Quotes about glass
page 6

Warren Farrell photo
Charles Cooley photo
Ray Kurzweil photo
Michelle Obama photo
Jorge Luis Borges photo
Stephen Colbert photo

“Sir, pay no attention to the people who say the glass is half empty, because 32% means it's 2/3 empty. There's still some liquid in that glass, is my point. But I wouldn't drink it. The last third is usually backwash.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

White House Correspondents' Association Dinner (2006)

John Buchan photo
Bill McKibben photo
Roy Jenkins photo
Karl Pilkington photo

“If you live in a glass house, don't be chucking stuff about. - Karl interprets the phrase Those who live in glass houses shouldn't throw stones.”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 1 Episode 6
On Sayings

Amy Winehouse photo
John Constable photo

“I paint by all the daylight we have and that is little enough, less perhaps than you have by much… imagine to yourself how a purl must look through a burnt glass.”

John Constable (1776–1837) English Romantic painter

Letter to John Dunthorne, 1801; as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 510
1800s - 1810s

Joseph Joubert photo
Thomas Carlyle photo
John Ruysbroeck photo
Conrad Aiken photo
Jayachamarajendra Wadiyar photo
Elton John photo

“Through a glass eye your throne
Is the one danger zone.
Take me to the pilot for control;
Take me to the pilot of your soul.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Take Me to the Pilot
Song lyrics, Elton John (1970)

John Hegley photo

“My grandmother used to say
before you moan about the muck on someone else's glasses
make sure you're not on about the muck on your own

her glasses were filthy”

John Hegley (1953) British writer, musician and comedian

"Grandma's glasses" (cf: Matthew 7:3 http://en.wikisource.org/wiki/Bible_(King_James)/Matthew#Chapter_7)
Glad To Wear Glasses (1990)

Zia Haider Rahman photo
Marcel Duchamp photo

“To be looked at [from the other side of his art-work 'The Glass'] with one eye, close to, for almost an hour.”

Marcel Duchamp (1887–1968) French painter and sculptor

an inscription in French title, (translated) – instruction of his artwork, 1918; as quoted from 'Looking at Dada' ed. Sarah Blyth / Edward Powers, MoMa museum, New York 2006, p. 13
1915 - 1925

Rachel Maddow photo

“why does accountability keep hitting a glass ceiling?”

Rachel Maddow (1973) American journalist

The Rachel Maddow Show, MSNBC (May 5, 2009)

Ze Frank photo

“Look! A see-through wall of glass!”

Ze Frank (1972) American online performance artist

http://www.zefrank.com/thewiki/the_show:_05-05-06
"The Show" (www.zefrank.com/theshow/)

Morgan Murphy (food critic) photo

“I don't care whether the glass is half full or half empty as long as there's bacon on the plate.”

Morgan Murphy (food critic) (1972) Southern writer

Source: <i>Bourbon & Bacon</i> (2014), p. 213

“The number one cause of alcoholic relapse in winged insects is being trapped in a pint glass with an ashtray.”

Mitch Hedberg (1968–2005) American stand-up comedian

Do You Believe in Gosh?

“We are all asleep in the glass coffin.”

Manfred Kyber (1880–1933) German playwright and translator

The Three Candles of Little Veronica

Charles Perrault photo

“She then gave her a pair of slippers made of glass, the prettiest in the world.”

Charles Perrault (1628–1703) French author

Tales of Mother Goose, 1727, "Cinderella, or the Little Glass Slipper"

Richard Brinsley Sheridan photo
Robert Hooke photo
Anthony Burgess photo
Seamus Heaney photo

“Don't be surprised if I demur, for, be advised
My passport's green.
No glass of ours was ever raised
To toast The Queen.”

