Quotes about eye
page 35

Sören Kierkegaard photo

“There was a time, and not so long ago, when one could score a success also here with a bit of irony, which compensated for all other deficiencies and helped one get through the world rather respectably, gave one the appearance of being cultured, of having a perspective on life, an understanding of the world, and to the initiated marked one as a member of an extensive intellectual freemasonry. Occasionally we still meet a representative of that vanished age who has preserved that subtle, sententious, equivocally divulging smile, that air of an intellectual courtier with which he has made his fortune in his youth and upon which he had built his whole future in the hope that he had overcome the world. Ah, but it was an illusion! His watchful eye looks in vain for a kindred soul, and if his days of glory were not still a fresh memory for a few, his facial expression would be a riddle to the contemporary age, in which he lives as a stranger and foreigner. Our age demands more; it demands, if not lofty pathos then at least loud pathos, if not speculation then at least conclusions, if not truth then at least persuasion, if not integrity then at least protestations of integrity, if not feeling then at least verbosity of feelings. Therefore it also coins a totally different kind of privileged faces. It will not allow the mouth to be defiantly compressed or the upper lip to quiver mischievously; it demands that the mouth be open, for how, indeed, could one imagine a true and genuine patriot who is not delivering speeches; how could one visualize a profound thinker’s dogmatic face without a mouth able to swallow the whole world; how could one picture a virtuoso on the cornucopia of the living world without a gaping mouth? It does not permit one to stand still and to concentrate; to walk slowly is already suspicious; and how could one even put up with anything like that in the stirring period in which we live, in this momentous age, which all agree is pregnant with the extraordinary? It hates isolation; indeed, how could it tolerate a person’s having the daft idea of going through life alone-this age that hand in hand and arm in arm (just like itinerant journeymen and soldiers) lives for the idea of community.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Source: 1840s, On the Concept of Irony with Continual Reference to Socrates (1841), p. 246-247

Ursula K. Le Guin photo
Zooey Deschanel photo

“My eyes are so bleary
I guess I'm young but I feel so weary
I've tried to express it
But I think its all a bore
Its at the heart of me,
A very part of me”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

"Black Hole".
She & Him : Volume One (2008)

“Animals are among the first inhabitants of the mind's eye. They are basic to the development of speech and thought. Because of their part in the growth of consciousness, they are inseparable from the series of events in each human life, indispensable to our becoming human in the fullest sense.”

Paul Shepard (1925–1996) American human ecologist

Thinking Animals: Animals and the Development of Human Intelligence (1978), University of Georgia Press, 1998, Chapter 1, p. 2 https://books.google.it/books?id=rSu9AQAAQBAJ&pg=PA2.

Lionel Richie photo

“Your eyes, your eyes
They tell me how much you care
Ooh yes, you will always be
My endless love.”

Lionel Richie (1949) American singer-songwriter, musician, record producer and actor

Endless Love (1981).
Song lyrics

Edgar Rice Burroughs photo
Arthur Ponsonby photo
Iain Banks photo
Klaus Kinski photo
W.E.B. Du Bois photo

