Quotes about glass
page 5

Marcel Duchamp photo
Pete Doherty photo
Brian W. Aldiss photo
Paul Laurence Dunbar photo
Robert M. Price photo

“I find myself more and more attracted to the theory, once vigorously debated by scholars, now smothered by tacit consent, that there was no historical Jesus lying behind the stained glass of the gospel mythology.”

Robert M. Price (1954) American theologian

[Price, Robert M., w:Robert M. Price, Christ a Fiction, https://infidels.org/library/modern/robert_price/fiction.html, 27 November 2016, 1997]

Fred Allen photo
Michelle Obama photo
Alfred Noyes photo
Jeffrey Moussaieff Masson photo
Stig Dagerman photo
Donnie Dunagan photo
Maria Nikiforova photo

“Cossacks, I must tell you that you are the butchers of the Russian workers. Will you continue to be so in the future, or will you acknowledge your own wickedness and join the ranks of the oppressed? Up to now you have shown no respect for the poor workers. For one of the tsar's rubles or a glass of wine, you have nailed them living to the cross.”

Maria Nikiforova (1885–1919) Revolutionary, anarchist

Speech to cossack cavalry loyal to the White movement.
[harv, Archibald, Malcolm, http://www.nestormakhno.info/english/marusya.htm, Atamansha: the Story of Maria Nikiforova, the Anarchist Joan of Arc, Black Cat Press, Dublin, 19, 2007, 9780973782707, 239359065]

“[Scripture], by which, “as in a glass, we may survey ourselves, and know what manner of persons we are,” (James 1. 23) discovers ourselves to us; pierces into the inmost recesses of the mind; strips off every disguise; lays open the inward part; makes a strict scrutiny into the very soul and spirit; and critically judges of the thoughts and intents of the heart. (Heb. iv. 12) It shows us with what exactness and care we are to search and try our spirits, examine ourselves, and watch our ways, and keep our hearts, in order to acquire this important self-science; which it often calls us to do. “Examine yourselves; prove your own selves; know you not yourselves? Let a man examine himself.” (1 Cor. xi. 28) Our Saviour upbraids his disciples with their self-ignorance, in not “knowing what manner of spirits they were of.” (Luke ix. 55) And, saith the apostle, “If a man (through self-ignorance) thinketh himself to be something, when he is nothing, he deceiveth himself. But let every man prove his work, and then shall he have rejoicing in himself, and not another.” (Gal. vi. 3, 4) Here we are commanded, instead of judging others, to judge ourselves; and to avoid the. inexcusable rashness of condemning others for the very crimes we ourselves are guilty of, (Rom. ii. 1, 21, 22) which a self-ignorant man is very apt to do; nay, to be more offended at a small blemish in another's character, than at a greater in his own; which folly, self-ignorance, and hypocrisy, our Saviour, with just severity, animadverts upon. (Mat. vii. 3-5) And what stress was laid upon this under the Old Testament dispensation appears sufficiently from those expressions. "Keep thy heart with all diligence." (Prov. iv. 23) "Commune with your own heart." (Psal. iv. 4) "Search me, O God, and know my heart; try me, and know my thoughts." (Psal. cxxxix. 23) "Examine me, O Lord, and prove me; try my reins and my heart." (Psal. xxvi. 2) "Let us search and try our ways." (Lam. iii. 4) "Recollect, recollect yourselves, O "nation not desired."”

John Mason (1706–1763) English Independent minister and author

Zeph. ii. 1
A Treatise on Self-Knowledge (1745)

Thomas Fuller (writer) photo

“6472. Nothing more smooth than Glass, yet nothing more brittle;
Nothing more fine than Wit, yet nothing more fickle.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Kent Hovind photo
Anastacia photo
Pete Yorn photo

“Saw my reflection, covered in glass.
How It reminds me of you.”

Pete Yorn (1974) American musician

Turn Of The Century
Song lyrics

“Rafe turned up looking like the glass of fashion and the mold of form.”

Hulbert Footner (1879–1944) Canadian writer

Murderer's Vanity, p. 16 (1940).