Seamus Heaney (1939–2013) Irish poet, playwright, translator, lecturer

An Open Letter (1983), p. 9.
Objecting to his inclusion in The Penguin Book of Contemporary British Poetry.
Other Quotes

Tom Robbins photo
Phil Brooks photo

“I've come out here tonight to challenge you… challenge you, the WWE Universe, into seeing things my way and to learn how to just say "no." See, because the people who cheer for Jeff Hardy are just slaves to the vices associated with his (with quote fingers) "living in the moment." I feel bad for you, I really do. You walk around almost blind and you wear your prescriptions proudly on your sleeves like they were badges of honor. What was it the doctor told you? 'Just take one… every four hours,' right? Aside from myself, there's not a person in this arena who hasn't abused prescription medication or taken a recreational drug. And I know, trust me, it's hard being straight-edge, it's hard to live a straight-edge lifestyle. It's extremely difficult to be me, but what concerns me now is that none of you realize how much more difficult it is to live the life… that you all live. I'm positive nobody in here takes into account the long-term consequences of alcohol on your liver. (Smattering of cheers from audience) See, and you cheer that. That's nothing to cheer. You drink because it's fun, right? (Audience cheers a little louder) Eventually, it's not gonna be fun anymore when it spirals out of control and its no longer… it's no longer fun. Sooner or later, you're just drinking to feel normal. And then there's the smokers. You know, I don't know what's more disgusting–is watching a smoker pollute his/her lungs with over 4,000 foreign chemicals, or having to listen to the smoker convince themselves that they can quit whenever they want to. It's… it's hard to quit, I know, it takes a very strong person to quit, but an even stronger person never would've started smoking in the first place. (Audience boos and chants "Hardy") I didn't want to come out here and be the bearer of bad news, but let's face facts: chances are pretty slim that any of you here will ever get the monkey off your back. You'll never be able to pry the cigarette from your lips, or find the self-control to pour your drink from your glass, or the self-respect to take the pill out of your mouth. See, it starts, and it can't happen without learning how to say "no" to temptation, and that's why I'm out here. I'm out here to challenge you before it's too late. Please, learn how to say "no" to temptation, learn how to say "no" to your vices, learn how to control yourself.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

July 24, 2009
Friday Night SmackDown

James Boswell photo
Robert M. Price photo
Louis Comfort Tiffany photo

“I have always striven to fix beauty in wood, stone, glass or pottery, in oil or watercolor by using whatever seemed fittest for the expression of beauty, that has been my creed.”

Louis Comfort Tiffany (1848–1933) American stained glass and jewelry designer

The Art Work of Louis C. Tiffany (Doubleday, Page & Co New York, 1916)

Hendrik Lorentz photo

“One has been led to the conception of electrons, i. e. of extremely small particles, charged with electricity, which are present in immense numbers in all ponderable bodies, and by whose distribution and motions we endeavor to explain all electric and optical phenomena that are not confined to the free ether…. according to our modern views, the electrons in a conducting body, or at least a certain part of them, are supposed to be in a free state, so that they can obey an electric force by which the positive particles are driven in one, and the negative electrons in the opposite direction. In the case of a non-conducting substance, on the contrary, we shall assume that the electrons are bound to certain positions of equilibrium. If, in a metallic wire, the electrons of one kind, say the negative ones, are travelling in one direction, and perhaps those of the opposite kind in the opposite direction, we have to do with a current of conduction, such as may lead to a state in which a body connected to one end of the wire has an excess of either positive or negative electrons. This excess, the charge of the body as a whole, will, in the state of equilibrium and if the body consists of a conducting substance, be found in a very thin layer at its surface.
In a ponderable dielectric there can likewise be a motion of the electrons. Indeed, though we shall think of each of them as haying a definite position of equilibrium, we shall not suppose them to be wholly immovable. They can be displaced by an electric force exerted by the ether, which we conceive to penetrate all ponderable matter… the displacement will immediately give rise to a new force by which the particle is pulled back towards its original position, and which we may therefore appropriately distinguish by the name of elastic force. The motion of the electrons in non-conducting bodies, such as glass and sulphur, kept by the elastic force within certain bounds, together with the change of the dielectric displacement in the ether itself, now constitutes what Maxwell called the displacement current. A substance in which the electrons are shifted to new positions is said to be electrically polarized.
Again, under the influence of the elastic forces, the electrons can vibrate about their positions of equilibrium. In doing so, and perhaps also on account of other more irregular motions, they become the centres of waves that travel outwards in the surrounding ether and can be observed as light if the frequency is high enough. In this manner we can account for the emission of light and heat. As to the opposite phenomenon, that of absorption, this is explained by considering the vibrations that are communicated to the electrons by the periodic forces existing in an incident beam of light. If the motion of the electrons thus set vibrating does not go on undisturbed, but is converted in one way or another into the irregular agitation which we call heat, it is clear that part of the incident energy will be stored up in the body, in other terms [words] that there is a certain absorption. Nor is it the absorption alone that can be accounted for by a communication of motion to the electrons. This optical resonance, as it may in many cases be termed, can likewise make itself felt even if there is no resistance at all, so that the body is perfectly transparent. In this case also, the electrons contained within the molecules will be set in motion, and though no vibratory energy is lost, the oscillating particles will exert an influence on the velocity with which the vibrations are propagated through the body. By taking account of this reaction of the electrons we are enabled to establish an electromagnetic theory of the refrangibility of light, in its relation to the wave-length and the state of the matter, and to form a mental picture of the beautiful and varied phenomena of double refraction and circular polarization.
On the other hand, the theory of the motion of electrons in metallic bodies has been developed to a considerable extent…. important results that have been reached by Riecke, Drude and J. J. Thomson… the free electrons in these bodies partake of the heat-motion of the molecules of ordinary matter, travelling in all directions with such velocities that the mean kinetic energy of each of them is equal to that of a gaseous molecule at the same temperature. If we further suppose the electrons to strike over and over again against metallic atoms, so that they describe irregular zigzag-lines, we can make clear to ourselves the reason that metals are at the same time good conductors of heat and of electricity, and that, as a general rule, in the series of the metals, the two conductivities change in nearly the same ratio. The larger the number of free electrons, and the longer the time that elapses between two successive encounters, the greater will be the conductivity for heat as well as that for electricity.”

