Quotes about glass
page 6

“There is what might be called a Catch-22 of hazardous occupations: The more hazardous the job, the more men; the more men, the less we care about making the job safer. The Catch-22 of hazardous occupations creates a 'glass cellar' which few women wish to enter. Women are alienated not just out of the fear of being hurt on the job, but by an atmosphere that can make a hazardous job more hazardous than it needs to be.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Earn More (2005), p. 27.

Women, Men, Fear, Hurt

“As we see our face, figure, and dress in the glass, and are interested in them because they are ours, and pleased or otherwise with them according as they do or do not answer to what we should like them to be; so in imagination we perceive in another's mind some thought of our appearance, manners, aims, deeds, character, friends, and so on, and are variously affected by it.”

Charles Cooley (1864–1929) American sociologist

Source: Human Nature and the Social Order, 1902, p. 182 (1922)

Imagination, Appearance

“Until such time that computers at least match human intelligence in every dimension, it will always remain possible for skeptics to say the glass is half empty. Every new achievement of AI can be dismissed by pointing out other goals that have not yet been accomplished. Indeed, this is the frustration of the AI practitioner: once an AI goal is achieved, it is no longer considered as falling within the realm of AI and become instead just a useful general technique. AI is thus often regarded as the set of problems that have not yet been solved.”

Ray Kurzweil (1948) Author, scientist, inventor, and futurist

Source: The Singularity Is Near: When Humans Transcend Biology (2005), p. 441

Intelligence, Problem, Time

“Many days later another caravan was passing and a man saw something on top of the highest dune there. And when they went up to see, they found Outka, Mimouna and Aicha; they were still there, lying the same way as when they had gone to sleep. And all three of the glasses… were full of sand. That was how they had their tea in the Sahara.”

Paul Bowles book The Sheltering Sky

The Sheltering Sky (1949)

Way, Lying, Sleep, Tea

“That’s how we’ve always moved this country forward, by all of us coming together on behalf of our children, folks who volunteer to coach that team, to teach that Sunday school class, because they know it takes a village. Heroes of every color and creed who wear the uniform and risk their lives to keep passing down those blessings of liberty, police officers and the protesters in Dallas who all desperately want to keep our children safe. People who lined up in Orlando to donate blood because it could have been their son, their daughter in that club. Leaders like Tim Kaine who show our kids what decency and devotion look like. Leaders like Hillary Clinton who has the guts and the grace to keep coming back and putting those cracks in that highest and hardest glass ceiling until she finally breaks through, lifting all of us along with her.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

2010s, 2016 Democratic National Convention (2016)

Children, People, School, Color

“Toward dawn, he dreamed that he was in hiding, in one of the naves of the Clementine Library. What are you looking for? a librarian wearing dark glasses asked him. I'm looking for God, Hladik replied. God, the librarian said, is in one of the letters on one of the pages of one of the four hundred thousand volumes in the Clementine. My parents and my parents' parents searched for that letter; I myself have gone blind searching for it.”

Jorge Luis Borges book Ficciones

"The Secret Miracle"
Ficciones (1944)

God, Dreams, Search, Parent

“Sir, pay no attention to the people who say the glass is half empty, because 32% means it's 2/3 empty. There's still some liquid in that glass, is my point. But I wouldn't drink it. The last third is usually backwash.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

White House Correspondents' Association Dinner (2006)

People, Drink

“You think that a wall as solid as the earth separates civilization from barbarism. I tell you the division is a thread, a sheet of glass. A touch here, a push there, and you bring back the reign of Saturn.”

John Buchan book The Power-House

Source: The Power-House (1916), Ch. 3 "Tells of a Midsummer Night"

Thinking

“I was once the wine, and you the wineglass.
I was once alive, when you held me.
God became the glass:
All things left were emptiness.”

Aaron Weiss

Nice and Blue.
A→B Life (2002)

God, Wine

“The greenhouse effect is a more apt name than those who coined it imagined. The carbon dioxide and trace gases act like the panes of glass on a greenhouse—the analogy is accurate. But it's more than that. We have built a greenhouse, 'a human creation' where once there bloomed a sweet and wild garden.”

Bill McKibben book The End of Nature

Source: The End of Nature (1989), p. 78

Imagination

“We have Mr. Wright's allegation that a surveillance operation was mounted against Lord Wilson of Rievaulx when he was Prime Minister in the mid-1970s…Many criticisms can be made of Lord Wilson's stewardship—I have made some in the past and I have no doubt that I may make some more in future—but the view that he, with his too persistent record of maintaining Britain's imperial commitments across the world, with his over-loyal lieutenancy to Lyndon Johnson, with his fervent royalism, and with his light ideological luggage, was a likely candidate to be a Russian or Communist agent is one that can be entertained only by someone with a mind diseased by partisanship or unhinged by living for too long in an Alice-Through-the-Looking-glass world in which falsehood becomes truth, fact becomes fiction and fantasy becomes reality. The result of the allegation has been substantially to fortify the view that I expressed in a letter to The Times 18 months ago, which is that MI5 should now be pulled totally out of its political surveillance role.”

Roy Jenkins (1920–2003) British politician, historian and writer

Speech http://hansard.millbanksystems.com/commons/1986/dec/03/security-services-commission in the House of Commons (3 December 1986) 1980s

Truth, World, Disease, Reality

“If you live in a glass house, don't be chucking stuff about. - Karl interprets the phrase Those who live in glass houses shouldn't throw stones.”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 1 Episode 6
On Sayings

Housing

“I'd rather be at home with Ray,
I ain't got seventy days
Cause there's nothing,
There's nothing you can teach me
That I can't learn from Mr Hathaway.
I didn't get a lot in class
But I know it don't come in a shot glass.”

Amy Winehouse (1983–2011) English singer and songwriter

Rehab
Song lyrics, Back To Black (2006)

Home, Learning

“I paint by all the daylight we have and that is little enough, less perhaps than you have by much… imagine to yourself how a purl must look through a burnt glass.”

John Constable (1776–1837) English Romantic painter

Letter to John Dunthorne, 1801; as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 510
1800s - 1810s

Imagination, Painting

“Words, like glass, obscure when they do not aid vision.”

Joseph Joubert (1754–1824) French moralist and essayist

“We call that fire of the black thunder-cloud "electricity," and lecture learnedly about it, and grind the like of it out of glass and silk: but what is it? What made it? Whence comes it? Whither goes it? Science has done much for us; but it is a poor science that would hide from us the great deep sacred infinitude of Nescience, whither we can never penetrate, on which all science swims as a mere superficial film. This world, after all our science and sciences, is still a miracle; wonderful, inscrutable, magical and more, to whosoever will think of it.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Divinity

World, Thinking, Science

“As long as we dwell in the shadow, we cannot see the sun itself; but Now we see through a glass darkly, says St. Paul. Yet the shadow is so enlightened by the sunshine that we can perceive the distinctions between all the virtues and all the truth which is profitable to our mortal state. But if we would become one with the brightness of the Sun, we must follow love, and go out of ourselves into the Wayless, and then the Sun will draw us with our blinded eyes into Its own brightness, in which we shall possess unity with God.... In his outpouring, He wills to he wholly ours: and then He teaches us to live in the riches of the virtues. In His indrawing touch all our powers forsake us, and then we sit under His shadow, and His fruit is sweet to our taste, for the Fruit of God is the Son of God, Whom the Father brings forth in our spirit. This Fruit is so infinitely sweet to our taste that we can neither swallow It nor assimilate It, but It rather absorbs us into Itself and assimilates us with Itself.”