Donald J. Trump photo

“I see Rick Perry the other day. … He's doing very poorly in the polls. He put on glasses so people will think he's smart. And it just doesn't work! You know people can see through the glasses!”

Donald J. Trump (1946) 45th President of the United States of America

2015-07-21
Trump Campaign Statement on Rick Perry
NPR
http://www.npr.org/sections/itsallpolitics/2015/07/21/424994751/the-best-insults-of-the-trump-kickoff-speech
2010s, 2015

George W. Bush photo
Rick Santorum photo

“Marriage is what marriage is. Marriage existed before there was a government. It's like, you know, handing up this and saying this glass of water is a glass of beer. Well, you can call it a glass of beer, but it's not a glass of beer. It's a glass of water. And water is what water is. Marriage is what marriage is.”

Rick Santorum (1958) American politician

Santorum: Marriage Is Like Water, Not Beer
2011-08-09
Think Progress LGBT
Think Progress
Igor
Volsky
http://thinkprogress.org/lgbt/2011/08/09/292121/santorum-marriage-is-like-water-not-beer/
2011-08-28

Henry Mazer photo

“You can’t just take kids off the streets, put them in a hall, and expect them to know how to react…. During my first season, while I was conducting a youth concert, one kid went through a plate glass window and two bathrooms were totally destroyed…”

Henry Mazer (1918–2002) American conductor

As quoted in Rosenberg, Deena and Rosenberg, Bernard (1979). The Music Makers, New York: Columbia University Press, 1st ed., pg. 326, ISBN  0231039530.
Then-Chicago Symphony Orchestra Associate Conductor Henry Mazer and director of its youth concerts in March 1975 on Youth Musical Education in the Chicago Public Schools.

Leo Tolstoy photo
John Fante photo
Steve Sailer photo
Anthony Burgess photo
Rufus Wainwright photo
Stephen Fry photo

“A cut glass English accent can fool unsuspecting Americans into detecting a brilliance that isn't there.”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

2010s

Charles Lamb photo
Rembrandt van Rijn photo

“.. in order to etch, take white turpentine oil, and add half the turpentine to it; pour the mixture into a small glass bottle and let it boil in pure [? ] water for half an hour.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Rembrandt's 'recipe for a stopping-out varnish' on the verso of a drawing 'Landcape with a River and Trees', undated, c. 1654-55; (Benesch 1351) http://remdoc.huygens.knaw.nl/#/document/remdoc/e12886
It is evident that Rembrandt refers (alas fragmentarily) to a so-called 'stopping-out varnish', used to terminate the bite of acid in select areas of a plate that had already been exposed to the etching agent. Thus other portions will remain exposed to the acid to deepen the bite. Also Samuel van Hoogstraten, the first student of Rembrandt in Amsterdam, mentions the use of such a varnish in his 'Inleyding tot de Hooge Schoolde der Schilderkunst', Middelburg 1671 / Rotterdam 1678
1640 - 1670

Marie-Louise von Franz photo
Amy Lowell photo
Iain Banks photo
Peter Greenaway photo
Paul Krugman photo
Bill Engvall photo
P.G. Wodehouse photo
Richard Rodríguez photo
Newton Lee photo
Martin Luther King, Jr. photo