“It was a bright September afternoon, and the streets of New York were brilliant with moving men…. He was pushed toward the ticket-office with the others, and felt in his pocket for the new five-dollar bill he had hoarded…. When at last he realized that he had paid five dollars to enter he knew not what, he stood stock-still amazed…. John… sat in a half-maze minding the scene about him; the delicate beauty of the hall, the faint perfume, the moving myriad of men, the rich clothing and low hum of talking seemed all a part of a world so different from his, so strangely more beautiful than anything he had known, that he sat in dreamland, and started when, after a hush, rose high and clear the music of Lohengrin's swan. The infinite beauty of the wail lingered and swept through every muscle of his frame, and put it all a-tune. He closed his eyes and grasped the elbows of the chair, touching unwittingly the lady's arm. And the lady drew away. A deep longing swelled in all his heart to rise with that clear music out of the dirt and dust of that low life that held him prisoned and befouled. If he could only live up in the free air where birds sang and setting suns had no touch of blood! Who had called him to be the slave and butt of all?… If he but had some master-work, some life-service, hard, aye, bitter hard, but without the cringing and sickening servility…. When at last a soft sorrow crept across the violins, there came to him the vision of a far-off home — the great eyes of his sister, and the dark drawn face of his mother…. It left John sitting so silent and rapt that he did not for some time notice the usher tapping him lightly on the shoulder and saying politely, 'will you step this way please sir?'… The manager was sorry, very very sorry — but he explained that some mistake had been made in selling the gentleman a seat already disposed of; he would refund the money, of course… before he had finished John was gone, walking hurriedly across the square… and as he passed the park he buttoned his coat and said, 'John Jones you're a natural-born fool.”

Then he went to his lodgings and wrote a letter, and tore it up; he wrote another, and threw it in the fire....
Source: The Souls of Black Folk (1903), Ch. XIII: Of the Coming of John

Philip K. Dick photo
Geoffrey Chaucer photo

“That well by reason men it call may
The daisie, or els the eye of the day,
The emprise, and floure of floures all.”

Geoffrey Chaucer (1343–1400) English poet

Prologue of the Legend of Good Women, line 183
Bartlett's Familiar Quotations, 10th ed. (1919)

John Stuart Blackie photo

“Rocking on a lazy billow
With roaming eyes,
Cushioned on a dreamy pillow,
Thou art now wise.
Wake the power within thee slumbering,
Trim the plot that's in thy keeping,
Thou wilt bless the task when reaping
Sweet labour's prize.”

John Stuart Blackie (1809–1895) Scottish scholar and man of letters

Address to the Edinburgh Students. Quoted by Lord Iddlesleigh, Desultory Reading; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 756.

Klaus Kinski photo
Norman Spinrad photo
Roberto Clemente photo

“blockquote>Quien Soy? (Who Am I?)I am a small point in the eye of the full moon.
I only need one ray of the sun to warm my face.
I need only one breeze from the Alisios to refresh my soul.
What else can I ask if I know that my sons love really love me?.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Written on Father's Day at Three Rivers Stadium, 1971 or 1972, reproduced in "A Rematch With the Machine" https://books.google.com/books?id=03XsO25A3I8C&pg=PA302 from Roberto Clemente: The Great One (1998) by Bruce Markusen, p. 302
Other, <big><big>1970s</big></big>, <big>1971</big>

Haruo Nakajima photo
Charles Dickens photo
Moshe Dayan photo
John Updike photo
John Constable photo

“I have likewise made many 'skies' and effects — for I wish it could be said of me as Fuselli says of Rembrandt, 'he followed nature in her calmest abodes and could pluck a flower on every hedge — yet he was born to cast a steadfast eye on the bolder phenomena of nature'… We have had noble clouds & effects of light & dark & color.”

John Constable (1776–1837) English Romantic painter

Quote from a letter to Rev. John Fisher in 1821 on his oil-sketches of stormy weather, as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London 1993), p. 222
1820s

Adolf Hitler photo
David Brewster photo
Arthur Schopenhauer photo
John Ruysbroeck photo
James Braid photo
Henry Van Dyke photo
Solomon ibn Gabirol photo

“I before Thy greatness
Stand, and am afraid
All my secret thoughts Thine eye beholdeth
Deep within my bosom laid.”

Solomon ibn Gabirol (1021–1058) Avicebron

Morning song, trans. Nina Davis http://medievalhebrewpoetry.org/ibngabirolselection1.html.

Steven Pinker photo
Kerli photo

“Let the butterflies cry
Let them cry for you
And you just dry your eyes
Because the world is wonderful.”