Hendrik Lorentz (1853–1928) Dutch physicist

Source: The Theory of Electrons and Its Applications to the Phenomena of Light and Radiant Heat (1916), Ch. I General principles. Theory of free electrons, pp. 8-10

Jacoba van Heemskerck photo

“I work a lot and I think a lot. I really want to try to paint on glass.. Please will you ask him [mr. architect Taut ] if there are any transparent colors, which one can use to paint on the glass directly... I want to dispose of a new technique in which the artist can paint on the glass directly instead of canvas. When one wants to reach colors spiritually-bright, then a time will come that oil-paint and canvas are no longer suitable... So, if you have time, please ask Mr. Taut if he understands my view and maybe he knows the ways how I can follow my direction.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:)Ich arbeite sehr viel und denke sehr viel. Ich möchte so gern versuchen, auf Glas zu mahlen. .. ..bitte fragen sie ihn dann [Herr Taut] ob es transparante Farbe gibt, womit man gleich auf Glas malen kann. .. ..ich möchte eine neue Technik haben, dass der Künstler so direkt das Glas verwenden kann statt Leinwand. Wenn man die Farben leuchtend geistlich haben will, dann wird es eine Zeit kommen, dass Oelfarben und Leinwand sich dafür nicht mehr eignen.. ..So wenn Sie Zeit haben, fragen Sie dann Herrn Taut ob er meine Idee versteht und vielieich den Weg kennt, den ik gehen müsse.
in a letter to Herwarth Walden, 11 Nov. 1914; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 19
It was not until April 1918 that Jacoba wrote Walden she had decided to submit a series of designs for stained glass windows for the upcoming 'Sturm' exhibition - in April 1919 she sent him ten stained-glass windows, 'Nrs. 12-26'
1910's

Van Morrison photo
Jean Dubuffet photo

“All that we can say, looking at the avocado pit, is that whatever swallowed it must have been big. As big as those fossil skeletons staring out at us from behind the dusty glass of museum cases.”

Roger Swain (1949) American television personality

p. 14 https://books.google.com/books?id=UutGAAAAYAAJ&focus=searchwithinvolume&q=big
Field Days: Journal of an Itinerant Biologist (1983)

“I'm addicted to prescription glasses.”

Jay London (1966) American comedian

One-liners

Paul Desmond photo

“Not for me. If I want to tune everybody out, I just take off my glasses and enjoy the haze.”