“I must say that when my Southern Christian Leadership Conference began its work in Birmingham, we encountered numerous Negro church reactions that had to be overcome. Negro ministers were among other Negro leaders who felt they were being pulled into something that they had not helped to organize. This is almost always a problem. Negro community unity was the first requisite if our goals were to be realized. I talked with many groups, including one group of 200 ministers, my theme to them being that a minister cannot preach the glories of heaven while ignoring social conditions in his own community that cause men an earthly hell. I stressed that the Negro minister had particular freedom and independence to provide strong, firm leadership, and I asked how the Negro would ever gain freedom without his minister's guidance, support and inspiration. These ministers finally decided to entrust our movement with their support, and as a result, the role of the Negro church today, by and large, is a glorious example in the history of Christendom. For never in Christian history, within a Christian country, have Christian churches been on the receiving end of such naked brutality and violence as we are witnessing here in America today. Not since the days of the Christians in the catacombs has God's house, as a symbol, weathered such attack as the Negro churches.
I shall never forget the grief and bitterness I felt on that terrible September morning when a bomb blew out the lives of those four little, innocent girls sitting in their Sunday-school class in the 16th Street Baptist Church in Birmingham. I think of how a woman cried out, crunching through broken glass, "My God, we're not even safe in church!" I think of how that explosion blew the face of Jesus Christ from a stained-glass window. It was symbolic of how sin and evil had blotted out the life of Christ. I can remember thinking that if men were this bestial, was it all worth it? Was there any hope? Was there any way out?… time has healed the wounds -- and buoyed me with the inspiration of another moment which I shall never forget: when I saw with my own eyes over 3000 young Negro boys and girls, totally unarmed, leave Birmingham's 16th Street Baptist Church to march to a prayer meeting -- ready to pit nothing but the power of their bodies and souls against Bull Connor's police dogs, clubs and fire hoses. When they refused Connor's bellowed order to turn back, he whirled and shouted to his men to turn on the hoses. It was one of the most fantastic events of the Birmingham story that these Negroes, many of them on their knees, stared, unafraid and unmoving, at Connor's men with the hose nozzles in their hands. Then, slowly the Negroes stood up and advanced, and Connor's men fell back as though hypnotized, as the Negroes marched on past to hold their prayer meeting. I saw there, I felt there, for the first time, the pride and the power of nonviolence.
Another time I will never forget was one Saturday night, late, when my brother telephoned me in Atlanta from Birmingham -- that city which some call "Bombingham" -- which I had just left. He told me that a bomb had wrecked his home, and that another bomb, positioned to exert its maximum force upon the motel room in which I had been staying, had injured several people. My brother described the terror in the streets as Negroes, furious at the bombings, fought whites. Then, behind his voice, I heard a rising chorus of beautiful singing: "We shall overcome."”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

Tears came into my eyes that at such a tragic moment, my race still could sing its hope and faith.
Interview in Playboy (January 1965) https://web.archive.org/web/20080706183244/http://www.playboy.com/arts-entertainment/features/mlk/04.html
1960s

James Allen photo

“Mind is the Master power that moulds and makes,
And Man is Mind, and evermore he takes
The tool of Thought, and, shaping what he wills,
Brings forth a thousand joys, a thousand ills: —
He thinks in secret, and it comes to pass:
Environment is but his looking-glass.”

James Allen (1864–1912) British philosophical writer

As A Man Thinketh (1902)
Variant: Mind is the Master Power that molds and makes, And we are mind. And ever more we take the tool of thought, and shaping what we will, bring forth a thousand joys, or a thousand ills. We think in secret, and it comes to pass, environment, is but our looking glass.

Paul Bourget photo

“Well, you must now imagine my friend at my age or almost there. You must picture him growing gray, tired of life and convinced that he had at last discovered the secret of peace. At this time he met, while visiting some relatives in a country house, a mere girl of twenty, who was the image, the haunting image of her whom he had hoped to marry thirty years before. It was one of those strange resemblances which extend from the color of the eyes to the 'timbre' of the voice, from the smile to the thought, from the gestures to the finest feelings of the heart. I could not, in a few disjointed phrases describe to you the strange emotions of my friend. It would take pages and pages to make you understand the tenderness, both present and at the same time retrospective, for the dead through the living; the hypnotic condition of the soul which does not know where dreams and memories end and present feeling begins; the daily commingling of the most unreal thing in the world, the phantom of a lost love, with the freshest, the most actual, the most irresistibly naïve and spontaneous thing in it, a young girl. She comes, she goes, she laughs, she sings, you go about with her in the intimacy of country life, and at her side walks one long dead. After two weeks of almost careless abandon to the dangerous delights of this inward agitation imagine my friend entering by chance one morning one of the less frequented rooms of the house, a gallery, where, among other pictures, hung a portrait of himself, painted when he was twenty-five. He approaches the portrait abstractedly. There had been a fire in the room, so that a slight moisture dimmed the glass which protected the pastel, and on this glass, because of this moisture, he sees distinctly the trace of two lips which had been placed upon the eyes of the portrait, two small delicate lips, the sight of which makes his heart beat. He leaves the gallery, questions a servant, who tells him that no one but the young woman he has in mind has been in the room that morning.”

