Quotes about glass
page 8

Joaquin Miller photo

“The fairest face that ever yet
Look'd in a wave as in a glass”

Joaquin Miller (1837–1913) American judge

IV, p. 24.
The Ship in the Desert (1875)
Context: p>These be but men. We may forget
The wild sea-king, the tawny brave,
The frowning wold, the woody shore,
The tall-built, sunburnt men of Mars...But what and who was she, the fair?
The fairest face that ever yet
Look'd in a wave as in a glass;
That look'd as look the still, far stars,
So woman-like, into the wave
To contemplate their beauty there,
Yet look as looking anywhere?</p

Edward de Bono photo

“Philosophers may look out at the world from a stained-glass window, but after a while they stop looking at the world and start looking at the stained glass.”

Edward de Bono (1933) Maltese physician

Iraq? They just need to think it through (2007)
Context: What happened was, 2,400 years ago, the Greek Gang of Three, by whom I mean Aristotle, Plato and Socrates, started to think based on analysis, judgment and knowledge. At the same time, church people, who ran the schools and universities, wanted logic to prove the heretics wrong. As a result, design and perceptual thinking was never developed. People assumed philosophers were doing it and so they blocked anyone else from doing it. But philosophers were not. Philosophers may look out at the world from a stained-glass window, but after a while they stop looking at the world and start looking at the stained glass.

Alfred Noyes photo

“Carol, every violet has
Heaven for a looking-glass!”

Alfred Noyes (1880–1958) English poet

Epilogue
The Flower of Old Japan and Other Poems (1907), The Flower of Old Japan
Context: p>Carol, every violet has
Heaven for a looking-glass!Every little valley lies
Under many-clouded skies;
Every little cottage stands
Girt about with boundless lands;
Every little glimmering pond
Claims the mighty shores beyond;
Shores no seaman ever hailed,
Seas no ship has ever sailed.All the shores when day is done
Fade into the setting sun,
So the story tries to teach
More than can be told in speech.</p

Horace Mann photo

“God is more to me than a grand and solitary Being, though refulgent with infinite perfections. Contemplated as enthroned in the midst of his works, his spiritual offspring in all the grand circuit of the worlds he has formed become a multiplying glass, reflecting back the Original in the profusion and countlessness of infinity.”

Horace Mann (1796–1859) American politician

Congressional speech (1849)
Context: God is more to me than a grand and solitary Being, though refulgent with infinite perfections. Contemplated as enthroned in the midst of his works, his spiritual offspring in all the grand circuit of the worlds he has formed become a multiplying glass, reflecting back the Original in the profusion and countlessness of infinity. But when the wickedness of man cuts off entire generations and whole races from the capacity of reflecting back this radiant image of the Creator, then all that part of the universe where they dwell becomes black and revolting, and all that portion of the Mirror of Souls which was designed to reproduce and rekindle the glories of the Eternal absorbs and quenches the rays which it should have caught and flamed with anew, and multiplied and returned.

Richard Feynman photo

“If our small minds, for some convenience, divide this glass of wine, this universe, into parts — physics, biology, geology, astronomy, psychology, and so on — remember that nature does not know it!”

Richard Feynman (1918–1988) American theoretical physicist

volume I; lecture 3, "The Relation of Physics to Other Sciences"; section 3-7, "How did it get that way?"; p. 3-10
The Feynman Lectures on Physics (1964)
Context: A poet once said, "The whole universe is in a glass of wine." We will probably never know in what sense he meant that, for poets do not write to be understood. But it is true that if we look at a glass of wine closely enough we see the entire universe. There are the things of physics: the twisting liquid which evaporates depending on the wind and weather, the reflections in the glass, and our imagination adds the atoms. The glass is a distillation of the Earth's rocks, and in its composition we see the secrets of the universe's age, and the evolution of stars. What strange arrays of chemicals are in the wine? How did they come to be? There are the ferments, the enzymes, the substrates, and the products. There in wine is found the great generalization: all life is fermentation. Nobody can discover the chemistry of wine without discovering, as did Louis Pasteur, the cause of much disease. How vivid is the claret, pressing its existence into the consciousness that watches it! If our small minds, for some convenience, divide this glass of wine, this universe, into parts — physics, biology, geology, astronomy, psychology, and so on — remember that nature does not know it! So let us put it all back together, not forgetting ultimately what it is for. Let it give us one more final pleasure: drink it and forget it all!