Paul Desmond (1924–1977) American jazz musician

On contact lenses
Unsourced

Anastacia photo
Wilfred Thesiger photo
Ellsworth Kelly photo
Octavio Paz photo
Hillary Clinton photo

“Although we weren't able to shatter that highest, hardest glass ceiling this time, thanks to you, it's got about 18 million cracks in it.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Concession speech http://www.nationalpost.com/news/story.html?id=572270, Washington D.C., June 7, 2008.
Presidential campaign (January 20, 2007 – 2008)

Paul Simon photo
Nelson Mandela photo
Robert Musil photo
Herta Müller photo
Charlie Brooker photo

“If love were a product, the queue at the faulty goods desk would stretch right round the universe and back. It doesn't work properly. The seams come apart and it's full of powdered glass.”

Charlie Brooker (1971) journalist, broadcaster and writer from England

The Guardian, 25 August 2006, Supposing... It's time to smother romance in its sleep http://www.guardian.co.uk/commentisfree/story/0,,1858034,00.html
Guardian columns

Rod Serling photo

“I'm dedicating my little story to you; doubtless you will be among the very few who will ever read it. It seems war stories aren't very well received at this point. I'm told they're out-dated, untimely and as might be expected - make some unpleasant reading. And, as you have no doubt already perceived, human beings don't like to remember unpleasant things. They gird themselves with the armor of wishful thinking, protect themselves with a shield of impenetrable optimism, and, with a few exceptions, seem to accomplish their "forgetting" quite admirably. But you, my children, I don't want you to be among those who choose to forget. I want you to read my stories and a lot of others like them. I want you to fill your heads with Remarque and Tolstoy and Ernie Pyle. I want you to know what shrapnel, and "88's" and mortar shells and mustard gas mean. I want you to feel, no matter how vicariously, a semblance of the feeling of a torn limb, a burnt patch of flesh, the crippling, numbing sensation of fear, the hopeless emptiness of fatigue. All these things are complimentary to the province of war and they should be taught and demonstrated in classrooms along with the more heroic aspects of uniforms, and flags, and honor and patriotism. I have no idea what your generation will be like. In mine we were to enjoy "Peace in our time". A very well meaning gentleman waved his umbrella and shouted those very words… less than a year before the whole world went to war. But this gentleman was suffering the worldly disease of insufferable optimism. He and his fellow humans kept polishing the rose colored glasses when actually they should have taken them off. They were sacrificing reason and reality for a brief and temporal peace of mind, the same peace of mind that many of my contemporaries derive by steadfastly refraining from remembering the war that came before.”

Rod Serling (1924–1975) American screenwriter

Excerpt from a dedication to an unpublished short story, "First Squad, First Platoon"; from Serling to his as yet unborn children.
Other

John Gardiner Calkins Brainard photo

“Death has shaken out the sands of thy glass.”

John Gardiner Calkins Brainard (1795–1828) American writer

Lament for Long Tom, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“.. even MSJ readers will tire of watching Bill Gates adjust his glasses.”

Paul DiLascia (1959–2008) American software developer

1995/10
About the readers

Anthony Burgess photo
Peter Greenaway photo
Jeanette Winterson photo

“I was tired of painting. So many collectors bought paintings and locked them in bank vaults. The stained-glass windows allowed me to make public art…. One day a woman stopped me in the street to talk to me about Champ-de-Mars metro station. "Whether it's sunny, rainy, or snowing, I love your stained-glass windows at Champ-de-Mars. Those big dancing shapes always warm my heart." That woman was neither a collector nor an art critic, but she understood the meaning I meant to give that work.”

Marcelle Ferron (1924–2001) Canadian artist

Original in French: J'étais dégoûtée de la peinture. Bon nombre de collectionneurs achetaient des tableaux pour les enfermer dans des voûtes de banques. Les verrières m'ont permis de faire de l'art public.... Un jour, une femme m'a abordée dans la rue pour me parler de la station de métro Champ-de-Mars. « Qu'il fasse beau, qu'il pleuve ou qu'il neige, j'adore vos verrières du Champ-de-Mars. Ces grandes formes qui dansent me font chaud au coeur. » Cette femme n'étaient ni une collectionneuse ni une critique d'art, mais elle avait compris le sens que j'avais voulu donner à cette oeuvre.
L'esquisse d'une mémoire, 1996

Russell Brand photo
Tod A photo

“Friday was the crucifixion Saturday, cremation under glass. The resurrection was on Sunday, no.. correction make it Monday; cause Monday's when they come to take the trash.”