Paul Bourget (1852–1935) French writer

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love

Henry Adams photo
Amitabh Bachchan photo
John Banville photo
Edgar Degas photo

“Draw all kind of everyday object placed, in such a way that they have in them the life of the man or woman – corsets that have just been removed, for example, and which retain the form of the body. Do a series in aquatint on mourning, different blacks – black veils of deep mourning floating on the face – black gloves – mourning carriages, undertaker’s vehicles – carriages like Venetian gondolas. On smoke – smoker’s smoke, pipes, cigarettes, cigars – smoke from locomotives, from tall factory chimneys, from steam boats, etc. On evening – infinite variety of subjects in cafes, different tones of glass robes reflected in the mirrors. On bakery, bread. Series of baker's boys, seen in the cellar itself or through the basement windows from the street – backs the colour of the pink flour – beautiful curves of dough – still-life's of different breads, large, oval, long, round, etc. Studies in color of the yellows, pinks, grays, whites of bread…… Neither monuments nor houses have ever been done from below, close up as they appear when you walk down the street. [a working note in which Degas planned series of views of modern Paris, the same time when he sketched the backstreet brothels, making graphic unflinching and even his realistic 'pornographic' sketches he called his 'glimpses through the keyhole', in which he also experimented with perspectives]”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebooks; Clarendon Press, Oxford 1976, nos 30 & 34 circa 1877; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 182
quotes, undated

Philip Roth photo
Baruch Spinoza photo
Letitia Elizabeth Landon photo
Mark Rothko photo
Letitia Elizabeth Landon photo

“Love is like the glass,
That throws its own rich colour over all,
And makes all beautiful.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Roland's Tower
The Improvisatrice (1824)

“The notion that you need animal food as protein is one of the great conspiracies of bullshit by the government. Did we not all grow up saying we had to have four glasses of whole milk a day for healthy bones? It’s ridiculous. It’s liquid cholesterol.”

"Steve Wynn: Viva Las Vegan", interview with the Las Vegas Weekly (4 November 2010) https://lasvegasweekly.com/dining/2010/nov/04/steve-wynn-viva-las-vegan/.

Jehst photo
Herman Kahn photo
Dante Gabriel Rossetti photo
Robert M. Price photo

“Is it …possible that beneath and behind the stained-glass curtain of Christian legend stands the dim figure of a historical founder of Christianity? Yes, it is possible, perhaps just a tad more likely than that there was a historical Moses, about as likely as there having been a historical Apollonius of Tyana. But it becomes almost arbitrary to think so.”

Robert M. Price (1954) American theologian

[Price, Robert M., w:Robert M. Price, Of Myth and Men: A Closer Look at the Originators of the Major Religions - What Did They Really Say and Do?, Free Inquiry magazine, December 31, 1999, 20, 1, http://www.secularhumanism.org/index.php/articles/2756]

Kris Roe photo
Natalie Merchant photo
Richard Hovey photo
Gary Oldman photo
David Miscavige photo

“Scientology is now run by David Miscavige, 31, a high school dropout and second-generation church member. Defectors describe him as cunning, ruthless and so paranoid about perceived enemies that he kept plastic wrap over his glass of water.”

David Miscavige (1960) leader of the Church of Scientology

[Richard, Behar, Richard Behar, http://www.time.com/time/magazine/article/0,9171,972865,00.html, The Thriving Cult of Greed and Power, Time, May 6, 1991, 2010-07-03].
About

Jack Vance photo
James K. Morrow photo
Dahr Jamail photo

“At the height of the sectarian bloodletting in 2006, 2007, there were over four million refugees, roughly half of them in the country, half of them who had fled the country, largely to Syria and to Jordan. To this day, according to official areas, seeking refuge. So, they’re not getting really any help whatsoever from the government. They’re living in horrible situations. And it was really a poignant thing to witness, Amy, because despite these people living in really difficult conditions, oftentimes living amongst giant piles of garbage, you walk in, and as per Iraqi Arab custom, you’re offered a drink, although even in so many of these cases people only had literally a glass of water that they could—they could offer you, despite the fact that they’re living with no government assistance and help, and basically no hope for a future, of “Where are we going to go from here? How is the situation in any way going to improve for us?” when things look so bleak, with a government in gridlock, and it looking like we’re poised for another massive increase in sectarian violence.”

