Quotes about eye
page 36

P.G. Wodehouse photo
Morrissey photo

“In my life
Why do I smile
At people who I'd much rather kick in the eye?”

Morrissey (1959) English singer

from the 1984 song "Heaven Knows I'm Miserable Now"
From songs

Lydia Maria Child photo

“The eye of genius has always a plaintive expression, and its natural language is pathos.”

Lydia Maria Child (1802–1880) American abolitionist, author and women's rights activist

1840s, Letters from New York (1843)
Source: Letters from New York http://www.bartleby.com/66/62/12262.html, vol. 1, letter 39

Mahmud of Ghazni photo

“Mahmud, as soon as his eyes fell on this idol, lifted up his battle-axe with much anger, and struck it with such force that the idol broke into pieces. The fragments of it were ordered to be taken to Ghaznin, and were cast down at the threshold of the Jami Masjid where they are lying to this day.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Somnath (Gujarat) . Tarikh-i-Alfi in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. p. 471
Quotes from The History of India as told by its own Historians

Robert Fludd photo
Philo photo
Jacob Bronowski photo
Indra Nooyi photo

“Don’t take an eye on the short term but think long.”

Indra Nooyi (1955) Indian-born, naturalized American, business executive

Stay calm during turbulent times: Indra Nooyi

Joaquin Miller photo
Thomas Eakins photo
Jim Steinman photo
Steven Pressfield photo
Peter Weiss photo
Yukio Mishima photo
John Lancaster Spalding photo
P.G. Wodehouse photo

“Before my eyes he wilted like a wet sock.”

Jeeves and the Feudal Spirit (1954)

Anish Kapoor photo

“It is a conjunction of images I have always loved in his Sonnets to Orpheus and this work is, in a way, a kind of eye which is reflecting images endlessly”

Anish Kapoor (1954) British contemporary artist of Indian birth

On his Tall Tree And The Eye bubbled towards the heavens in the courtyard of The Royal Academy of Arts in London. Quoted in "Anish Kapoor Opens the Door:Modern Artist Creates Monuments that Transcend Space & Time."

Ernst Gombrich photo
W. H. Auden photo
Joseph Conrad photo
Lloyd deMause photo
James Bradley photo

“Hitherto we have considered the apparent motion of the star about its true place, as made only in a plane parallel to the ecliptic, in which case it appears to describe a circle in that plane; but since, when we judge of the place and motion of a star, we conceive it to be in the surface of a sphere, whose centre is our eye, 'twill be necessary to reduce the motion in that plane to what it would really appear on the surface of such a sphere, or (which will be equivalent) to what it would appear on a plane touching such a sphere in the star's true place. Now in the present case, where we conceive the eye at an indefinite distance, this will be done by letting fall perpendiculars from each point of the circle on such a plane, which from the nature of the orthographic projection will form an ellipsis, whose greater axis will be equal to the diameter of that circle, and the lesser axis to the greater as the sine of the star's latitude to the radius, for this latter plane being perpendicular to a line drawn from the centre of the sphere through the star's true place, which line is inclined to the ecliptic in an angle equal to the star's latitude; the touching plane will be inclined to the plane of the ecliptic in an angle equal to the complement of the latitude. But it is a known proposition in the orthographic projection of the sphere, that any circle inclined to the plane of the projection, to which lines drawn from the eye, supposed at an infinite distance, are at right angles, is projected into an ellipsis, having its longer axis equal to its diameter, and its shorter to twice the cosine of the inclination to the plane of the projection, half the longer axis or diameter being the radius.
Such an ellipse will be formed in our present case…”

James Bradley (1693–1762) English astronomer; Astronomer Royal

Miscellaneous Works and Correspondence (1832), Demonstration of the Rules relating to the Apparent Motion of the Fixed Stars upon account of the Motion of Light.

Eugène Fromentin photo

“What motive had a Dutch painter in painting a picture? None. And notice that he never asked for one. A peasant with a drunken red nose looks at you with his heavy eye and laughs with open mouth showing his teeth, raising a jug; if it is well painted, it has its value.”