Alfred Noyes photo

“Mystery: Time and Tide shall pass,
I am the Wisdom Looking-Glass.”

Alfred Noyes (1880–1958) English poet

Part III : The Mystic Ruby
The Flower of Old Japan and Other Poems (1907), The Flower of Old Japan
Context: p>Mystery: Time and Tide shall pass,
I am the Wisdom Looking-Glass.This is the Ruby none can touch:
Many have loved it overmuch;
Its fathomless fires flutter and sigh,
Being as images of the flame
That shall make earth and heaven the same
When the fire of the end reddens the sky,
And the world consumes like a burning pall,
Till where there is nothing, there is all.</p

Alan Watts photo

“Now it is symptomatic of our rusty-beer-can type of sanity that our culture produces very few magical objects. Jewelry is slick and uninteresting. Architecture is almost totally bereft of exuberance, obsessed with erecting glass boxes. Children's books are written by serious ladies with three names and no imagination, and as for comics, have you ever looked at the furniture in Dagwood's home? The potentially magical ceremonies of the Catholic Church are either gabbled away at top speed, or rationalized with the aid of a commentator. Drama or ritual in everyday behavior is considered affectation and bad form, and manners have become indistinguishable from manerisms—where they exist at all. We produce nothing comparable to the great Oriental carpets, Persian glass, tiles, and illuminated books, Arabian leatherwork, Spanish marquetry, Hindu textiles, Chinese porcelain and embroidery, Japanese lacquer and brocade, French tapestries, or Inca jewelry. (Though, incidentally, there are certain rather small electronic devices that come unwittingly close to fine jewels.)
The reason is not just that we are too much in a hurry and have no sense of the present; not just that we cannot afford the type of labor that such things would now involve, nor just that we prefer money to materials. The reason is that we have scrubbed the world clean of magic. We have lost even the vision of paradise, so that our artists and craftsmen can no longer discern its forms. This is the price that must be paid for attempting to control the world from the standpoint of an "I" for whom everything that can be experienced is a foreign object and a nothing-but.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 84-85

William Makepeace Thackeray photo

“The world is a looking-glass, and gives back to every man the reflection of his own face.”

Vol. I, ch. 2.
Vanity Fair (1847–1848)
Context: The world is a looking-glass, and gives back to every man the reflection of his own face. Frown at it, and it will in turn look sourly upon you; laugh at it and with it, and it is a jolly kind companion; and so let all young persons take their choice.

Percy Bysshe Shelley photo

“Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity,
Until Death tramples it to fragments.”

St. LII
Adonais (1821)
Context: The One remains, the many change and pass;
Heaven's light forever shines, Earth's shadows fly;
Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity,
Until Death tramples it to fragments.

“I got madder and madder as we drove along, and just as we drove by the Chelsea Hotel I did something. I've never done anything to hurt anyone, and yet I was so furious that I pressed the button and rolled down the window screen - the glass plate between the front and back seats - and I told the chauffeur that the man in the back was molesting me; he was a junkie! I was so horrified by what I'd said, so flipped out by that, that I jumped out of the car into the path of the oncoming traffic, certain that my head would be crushed.”