Kerli (1987) Estonian singer

Butterfly Cry
Love is Dead (2008)

Don McLean photo

“Starry starry night,
Paint your palette blue and grey
Look out on a summer's day with eyes that know the darkness in my soul…”

Don McLean (1945) American Singer and songwriter

Song lyrics, American Pie (1971), Vincent

John Lancaster Spalding photo
Phil Collins photo

“… [Y]our observer's camera is clicking steadily. It's beautiful up above the sunlit clouds. The smooth drone of your twin motors makes you happy. You feel like singing and then you do. Then out of the corner of your eye, you see four black dots, growing larger momentarily. It's an enemy patrol of German Messerschmitts. Your gunner has seen them too. You hear the rattle of the machine gun as you put your bomber in a fast climbing turn, but the Messerschmitt fighters climb faster. They form under your tail, two on each side. One by one, they attack. A yellow light flashes in front of you. The first fighter slips away while the next comes on at you. Again that smashing yellow flame. Your observer falls over unconscious. Before you can think, the next Messerschmitt is upon you. A terrific jolt. Your port engine belches smoke. It's been hit…. You force-land on the first Allied airfield. That night, seated next to a hospital bed where your observer nurses a scalp wound, you hear an enemy communique. A British bomber was shot down over the lines today. Well, you puff a cigarette and grin.”

Larry LeSueur (1909–2003) American journalist

Woo, Elaine. " Larry LeSueur/'Murrow Boy' former war correspondant http://articles.latimes.com/2003/feb/07/local/me-lesueur7", (obituary), Los Angeles Times, February 8, 2003, accessed June 21, 2011. As quoted by Stanley W. Cloud and Lynne Olson in The Murrow Boys: Pioneers on the Front Lines of Broadcast Journalism, ISBN 0395877539. LeSueur just "after interviewing a young British pilot who had just flown a reconnaissance mission over Germany.

Glenn Beck photo
Paul Bourget photo
Devendra Banhart photo

“Each strand of her hair
Is really insect eyes
And each hole in her tongue
Is always occupied
By the milk of the sun”

Devendra Banhart (1981) American folk singer

-Insect Eyes
From Rejoicing in the Hands

Thomas Carlyle photo

“The clearsighted eye turns the light back
to see its own Original Nature…”

Frederick Franck (1909–2006) Dutch painter

Source: Echoes from the Bottomless Well (1985), p. 38

Peter Paul Rubens photo

“[were I] not detained here by age and by the gout which renders me useless, I should go there to enjoy with my own eyes and admire the perfection of such worthy works.... [I pray] look upon all the marvels of your hand.... before I close my eyes forever.”

Peter Paul Rubens (1577–1640) Flemish painter

In a letter to Francois Duquesnoy, 1639-1640 ; as quoted in Rembrandts Eyes', by w:Simon Schrama, Alfred A. Knopf, Borzoi Books, New York 1999, p. 180
The sculptor Francois Duquesnoy, then living drawing heightened with in Rome, had sent him models of work done for a tomb monument, Windsor Castle, Rubens praised them with his usual expansive generosity. Rubens had begun to resign himself to his end, but could write still some letters
1625 - 1640

Victor Villaseñor photo
Bill Clinton photo

“There's never a perfect bipartisan bill in the eyes of a partisan.”

Bill Clinton (1946) 42nd President of the United States

The Economist, December 18, 2010, p. 74
2010s

Marcus Tullius Cicero photo

“For with what eyes of the mind was your Plato able to see that workhouse of such stupendous toil, in which he makes the world to be modelled and built by God? What materials, what bars, what machines, what servants, were employed in so vast a work? How could the air, fire, water, and earth, pay obedience and submit to the will of the architect? From whence arose those five forms, of which the rest were composed, so aptly contributing to frame the mind and produce the senses? It is tedious to go through all, as they are of such a sort that they look more like things to be desired than to be discovered.”
Quibus enim oculis animi intueri potuit vester Plato fabricam illam tanti operis, qua construi a deo atque aedificari mundum facit; quae molitio, quae ferramenta, qui vectes, quae machinae, qui ministri tanti muneris fuerunt; quem ad modum autem oboedire et parere voluntati architecti aer, ignis, aqua, terra potuerunt; unde vero ortae illae quinque formae, ex quibus reliqua formantur, apte cadentes ad animum afficiendum pariendosque sensus? Longum est ad omnia, quae talia sunt, ut optata magis quam inventa videantur.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