Eugène Fromentin (1820–1876) French painter

Quote from Les Maitres d'Autrefois / The Old Masters, 1876; 1948, p. 115; as cited in 'Dutch Painting of the Golden Age', http://www.open.edu/openlearn/history-the-arts/dutch-painting-the-golden-age/content-section-2 OpenLearn

Jerome K. Jerome photo
Derek Walcott photo
Arthur Schopenhauer photo
Philip Sidney photo
Revilo P. Oliver photo

“There can be no question but that Christianity was originally a Jewish promotion, and it is noteworthy that the Christians who try to make their cult respectable in the Third Century claim that they repudiate the Jews. One of the earliest to do this was Tertullian, a Carthaginian shyster, whose Apologeticum, a defense of Christianity, was written at the very beginning of the Third Century. He asserts that Christianity is not a conspiracy of revolutionaries and degenerates, as was commonly believed, and claims that it is an association of loving brothers who have preserved the faith that the Jews forsook – which has been the common story ever since. Our holy men salvage Tertullian by claiming that he was "orthodox" in his early writings, but then, alas! became a Montanist heretic, poor fellow. Tertullian is the author of the famous dictum that he believes the impossible because it is absurd (credo quia absurdum), so he is naturally dear to the heart of the pious. How much Jerome and other saints have tampered with the facts to make Tertullian seem "orthodox" in his early works has been most fully shown by Timothy Barnes in his Tertullian (Oxford, 1971), but even he spends a hundred pages pawing over chronological difficulties that can be reconciled by what seems to me the simple and obvious solution: Tertullian, who was evidently a pettifogging lawyer before he got into the Gospel-business, had sense enough to eliminate from his brief for the Christians facts that would have displeased the pagans whom he was trying to convince that Christians represented no threat to civilized society; he accordingly concealed in his apologetic works the peculiar doctrines of the Christian sect to which he had been originally "converted," but he naturally expounded those doctrines in writings intended, not for the eyes of wicked pagans, but for other brands of Christians, whom he wished to convert to his own sect, which was that of Montanus, a very Holy Prophet (divinely inspired, of course) who was a Phrygian, not a Jew, and who had learned from chats with God that since the Jews had muffed their big opportunity at the time of the Crucifixion, Jesus, when he returned next year or the year after that, was going to set up his New Jerusalem in Phrygia after he had raised hell with the pagans and tormented and butchered them in all of the delightful ways so lovingly described in the Apocalypse, the Hymn of Hate that still soothes the souls of "fundamentalist" Christians today. If, in his Apologeticum and similar works, Tertullian had told the stupid pagans that they were going to be tortured and exterminated in a year or two, they might have doubted that Christians were the innocent little lambs that Tertullian claimed they were.”

Revilo P. Oliver (1908–1994) American philologist

The Jewish Strategy, Chapter 12 "Christianity"
1990s, The Jewish Strategy (2001)

Letitia Elizabeth Landon photo
Helen Keller photo
Alexander Maclaren photo
Homér photo

“Sweet oblivion, sleep
dissolving all, the good and the bad, once it seals our eyes.”

XX. 85–86 (tr. Robert Fagles).
Odyssey (c. 725 BC)

Donald J. Trump photo

“You could see there was blood coming out of her eyes, blood coming out of her wherever.”

Donald J. Trump (1946) 45th President of the United States of America

On Megyn Kelly http://edition.cnn.com/2015/08/08/politics/donald-trump-cnn-megyn-kelly-comment/ (7 August 2015)
2010s, 2015