Edie Sedgwick (1943–1971) Socialite, actress, model

Edie describing a low point in her relationship with Bob Neuwirth
Edie : American Girl (1982)
Context: It was really sad - Bobby's and my affair. The only true, passionate, and lasting love scene, and I practically ended up in the psychopathic ward. I had really learned about sex from him, making love, loving, giving. It just completely blew my mind - it drove me a little insane. I was like a sex slave to this man. I could make love for forty-eight hours, forty-eight hours, without getting tired. But the minute he left me alone, I felt so empty and lost that I would start popping pills. He had more or less quit using drugs... When I first knew him, a friend of his used to come up with him to my apartment and they'd do a number in the bathroom. This guy eventually died of a heroin overdose, and Bobby left drugs alone after that. But if I wasn't practically in the act of lovemaking, I would be thinking of how to get hold of drugs. I really loved this man.... What happened was that Bobby said, "Let's go to a party. They're making an underground movie," and he said that I, the Warhol heiress, queen, star, socialite, blah, should be there. Bobby really wanted to go. I had a bad scene with him. I pulled out a knife and I wasn't going to let him out the door until he made love to me. I always get really dreadful. But we finally went. I went through it all. I was furious - this after about two years of our continuing relationship. Finally I said, "Now I'm going to leave this party. I'm fed up." He said that was all right: he'd met all the people he wanted to meet, and he'd watched the film begin shot. So we got into my limousine and he said, "Where would you like to eat?" I thought I was going to explode. Where would I like to eat? I screeched at him, "Why the hell can't you make up your own mind where we're going to eat? Why do I have to make all the decisions?" I was just livid, out of hand. I got madder and madder as we drove along, and just as we drove by the Chelsea Hotel I did something. I've never done anything to hurt anyone, and yet I was so furious that I pressed the button and rolled down the window screen - the glass plate between the front and back seats - and I told the chauffeur that the man in the back was molesting me; he was a junkie! I was so horrified by what I'd said, so flipped out by that, that I jumped out of the car into the path of the oncoming traffic, certain that my head would be crushed. All that happened was the I got bruised, badly bruised, but no broken bones. I mean, I was conscious, not destroyed at all. But I'd done such a terrible thing! I couldn't reconcile that. I had been about to explode. The hotel people came out, and they and Bobby carried me in. I had to pretend I was unconscious because I couldn't comprehend the fact that I had tried to get him busted, to hurt him seriously. He was the only person I had ever gotten violent about. I take out whatever violence comes into my system much more heavily on myself than on anyone else. But that was a pretty tight squeeze. I really craved making love to him.

Margaret Atwood photo

“The weapons
that were once outside
sharpening themselves on war
are now indoors
there, in the fortress,
fragile
in glass cases”

Margaret Atwood (1939) Canadian writer

"The circle game"
Selected Poems 1965-1975 (1976)
Context: The weapons
that were once outside
sharpening themselves on war
are now indoors
there, in the fortress,
fragile
in glass cases; Why is it
(I’m thinking
of the careful moulding
round the stonework archways)
that in this time, such
elaborate defences keep
things that are no longer
(much)
worth defending?

Iggy Pop photo

“As society has changed, what had formerly been unacceptable has become colorful, even the broken-glass thing.”

Iggy Pop (1947) American rock singer-songwriter, musician, and actor

On his stage performances, including acts where he would crawl and roll on broken glass.
Rolling Stone interview (2003)
Context: As society has changed, what had formerly been unacceptable has become colorful, even the broken-glass thing. Although, you know, there's an archetypal element to that anyway.... It's about the blood... The Christians used that riff with Christ. What did Christ really do? He hung out with hard-drinking fishermen. And when they asked him, "Why are you hanging out with prostitutes and fishermen?" he said, "Because they need me." What a line, you know? But what your martial society really wants is blood. We need some blood. We need some suffering. Like, the individual must suffer for the good of the whole. I toy around with that. Early on, I wasn't looking at Jesus Christ, saying to myself, "What an angle." I wasn't trying to be Christ-y. But, after all, on one level, this is showbiz.

Alfred Noyes photo

“Yes; as the music changes,
Like a prismatic glass,
It takes the light and ranges
Through all the moods that pass”

Alfred Noyes (1880–1958) English poet

The Barrel Organ
Poems (1906)
Context: Yes; as the music changes,
Like a prismatic glass,
It takes the light and ranges
Through all the moods that pass;
Dissects the common carnival
Of passions and regrets,
And gives the world a glimpse of all
The colours it forgets.

“In Alexandria two streams of knowledge met and fused together… The ancient Egyptian industrial arts of metallurgy, dyeing and glass-making… and… the philosophical speculations of ancient Greece, now tinged with ancient mysticism”

J. R. Partington (1886–1965) British chemist

A Short History of Chemistry (1937)
Context: In Alexandria two streams of knowledge met and fused together... The ancient Egyptian industrial arts of metallurgy, dyeing and glass-making... and... the philosophical speculations of ancient Greece, now tinged with ancient mysticism, and partly transformed into that curious fruit of the tree of knowledge which we call Gnosticism.... the result was the "divine" or "sacred" art (... also means sulphur) of making gold of silver.... during the first four centuries a considerable body of knowledge came into existence. The treatises written in Greek... in Alexandria, are the earliest known books on chemistry.... The treatises also contain much of an allegorical nature... sometimes described as "obscure mysticism."... the Neoplatonism which was especially studied in Alexandria... is not so negligible as has sometimes been supposed.... The study of astrology was connected with that of chemistry in the form of an association of the metals with the planets on a supposed basis of "sympathy". This goes back to early Chaldean sources but was developed by the Neoplatonists.