Tod A (1965) American musician

"Bourbon & Division", Get Off the Cross (We Need the Wood for the Fire) (October 22, 1996).
Lyrics, Firewater

Jack Vance photo
Claude McKay photo
Matthew Prior photo

“Venus, take my votive glass;
Since I am not what I was,
What from this day I shall be,
Venus, let me never see.”

Matthew Prior (1664–1721) British diplomat, poet

The Lady Who Offers Her Looking-Glass to Venus (1718).

Mark Tobey photo
Maria Bamford photo
Camille Paglia photo

“Not until all babies are born from glass jars will the combat cease between mother and son.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 19

“I turned to Brecht and asked him why, if he felt the way he did about Jerome and the other American Communists, he kept on collaborating with them, particularly in view of their apparent approval or indifference to what was happening in the Soviet Union. […] Brecht shrugged his shoulders and kept on making invidious remarks about the American Communist Party and asserted that only the Soviet Union and its Communist Party mattered. […] But I argued… it was the Kremlin and above all Stalin himself who were responsible for the arrest and imprisonment of the opposition and their dependents. It was at this point that he said in words I have never forgotten, 'As for them, the more innocent they are, the more they deserve to be shot.' I was so taken aback that I thought I had misheard him. 'What are you saying?' I asked. He calmly repeated himself, 'The more innocent they are, the more they deserve to be shot.' […] I was stunned by his words. 'Why? Why?' I exclaimed. All he did was smile at me in a nervous sort of way. I waited, but he said nothing after I repeated my question. I got up, went into the next room, and fetched his hat and coat. When I returned, he was still sitting in his chair, holding a drink in his hand. When he saw me with his hat and coat, he looked surprised. He put his glass down, rose, and with a sickly smile took his hat and coat and left. Neither of us said a word. I never saw him again.”

Sidney Hook (1902–1989) American philosopher

Out of Step (1985)

Charlotte Brontë photo

“Yesterday I went for the second time to the Crystal Palace. We remained in it about three hours, and I must say I was more struck with it on this occasion than at my first visit. It is a wonderful place – vast, strange, new and impossible to describe. Its grandeur does not consist in one thing, but in the unique assemblage of all things. Whatever human industry has created you find there, from the great compartments filled with railway engines and boilers, with mill machinery in full work, with splendid carriages of all kinds, with harness of every description, to the glass-covered and velvet-spread stands loaded with the most gorgeous work of the goldsmith and silversmith, and the carefully guarded caskets full of real diamonds and pearls worth hundreds of thousands of pounds. It may be called a bazaar or a fair, but it is such a bazaar or fair as Eastern genii might have created. It seems as if only magic could have gathered this mass of wealth from all the ends of the earth – as if none but supernatural hands could have arranged it this, with such a blaze and contrast of colours and marvellous power of effect. The multitude filling the great aisles seems ruled and subdued by some invisible influence. Amongst the thirty thousand souls that peopled it the day I was there not one loud noise was to be heard, not one irregular movement seen; the living tide rolls on quietly, with a deep hum like the sea heard from the distance.”

Charlotte Brontë (1816–1855) English novelist and poet

Charlotte Brontë, on attending The Great Exhibition of 1851. The Brontes' Life and Letters, (by Clement King Shorter) (1907)

José Maria Eça de Queiroz photo

“Perhaps one day, when socialism is the State religion, there will be niches in the temples, with a little lamp in front, and inside, images of the Fathers of the Revolution: Proudhon complete with glasses, Bacunin looking like a bear under his Russian pelts, Karl Marx leaning on his staff – symbolic of the shepherd of souls.”

Talvez um dia, quando o socialismo for religião do Estado, se vejam em nichos de templo, com uma lamparina de frente, as imagens dos santos padres da revolução: Proudhon de óculos. Bakunine parecendo um urso sob as suas peles russas, Karl Marx apoiado ao cajado simbólico do pastor de almas tristes.
"Israelismo"; "Israelism" p. 50.
Cartas de Inglaterra (1879–82)

George William Russell photo

“Each dream remembered is a burning-glass,
Where through to darkness from the Light of Lights
Its rays in splendour pass.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

"Day"
By Still Waters (1906)

Philip Massinger photo
Robert Hall photo

“Call things by their right names… Glass of brandy and water! That is the current but not the appropriate name: ask for a glass of liquid fire and distilled damnation.”