R. Scott Bakker photo
Wassily Kandinsky photo

“If until now colour and form were used as inner agents, it was mainly done subconsciously. The subordination of composition to geometrical form is no new idea (cf. the art of the Persians). Construction on a purely spiritual basis is a slow business, and at first seemingly blind and unmethodical. The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation. If we begin at once to break the bonds that bind us to nature and to devote ourselves purely to combination of pure colour and independent form, we shall produce works that are mere geometric decoration, resembling something like a necktie or a carpet. Beauty of form and colour is no sufficient aim by itself, despite the assertions of pure aesthetes or even of naturalists obsessed with the idea of "beauty". It is because our painting is still at an elementary stage that we are so little able to be moved by wholly autonomous colour and form composition. The nerve vibrations are there (as we feel when confronted by applied art), but they get no farther than the nerves because the corresponding vibrations of the spirit which they call forth are weak. When we remember however, that spiritual experience is quickening, that positive science, the firmest basis of human thought is tottering, that dissolution of matter is imminent, we have reason to hope that the hour of pure composition is not far away. The first stage has arrived.”

Wassily Kandinsky (1866–1944) Russian painter

Quote from Concerning the Spiritual in Art, Wassily Kandinsky, Munich, 1912; as cited in Kandinsky, Frank Whitford, Paul Hamlyn Ltd, London 1967, p. 15
1910 - 1915

Bartolomé de las Casas photo
Marsden Hartley photo
Natalie Merchant photo

“So their eyes are growing hazy
'cause they want to turn it on
so their minds are soft and lazy
Well, hey, give 'em what they want”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, Our Time In Eden (1992), Candy Everybody Wants

Bruce Springsteen photo
Jack Johnson (musician) photo
Anastacia photo

“You don't have to be blond or blue eyes or taller or smaller…just have to be who you need to be, and that's help people become who they are.”

Anastacia (1968) American singer-songwriter

from an intervew https://www.youtube.com/watch?v=xros-DSJquM, 2011
General Quotes

“I'm always making the mistake of believing what I see with my own eyes.”

