 8)

George Herbert photo

“15. Light burthens long borne growe heavie.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Jacula Prudentum (1651)

Charlotte Brontë photo

“Designed to carry heavy armament. Designed for war. A commerce raider. She would roam the earth and do inestimable damage to Yankee shipping.”

John Jakes (1932) American historical novelist and fantasy writer

North and South Trilogy (1982-1987), March into Darkness

William Golding photo
Thomas Fuller (writer) photo

“241. A light Purse makes a heavy Heart.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Compare Poor Richard's Almanack (1733) : Light purse, heavy heart.
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Julian of Norwich photo
Hélène Binet photo
Ervin László photo
Happy Rhodes photo

“I am skilled now, at casting iron
To make a hardened bed for my heavy world”

Happy Rhodes (1965) American singer-songwriter

"One And Many"
Find Me (2007)

Thomas Hood photo
Billy Corgan photo
Camille Pissarro photo
Paula Modersohn-Becker photo
Albert Einstein photo
Nathaniel Hawthorne photo

“In a word, the heavy weight upon his spirits kept everything in order, not merely within his own system, but wheresoever the iron accents of the church clock were audible.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"The Artist of the Beautiful" (1844)

Percy Bysshe Shelley photo
Richard Russo photo
Richard Burton photo
Hugh Blair photo
Thomas Jefferson photo
Margaret Cho photo
Giorgio de Chirico photo
Max Heindel photo
Franz Marc photo
Thérèse of Lisieux photo
Noel Coward photo
Robert Frost photo
H. Rider Haggard photo
Isidore Isou photo
Ilana Mercer photo
Bertolt Brecht photo
Laura Antoniou photo
John Maynard Keynes photo
Statius photo

“The sounds of early night die down. Mingled with the darkness of his kinsman Death and dripping with Stygian dew, Sleep enfolds the doomed city, pouring heavy ease from his unforgiving horn, and separates the men.”
Primae decrescunt murmura noctis, cum consanguinei mixtus caligine Leti rore madens Stygio morituram amplectitur urbem Somnus et implacido fundit grauia otia cornu secernitque viros.

Source: Thebaid, Book V, Line 196

John Banville photo

“I suppose this is peasant food. You know, the workers in the fields needed these heavy dumplings and things to eat, but God don't offer them to me…”

John Banville (1945) Irish writer

John Banville: Using words to paint pictures of "magical" Prague (2006)

Haruo Nakajima photo
Richard Rumelt photo
Gordon B. Hinckley photo
Paul Bourget photo
Herbert Spencer photo

“What is essential to the idea of a slave? We primarily think of him as one who is owned by another. To be more than nominal, however, the ownership must be shown by control of the slave's actions — a control which is habitually for the benefit of the controller. That which fundamentally distinguishes the slave is that he labours under coercion to satisfy another's desires. The relation admits of sundry gradations. Remembering that originally the slave is a prisoner whose life is at the mercy of his captor, it suffices here to note that there is a harsh form of slavery in which, treated as an animal, he has to expend his entire effort for his owner's advantage. Under a system less harsh, though occupied chiefly in working for his owner, he is allowed a short time in which to work for himself, and some ground on which to grow extra food. A further amelioration gives him power to sell the produce of his plot and keep the proceeds. Then we come to the still more moderated form which commonly arises where, having been a free man working on his own land, conquest turns him into what we distinguish as a serf; and he has to give to his owner each year a fixed amount of labour or produce, or both: retaining the rest himself. Finally, in some cases, as in Russia before serfdom was abolished, he is allowed to leave his owner's estate and work or trade for himself elsewhere, under the condition that he shall pay an annual sum. What is it which, in these cases, leads us to qualify our conception of the slavery as more or less severe? Evidently the greater or smaller extent to which effort is compulsorily expended for the benefit of another instead of for self-benefit. If all the slave's labour is for his owner the slavery is heavy, and if but little it is light. Take now a further step. Suppose an owner dies, and his estate with its slaves comes into the hands of trustees; or suppose the estate and everything on it to be bought by a company; is the condition of the slave any the better if the amount of his compulsory labour remains the same? Suppose that for a company we substitute the community; does it make any difference to the slave if the time he has to work for others is as great, and the time left for himself is as small, as before? The essential question is—How much is he compelled to labour for other benefit than his own, and how much can he labour for his own benefit? The degree of his slavery varies according to the ratio between that which he is forced to yield up and that which he is allowed to retain; and it matters not whether his master is a single person or a society. If, without option, he has to labour for the society, and receives from the general stock such portion as the society awards him, he becomes a slave to the society.”

Herbert Spencer (1820–1903) English philosopher, biologist, sociologist, and prominent classical liberal political theorist

The Man versus the State (1884), The Coming Slavery

Johannes Kepler photo
Thaddeus Stevens photo
William Gibson photo
Robert Graves photo
Bouck White photo
Elizabeth Wormeley Latimer photo
Amit Chaudhuri photo
Christopher Hitchens photo

“…those who say I am being punished are saying that god can't think of anything more vengeful than cancer for a heavy smoker.”