Bono photo

“The Glass is cut,The Bottle run dry.Our love runs cold in the caverns of the night”

Bono (1960) Irish rock musician, singer of U2

"Red Hill Mining Town"
Lyrics, The Joshua Tree (1987)
Context: The Glass is cut, The Bottle run dry. Our love runs cold in the caverns of the night

Oliver Wendell Holmes Jr. photo
John Dryden photo

“If others in the same Glass better see
'Tis for Themselves they look, but not for me:
For my Salvation must its Doom receive
Not from what others, but what I believe.”

Religio Laici (1682).
Context: More Safe, and much more modest 'tis, to say
God wou'd not leave Mankind without a way:
And that the Scriptures, though not every where
Free from Corruption, or intire, or clear,
Are uncorrupt, sufficient, clear, intire,
In all things which our needfull Faith require.
If others in the same Glass better see
'Tis for Themselves they look, but not for me:
For my Salvation must its Doom receive
Not from what others, but what I believe.

Paul of Tarsus photo

“For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known. And now abideth faith, hope, charity, these three; but the greatest of these is charity.”

I Corinthians Ch. 13 (KJV) The word "Charity" is here used as a translation of the Latin Caritas, and the original Greek Agape, which were words for "Love", and used to denote the highest and most self-transcending forms of Love.
Variants: Though I speak with the tongues of men and of angels, but have not love, I have become sounding brass or a clanging cymbal. And though I have the gift of prophecy, and understand all mysteries and all knowledge, and though I have all faith, so that I could remove mountains, but have not love, I am nothing. And though I bestow all my goods to feed the poor, and though I give my body to be burned, but have not love, it profits me nothing.
Love suffers long and is kind; love does not envy; love does not parade itself, is not puffed up; does not behave rudely, does not seek its own, is not provoked, thinks no evil; does not rejoice in iniquity, but rejoices in the truth; bears all things, believes all things, hopes all things, endures all things.
Love never fails. But whether there are prophecies, they will fail; whether there are tongues, they will cease; whether there is knowledge, it will vanish away. For we know in part and we prophesy in part. But when that which is perfect has come, then that which is in part will be done away.
When I was a child, I spoke as a child, I understood as a child, I thought as a child; but when I became a man, I put away childish things. For now we see in a mirror, dimly, but then face to face. Now I know in part, but then I shall know just as I also am known.
And now abide faith, hope, love, these three; but the greatest of these is love.
I Corinthians Ch. 13 (NKJV)
If I speak in human and angelic tongues but do not have love, I am a resounding gong or a clashing cymbal. And if I have the gift of prophesy and comprehend all mysteries and all knowledge; if I have all faith so as to move mountains but do not have love, I am nothing. If I give away everything I own, and if I hand my body over so that I may boast but do not have love, I gain nothing.
Love is patient, love is kind. It is not jealous, [love] is not pompous, it is not inflated, it is not rude, it does not seek its own interests, it is not quick-tempered, it does not brood over injury, it does not rejoice over wrongdoing but rejoices with the truth. It bears all things, believes in all things, hopes all things, endures all things.
Love never fails. If there are prophecies, they will be brought to nothing; if tounges, they will cease; if knowledge, it will be brought to nothing. For we know partially and we prophesy partially, but when the perfect comes, the partial will pass away. When I was a child, I used to talk as a child, think as a child, reason as a child; when I became a man, I put aside childish things. At present, we see indistinctly, as in a mirror, but then face to face. At present I know partially; then I shall know fully, as I am fully known. So faith, hope, love remain, these three; but the greatest of these is love.
1 Corinthians Ch. 13 (NASB)
Now, there remain faith, hope, love, these three; but the greatest of these is love.
1 Corinthians 13:13, New World Translation http://www.watchtower.org/e/bible/1co/chapter_013.htm
First Epistle to the Corinthians
Context: Though I speak with the tongues of men and of angels, and have not charity, I am become as sounding brass, or a tinkling cymbal. And though I have the gift of prophecy, and understand all mysteries, and all knowledge; and though I have all faith, so that I could remove mountains, and have not charity, I am nothing. And though I bestow all my goods to feed the poor, and though I give my body to be burned, and have not charity, it profiteth me nothing. Charity suffereth long, and is kind; charity envieth not; charity vaunteth not itself, is not puffed up, Doth not behave itself unseemly, seeketh not her own, is not easily provoked, thinketh no evil; Rejoiceth not in iniquity, but rejoiceth in the truth; Beareth all things, believeth all things, hopeth all things, endureth all things.
Charity never faileth: but whether there be prophecies, they shall fail; whether there be tongues, they shall cease; whether there be knowledge, it shall vanish away. For we know in part, and we prophesy in part. But when that which is perfect is come, then that which is in part shall be done away.
When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known. And now abideth faith, hope, charity, these three; but the greatest of these is charity.