Dana Stabenow (1952) American writer

A Cold Day for Murder

John Bunyan photo

“But now in this Valley of Humiliation poor Christian was hard put to it, for he had gone but a little way before he espied a foul Fiend coming over the field to meet him; his name is Apollyon. Then did Christian begin to be afraid, and to cast in his mind whether to go back, or to stand his ground. But he considered again, that he had no Armor for his back, and therefore thought that to turn the back to him might give him greater advantage with ease to pierce him with his Darts; therefore he resolved to venture, and stand his ground. For thought he, had I no more in mine eye than the saving of my life, 'twould be the best way to stand.
So he went on, and Apollyon met him. Now the Monster was hideous to behold, he was cloathed with scales like a Fish (and they are his pride) he had Wings like a Dragon, feet like a Bear, and out of his belly came Fire and Smoke, and his mouth was as the mouth of a Lion. When he was come up to Christian, he beheld him with a disdainful countenance, and thus began to question with him.
Apollyon: Whence come you, and whither are you bound?
Christian: I am come from the City of Destruction, which is the place of all evil, and am going to the City of Zion.
Apollyon: By this I perceive thou art one of my Subjects, for all that Country is mine; and I am the Prince and God of it. How is it then that thou hast run away from thy King? Were it not that I hope thou mayest do me more service, I would strike thee now at one blow to the ground.
Christian: I was born indeed in your Dominions, but your service was hard, and your wages such as a man could not live on, for the wages of Sin is death; therefore when I was come to years, I did as other considerate persons do, look out if perhaps I might mend my self.
Apollyon: There is no Prince that will thus lightly lose his Subjects, neither will I as yet lose thee. But since thou complainest of thy service and wages be content to go back; what our Country will afford, I do here promise to give thee.
Christian: But I have let myself to another, even to the King of Princes, and how can I with fairness go back with thee?
Apollyon: Thou hast done in this, according to the Proverb, Changed a bad for a worse: but it is ordinary for those that have professed themselves his Servants, after a while to give him the slip, and return again to me: do thou so to, and all shall be well.
Christian: I have given him my faith, and sworn my Allegiance to him; how then can I go back from this, and not be hanged as a Traitor?
Apollyon: Thou didst the same to me, and yet I am willing to pass by all, if now thou wilt yet turn again, and go back.
Christian: What I promised thee was in my nonage; and besides, I count that the Prince under whose Banner now I stand, is able to absolve me; yea, and to pardon also what I did as to my compliance with thee: and besides, (O thou destroying Apollyon) to speak truth, I like his Service, his Wages, his Servants, his Government, his Company, and Country better than thine: and, therefore, leave off to perswade me further, I am his Servant, and I will follow him.
Apollyon: Consider again when thou art in cool blood, what thou art like to meet with in the way that thou goest. Thou knowest that for the most part, his Servants come to an ill end, because they are transgressors against me, and my ways. How many of them have been put to shameful deaths! and besides, thou countest his service better than mine, whereas he never came yet from the place where he is, to deliver any that served him out of our hands; but as for me, how many times, as all the World very well knows, have I delivered, either by power or fraud, those that have faithfully served me, from him and his, though taken by them, and so I will deliver thee.
Christian: His forbearing at present to deliver them, is on purpose to try their love, whether they will cleave to him to the end: and as for the ill end thou sayest they come to, that is most glorious in their account. For for present deliverance, they do not much expect it; for they stay for their Glory, and then they shall have it, when their Prince comes in his, and the Glory of the Angels.
Apollyon: Thou hast already been unfaithful in thy service to him, and how doest thou think to receive wages of him?
Christian: Wherein, O Apollyon, have I been unfaithful to him?
Apollyon: Thou didst faint at first setting out, when thou wast almost choked in the Gulf of Dispond; thou didst attempt wrong ways to be rid of thy burden, whereas thou shouldest have stayed till thy Prince had taken it off: thou didst sinfully sleep and lose thy choice thing: thou wast also almost perswaded to go back, at the sight of the Lions; and when thou talkest of thy Journey, and of what thou hast heard, and seen, thou art inwardly desirous of vain-glory in all that thou sayest or doest.
Christian:All this is true, and much more, which thou hast left out; but the Prince whom I serve and honour, is merciful, and ready to forgive: but besides, these infirmities possessed me in thy Country, for there I suckt them in, and I have groaned under them, been sorry for them, and have obtained pardon of my Prince.
Apollyon: Then Apollyon broke out into a grievous rage, saying, I am an enemy to this Prince: I hate his Person, his Laws, and People: I am come out on purpose to withstand thee.
Christian: Apollyon beware what you do, for I am in the King's Highway, the way of Holiness, therefore take heed to your self.
Apollyon: Then Apollyon straddled quite over the whole breadth of the way, and said, I am void of fear in this matter, prepare thy self to die, for I swear by my Infernal Den, that thou shalt go no further, here will I spill thy soul; and with that, he threw a flaming Dart at his breast, but Christian had a Shield in his hand, with which he caught it, and so prevented the danger of that. Then did Christian draw, for he saw 'twas time to bestir him; and Apollyon as fast made at him, throwing Darts as thick as Hail; by the which, notwithstanding all that Christian could do to avoid it, Apollyon wounded him in his head, his hand and foot; this made Christian give a little back: Apollyon therefore followed his work amain, and Christian again took courage, and resisted as manfully as he could. This sore combat lasted for above half a day, even till Christian was almost quite spent. For you must know that Christian by reason of his wounds, must needs grow weaker and weaker.
Then Apollyon espying his opportunity, began to gather up close to Christian, and wrestling with him, gave him a dreadful fall; and with that, Christian's Sword flew out of his hand. Then said Apollyon, I am sure of thee now, and with that, he had almost prest him to death, so that Christian began to despair of life. But as God would have it, while Apollyon was fetching of his last blow, thereby to make a full end of this good Man, Christian nimbly reached out his hand for his Sword, and caught it, saying, Rejoice not against me, O mine Enemy! when I fall, I shall arise; and with that, gave him a deadly thrust, which made him give back, as one that had received his mortal wound: Christian perceiving that, made at him again, saying, Nay, in all these things we are more than Conquerors, through him that loved us. And with that, Apollyon spread forth his Dragon's wings, and sped him away, that Christian saw him no more….”