Book I, section 19
De Natura Deorum – On the Nature of the Gods (45 BC)

Conor Oberst photo

“For a song I was bought
Now I lie when I talk
With a careful eye on the cue card.
Onto a stage I was pushed,
With my sorrow well rehearsed.
So give me all your pity and your money, now (all of it).”

Conor Oberst (1980) American musician

False Advertising
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)

Paul Signac photo
Victor Villaseñor photo
Johann Wolfgang von Goethe photo

“Young Schopenhauer, a zealous and thorough-going Kantian, tried to explain that light would cease to exist along with the seeing eye. "What!" he said, according to Schopenhauer's own report, "looking at him with his Jove-like eyes,"—"You should rather say that you would not exist if the light could not see you?"”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

As quoted by Friedrich Jodl, "Goethe and Kant," The Monist (1901) f. , ed. Paul Carus, Vol. 11, p. 264 https://books.google.com/books?id=gnQKAQAAMAAJ&pg=PA264. As translated from Professor Jodl's MS. by W. H. Carruth, of the University of Kansas.

Winston S. Churchill photo

“In the twinkling of an eye I found myself without an office, without a seat, without a party, and without an appendix.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

"Election Memories", The Strand Magazine (September 1931).
Reproduced in Thoughts and Adventures, 1932.
The 1930s

David Livingstone photo

“No one can imagine the beauty of the view from anything witnessed in England. It had never been seen before by European eyes; but scenes so lovely must have been gazed upon by angels in their flight.”

David Livingstone (1813–1873) Scottish explorer and missionary

Missionary Travels and Researches in South Africa http://www.gutenberg.org/files/1039/1039-h/1039-h.htm

“For me, poetry is the colour of Elizabeth Taylor's eyes, or the pauses in Pinter's plays - only the pauses, not the words.”

Roger Lewis (1960) Welsh academic and biographer

Evening Standard, Mon 31 Oct 2011, p16

James K. Morrow photo
Emily Brontë photo
Letitia Elizabeth Landon photo
Tom Stoppard photo
Emilio Insolera photo

“The deaf eye sees what is invisible to the hearing eye.”

Emilio Insolera (1979) Actor and film producer

Source: As quoted in https://twitter.com/emilioinsolera/status/725116275349950465(April 26, 2016)

Frank Bunker Gilbreth, Sr. photo

“Process-chart notes and information should be collected and set down in sketch form by a highly intelligent man, preferably with an engineering training and experience, but who need not necessarily have been previously familiar with the actual details of the processes. In fact, the unbiased eye of an intelligent and experienced process-chart maker usually brings better results than does the study of a less keen man with more special information regarding present practices of the processes. The mere act of investigating sufficiently to make the notes in good enough condition for the draftsman to copy invariably results in many ideas and suggestions for improvement, and all of these suggestions, good and bad, should be retained and filed together with the description of the process chart. These suggestions and proposed improvements must be later explained to others, such as boards of directors, managers and foremen, and for best results also to certain workmen and clerks who have special craft or process knowledge. To overcome the obstacles due to habit, worship of tradition and prejudice, the more intelligence shown by the process-chart recorder, the sooner hearty cooperation of all concerned will be secured. Anyone can make this form of process chart with no previous experience in making such charts, but the more experience one has in making them, the more certain standard combinations of operations, inspection and transporting can be transferred bodily to advantage to the charts of proposed processes.”