Dahr Jamail (1968) American journalist

When things look so bleak, with a government in gridlock, and it looking like we’re poised for another massive increase in sectarian violence.
Ten Years Later, U.S. Has Left Iraq with Mass Displacement & Epidemic of Birth Defects, Cancers https://www.democracynow.org/2013/3/20/ten_years_later_us_has_left (March 20, 2013), '.

John Steinbeck photo

“Mr. Pritchard was a businessman, president of a medium-sized corporation. He was never alone. His business was conducted by groups of men like himself who joined together in clubs so that no foreign element or idea could enter. His religious life was again his lodge and his church, both of which were screened and protected. One night a week he played poker with men so exactly like himself that the game was fairly even, and from this fact his group was convinced that they were very fine poker players. Wherever he went he was not one man but a unit in a corporation, a unit in a club, in a lodge, in a church, in a political party. His thoughts and ideas were never subjected to criticism since he willingly associated only with people like himself. He read a newspaper written by and for his group. The books that came into his house were chosen by a committee which deleted material that might irritate him. He hated foreign countries and foreigners because it was difficult to find his counterpart in them. He did not want to stand out from his group. He would like to have risen to the top of it and be admired by it; but it would not occur to him to leave it. At occasional stags where naked girls danced on the tables and sat in great glasses of wine, Mr. Pritchard howled with laughter and drank the wine, but five hundred Mr. Pritchards were there with him.”

Source: The Wayward Bus (1947), Ch. 3

Phil Brooks photo

“Maybe the ghosts have a glass ceiling? Break through that glass ceiling ghosts! I plan to.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Ghost Hunters. October 31, 2006.
In reference to moving up the World Wrestling Entertainment roster, despite a lack of a conventional wrestling physique.
Ghost Hunters

John Crowley photo
Pete Doherty photo

“Broken glass. It's just like glitter, isn't it?”

Pete Doherty (1979) English musician, writer, actor, poet and artist

NME (New Musical Express), November 2005
Definitions and objects

Arshile Gorky photo
KT Tunstall photo

“I had that Paul McKenna come up to me once and he said, 'I love that song of yours about bicycles.' So I said to McKenna, 'And I loved the stunt you did in that glass box above the Thames.”

KT Tunstall (1975) Scottish singer-songwriter and guitarist

contactmusic.com quote http://www.contactmusic.com/news.nsf/article/tunstall%20hates%20melua%20comparison_1041625 24 August 2007.

Ray Comfort photo
Edward Thomas photo

“I built myself a house of glass:
It took me years to make it:
And I was proud. But now, alas!
Would God someone would break it.”

Edward Thomas (1878–1917) Poet and journalist

"I Built Myself a House of Glass", line 1, cited from Collected Poems (Oxford: Clarendon Press, 1978) p. 215.

Charles Stuart Calverley photo
George Herbert photo

“Drink not the third glass, which thou canst not tame,
When once it is within thee.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

The Temple (1633), The Church Porch

Alfred Noyes photo
Graham Greene photo
Peter Greenaway photo
Janeane Garofalo photo

“I guess I just prefer to see the dark side of things. The glass is always half empty. And cracked. And I just cut my lip on it. And chipped a tooth.”

Janeane Garofalo (1964) comedian, actress, political activist, writer

standup performance accessible through .WAV files available on the Internet[citation needed]
Standup routines