Source: The Pilgrim's Progress (1678), Part I, Ch. IX : Apollyon<!-- (London, Edinburgh, Glasgow, New York and Toronto: Henry Frowde, 1904) -->

Richie Sambora photo
Louis Sullivan photo
Bernard Cornwell photo
Mike Oldfield photo

“Something tells me how
Her bright blue eyes
Are smiling;
She turns her head and now
When she wants she denies him…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Discovery (1984)

Cat Stevens photo

“One is the ever kindling star
King of the immortal spark
In heaven’s eye”

Cat Stevens (1948) British singer-songwriter

Monad's Anthem
Song lyrics, Numbers (1974)

Robert Barron (bishop) photo

“Their fear deepened with the night as they beheld the face of the heavens turning and the mountains and all places rapt from view and all around thick darkness. The very stillness of Nature, the silent constellations in the heavens, the firmament starred with streaming meteors filled them with fear. And as a traveller by night overtaken in some unknown spot upon the road keeps ear and eye alert, while the darkening landscape to left and right and trees looming up with shadows strangely huge do but make heavier the terrors of night, even so the heroes quailed.”
Auxerat hora metus, iam se vertentis Olympi ut faciem raptosque simul montesque locosque ex oculis circumque graves videre tenebras. ipsa quies rerum mundique silentia terrent astraque et effusis stellatus crinibus aether; ac velut ignota captus regione viarum noctivagum qui carpit iter non aure quiescit, non oculis, noctisque metus niger auget utrimque campus et occurrens umbris maioribus arbor, haud aliter trepidare viri.

Auxerat hora metus, iam se vertentis Olympi
ut faciem raptosque simul montesque locosque
ex oculis circumque graves videre tenebras.
ipsa quies rerum mundique silentia terrent
astraque et effusis stellatus crinibus aether;
ac velut ignota captus regione viarum
noctivagum qui carpit iter non aure quiescit,
non oculis, noctisque metus niger auget utrimque
campus et occurrens umbris maioribus arbor,
haud aliter trepidare viri.
Source: Argonautica, Book II, Lines 38–47

Jesse Ventura photo
Louise Bours photo
Mark Akenside photo
Zooey Deschanel photo

“We are all made of air
There's stars in my eyes and there's sun in my hair
And I'm runnin' away, it makes me feel better”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

"Brand New Shoes".
Volume Two (2010)

Richard Feynman photo

“While in Kyoto I tried to learn Japanese with a vengeance. I worked much harder at it, and got to a point where I could go around in taxis and do things. I took lessons from a Japanese man every day for an hour.
One day he was teaching me the word for "see." "All right," he said. "You want to say, 'May I see your garden?' What do you say?"
I made up a sentence with the word that I had just learned.
"No, no!" he said. "When you say to someone, 'Would you like to see my garden?' you use the first 'see.' But when you want to see someone else's garden, you must use another 'see,' which is more polite."
"Would you like to glance at my lousy garden?" is essentially what you're saying in the first case, but when you want to look at the other fella's garden, you have to say something like, "May I observe your gorgeous garden?" So there's two different words you have to use.
Then he gave me another one: "You go to a temple, and you want to look at the gardens…"
I made up a sentence, this time with the polite "see."
"No, no!" he said. "In the temple, the gardens are much more elegant. So you have to say something that would be equivalent to 'May I hang my eyes on your most exquisite gardens?"
Three or four different words for one idea, because when I'm doing it, it's miserable; when you're doing it, it's elegant.
I was learning Japanese mainly for technical things, so I decided to check if this same problem existed among the scientists.
At the institute the next day, I said to the guys in the office, "How would I say in Japanese, 'I solve the Dirac Equation'?"
They said such-and-so.
"OK. Now I want to say, 'Would you solve the Dirac Equation?'”