Alfred, Lord Tennyson photo

“Yet fill my glass: give me one kiss:
My own sweet Alice, we must die.
There's somewhat in this world amiss
Shall be unriddled by and by.”

Alfred, Lord Tennyson (1809–1892) British poet laureate

"The Miller's Daughter" (1832)
Context: Yet fill my glass: give me one kiss:
My own sweet Alice, we must die.
There's somewhat in this world amiss
Shall be unriddled by and by.
There's somewhat flows to us in life,
But more is taken quite away.
Pray, Alice, pray, my darling wife,
That we may die the self-same day.

Yevgeny Zamyatin photo
Gary L. Francione photo

“There is probably more suffering in a glass of milk or an ice cream cone than there is in a steak.”

Gary L. Francione (1954) American legal scholar

Veganism: The Fundamental Principle of the Abolitionist Movement, http://www.abolitionistapproach.com/veganism-the-fundamental-principle-of-the-abolitionist-movement/
Context: There is no meaningful distinction between eating flesh and eating dairy or other animal products. Animals exploited in the dairy industry live longer than those used for meat, but they are treated worse during their lives, and they end up in the same slaughterhouse after which we consume their flesh anyway. There is probably more suffering in a glass of milk or an ice cream cone than there is in a steak.

Brian W. Aldiss photo

“We have built illusions round us and see no way out of the glass forest.”

Brian W. Aldiss (1925–2017) British science fiction author

The Glass Forest (1986)
Context: Plato would have no actors in his republic, in case pretence devoured what was real. Plato's fears have proved well-grounded. Actors, despised, almost outcast, until last century, have become something more than respectable. They, together with all those imitation actors, pop stars, TV celebrities, people who are famous for being famous, now receive adulation. They are the millionaires, the courtesans of our system. Solzhenitsyn, escaping to a West he had once admired, snarled at the meretricious falsity of what he found. We have built illusions round us and see no way out of the glass forest.

“They live and laugh who know the better part —
Count length of pleasure not by dial or glass
But by the heart”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

The Golden Ass (1999)
Context: They live and laugh who know the better part —
Count length of pleasure not by dial or glass
But by the heart;
What are our fears
When Time's slow footfall, fall, fall
Falling
Turns lovers' hours to years?

David Bowie photo

“Steel on the skyline
Sky made of glass
Made for a real world
All things must pass”

David Bowie (1947–2016) British musician, actor, record producer and arranger

"Heathen (The Rays)"
Song lyrics, Heathen (2002)
Context: Steel on the skyline
Sky made of glass
Made for a real world
All things must pass
Ooo
Waiting for something
Looking for someone
Is there no reason?