John Ruysbroeck (1293–1381) Flemish mystic

From Evelyn Underhill, http://www.sacred-texts.com/chr/asm/index.htm Adornment of the Spiritual Marriage The Spiritual Espousals (c. 1340)

Love, God, Truth, Sun

“It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.”

Conrad Aiken (1889–1973) American novelist and poet

Senlin: A Biography (1918)

Star, Light, Learning

“Masonically we are heirs of past. Our Masonic ancestors gave the craft devotion, loyalty and faith and made it an illustrious institution in the world. It should be our religious duty to appreciate and conserve the rich inheritance. In view of the increasing complexity of life and the maintenance of the best and highest traditions of the Craft, great care and concern should be displayed, if Freemasonry has to function in the best interests of humanity. It has been truly said, that an inspired and inspiring dedication to service should be the part of every Mason’s life. Let us not give in to skepticism. There is all the difference between a pessimist and an optimist, in any field of human endeavour. One looks at his glass and cries “My glass is half empty.””

Jayachamarajendra Wadiyar (1919–1974) Indian writer

The optimist looks and exclaims “My glass is half full”.
In his address to the members of the Masonic Fraternity on the occassion of his joining as member of the Masonic Lodge. quoted in "Article # 14 Initiate responds to his Toast R.W.Bro. Jaya Chamaraja Wadeyar".

Life, World, Faith, Past

“Through a glass eye your throne
Is the one danger zone.
Take me to the pilot for control;
Take me to the pilot of your soul.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Take Me to the Pilot
Song lyrics, Elton John (1970)

Soul

“My grandmother used to say
before you moan about the muck on someone else's glasses
make sure you're not on about the muck on your own

her glasses were filthy”

John Hegley (1953) British writer, musician and comedian

"Grandma's glasses" (cf: Matthew 7:3 http://en.wikisource.org/wiki/Bible_(King_James)/Matthew#Chapter_7) Glad To Wear Glasses (1990)

“I think of the whole of the city, the people who inhabit its halls, who sleep now and breathe its recycled air and whose activities by day animate this strip of land on the rim of the desert, and I remember — because this thought is always a memory — that they will all one day be gone, that everyone of them will be taken outside and pushed into the sand, that in a hundred years, or two hundred years, to be certain, every human being here, every lover and loser, every captain of industry and every hotel cleaner, every mother and father and every child will be no more and that these buildings will stand, not all of them, but enough will persevere without them. Its a thought that stills me, that brings a moment of calm. And I walk and walk, and amid the concrete, steel and glass, under lights burning brighter than the noonday sun, it is the knot of anxiety, always tightening and turning, for which, above all else, I resent her.”

Zia Haider Rahman British novelist

In The Light of what We Know (2014)

People, Lovers, Thinking, Sleep

“To be looked at [from the other side of his art-work 'The Glass'] with one eye, close to, for almost an hour.”

Marcel Duchamp (1887–1968) French painter and sculptor

an inscription in French title, (translated) – instruction of his artwork, 1918; as quoted from 'Looking at Dada' ed. Sarah Blyth / Edward Powers, MoMa museum, New York 2006, p. 13
1915 - 1925

Art

“why does accountability keep hitting a glass ceiling?”

Rachel Maddow (1973) American journalist

The Rachel Maddow Show, MSNBC (May 5, 2009)

“Look! A see-through wall of glass!”

Ze Frank (1972) American online performance artist

http://www.zefrank.com/thewiki/the_show:_05-05-06
"The Show" (www.zefrank.com/theshow/)

“I don't care whether the glass is half full or half empty as long as there's bacon on the plate.”

Morgan Murphy (food critic) (1972) Southern writer

Source: Bourbon & Bacon (2014), p. 213

“The number one cause of alcoholic relapse in winged insects is being trapped in a pint glass with an ashtray.”

Mitch Hedberg (1968–2005) American stand-up comedian

Do You Believe in Gosh?

Alcohol

“We are all asleep in the glass coffin.”

Manfred Kyber (1880–1933) German playwright and translator

The Three Candles of Little Veronica

“She then gave her a pair of slippers made of glass, the prettiest in the world.”

Charles Perrault (1628–1703) French author

Tales of Mother Goose, 1727, "Cinderella, or the Little Glass Slipper"

World

“Here's to the maiden of bashful fifteen;
Here's to the widow of fifty;
Here's to the flaunting, extravegant quean,
And here's to the housewife that's thrifty.
Let the toast pass —
Drink to the lass;
I'll warrant she'll prove an excuse for the glass.”

Richard Brinsley Sheridan The School for Scandal

Act III, sc. iii.
The School for Scandal (1777)

Drink

“Having now retrieved a little more of leasure, both for Delineation and Description, for a further elucidation of what I have said, I shall make it my third Attempt, to explain;
First, A Helioscope to look upon the body of the Sun, without any offence to the Observers eye.
Secondly, A way of shortening reflective and refractive Telescopes.
Thirdly, A way of using a Glass of any length, without moving the Tube.
Fourthly, An Instrument for taking the Diameters of the Sun, Moon and Planets, or for taking any other Distances, to five or ten Degrees, to the certainty of a Second. …
Fifthly, An Instrument for describing all manner of Dials, by the tangent projection.
Sixthly, The uses thereof;
1. For adjusting the Hand of a Clock, so as to make it move in the shadow of a Dial, whose style is parallel to the Axis: Or,
2. In the Azimuth of any Celestial Body, that is, in the shadow of the upright, or any other way inclining Style, upon any plain.
3. For making a Hand move according to the true æquation of Time.
4. For making all manner of Elliptical Dials, in Mr. Foster's way, &c.
5. For communicating a circular motion in a Curve Line, without any shaking: And for divers other excellent purposes.”

Robert Hooke (1635–1703) English natural philosopher, architect and polymath

A Description of Helioscopes, and Some Other Instruments https://books.google.com/books?id=KQtPAAAAcAAJ (1676)

Way, Communication, Time, Sun

“We might as well have a cup of tea,’ he said, and we noisily marched over the hollow boards of the glass-covered bridge, down the stairs to Platform Four. We entered the filthy Gothic tea-room and Everett ordered. The serving-woman served us with tired distain; she treated her customers like a dull and endless film that could only, with order and money, make a very rare stereoscopic contact with her real though duller world. Everett took me to a table and began to talk sadly but eagerly.”