Richard Feynman (1918–1988) American theoretical physicist

how do I say that?"
"Well, you have to use a different word for 'solve,' " they say.
"Why?" I protested. "When I solve it, I do the same damn thing as when you solve it!"
"Well, yes, but it's a different word — it's more polite."
I gave up. I decided that wasn't the language for me, and stopped learning Japanese.
Part 5: "The World of One Physicist", "Would <U>You</U> Solve the Dirac Equation?", p. 245-246
Surely You're Joking, Mr. Feynman! (1985)

Norbert Wiener photo
Nikos Kazantzakis photo

“Her green eyes fluttered swiftly twice or thrice, then glazed,
her mouth gaped open, bleating, then her jaws hung loose
and retched up all her soul in lumps of clotting blood.”

Nikos Kazantzakis (1883–1957) Greek writer

Death of Phida, Book VIII, line 410
The Odyssey : A Modern Sequel (1938)

John Keats photo
George William Russell photo
Granville Sharp photo

“The boy seemed ready to die… he almost lost the use of his Legs and Feet… and to compleat his misfortunes was afflicted with so violent a disorder in his Eyes that there appeared to be the utmost danger of his becoming totally blind.”

Granville Sharp (1735–1813) English campaigners for the abolition of the slave trade

Describing his first meeting with Jonathan Strong (slave).
Quoted in Black Slaves in Britain by Folarin O. Shyllon, Institute of Race Relations/Oxford University Press (1974)

Winston S. Churchill photo
Aurangzeb photo

“The houses of this country (Maharashtra) are exceedingly strong and built solely of stone and iron. The hatchet-men of the Government in the course of my marching do not get sufficient strength and power (i. e., time) to destroy and raze the temples of the infidels that meet the eye on the way. You should appoint an orthodox inspector (darogha) who may afterwards destroy them at leisure and dig up their foundations.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Maharashtra . Aurangzeb to Ruhullah Khan in Kalimat-i-Aurangzib. Kalimat-i-Aurangzeb, quoted in Sarkar, Jadu Nath, History of Aurangzeb,Volume III, Calcutta, 1972 Impression. p. 188-89 quoted in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers. https://archive.org/details/in.ernet.dli.2015.62677/page/n299
Quotes from late medieval histories

P.G. Wodehouse photo
Gary Snyder photo
Thomas Babington Macaulay, 1st Baron Macaulay photo
John Milton photo
Garth Brooks photo

“In another's eyes I'm afraid that I can't see
This picture perfect portrait that they paint of me.
They don't realize and I pray they never do,
'Cause every time I look I'm seein' you
In another's eyes.”

Garth Brooks (1962) American country music artist

In Another's Eyes, written by Bobby Wood, John Peppard, and G. Brooks, duet with Trisha Yearwood.
Song lyrics, Sevens (1997)

Anthony Burgess photo
Chris Carrabba photo
Ani DiFranco photo
Victor Villaseñor photo
James Hamilton photo
Gregory Scott Paul photo

“How would we think and feel about predatory dinosaurs if they were alive today? Humans have long felt antipathy toward carnivores, our competitors for scarce protein. But our feelings are somewhat mollified by the attractive qualities we see in them. For all their size and power, lions remind us of the little creatures that we like to have curl up in our laps and purr as we stroke them. Likewise, noble wolves recall our canine pets. Cats and dogs make good companions because they are intelligent and responsive to our commands, and their supple bodies make them pleasing to touch and play with. And, very importantly, they are house-trainable. Their forward-facing eyes remind us of ourselves. However, even small predaceous dinosaurs would have had no such advantage. None were brainy enough to be companionable or house-trainable; in fact, they would always be a danger to their owners. Their stiff, perhaps feathery bodies were not what one would care to have sleep at the foot of the bed. The reptilian-faced giants that were the big predatory dinosaurs would truly be horrible and terrifying. We might admire their size and power, much as many are fascinated with war and its machines, but we would not like them. Their images in literature and music would be demonic and powerful - monsters to be feared and destroyed, yet emulated at the same time.”