Ralph Waldo Emerson photo

“The league between virtue and nature engages all things to assume a hostile front to vice. The beautiful laws and substances of the world persecute and whip the traitor. He finds that things are arranged for truth and benefit, but there is no den in the wide world to hide a rogue. Commit a crime, and the earth is made of glass. Commit a crime, and it seems as if a coat of snow fell on the ground, such as reveals in the woods the track of every partridge and fox and squirrel and mole. You cannot recall the spoken word, you cannot wipe out the foot-track, you cannot draw up the ladder, so as to leave no inlet or clew. Some damning circumstance always transpires. The laws and substances of nature — water, snow, wind, gravitation — become penalties to the thief.
On the other hand, the law holds with equal sureness for all right action. Love, and you shall be loved. All love is mathematically just, as much as the two sides of an algebraic equation. The good man has absolute good, which like fire turns every thing to its own nature, so that you cannot do him any harm; but as the royal armies sent against Napoleon, when he approached, cast down their colors and from enemies became friends, so disasters of all kinds, as sickness, offence, poverty, prove benefactors: —
::"Winds blow and waters roll
Strength to the brave, and power and deity,
Yet in themselves are nothing."”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

The good are befriended even by weakness and defect. As no man had ever a point of pride that was not injurious to him, so no man had ever a defect that was not somewhere made useful to him.
1840s, Essays: First Series (1841), Compensation

P. J. O'Rourke photo

“Remember, your body needs 6 to 8 glasses of fluid daily. Straight up or on the rocks.”

P. J. O'Rourke (1947) American journalist

The Bachelor Home Companion (1986)

Rodney Dangerfield photo
Benjamin Franklin photo

“Glass, china and reputation are easily cracked and never well mended.”

Benjamin Franklin (1706–1790) American author, printer, political theorist, politician, postmaster, scientist, inventor, civic activist, …
Axel Munthe photo
Axel Munthe photo
Alessandro Cagliostro photo
Koenraad Elst photo
Anish Kapoor photo
Tim Powers photo

“We’re going to have a séance. Oren, open the whisky, if you would, and pour each of us a full glass.”

“First sensible remark all night,” said Charlotte.
Source: Three Days to Never (2006), Chapter 24 (p. 339)

Taylor Caldwell photo
Harlan Ellison photo
John Denham photo
Ethan Allen photo

“Physical evils are in nature inseparable from animal life, they commenced existence with it, and are its concomitants through life; so that the same nature which gives being to the one, gives birth to the other also; the one is not before or after the other, but they are coexistent together, and contemporaries; and as they began existence in a necessary dependence on each other, so they terminate together in death and dissolution. This is the original order to which animal nature is subjected, as applied to every species of it. The beasts of the field, the fowls of the air, the fishes of the sea, with reptiles, and all manner of beings, which are possessed with animal life; nor is pain, sickness, or mortality any part of God's Punishment for sin. On the other hand sensual happiness is no part of the reward of virtue: to reward moral actions with a glass of wine or a shoulder of mutton, would be as inadequate, as to measure a triangle with sound, for virtue and vice pertain to the mind, and their merits or demerits have their just effects on the conscience, as has been before evinced: but animal gratifications are common to the human race indiscriminately, and also, to the beasts of the field: and physical evils as promiscuously and universally extend to the whole, so "_That there is no knowing good or evil by all that is before us, for all is vanity_."”

Ethan Allen (1738–1789) American general

It was not among the number of possibles, that animal life should be exempted from mortality: omnipotence itself could not have made it capable of eternalization [sic] and indissolubility; for the self same nature which constitutes animal life, subjects it to decay and dissolution; so that the one cannot be without the other, any more than there could be a compact number of mountains without vallies [sic], or that I could exist and not exist at the same time, or that God should effect any other contradiction in nature...

Ch. III Section IV - Of Physical Evils
Reason: The Only Oracle Of Man (1784)

“If life hands you a lemon adjust your rose colored glasses and start to selling pink lemonade.”

Anonymous, 1917, THE CONDUCTOR AND THE BRAKEMAN

Arthur C. Clarke photo

“I can never look now at the Milky Way without wondering from which of those banked clouds of stars the emissaries are coming. If you will pardon so commonplace a simile, we have broken the glass of the fire-alarm and have nothing to do but to wait.
I do not think we will have to wait for long”

Arthur C. Clarke (1917–2008) British science fiction writer, science writer, inventor, undersea explorer, and television series host