Christopher Hitchens (1949–2011) British American author and journalist

Source: 2010s, 2011, Mortality (2012), p. 88.

Thomas Jackson photo
Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Edward R. Murrow photo
Eugène Fromentin photo

“What motive had a Dutch painter in painting a picture? None. And notice that he never asked for one. A peasant with a drunken red nose looks at you with his heavy eye and laughs with open mouth showing his teeth, raising a jug; if it is well painted, it has its value.”

Eugène Fromentin (1820–1876) French painter

Quote from Les Maitres d'Autrefois / The Old Masters, 1876; 1948, p. 115; as cited in 'Dutch Painting of the Golden Age', http://www.open.edu/openlearn/history-the-arts/dutch-painting-the-golden-age/content-section-2 OpenLearn

Thomas Guthrie photo
Jeremy Clarkson photo
Koichi Tohei photo
Swami Vivekananda photo

“The greatest error is to call a man a weak and miserable sinner. Every time a person thinks in this mistaken manner, he rivets one more link in the chain of avidya that binds him, adds one more layer to the “self-hypnotism” that lies heavy over his mind.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Swami Vivekananda, Quoted by M.M. Thomas, The Acknowledged Christ of Indian Renaissance, 2nd Edition, Madras 1976, p. 125. Quoted from Goel, S. R. (1996). History of Hindu-Christian encounters, AD 304 to 1996. Chapter 13

Samuel Johnson photo
James Hamilton photo
Heidi Klum photo
Lupe Fiasco photo

“Heavy problems genocide desensitized environments
Sometimes make it hard to sympathize, pardon”

Lupe Fiasco (1982) rapper

"Steady Mobbin' "
Mixtapes, Fahrenheit 1/15 Part II: Revenge of the Nerds (2006)

Kyuzo Mifune photo
Nicholas Murray Butler photo

“Public opinion* is the unseen product of education and practical experience. Education, in turn, is the function, in co-operation, of the family, the church and the school. If the family fails in its guiding influence and discipline and if the church fails in its religious instruction, then everything is left to the school, which is given an impossible burden to bear. It is just this situation which has arisen in the United States during the generation through which we are still passing. In overwhelming proportion, the family has become almost unconscious of its chief educational responsibility. In like manner, the church, fortunately with some noteworthy exceptions, has done the same. The heavy burden put upon the school has resulted in confused thinking, unwise plans of instruction and a loss of opportunity to lay the foundations of true education, the effects of which are becoming obvious to every one. Fundamental dis cipline, both personal and social, has pretty well disappeared, and, without that discipline which develops into self-discipline, education is impossible.
What are the American people going to do about it? If they do not correct these conditions, they are simply playing into the hands of the advocates of a totalitarian state, for that type of state is at least efficient, and it is astonishing to how many persons efficiency makes stronger appeal than liberty.
Then, too, we have many signs of an incapacity to understand and to interpret liberty, or to distinguish it from license. There is a limit to liberty, and liberty ends where license begins. It is very difficult for many persons to understand this fact or to grasp its implications. If we are to have freedom of speech, freedom of thought and freedom of the press, why should we not be free to say and think and print whatever we like? The answer is that the limit between liberty and license must be observed if liberty itself is to last. To suppose, as many individuals and groups seem to do, that liberty of thought and liberty of speech* include liberty to agitate for the destruction of liberty itself, indicates on the part of such persons not only lack of common sense but lack of any sense o humor. If liberty is to remain, the barrier between liberty and license must be recognized and observed.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Liberty-Equality-Fraternity (1942)

Jean Paul Sartre photo
Frederick Douglass photo
Michał Kalecki photo

“Thus, even with relatively heavy damping such shocks generate fairly regular cycles.
The result is of considerable importance.”

Michał Kalecki (1899–1970) Polish economist

Source: Theory of Economic Dynamics (1965), Chapter 13, The Business Cycle and Shocks, p. 142

Georg Büchner photo

“And for tired eyes every light is too bright, and for tired lips every breath too heavy, and for tired ears every word too much.”