Gregory Scott Paul (1954) U.S. researcher, author, paleontologist, and illustrator

Gregory S. Paul (1988) Predatory Dinosaurs of the World, Simon and Schuster, p. 19
Predatory Dinosaurs of the World

François Arago photo

“On certain occasions, the eyes of the mind can supply the want of the most powerful telescopes, and lead to astronomical discoveries of the highest importance.”

François Arago (1786–1853) French mathematician, physicist, astronomer and politician

Laplace, p. 347.
Biographies of Distinguished Scientific Men (1859)

“A large picture can give us images of things, but a relatively small one can best re-create the instantaneous unity of nature as a view — the unity of which the eyes take in at a single glance.”

Clement Greenberg (1909–1994) American writer and artist

"Milton Avery" (1958), p. 201
1960s, Art and Culture: Critical Essays, (1961)

Ray Comfort photo
Barbara Hepworth photo
François Fénelon photo
G. I. Gurdjieff photo
Carl Sagan photo
George William Russell photo
Federico García Lorca photo

“Don't look at me any more! If you want, I can give you my eyes — which are still fresh — and my back so you can fix that hump of yours.”

Federico García Lorca (1898–1936) Spanish poet, dramatist and theatre director

¡No me mires más! Si quieres te daré mis ojos, que son frescos, y mis espaldas para que te compongas la joroba que tienes.
Act II (ll. 578–580)
The House of Bernarda Alba (1936)

Ryū Murakami photo
Luther Burbank photo

“When the wise plant developer goes into his garden or orchard… his eyes turn always first and foremost to the leaves…”

Luther Burbank (1849–1926) American botanist, horticulturist and pioneer in agricultural science

p, 125
How Plants are Trained to Work for Man (1921) Vol. 5 Gardening

H.V. Sheshadri photo
Letitia Elizabeth Landon photo
Laurent Clerc photo

“Every creature, every work of God, is admirably well made; but if any one appears imperfect in our eyes, it does not belong to us to criticise it. Perhaps that which we do not find right in its kind, turns to our advantage, without our being able to perceive it. Let us look at the state of the heavens, one while the sun shines, another time it does not appear; now the weather is fine; again it is unpleasant; one day is hot, another is cold; another time it is rainy, snowy or cloudy; every thing is variable and inconstant. Let us look at the surface of the earth: here the ground is flat; there it is hilly and mountainous; in other places it is sandy; in others it is barren; and elsewhere it is productive. Let us, in thought, go into an orchard or forest. What do we see? Trees high or low, large or small, upright or crooked, fruitful or unfruitful. Let us look at the birds of the air, and at the fishes of the sea, nothing resembles another thing. Let us look at the beasts. We see among the same kinds some of different forms, of different dimensions, domestic or wild, harmless or ferocious, useful or useless, pleasing or hideous. Some are bred for men's sakes; some for their own pleasures and amusements; some are of no use to us. There are faults in their organization as well as in that of men. Those who are acquainted with the veterinary art, know this well; but as for us who have not made a study of this science, we seem not to discover or remark these faults. Let us now come to ourselves. Our intellectual faculties as well as our corporeal organization have their imperfections. There are faculties both of the mind and heart, which education improve; there are others which it does not correct. I class in this number, idiotism, imbecility, dulness. But nothing can correct the infirmities of the bodily organization, such as deafness, blindness, lameness, palsy, crookedness, ugliness. The sight of a beautiful person does not make another so likewise, a blind person does not render another blind. Why then should a deaf person make others so also? Why are we Deaf and Dumb? Is it from the difference of our ears? But our ears are like yours; is it that there may be some infirmity? But they are as well organized as yours. Why then are we Deaf and Dumb? I do not know, as you do not know why there are infirmities in your bodies, nor why there are among the human kind, white, black, red and yellow men. The Deaf and Dumb are everywhere, in Asia, in Africa, as well as in Europe and America. They existed before you spoke of them and before you saw them.”

Laurent Clerc (1785–1869) French-American deaf educator

Statement of 1818, quoted in Through Deaf Eyes: A Photographic History of an American Community (2007) by Douglas C. Baynton, Jack R. Gannon, and Jean Lindquist Bergey