"The Sentinel" (1948), originally titled "Sentinel of Eternity" this is the short story which later provided the fundamental ideas for 2001: A Space Odyssey (1968) written by Clarke and Stanley Kubrick. Full text in 10 Story Fantasy, Vol. 1, No. 1 (Spring 1951), p. 41 https://archive.org/details/10_Story_Fantasy_v01n01_1951-Spring_Tawrast-EXciter/page/n39. Two versions of the next to the last sentence have been widely published since at least 1951, the other being: "If you will pardon so commonplace a simile, we have set off the fire alarm and have nothing to do but to wait."
1940s

Ronnie James Dio photo
Robert O'Hara photo

“I did, not only because of that, but also because there was no value placed on education in my family. My mother just assumed I was smart, and I had glasses so I was called “four eyes,” and I was always reading a book, and so the outsider feeling came from the fact that I really loved school…”

Robert O'Hara American playwright and theatre director

Source: On feeling like an outsider both at his school and in his home life in “Artist Interview with Robert O'Hara” https://www.playwrightshorizons.org/shows/trailers/artist-interview-robert-ohara/ in Playwrights Horizon

Mick Jagger photo

“Let's drink to the hard working people
Let's drink to the salt of the earth
...Raise your glass to the hard working people
...Who need leaders but get gamblers instead”

Mick Jagger (1943) British rock musician, member of The Rolling Stones

"Salt of the Earth" (co-written with Keith Richards) on the Rolling Stones' 1968 album Beggars Banquet (1968).
Lyrics

Stephen King photo
Dan Hartman photo

“Creativity is an interesting thing…You can sit back, have a glass of wine, watch some television…and get a terrific idea of what you want to do…The great thing about being at home is that as soon as you get an idea you can put a mike at the piano and record it. That way you don’t lose the vibes, and you don’t have to worry about finishing before the studio’s next booking arrives…”

Dan Hartman (1950–1994) American singer, songwriter, guitarist, keyboardist, record producer

Source: On how he intended the “The Schoolhouse” to work for the artist in “Hartman’s Little Schoolhouse Haven for Aspiring Musicians” https://books.google.com/books?id=_CMEAAAAMBAJ&pg=PT66&dq in Billboard (1981 Aug 15)

Margaret Cho photo
Jean-Michel Cousteau photo

“I'm a very disciplined actor, but I also believe in kicking back and having a glass of wine.”

Lucy Peacock (actress) (1960) Canadian actress

Out, damned fear! https://www.theglobeandmail.com/arts/out-damned-fear/article18228395/ (May 28, 2005)

Menotti Lerro photo
Alfred Noyes photo
Angelo Galasso photo

“I am extravagant, but always with a particular piece: perhaps the shoes or the glasses…”

Angelo Galasso (1959) Italian fashion designer

Source: From Watch word for style http://www.essence-magazine.co.uk/Interview_March_2017.html, essence-magazine.co.uk, March 2017.
Context: As the famous Italian actor Vittorio Gassman said: “You can just have one extravagant piece, more is not classy.”

Isaac Herzog photo

“Glass ceilings are being smashed every day in Israel, and I'm proud that during my time in the President's Residence, another one is being broken by a worthy and promising officer.”

Isaac Herzog (1960) Israeli politician

Source: Isaac Herzog (2021) cited in " Israeli president’s pick for military secretary makes history https://www.jns.org/israeli-presidents-pick-for-military-secretary-makes-history/" on Jewish News Syndicate, 21 December 2021.

Alfred Austin photo

“Death is the looking-glass of life wherein
Each man may scan the aspect of his deeds.”

Alfred Austin (1835–1913) British writer and poet

Source: Savonarola (1881), Girolamo Savonarola in Act I, sc. iv; p. 49.

Eminem photo
Michael Swanwick photo

“The oracle-glass was maddeningly literal, capable of answering only the question one asked, rather than that which one wanted answered.”

Michael Swanwick (1950) American science fiction author

Source: Short fiction, King Dragon (2003), p. 6

Mila Kunis photo

“I think anyone who at 26 is going to attempt to be a professional ballerina is going to physically kill themselves. Baths are what I looked forward to, every single night! And a glass of wine!”

Mila Kunis (1983) American actress

"An Interview With The Black Swan — Mila Kunis" https://medium.com/hope-lies-at-24-frames-per-second/an-interview-with-the-black-swan-mila-kunis-c365cb3c33e0 (11 May 2011)