Anthony Burgess (1917–1993) English writer

Fiction, The Right to an Answer (1960)

Money, World, Tea

“Don't be surprised if I demur, for, be advised
My passport's green.
No glass of ours was ever raised
To toast The Queen.”

Seamus Heaney (1939–2013) Irish poet, playwright, translator, lecturer

An Open Letter (1983), p. 9.
Objecting to his inclusion in The Penguin Book of Contemporary British Poetry.
Other Quotes

“It was cool and quiet in here because instead of windows there were cosmoramic projections, latest of late devices to prevent the intrusion of untasteful exterior reality. Nearby the chimneys reeked a twenty-four-hour day yet the view was of clean white clouds, blue sky, yellow sun not so bright that it dazzled. Superior to the natural article, yes. Also birds flew or perched between two layers of glass on real branches in air-conditioned environment. It was not ordinary to see birds. Very yes.”

John Brunner book The Sheep Look Up

March “THE MARVELS OF MODERN CIVILIZATION”
The Sheep Look Up (1972)

Nature, Bird, Reality, Sun

“Water! Of all liquids on Earth, the only one chosen for scrubbin' and flushin'. The liquid they rinse baby's nappies in, the fluid that floods the gutters o' this cloud-squeezer town; a single drop o' water discolors a glass of Irish, and you, false friend, are wantin' me to pour this abrasive substance into me defenseless body!”

Tom Robbins book Jitterbug Perfume

Jitterbug Perfume (1984)

Water, Baby, Falseness

“I've come out here tonight to challenge you… challenge you, the WWE Universe, into seeing things my way and to learn how to just say "no." See, because the people who cheer for Jeff Hardy are just slaves to the vices associated with his (with quote fingers) "living in the moment." I feel bad for you, I really do. You walk around almost blind and you wear your prescriptions proudly on your sleeves like they were badges of honor. What was it the doctor told you? 'Just take one… every four hours,' right? Aside from myself, there's not a person in this arena who hasn't abused prescription medication or taken a recreational drug. And I know, trust me, it's hard being straight-edge, it's hard to live a straight-edge lifestyle. It's extremely difficult to be me, but what concerns me now is that none of you realize how much more difficult it is to live the life… that you all live. I'm positive nobody in here takes into account the long-term consequences of alcohol on your liver. (Smattering of cheers from audience) See, and you cheer that. That's nothing to cheer. You drink because it's fun, right? (Audience cheers a little louder) Eventually, it's not gonna be fun anymore when it spirals out of control and its no longer… it's no longer fun. Sooner or later, you're just drinking to feel normal. And then there's the smokers. You know, I don't know what's more disgusting–is watching a smoker pollute his/her lungs with over 4,000 foreign chemicals, or having to listen to the smoker convince themselves that they can quit whenever they want to. It's… it's hard to quit, I know, it takes a very strong person to quit, but an even stronger person never would've started smoking in the first place. (Audience boos and chants "Hardy") I didn't want to come out here and be the bearer of bad news, but let's face facts: chances are pretty slim that any of you here will ever get the monkey off your back. You'll never be able to pry the cigarette from your lips, or find the self-control to pour your drink from your glass, or the self-respect to take the pill out of your mouth. See, it starts, and it can't happen without learning how to say "no" to temptation, and that's why I'm out here. I'm out here to challenge you before it's too late. Please, learn how to say "no" to temptation, learn how to say "no" to your vices, learn how to control yourself.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

July 24, 2009
Friday Night SmackDown

Life, People, Alcohol, Way

“Life is a campus: in a Greenwich Village bookstore, looking for a New Yorker collection, I asked of an earnest-looking assistant where I might find the humour section. Peering over her granny glasses, she enquired, "Humour studies would that be, sir?"”

Keith Waterhouse (1929–2009) British writer

The Spectator, January 15, 1994

Life, Study

“[…] I observed he [Samuel Johnson] poured a large quantity of it [wine] into a glass, and swallowed it greedily. Everything about his character and manners was forcible and violent; there never was any moderation; many a day did he fast, many a year did he refrain from wine; but when he did eat, it was voraciously; when he did drink wine, it was copiously. He could practise abstinence, but not temperance.”

James Boswell book The Life of Samuel Johnson

March 1781
The Life of Samuel Johnson, LL.D. (1791)

Drink, Wine

“Butter not only wouldn’t melt in this mouth, it wouldn’t go in; one runs away, an urchin in the gutter and glad to be, murmuring: “The Queen of Spain has no legs.” … One’s eyes widen; one sits the poet down in the porch swing, starts to go off to get her a glass of lemonade, and sees her metamorphosed before one’s eyes into a new Critique of Practical Reason.., feminine gender…”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Her Shield”, p. 178
Poetry and the Age (1953)

“I realized, after studying much previous research on the question [of Jesus], that virtually every story in the gospels and Acts can be shown to be very likely a Christian rewrite of material from the Septuagint, Homer, Euripides' Bacchae, and Josephus. …A literary origin is always to be preferred to an historical one in such a case. And that is the choice we have to make in virtually every case of New Testament narrative. […] There may once have been an historical Jesus, but for us there is one no longer. If he existed, he is forever lost behind the stained glass curtain of holy myth. At least that's the current state of the evidence as I see it.”

Robert M. Price (1954) American theologian

[Price, Robert M., w:Robert M. Price, The Quest of the Mythical Jesus, http://www.centerforinquiry.net/jesusproject/articles/the_quest_of_the_mythical_jesus, Jesus Project - Center for Inquiry, Committee for the Scientific Examination of Religion, 28 March 2017] [The Quest of the Mythical Jesus first appeared on the Robert M. Price Myspace page.]

Question, Study

“A car coughed, starting. Morning softly
Melting the air, lifted the half-covered chair
From underseas, kindled the looking-glass,
Distinguished the dresser and the white wall.
The bird called tentatively, whistled, called,
Bubbled and whistled, so! Perplexed, still wet
With sleep, affectionate, hungry and cold. So, so,
O son of man, the ignorant night, the travail
Of early morning, the mystery of the beginning
Again and again,
while history is unforgiven.”

Delmore Schwartz (1913–1966) American poet

"In the Naked Bed, in Plato's Cave" http://www.poemhunter.com/poem/in-the-naked-bed-in-plato-s-cave/ Selected Poems: Summer Knowledge (1959)

Cars, History, Bird, Sleep

“[Claude Lelouch] has always told me : "Madame, you shall be my widow!" I married him thinking that he had learned something from life. Big mistake: he gets married and sires children like he drinks a glass of water! … Claude is a man with an oversized ego. Just as he wishes to always be the master of the situation, he acts like a dictator and everyone has to agree with him. I, on the contrary, always told him the truth…”

Alessandra Martines (1963) Italian dancer and actor

L'ex-femme de Claude Lelouch se livre dans Gala http://www.gala.fr/l_actu/on_ne_parle_que_de_ca/alessandra_martines_pourquoi_j_ai_divorce_186183#xtor=RSS-12, Gala.fr, August 2009.