Robert Hall (1764–1831) British Baptist pastor

Gregory's Life of Hall, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "He calls drunkenness an expression identical with ruin", Diogenes Laërtius, Pythagoras, vi. "A drunkard clasp his teeth and not undo 'em, To suffer wet damnation to run through 'em", Cyril Tourneur, The Revenger’s Tragedy, Act iii, Scene 1.

Ian McEwan photo
Ralph Ellison photo
Hermann Hesse photo

“For a long time one school of players favored the technique of stating side by side, developing in counterpoint, and finally harmoniously combining two hostile themes or ideas, such as law and freedom, individual and community. In such a Game the goal was to develop both themes or theses with complete equality and impartiality, to evolve out of thesis and antithesis the purest possible synthesis. In general, aside from certain brilliant exceptions, Games with discordant, negative, or skeptical conclusions were unpopular and at times actually forbidden. This followed directly from the meaning the Game had acquired at its height for the players. It represented an elite, symbolic form of seeking for perfection, a sublime alchemy, an approach to that Mind which beyond all images and multiplicities is one within itself — in other words, to God. Pious thinkers of earlier times had represented the life of creatures, say, as a mode of motion toward God, and had considered that the variety of the phenomenal world reached perfection and ultimate cognition only in the divine Unity. Similarly, the symbols and formulas of the Glass Bead Game combined structurally, musically, and philosophically within the framework of a universal language, were nourished by all the sciences and arts, and strove in play to achieve perfection, pure being, the fullness of reality. ”

The Glass Bead Game (1943)

Ernst Kaltenbrunner photo

“Where do you think I was today? I stood straight in front of him (Himmler) for a whole hour and talked, and he… he played with a puzzle the whole time – you know, this glass cube with three balls on the inside… When I finished, he took off his pince-nez, wiped it with a handkerchief – he has a skull even on his handkerchief – and said, "Listen, Ernst! Have you by any chance, ever had a dream, where you're riding in the back of a ragged truck to who knows where, and some monsters are sitting around you?" I didn’t say anything. Then he smiled and said, "Ernst, you know, I know as well as you that no astral exists. But what do you think, if you, and even Canaris, have your own people in 'Annenerbe', shouldn’t I have my own people there as well?" I did not understand what he meant. "Think Ernst, think!" he said. I kept silent. Then he smiled and asked, "Whose man do you think is Kröger?" …Yes, Emma… It seems I'm too simple for all these intrigues… But I know that while the Führer needs me, my heart will keep beating… You know, Emma… Sometimes it seems to me, that it's not me who is alive, but it's the Führer who is living inside me…”

Ernst Kaltenbrunner (1903–1946) Austrian-born senior official of Nazi Germany executed for war crimes

To Emma, recorded by secret spy listening device WS-M/13 located in Kaltenbrunner's bedroom, 1/14/1935. Quoted in "Kröger's Revelation" - by Viktor Pelevin - 1991 - Page 277

Henry David Thoreau photo

“But now I see I was not plucked for naught,
And after in life's vase
Of glass set while I might survive,
But by a kind hand brought
Alive
To a strange place.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

"I am a parcel of vain strivings tied", st. 6 (1841)

Jean Metzinger photo
Guy P. Harrison photo
Nicolas Chamfort photo

“After a certain age, any new friends we make in our attempt to replace the ones we've lost are like glass eyes, false teeth and wooden legs.”

Nicolas Chamfort (1741–1794) French writer

Les nouveaux amis que nous faisons après un certain âge, et par lesquels nous cherchons à remplacer ceux que nous avons perdus, sont à nos anciens amis ce que les yeux de verre, les dents postiches et les jambes de bois sont aux véritables yeux, aux dents naturelles et aux jambes de chair et d'os.
Maximes et Pensées (Van Bever, Paris :1923), #303
Reflections

Stanisław Lem photo
Anthony Burgess photo
Chuck Palahniuk photo
John Calvin photo