Source: Leisure, the Basis of Culture (1948), Leisure, the Basis of Culture, pp. 33–34
The Kerenyi quote is from Karl Kerenyi, Die antike Religion (Amsterdam, 1940), p. 66.
Quotes about eye
page 36

“In my life
Why do I smile
At people who I'd much rather kick in the eye?”
from the 1984 song "Heaven Knows I'm Miserable Now"
From songs

“The eye of genius has always a plaintive expression, and its natural language is pathos.”
1840s, Letters from New York (1843)
Source: Letters from New York http://www.bartleby.com/66/62/12262.html, vol. 1, letter 39
Bangkok Haunts, Ch. 22.

Somnath (Gujarat) . Tarikh-i-Alfi in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. p. 471
Quotes from The History of India as told by its own Historians

Robert Fludd, cited in: Waite (1887, p. 290)
According to Waite: "In Medicine he laments the loss of that universal panacea referred to by Hippocrates."

“Don’t take an eye on the short term but think long.”
Stay calm during turbulent times: Indra Nooyi
Source: Titus Groan (1946), Chapter 13 “Keda” (p. 73)
On his Tall Tree And The Eye bubbled towards the heavens in the courtyard of The Royal Academy of Arts in London. Quoted in "Anish Kapoor Opens the Door:Modern Artist Creates Monuments that Transcend Space & Time."

Letter to Robert Bontine Cunninghame Graham, quoted in Joseph Conrad: A Biography (1991) by Jeffrey Meyers, p. 166

Miscellaneous Works and Correspondence (1832), Demonstration of the Rules relating to the Apparent Motion of the Fixed Stars upon account of the Motion of Light.
The Elements of the Spiritual Life: A Study in Ascetical Theology (1960), p. 104

Quote from Les Maitres d'Autrefois / The Old Masters, 1876; 1948, p. 115; as cited in 'Dutch Painting of the Golden Age', http://www.open.edu/openlearn/history-the-arts/dutch-painting-the-golden-age/content-section-2 OpenLearn

The Jewish Strategy, Chapter 12 "Christianity"
1990s, The Jewish Strategy (2001)

(12th June 1824) Stanzas
The London Literary Gazette, 1824
The Golden Ass (1999)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 68.

“Sweet oblivion, sleep
dissolving all, the good and the bad, once it seals our eyes.”
XX. 85–86 (tr. Robert Fagles).
Odyssey (c. 725 BC)

“You could see there was blood coming out of her eyes, blood coming out of her wherever.”
On Megyn Kelly http://edition.cnn.com/2015/08/08/politics/donald-trump-cnn-megyn-kelly-comment/ (7 August 2015)
2010s, 2015

Quote from Concerning the Spiritual in Art, Wassily Kandinsky, Munich, 1912; as cited in Kandinsky, Frank Whitford, Paul Hamlyn Ltd, London 1967, p. 15
1910 - 1915

History of the Indies (1561)

n.p.
1921 - 1930, Art and the Personal Life', Marsden Hartley, 1928

Song lyrics, Our Time In Eden (1992), Candy Everybody Wants

"No Surrender"
Song lyrics, Born in the U.S.A. (1984)

from an intervew https://www.youtube.com/watch?v=xros-DSJquM, 2011
General Quotes
“I'm always making the mistake of believing what I see with my own eyes.”
A Cold Day for Murder

Emotional Architecture as Compared to Intellectual (1894)

Sergeant Patrick Harper, p. 186
Sharpe (Novel Series), Sharpe's Rifles (1988)
"That what Everybody Says must be True".
Sketches from Life (1846)

“One is the ever kindling star
King of the immortal spark
In heaven’s eye”
Monad's Anthem
Song lyrics, Numbers (1974)

Father Barron, Robert. Catholicism: A Journey to the Heart of the Faith (Kindle Locations 75-81). The Crown Publishing Group. Kindle Edition.
Hurry Home, Candy (1953)
“Their fear deepened with the night as they beheld the face of the heavens turning and the mountains and all places rapt from view and all around thick darkness. The very stillness of Nature, the silent constellations in the heavens, the firmament starred with streaming meteors filled them with fear. And as a traveller by night overtaken in some unknown spot upon the road keeps ear and eye alert, while the darkening landscape to left and right and trees looming up with shadows strangely huge do but make heavier the terrors of night, even so the heroes quailed.”
Auxerat hora metus, iam se vertentis Olympi
ut faciem raptosque simul montesque locosque
ex oculis circumque graves videre tenebras.
ipsa quies rerum mundique silentia terrent
astraque et effusis stellatus crinibus aether;
ac velut ignota captus regione viarum
noctivagum qui carpit iter non aure quiescit,
non oculis, noctisque metus niger auget utrimque
campus et occurrens umbris maioribus arbor,
haud aliter trepidare viri.
Auxerat hora metus, iam se vertentis Olympi
ut faciem raptosque simul montesque locosque
ex oculis circumque graves videre tenebras.
ipsa quies rerum mundique silentia terrent
astraque et effusis stellatus crinibus aether;
ac velut ignota captus regione viarum
noctivagum qui carpit iter non aure quiescit,
non oculis, noctisque metus niger auget utrimque
campus et occurrens umbris maioribus arbor,
haud aliter trepidare viri.
Source: Argonautica, Book II, Lines 38–47