Life, Children, Truth, Drink

“For tens, and perhaps hundreds, of thousands of years, people regarded language as a holy instrument that let them look out upon the world… Only in the last few decades have people suspected that their window on the world has a glass that gives a distorted view.”

Peter Farb (1929–1980) American academic and writer

Word Play (1974)

People, World

“I have always striven to fix beauty in wood, stone, glass or pottery, in oil or watercolor by using whatever seemed fittest for the expression of beauty, that has been my creed.”

Louis Comfort Tiffany (1848–1933) American stained glass and jewelry designer

The Art Work of Louis C. Tiffany (Doubleday, Page & Co New York, 1916)

Beauty

“One has been led to the conception of electrons, i. e. of extremely small particles, charged with electricity, which are present in immense numbers in all ponderable bodies, and by whose distribution and motions we endeavor to explain all electric and optical phenomena that are not confined to the free ether…. according to our modern views, the electrons in a conducting body, or at least a certain part of them, are supposed to be in a free state, so that they can obey an electric force by which the positive particles are driven in one, and the negative electrons in the opposite direction. In the case of a non-conducting substance, on the contrary, we shall assume that the electrons are bound to certain positions of equilibrium. If, in a metallic wire, the electrons of one kind, say the negative ones, are travelling in one direction, and perhaps those of the opposite kind in the opposite direction, we have to do with a current of conduction, such as may lead to a state in which a body connected to one end of the wire has an excess of either positive or negative electrons. This excess, the charge of the body as a whole, will, in the state of equilibrium and if the body consists of a conducting substance, be found in a very thin layer at its surface.
In a ponderable dielectric there can likewise be a motion of the electrons. Indeed, though we shall think of each of them as haying a definite position of equilibrium, we shall not suppose them to be wholly immovable. They can be displaced by an electric force exerted by the ether, which we conceive to penetrate all ponderable matter… the displacement will immediately give rise to a new force by which the particle is pulled back towards its original position, and which we may therefore appropriately distinguish by the name of elastic force. The motion of the electrons in non-conducting bodies, such as glass and sulphur, kept by the elastic force within certain bounds, together with the change of the dielectric displacement in the ether itself, now constitutes what Maxwell called the displacement current. A substance in which the electrons are shifted to new positions is said to be electrically polarized.
Again, under the influence of the elastic forces, the electrons can vibrate about their positions of equilibrium. In doing so, and perhaps also on account of other more irregular motions, they become the centres of waves that travel outwards in the surrounding ether and can be observed as light if the frequency is high enough. In this manner we can account for the emission of light and heat. As to the opposite phenomenon, that of absorption, this is explained by considering the vibrations that are communicated to the electrons by the periodic forces existing in an incident beam of light. If the motion of the electrons thus set vibrating does not go on undisturbed, but is converted in one way or another into the irregular agitation which we call heat, it is clear that part of the incident energy will be stored up in the body, in other terms [words] that there is a certain absorption. Nor is it the absorption alone that can be accounted for by a communication of motion to the electrons. This optical resonance, as it may in many cases be termed, can likewise make itself felt even if there is no resistance at all, so that the body is perfectly transparent. In this case also, the electrons contained within the molecules will be set in motion, and though no vibratory energy is lost, the oscillating particles will exert an influence on the velocity with which the vibrations are propagated through the body. By taking account of this reaction of the electrons we are enabled to establish an electromagnetic theory of the refrangibility of light, in its relation to the wave-length and the state of the matter, and to form a mental picture of the beautiful and varied phenomena of double refraction and circular polarization.
On the other hand, the theory of the motion of electrons in metallic bodies has been developed to a considerable extent…. important results that have been reached by Riecke, Drude and J. J. Thomson… the free electrons in these bodies partake of the heat-motion of the molecules of ordinary matter, travelling in all directions with such velocities that the mean kinetic energy of each of them is equal to that of a gaseous molecule at the same temperature. If we further suppose the electrons to strike over and over again against metallic atoms, so that they describe irregular zigzag-lines, we can make clear to ourselves the reason that metals are at the same time good conductors of heat and of electricity, and that, as a general rule, in the series of the metals, the two conductivities change in nearly the same ratio. The larger the number of free electrons, and the longer the time that elapses between two successive encounters, the greater will be the conductivity for heat as well as that for electricity.”

Hendrik Lorentz (1853–1928) Dutch physicist

Source: The Theory of Electrons and Its Applications to the Phenomena of Light and Radiant Heat (1916), Ch. I General principles. Theory of free electrons, pp. 8-10

Beauty, Way, Travel, Communication

“I work a lot and I think a lot. I really want to try to paint on glass.. Please will you ask him [mr. architect Taut ] if there are any transparent colors, which one can use to paint on the glass directly... I want to dispose of a new technique in which the artist can paint on the glass directly instead of canvas. When one wants to reach colors spiritually-bright, then a time will come that oil-paint and canvas are no longer suitable... So, if you have time, please ask Mr. Taut if he understands my view and maybe he knows the ways how I can follow my direction.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:)Ich arbeite sehr viel und denke sehr viel. Ich möchte so gern versuchen, auf Glas zu mahlen. .. ..bitte fragen sie ihn dann [Herr Taut] ob es transparante Farbe gibt, womit man gleich auf Glas malen kann. .. ..ich möchte eine neue Technik haben, dass der Künstler so direkt das Glas verwenden kann statt Leinwand. Wenn man die Farben leuchtend geistlich haben will, dann wird es eine Zeit kommen, dass Oelfarben und Leinwand sich dafür nicht mehr eignen.. ..So wenn Sie Zeit haben, fragen Sie dann Herrn Taut ob er meine Idee versteht und vielieich den Weg kennt, den ik gehen müsse.
in a letter to Herwarth Walden, 11 Nov. 1914; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 19
It was not until April 1918 that Jacoba wrote Walden she had decided to submit a series of designs for stained glass windows for the upcoming 'Sturm' exhibition - in April 1919 she sent him ten stained-glass windows, 'Nrs. 12-26'
1910's

Color, Way, Understanding, Thinking

“To Santa Fe
Do you need it?
Can you feel it in the same old way?
I can feel it from the mountain top
Runnin' down to the foamy brine
In a rest'rant 'cross a table top
Looking into a glass of wine
Whispering in the evening breeze
Green leaves glist'ning eucalyptus trees
Can you hear them?
Or get near them?”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Santa Fe/Beautiful Obsession
Song lyrics, Wavelength (1978)

Way, Feeling, Mountain, Tree

“The technique used heavy, spiky pastes made of nothing other than ordinary oil paint, used thick and mixed with sand and gravel. I some cases – but these were the exception – a few miscellaneous objects were stuck into the wet paint, such as bits of string or little pieces of glass or mirror.”