Und müden Augen jedes Licht zu scharf, und müden Lippen jeder Hauch zu schwer, Lächelnd. und müden Ohren jedes Wort zu viel.
Act II.
Leonce and Lena (1838)

Christopher Hitchens photo

“Ronald Reagan claimed that the Russian language had no word for "freedom." (The word is "svoboda"; it's quite well attested in Russian literature)… said that intercontinental ballistic missiles (not that there are any non-ballistic missiles—a corruption of language that isn't his fault) could be recalled once launched… said that he sought a "Star Wars" defense only in order to share the technology with the tyrants of the U. S. S. R… professed to be annoyed when people called it "Star Wars," even though he had ended his speech on the subject with the lame quip, "May the force be with you"… used to alarm his Soviet counterparts by saying that surely they'd both unite against an invasion from Mars… used to alarm other constituencies by speaking freely about the "End Times" foreshadowed in the Bible. In the Oval Office, Ronald Reagan told Yitzhak Shamir and Simon Wiesenthal, on two separate occasions, that he himself had assisted personally at the liberation of the Nazi death camps.There was more to Ronald Reagan than that. Reagan announced that apartheid South Africa had "stood beside us in every war we've ever fought," when the South African leadership had been on the other side in the most recent world war… allowed Alexander Haig to greenlight the Israeli invasion of Lebanon in 1982, fired him when that went too far and led to mayhem in Beirut, then ran away from Lebanon altogether when the Marine barracks were bombed, and then unbelievably accused Tip O'Neill and the Democrats of "scuttling.".. sold heavy weapons to the Iranian mullahs and lied about it, saying that all the weapons he hadn't sold them (and hadn't traded for hostages in any case) would, all the same, have fit on a small truck… then diverted the profits of this criminal trade to an illegal war in Nicaragua and lied unceasingly about that, too… then modestly let his underlings maintain that he was too dense to understand the connection between the two impeachable crimes. He then switched without any apparent strain to a policy of backing Saddam Hussein against Iran. (If Margaret Thatcher's intelligence services had not bugged Oliver North in London and become infuriated because all European nations were boycotting Iran at Reagan's request, we might still not know about this.) One could go on… This was a man never short of a cheap jibe or the sort of falsehood that would, however laughable, buy him some time.”

Christopher Hitchens (1949–2011) British American author and journalist

2000s, 2004

Jack London photo
Robert E. Howard photo
John F. Kennedy photo
Harry Chapin photo
Noam Cohen photo

“Governments are trying to wrestle, how do you censor without being so heavy-handed that you make people really, you know, can't live their lives.”

Noam Cohen (1999) American journalist

Interview with National Public Radio; quoted in — What Is The Value Of Tweets From Iran, June 22, 2009, Talk of the Nation, National Public Radio ; WBUR, Neal, Conan, October 29, 2014, https://web.archive.org/web/20141029150918/http://www.wbur.org/npr/105762132, w:Neal Conan, October 29, 2014 http://www.wbur.org/npr/105762132,

Philip Roth photo
Samuel Butler (poet) photo

“Like feather bed betwixt a wall
And heavy brunt of cannon ball.”

Samuel Butler (poet) (1612–1680) poet and satirist

Canto II, line 872
Source: Hudibras, Part I (1663–1664)

Edwin Abbott Abbott photo
Czeslaw Milosz photo

“I have no wisdom, no skills, and no faith
but I received strength, it tears the world apart.
I shall break, a heavy wave, against its shores
and a young wave will cover my trace.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

"Hymn" (1935), trans. by Czesŀaw Miŀosz
Three Winters (1936)

“Jacques Spex had explained to Ieyasu the methods of Spain and Portugal and in 1612 Henrick Brower presented to the Shogun a memorandum on Spanish and Portuguese methods of conquest. In the time of the second Tokugawa Shogun (Hidetada) the European nations were themselves denouncing each other's imperialist intentions. The Japanese converts had, as elsewhere, shown that their sympathies were with their foreign mentors and for this they had to pay a very heavy price. The Christian rebellion of 1637 in Shembara disclosed this danger to the Shogun. It took a considerable army and a costly campaign to put down the revolt which was said to have received support from the Portuguese. The Japanese were also fully informed of the activities of the Portuguese, the Dutch, the Spaniards and the English in the islands of the Pacific especially in the Philippines, the Moluccas and Java ‑ and these had taught them the necessity of dealing with the foreigners firmly and of denying them an opportunity to gain a foothold on Japanese territory. In 1615 the Japanese sent a special spy to the southern regions to report on the activities of the Europeans there. They were strengthened by the information that reached them in 1622 of a Spanish plan to invade Japan itself. By the beginning of the seventeenth century Spain had consolidated her position in the Philippines, where she maintained a considerable naval force. Japan was the only area in the Pacific which Spain could attack without interfering with Portuguese claims or the Papal distribution of the world which in her own interests she was bound to uphold. It seemed natural to the Spaniards that they should undertake this conquest. The reaction of the Shogunate was sharp and decisive. All Spaniards in Japan were ordered to be deported, the firm policy of eliminating the converts was put into effect and a few years later the country was closed to the Western nations.”

K. M. Panikkar (1895–1963) Indian diplomat, academic and historian

Asia and Western Dominance: a survey of the Vasco Da Gama epoch of Asian history, 1498–1945

Phaedrus photo
Erik Naggum photo
Guy Lafleur photo
Zainab Salbi photo
Stanley Baldwin photo
Harun Yahya photo
Upton Sinclair photo
F. Scott Fitzgerald photo