Source: Don't Start the Revolution Without Me! (2008), Ch. 2 (p. 27)
Asia and Western Dominance: a survey of the Vasco Da Gama epoch of Asian history, 1498–1945

"Brand New Shoes".
Volume Two (2010)

how do I say that?"
"Well, you have to use a different word for 'solve,' " they say.
"Why?" I protested. "When I solve it, I do the same damn thing as when you solve it!"
"Well, yes, but it's a different word — it's more polite."
I gave up. I decided that wasn't the language for me, and stopped learning Japanese.
Part 5: "The World of One Physicist", "Would <U>You</U> Solve the Dirac Equation?", p. 245-246
Surely You're Joking, Mr. Feynman! (1985)

Death of Phida, Book VIII, line 410
The Odyssey : A Modern Sequel (1938)

By Still Waters (1906)

Describing his first meeting with Jonathan Strong (slave).
Quoted in Black Slaves in Britain by Folarin O. Shyllon, Institute of Race Relations/Oxford University Press (1974)

“Milton Ashe is not the type to marry a head of hair and a pair of eyes.”
“Liar!”, p. 89
I, Robot (1950)
Letter to Gordon Smith, January 1, 1959, as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 196
1950s

The Story of the Malakand Field Force: An Episode of Frontier War (1898), Chapter I
Description of the tribal areas of what is now Pakistan, commonly referred to as Waziristan
Downloadable eText version(s) of this book can be found online http://onlinebooks.library.upenn.edu/webbin/gutbook/lookup?num=9404 at Project Gutenberg
Early career years (1898–1929)

Maharashtra . Aurangzeb to Ruhullah Khan in Kalimat-i-Aurangzib. Kalimat-i-Aurangzeb, quoted in Sarkar, Jadu Nath, History of Aurangzeb,Volume III, Calcutta, 1972 Impression. p. 188-89 quoted in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers. https://archive.org/details/in.ernet.dli.2015.62677/page/n299
Quotes from late medieval histories
Defying the Tomb: Selected Prison Writings and Art of Kevin Rashid Johnson (2010)

Essay on Mitford's History of Greece (1824)

In Another's Eyes, written by Bobby Wood, John Peppard, and G. Brooks, duet with Trisha Yearwood.
Song lyrics, Sevens (1997)

Non-Fiction, Homage to QWERT YUIOP: Selected Journalism 1978-1985 (1986)
Source: Introduction to the Study of Public Administration, 1926, p. ix: Preface, lead paragraph

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 99.

Gregory S. Paul (1988) Predatory Dinosaurs of the World, Simon and Schuster, p. 19
Predatory Dinosaurs of the World

Laplace, p. 347.
Biographies of Distinguished Scientific Men (1859)
"Milton Avery" (1958), p. 201
1960s, Art and Culture: Critical Essays, (1961)

You Can Lead an Atheist to Evidence, But You Can't Make Him Think (2009)
hissed Ayna.
"Or that either," said Ceri.
Source: Power of Three (1976), p. 174.

Source: 1961 - 1975, Barbara Hepworth, A Pictorial autobiography', 1970, p. 280

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 262.
All and Everything: Beelzebub's Tales to His Grandson (1950)

Essay as "Mr. X" (1969)

By Still Waters (1906)

¡No me mires más! Si quieres te daré mis ojos, que son frescos, y mis espaldas para que te compongas la joroba que tienes.
Act II (ll. 578–580)
The House of Bernarda Alba (1936)

p, 125
How Plants are Trained to Work for Man (1921) Vol. 5 Gardening

Statement of 1818, quoted in Through Deaf Eyes: A Photographic History of an American Community (2007) by Douglas C. Baynton, Jack R. Gannon, and Jean Lindquist Bergey