Jean Dubuffet book Prospectus et tous écrits suivants

quote by Dubuffet on his technique, he used in his series Hautes Pâtes, exhibited in 1946
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 428

Past, Painting

“All that we can say, looking at the avocado pit, is that whatever swallowed it must have been big. As big as those fossil skeletons staring out at us from behind the dusty glass of museum cases.”

Roger Swain (1949) American television personality

p. 14 https://books.google.com/books?id=UutGAAAAYAAJ&focus=searchwithinvolume&q=big Field Days: Journal of an Itinerant Biologist (1983)

“I'm addicted to prescription glasses.”

Jay London (1966) American comedian

One-liners

“Not for me. If I want to tune everybody out, I just take off my glasses and enjoy the haze.”

Paul Desmond (1924–1977) American jazz musician

On contact lenses
Unsourced

“The faded photographs
The frames of broken glass
The shattered memories
Time will soon erase all these souvenirs
Falls from a thousand tears
But when I wake up you are never there.”

Anastacia (1968) American singer-songwriter

Pieces of a Dream
Pieces of a Dream (2005)

Tear, Memory, Time

“Looking back on my attitude to the commonly accepted pleasures of life, I can say that I have never set much store by them. I hardly care what I eat, provided it suffices, and I care not at all for wine or spirits. When I was fourteen someone gave me a glass of beer, and I thought it so unpleasant I have never touched beer again. As for cigarettes, I dislike even being in a room where people are smoking. Sex has been of no great consequence to me, and the celibacy of desert life left me untroubled. Marriage would certainly have been a crippling handicap. I have therefore been able to lead the life of my choice with no sense of deprivation. Existence in the desert had a simplicity that I found wholly satisfying; there, everything not a necessity was an encumbrance. It was those three months in the Sahara in 1938 that taught me to appreciate things that most Europeans are able to take for granted: clean water to drink; meat to eat; a warm fire on a cold night; shelter from the rain; above all, tired surrender to sleep.”

Wilfred Thesiger (1910–2003) British explorer

Source: The Life Of My Choice (1987), p. 295.

Life, Marriage, People, Pleasure

“Everything that I saw became something to be made, and it had to be exactly as it was, with nothing added. It was a new freedom: there was no longer the need to compose. The subject was there already made, and I could take from everything. It all belonged to me: a glass roof of a factory, with its broken and patched panels, lines on a road map, a corner of a Braque painting, paper fragments in the street. It was all the same: anything goes.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 10 : Notes from 1969

Freedom, Painting

“Between going and staying the day wavers,
in love with its own transparency.
The circular afternoon is now a bay
where the world in stillness rocks.
All is visible and all elusive,
all is near and can't be touched.
Paper, book, pencil, glass,
rest in the shade of their names.
Time throbbing in my temples repeats
the same unchanging syllable of blood.
The light turns the indifferent wall
into a ghostly theater of reflections.
I find myself in the middle of an eye,
watching myself in its blank stare.
The moment scatters. Motionless,
I stay and go: I am a pause.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Between Going and Staying

Love, Books, World, Light

“Although we weren't able to shatter that highest, hardest glass ceiling this time, thanks to you, it's got about 18 million cracks in it.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Concession speech http://www.nationalpost.com/news/story.html?id=572270, Washington D.C., June 7, 2008. Presidential campaign (January 20, 2007 – 2008)

Time

“The light through the stained glass was cobalt and red.
And the frayed cuffs and collars were mended by halos of golden thread.
The choir sang, "Once Upon a Time There Was An Ocean."
And all the old hymns and family names came fluttering down as leaves of emotion.
As nothing is different, but everything's changed.”

Paul Simon (1941) American musician, songwriter and producer

Once Upon a Time There Was an Ocean
Song lyrics, Surprise (2006)

Family, Light, Change, Time

“Now is the time for celebration, for South Africans to join together to celebrate the birth of democracy. I raise a glass to you all for working so hard to achieve what can only be called a small miracle. Let our celebrations be in keeping with the mood set in the elections, peaceful, respectful and disciplined, showing we are a people ready to assume the responsibilities of government.
I promise that I will do my best to be worthy of the faith and confidence you have placed in me and my organisation, the African National Congress. Let us build the future together, and toast a better life for all South Africans.”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

1990s, Victory speech (1994)

Life, People, Peace, Faith

“At home these men’s works [ Kant, Schiller, Goethe] were kept in the bookcase with the green glass panes in Papa’s study, and Törless knew this bookcase was never opened except to display its contents to a visitor. It was like the shrine of some divinity to which one does not readily draw nigh and which one venerates only because one is glad that thanks to its existence there are certain things one need no longer bother about.”

Robert Musil (1880–1942) Austrian writer

as translated by E. Wilkins and E. Kaiser (1955), p. 115
Young Törless (1966)

Men, Home, Study, Drawing

“World world sister world
When shall I tire of you.
When my bread is dry
When my hand forgets my glass
When the coffin’s boxed me in
Maybe that’s when I’ll be tired of you.
…
Living is despairing
And the dead they rot away”

Herta Müller book The Appointment

Michael Hulse and Philip Boehm translation, Picador 2002, p. 92
The Appointment (1997)

World, Sister, Despair, Dead

“If love were a product, the queue at the faulty goods desk would stretch right round the universe and back. It doesn't work properly. The seams come apart and it's full of powdered glass.”

Charlie Brooker (1971) journalist, broadcaster and writer from England

The Guardian, 25 August 2006, Supposing... It's time to smother romance in its sleep http://www.guardian.co.uk/commentisfree/story/0,,1858034,00.html Guardian columns

Love, Universe

“I'm dedicating my little story to you; doubtless you will be among the very few who will ever read it. It seems war stories aren't very well received at this point. I'm told they're out-dated, untimely and as might be expected - make some unpleasant reading. And, as you have no doubt already perceived, human beings don't like to remember unpleasant things. They gird themselves with the armor of wishful thinking, protect themselves with a shield of impenetrable optimism, and, with a few exceptions, seem to accomplish their "forgetting" quite admirably. But you, my children, I don't want you to be among those who choose to forget. I want you to read my stories and a lot of others like them. I want you to fill your heads with Remarque and Tolstoy and Ernie Pyle. I want you to know what shrapnel, and "88's" and mortar shells and mustard gas mean. I want you to feel, no matter how vicariously, a semblance of the feeling of a torn limb, a burnt patch of flesh, the crippling, numbing sensation of fear, the hopeless emptiness of fatigue. All these things are complimentary to the province of war and they should be taught and demonstrated in classrooms along with the more heroic aspects of uniforms, and flags, and honor and patriotism. I have no idea what your generation will be like. In mine we were to enjoy "Peace in our time". A very well meaning gentleman waved his umbrella and shouted those very words… less than a year before the whole world went to war. But this gentleman was suffering the worldly disease of insufferable optimism. He and his fellow humans kept polishing the rose colored glasses when actually they should have taken them off. They were sacrificing reason and reality for a brief and temporal peace of mind, the same peace of mind that many of my contemporaries derive by steadfastly refraining from remembering the war that came before.”