Margaret Mead photo

“… Her aunt is an agnostic, an ardent advocate of women's rights, an internationalist who rests all her hopes on Esperanto, is devoted to Bernard Shaw, and spends her spare time in campaigns of anti-vivisection. Her elder brother, whom she admires exceedingly, has just spent two years at Oxford. He is an Anglo-Catholic, an enthusiast concerning all things medieval, writes mystical poetry, reads Chesterton, and means to devote his life to seeking for the lost secret of medieval stained glass. Her mother's younger brother is an engineer, a strict materialist, who never recovered from reading Haeckel in his youth; he scorns art, believes that science will save the world, scoffs at everything that was said and thought before the nineteenth century, and ruins his health by experiments in the scientific elimination of sleep. Her mother is of a quietistic frame of mind, very much interested in Indian philosophy, a pacifist, a strict non-participator in life, who in spite of her daughter's devotion to her will not make any move to enlist her enthusiasms. And this may be within the girl's own household. Add to it the groups represented, defended, advocated by her friends, her teachers, and the books which she reads by accident, and the list of possible enthusiasms, of suggested allegiances, incompatible with one another, becomes appalling.”

Margaret Mead (1901–1978) American anthropologist

Source: 1920s, Coming of Age in Samoa (1928), p. 161

Marcus du Sautoy photo
Wilson Mizner photo

“…a trip through a sewer in a glass-bottom boat.”

Wilson Mizner (1876–1933) American writer

On Hollywood.
Quoted by Stuart B. McIver, Dreamers, Schemers and Scalawags, Pineapple Press, Sarasota, Florida, 1994. ISBN 1-56164-034-4.
Wisecracks

Ben Croshaw photo
George Hendrik Breitner photo

“Recently I dreamed of you [of the artist Herman van der Weele and his wife] and that you two were very rich and lived in a beautiful place and that I sat in your room with you and Herman, with beautiful fabrics and wallpapers that I couldn't stop looking to them and you wore black glasses, just like me now [to protect his eyes], but they [black glasses] were so amazingly beautiful and they suited you so well, as is only possible in a dream, and your dress was beautifully deep red blue black with exotic figures woven into it and the walls were yellow and pink. Anyway it was all a miracle of beauty and I wished that.... my eyes were healthy again and that we each could spent hundred thousand guilders a week, then we had built a beautiful yacht and we all sailed to the country of the Mikado [Japan], to have a look there.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch / citaat uit de brief van Breitner, in het Nederlands: Laatst heb ik van jelui [de kunstenaar Herman van der Weele en zijn vrouw] gedroomd en dat jelui heel rijk waren en prachtig woonden en dat ik met U en Herman in een vertrek daarvan zat, met zulke prachtige stoffen en behangen, dat ik mij niet kan verzadigen er naar te kijken en gij hadt een zwarte bril op net als ik nu, maar die was zo verbazend mooi en stond U zoo goed, als dat alleen maar in een droom mogelijk is en uw costuum was prachtig diep rood blauw zwart met exotische figuren daarin geweven en de wanden waren geel en rose, enfin het was een wonder van pracht en ik wou dat.. ..mijn oogen weer heel waren en dat we ieder honderdduizend gld in de week te verteren hadden, dan lieten we een mooi jacht bouwen en zeilden allemaal naar het land van den Mikado, om daar eens te kijken.
Quote of Breitner, in a letter to Herman van der Weele, c. 1892-96; as cited in Meisjes in kimono. Schilderijen, tekeningen en foto's van George Hendrik Breitner (1857-1923) en zijn Japanse tijdgenoten, J.H.G. Bergsma & H. Shimoyama; Hotei Publishing, Leiden 2001, pp. 15-16
1890 - 1900

Brandon Boyd photo

“I'm not an alarmist, but someone should break the glass, and pull that red T-Lever down!”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, Light Grenades (2006)

Billy Joel photo
George William Russell photo

“A shaft of fire that falls like dew,
And melts and maddens all my blood,
From out thy spirit flashes through
The burning glass of womanhood.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Mike Lazaridis photo

“I couldn't type on it and I still can't type on it, and a lot of my friends can't type on it. It’s hard to type on a piece of glass.”

Mike Lazaridis (1961) Canadian businessman

BlackBerry's Quest: Fend Off the iPhone http://nytimes.com/2008/04/27/technology/27rim.html in The New York Times (27 April 2008)

Marcus Orelias photo

“I'm from the city rich desire to live in. Glass on the floor from breaking out of this prison / prism.”

Marcus Orelias (1993) American actor, rapper, songwriter, author and entrepreneur

Blackouts
20s A Difficult Age (2017)