Rod Serling (1924–1975) American screenwriter

Excerpt from a dedication to an unpublished short story, "First Squad, First Platoon"; from Serling to his as yet unborn children.
Other

War, Children, World, Fear

“Death has shaken out the sands of thy glass.”

John Gardiner Calkins Brainard (1795–1828) American writer

Lament for Long Tom, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Death

“.. even MSJ readers will tire of watching Bill Gates adjust his glasses.”

Paul DiLascia (1959–2008) American software developer

1995/10
About the readers

“The greater part of the time I spent, when I talked at all, talking to men. I liked to take luncheon in some pub or other, sitting on a high stool at the snack-counter, barons of beef, hams, salads and dishes of pickle spread before me, the server in his tall white cap carving with skill. Other male eaters would be wedged against me, champing over newspapers, and there were a peculiar animal content in being among warm silent men, raising glasses in smacking silent toasts to themselves, the automatic ‘ah’ after the draught, the forkful of red beef and mustard pickle. Sitting with my gin or whisky afterwards I would often manage to get into conversation with some lonely man or other – usually an exile like myself – and the talk would be about the world, air-routes and shipping-lines, drinking-places thousands of miles away. Then I felt happy, felt I had come home, because home to people like me is not a place but all places, all places except the one we happen to be in at the moment.”

Anthony Burgess (1917–1993) English writer

Fiction, The Right to an Answer (1960)

Men, People, World, Home

“The letters Z, O and O dominate the front entrance gates of a capital city zoo. They are made of glass and they tower up two giraffes high. They are the width of one elephant and the colour of bottled blue ink.”

Peter Greenaway (1942) British film director

A Zed and Two Noughts

“I am a glass man, but there is no light in me that can shine across the sea. I shall lead no one home, save no lives, not even my own.”

Jeanette Winterson book Lighthousekeeping

Lighthousekeeping (2004)

Home, Light, Sea

“I was tired of painting. So many collectors bought paintings and locked them in bank vaults. The stained-glass windows allowed me to make public art…. One day a woman stopped me in the street to talk to me about Champ-de-Mars metro station. "Whether it's sunny, rainy, or snowing, I love your stained-glass windows at Champ-de-Mars. Those big dancing shapes always warm my heart." That woman was neither a collector nor an art critic, but she understood the meaning I meant to give that work.”

Marcelle Ferron (1924–2001) Canadian artist

Original in French: J'étais dégoûtée de la peinture. Bon nombre de collectionneurs achetaient des tableaux pour les enfermer dans des voûtes de banques. Les verrières m'ont permis de faire de l'art public.... Un jour, une femme m'a abordée dans la rue pour me parler de la station de métro Champ-de-Mars. « Qu'il fasse beau, qu'il pleuve ou qu'il neige, j'adore vos verrières du Champ-de-Mars. Ces grandes formes qui dansent me font chaud au coeur. » Cette femme n'étaient ni une collectionneuse ni une critique d'art, mais elle avait compris le sens que j'avais voulu donner à cette oeuvre.
L'esquisse d'une mémoire, 1996

Love, Art, Heart, Dance

“This is what has Gropius the director made the Bauhaus famous. Not its lamps or its furniture. They are all out of fashion already. But the way of approaching formal problems or material as such, that has made it famous. And the emphasis on material, especially its capacity is my contribution. That was never cleared between us teachers. Kandinsky did what he thought should be done. Klee developed an absolutely different method. Schlemmer developed absolutely something else. Klee was my so-called form master. In the workshops there they had a crafts master and a form master. The crafts master had to direct the practical work, the mechanics of the workshop. And the form master had to develop the, formal qualities. Klee was my form master in the glass workshop. He came to me and never criticized anything. He talked about something else. Never asked about any form problem with the windows I was working on. Never a word. He was too respectful. He was the nicest master I could ask for. He talked about exhibitions. He thought I should exhibit. That's another story. We had a good relationship because we never dealt with the same problems. He didn’t attack our problems. He never brought up a problem.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Way, Fashion, Problem, Teachers

“Folk codes of pride and togetherness, pride in both senses, honor, and togetherness. Ring-fenced emotion permitted only at three o’clock for ninety minutes in the sanctuary of the stadium. Can we march that pride out of the gates and into the streets? Can we harness it? Direct it? Use it for something less stymied by white lines and whistles, that could pour from the terraces and into the oak-and-leather chambers, the steel-and-glass towers?”

Russell Brand book Revolution

Revolution (2014)

Sense

“Friday was the crucifixion Saturday, cremation under glass. The resurrection was on Sunday, no.. correction make it Monday; cause Monday's when they come to take the trash.”

Tod A (1965) American musician

"Bourbon & Division", Get Off the Cross (We Need the Wood for the Fire) (October 22, 1996).
Lyrics, Firewater

“Man is a creature whose evolutionary environment has been the open air. His nerves, muscles, and senses have developed across three million years in contiguity with natural earth, crude stone, live wood, wind, and rain. Now this creature is suddenly--on the geologic scale, instantaneously--shifted to an unnatural environment of metal and glass, plastic and plywood, to which his psychic substrata lack all compatibility. The wonder is not that we have so much mental instability but so little.”

Jack Vance (1916–2013) American mystery and speculative fiction writer

Section 5 (p. 177)
Short fiction, Rumfuddle (1973)

Nature, Sense

“The pavement slabs burn loose beneath my feet,
A chafing savage, down the decent street;
And passion rends my vitals as I pass,
Where boldly shines your shuttered door of glass.”

Claude McKay (1889–1948) Jamaican American writer, poet

The White House, l. 5-8

Passion

“Venus, take my votive glass;
Since I am not what I was,
What from this day I shall be,
Venus, let me never see.”

Matthew Prior (1664–1721) British diplomat, poet

The Lady Who Offers Her Looking-Glass to Venus (1718).

“(On the prospect of Thatcher's death) Be serious - this is just a fantasy, because if she were killed, would it actually make any difference? Would things get any better? Course they wouldn't; don't kid yourself. They'd get worse, because she would become a martyr – this monetarist martyr - a cult figure, like Eva Peron. Can you imagine the televised funeral? There she'd be, laid out in a glass coffin, in the blue gear, the hair-do and all the rest of it. She'd be laying there just really life-like - just like she was in life - a bit warmer. It would be on the telly. You thought Winston Churchill was bad; you can imagine what this would be like. And then, of course, it wouldn't stop at that. There would be films - The Night Brighton Rocked. There'd be musicals. Tim Rice would be churning out the musicals about her life - Magita. There'd be Elaine Page belting out the big numbers: 'Don't Cry for Me, Barnet Finchley”

Linda Smith (1958–2006) comedian

Token Women, 1984
Stand-up

Life, Death, Women, Music

“My first lesson in relativity:.. we had a still life set-up to paint. Suddenly I saw that the pitcher was so big [his hands outside the shape of a pitcher, then close in] and the glass was so big. From that time on everything was all right. [Tobey is remembering his Saturday morning painting class]”

Mark Tobey (1890–1976) American abstract expressionist painter

A Tobey Profile, quoted by Belle Krasne, Art Digest, 26 Oct. 15, 1951
1950's

Life, Time, Painting

“My old lip color could barely keep up with my busy schedule. In the time it takes to notice the wide discrepancy between my salary and that of my male peers, I'd have to reapply! In the seconds to count the number of women in high political office, seated on corporate executive boards and featured in film and television over the age of 40, my lip color would be as invisible as this glass ceiling only inches above my head! L'Oreal. Because I am worth it. And because holding myself to an impossible standard of beauty keeps me from starting a riot!”

Maria Bamford (1970) American actress and comedian

How to WIN! (2006)

Women, Age, Beauty, Color

“Not until all babies are born from glass jars will the combat cease between mother and son.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 19

Baby

“I turned to Brecht and asked him why, if he felt the way he did about Jerome and the other American Communists, he kept on collaborating with them, particularly in view of their apparent approval or indifference to what was happening in the Soviet Union. […] Brecht shrugged his shoulders and kept on making invidious remarks about the American Communist Party and asserted that only the Soviet Union and its Communist Party mattered. […] But I argued… it was the Kremlin and above all Stalin himself who were responsible for the arrest and imprisonment of the opposition and their dependents. It was at this point that he said in words I have never forgotten, 'As for them, the more innocent they are, the more they deserve to be shot.' I was so taken aback that I thought I had misheard him. 'What are you saying?' I asked. He calmly repeated himself, 'The more innocent they are, the more they deserve to be shot.' […] I was stunned by his words. 'Why? Why?' I exclaimed. All he did was smile at me in a nervous sort of way. I waited, but he said nothing after I repeated my question. I got up, went into the next room, and fetched his hat and coat. When I returned, he was still sitting in his chair, holding a drink in his hand. When he saw me with his hat and coat, he looked surprised. He put his glass down, rose, and with a sickly smile took his hat and coat and left. Neither of us said a word. I never saw him again.”

Sidney Hook (1902–1989) American philosopher

Out of Step (1985)

Smile, Way, Drink, Question

“Yesterday I went for the second time to the Crystal Palace. We remained in it about three hours, and I must say I was more struck with it on this occasion than at my first visit. It is a wonderful place – vast, strange, new and impossible to describe. Its grandeur does not consist in one thing, but in the unique assemblage of all things. Whatever human industry has created you find there, from the great compartments filled with railway engines and boilers, with mill machinery in full work, with splendid carriages of all kinds, with harness of every description, to the glass-covered and velvet-spread stands loaded with the most gorgeous work of the goldsmith and silversmith, and the carefully guarded caskets full of real diamonds and pearls worth hundreds of thousands of pounds. It may be called a bazaar or a fair, but it is such a bazaar or fair as Eastern genii might have created. It seems as if only magic could have gathered this mass of wealth from all the ends of the earth – as if none but supernatural hands could have arranged it this, with such a blaze and contrast of colours and marvellous power of effect. The multitude filling the great aisles seems ruled and subdued by some invisible influence. Amongst the thirty thousand souls that peopled it the day I was there not one loud noise was to be heard, not one irregular movement seen; the living tide rolls on quietly, with a deep hum like the sea heard from the distance.”

Charlotte Brontë (1816–1855) English novelist and poet

Charlotte Brontë, on attending The Great Exhibition of 1851. The Brontes' Life and Letters, (by Clement King Shorter) (1907)

People, Soul, Time, Sea

“Perhaps one day, when socialism is the State religion, there will be niches in the temples, with a little lamp in front, and inside, images of the Fathers of the Revolution: Proudhon complete with glasses, Bacunin looking like a bear under his Russian pelts, Karl Marx leaning on his staff – symbolic of the shepherd of souls.”

José Maria Eça de Queiroz book Cartas de Inglaterra

Talvez um dia, quando o socialismo for religião do Estado, se vejam em nichos de templo, com uma lamparina de frente, as imagens dos santos padres da revolução: Proudhon de óculos. Bakunine parecendo um urso sob as suas peles russas, Karl Marx apoiado ao cajado simbólico do pastor de almas tristes.
"Israelismo"; "Israelism" p. 50.
Cartas de Inglaterra (1879–82)

Religion, Soul

“Each dream remembered is a burning-glass,
Where through to darkness from the Light of Lights
Its rays in splendour pass.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

"Day"
By Still Waters (1906)

Dreams, Light

“What a bridge
Of glass I walk upon, over a river
Of certain ruin! Mine own weighty fears
Cracking what should support me: And those helps,
Which confidence yields to others, are from me
Ravish'd by doubts, and wilful jealousy.”

Philip Massinger The Bondman

The Bondman (1623), Act IV, scene iii.

Fear, Jealousy, Confidence, Support

“Call things by their right names… Glass of brandy and water! That is the current but not the appropriate name: ask for a glass of liquid fire and distilled damnation.”

Robert Hall (1764–1831) British Baptist pastor

Gregory's Life of Hall, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "He calls drunkenness an expression identical with ruin", Diogenes Laërtius, Pythagoras, vi. "A drunkard clasp his teeth and not undo 'em, To suffer wet damnation to run through 'em", Cyril Tourneur, The Revenger’s Tragedy, Act iii, Scene 1.

Water

“We went to a club where singers and stand-up comedians performed in the hope of being discovered. A thin girl with bright red hair and sequined T-shirt reached the end of her passionately murmured song on a sudden shrill, impossible top note. All conversation ceased. Someone, perhaps maliciously, dropped a glass. Halfway through, the note became a warbling vibrato and the singer collapsed on the stage in an abject curtsy, arms held stiffly in front of her, fists clenched. Then she sprang to her tiptoes and held her arms high above her head with the palms flat as if to forestall the sporadic and indifferent applause."They all want to be Barbra Streisand or Liza Minnelli," George explained as he sucked a giant cocktail through a pink plastic straw. "But no one's looking for that kind of stuff anymore."”

Ian McEwan book In Between the Sheets

Page 139. (From the seventh and final short story, 'Psychopolis')
In Between the Sheets (1978)

Hope, Girl, Passion, Indifference

“I am an invisible man. No, I am not a spook like those who haunted Edgar Allan Poe; nor am I one of your Hollywood-movie ectoplasms. I am a man of substance, of flesh and bone, fiber and liquids—and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me. Like the bodiless heads you see sometimes in circus sideshows, it is as though I have been surrounded by mirrors of hard, distorting glass. When they approach me they see only my surroundings, themselves, or figments of their imagination—indeed, everything and anything except me.”

Ralph Ellison book Invisible Man

Prologue (opening paragraph of novel).
Invisible Man (1952)

People, Imagination, Understanding

“There is current in our land (and several European countries) at this moment a kind of nit-picking worship of historic im-po-tence. They say, they say, that Bach must not be interpreted and that he must have no emotion, his notes speak for themselves. You want know what that is? Pure unadulterated rot! Bach has the red blood. He has the communion with the people! He has all of this amazing spirit and imagine that you could put all the music on one side of the agenda with his great interpretation and great feeling and put the greatest man of all right up on top of a dusty shelf underneath some glass case in a museum and say that he must not be interpreted! They're full of you know what and they are so untalented that they had to hide behind this thing 'cause they couldn't get in the House of Music any other way!”

Virgil Fox (1912–1980) American musician

Heavy Organ (introduction to the Bach Toccata and Fugue in Dm, BWV 565)

People, Music, Way, Feeling

“For a long time one school of players favored the technique of stating side by side, developing in counterpoint, and finally harmoniously combining two hostile themes or ideas, such as law and freedom, individual and community. In such a Game the goal was to develop both themes or theses with complete equality and impartiality, to evolve out of thesis and antithesis the purest possible synthesis. In general, aside from certain brilliant exceptions, Games with discordant, negative, or skeptical conclusions were unpopular and at times actually forbidden. This followed directly from the meaning the Game had acquired at its height for the players. It represented an elite, symbolic form of seeking for perfection, a sublime alchemy, an approach to that Mind which beyond all images and multiplicities is one within itself — in other words, to God. Pious thinkers of earlier times had represented the life of creatures, say, as a mode of motion toward God, and had considered that the variety of the phenomenal world reached perfection and ultimate cognition only in the divine Unity. Similarly, the symbols and formulas of the Glass Bead Game combined structurally, musically, and philosophically within the framework of a universal language, were nourished by all the sciences and arts, and strove in play to achieve perfection, pure being, the fullness of reality. ”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

Life, God, Hostility, World

“The elite of the universal religions have always substituted belief in the Infinite for the experience of it. We all need God — but only in small and measured doses. Who can look upon the burning bush and not be destroyed in its flames? Who can bear the heaven and hell of each moment blazing in time? Who can shine like a star? And so, for all but a few of the manswarm, the rare ones who are truly human, it is better to glimpse such a miracle through a dark glass or to grasp it through words only.”

David Zindell (1952) American writer

Source: War in Heaven (1998), p. 476

God, Religion, Star, Hell

“Where do you think I was today? I stood straight in front of him (Himmler) for a whole hour and talked, and he… he played with a puzzle the whole time – you know, this glass cube with three balls on the inside… When I finished, he took off his pince-nez, wiped it with a handkerchief – he has a skull even on his handkerchief – and said, "Listen, Ernst! Have you by any chance, ever had a dream, where you're riding in the back of a ragged truck to who knows where, and some monsters are sitting around you?" I didn’t say anything. Then he smiled and said, "Ernst, you know, I know as well as you that no astral exists. But what do you think, if you, and even Canaris, have your own people in 'Annenerbe', shouldn’t I have my own people there as well?" I did not understand what he meant. "Think Ernst, think!" he said. I kept silent. Then he smiled and asked, "Whose man do you think is Kröger?" …Yes, Emma… It seems I'm too simple for all these intrigues… But I know that while the Führer needs me, my heart will keep beating… You know, Emma… Sometimes it seems to me, that it's not me who is alive, but it's the Führer who is living inside me…”

Ernst Kaltenbrunner (1903–1946) Austrian-born senior official of Nazi Germany executed for war crimes

To Emma, recorded by secret spy listening device WS-M/13 located in Kaltenbrunner's bedroom, 1/14/1935. Quoted in "Kröger's Revelation" - by Viktor Pelevin - 1991 - Page 277

People, Smile, Dreams, Understanding

“But now I see I was not plucked for naught,
And after in life's vase
Of glass set while I might survive,
But by a kind hand brought
Alive
To a strange place.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

"I am a parcel of vain strivings tied", st. 6 (1841)

Life

“I wanted an art that was faithful to itself [loyal] and would have nothing to do with the business of creating illusions. I dreamed of painting glasses from which no-one would ever think of drinking, beaches that would be quite unsuitable for bathing, nudes who would be definitively chaste. I wanted an art which in the first place would appear as a representation of the impossible.”

Jean Metzinger (1883–1956) French painter

Cubism was born

Faith, Dreams, Art, Drink

“Museums are my cathedrals. Artifacts in glass cases are my sacred relics. I truly believe I have felt something close to religious fervor inside some of these buildings. I even feel that I have experienced the occasional transcendent moment inside a museum.”

Guy P. Harrison book 50 reasons people give for believing in a god

50 reasons people give for believing in a god (2008)

Feeling

“After a certain age, any new friends we make in our attempt to replace the ones we've lost are like glass eyes, false teeth and wooden legs.”

Nicolas Chamfort (1741–1794) French writer

Les nouveaux amis que nous faisons après un certain âge, et par lesquels nous cherchons à remplacer ceux que nous avons perdus, sont à nos anciens amis ce que les yeux de verre, les dents postiches et les jambes de bois sont aux véritables yeux, aux dents naturelles et aux jambes de chair et d'os.
Maximes et Pensées (Van Bever, Paris :1923), #303
Reflections

Age, Falseness

“In an extreme instance, in which there is a Propervirt of less than 0.9%, the TEXT OF THE PRESENT PROSPECTUS may likewise undergo an ABRUPT change. If, while you are reading these sentences, the words begin to jump about, and the letters quiver and blur, please interrupt your reading for ten or twenty seconds to wipe your glasses, adjust your clothing, or the like, and then start reading AGAIN from the beginning, and NOT JUST from the place where your reading was interrupted, since such a TRANSFORMATION indicates that a correction of DEFICIENCIES is now taking place.”

Stanisław Lem book Imaginary Magnitude

Imaginary Magnitude (1984), p. 86

Change, Reading, Clothes

“Ted, I noted, was very busy - at the pumps, at the glasses behind, the bottles below, the merrily ringing till, like a percussion-player in some modern work who dashes with confidence from xylophone to glockenspiel to triangle to wind-machine to big drum to tambourine.”

Anthony Burgess (1917–1993) English writer

Fiction, The Right to an Answer (1960)

Confidence, Business

“Villages and valleys pass by [Balla viewed during his train voyage to Düsseldorf in July 1912] and with my friend the binoculars [field glasses] I stare into the closest windows; semi-undressed people who wash themselves, bedding on balconies, clean almost empty rooms, a stupendous white shoulder of a women who, with a nude arm opens a door and goes inside.”

Giacomo Balla (1871–1958) Italian artist

quote from a letter to Balla's family, July 1912; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 306, note 34

Women, People, Training