Frank Bunker Gilbreth, Sr. (1868–1924) American industrial engineer

Source: Process charts (1921), p. 5-6.

Enoch Powell photo

“I was born ambitious, I suppose I shall die ambitious. I can no more change it than the colour of my eyes.”

Enoch Powell (1912–1998) British politician

Russell Harty Plus, ITV (1973), excerpted in "Odd Man Out", BBC TV profile by Michael Cockerell transmitted on 11 November 1995
1970s

Jimmy Carter photo
Maimónides photo
Eugène Fromentin photo

“The things I haven't seen with my own eyes are for me unknown.”

Eugène Fromentin (1820–1876) French painter

Quote of Fromentin, as cited by Sarah Anderson in Between Sea and Sahara: An Orientalist Adventure, Eugène Fromentin, (1859) - in 'Preface'; transl. Blake Robinson; publisher I.B. Tauris 2004, p. 21

Theodor Mommsen photo
Alan Moore photo
Samuel Beckett photo
Tom Petty photo

“I felt so good, like anything was possible.
I hit cruise control and rubbed my eyes.”

Tom Petty (1950–2017) American musician

Runnin' Down a Dream
Lyrics, Full Moon Fever (1989)

Letitia Elizabeth Landon photo
Amanda Lear photo

“I knew nothing when I first met him. He taught me to see things through his eyes. Dalí was my teacher. He let me use his brushes, his paint and his canvas, so that I could play around while he was painting for hours and hours in the same studio. Surrealism was a good school for me. Listening to Dalí talk was better than going to any art school.”

Amanda Lear (1939) singer, lyricist, composer, painter, television presenter, actress, model

http://www.3d-dali.com/centennial-magazine/e-9-muse.htm, Salvador Dali Centennial Magazine – Amanda Lear, 15 June 2004, 3d-dali.com, 15 July 2018

Caitlín R. Kiernan photo
Adam Mickiewicz photo

“My heart stopped, my breast frozen, my lips and eyes barred. Still in the world, but not of the world. Here, yet already departed.”

Serce ustało pierś już lodowata, ścięły się usta i oczy zawarły; Na świecie jeszcze, lecz już nie dla świata. Cóż to za człowiek - Umarły
Part one.
Dziady (Forefathers' Eve) http://www.ap.krakow.pl/nkja/literature/polpoet/mic_fore.htm

John Ruskin photo
André Maurois photo
Benjamin Franklin photo

“The Way to ſee by Faith is to ſhut the Eye of Reaſon: The Morning Daylight appears plainer when you put out your Candle.”

"July. VII Month.", Poor Richard's Almanack (1758), Philadelphia: B. Frankin and D. Hall
Poor Richard's Almanack

Richard Francis Burton photo

“What see we here? Forms, nothing more! Forms fill the brightest, strongest eye,
We know not substance; 'mid the shades shadows ourselves we live and die.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)

Tracey Ullman photo
Paul Gauguin photo

“My eyes close and uncomprehendingly see the dream in the infinite space that stretches away, elusive, before me.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Original: Mes yeux se ferment pour voir sans comprendre le rêve dans l'espace infini qui fuit devant moi.
Source: 1890s - 1910s, The Writings of a Savage (1996), pp. 184-185: Letter to André Fontainas, March 1899

Kent Hovind photo
George S. Patton photo

“It is the cold glitter of the attacker's eye not the point of the questing bayonet that breaks the line.”

George S. Patton (1885–1945) United States Army general

Quoted in How We Are Changed by War: A Study of Letters and Diaries from Colonial Conflicts to Operation Iraqi Freedom (2010) http://books.google.com/books?id=h-Fens34378C&pg=PA70 by D.C. Gill, p. 70

Peter Gabriel photo
Halldór Laxness photo
Letitia Elizabeth Landon photo
Stephen Vizinczey photo
Zooey Deschanel photo

“Shut your eyes, there are bluer skies
For you're embraced in my heart”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

"If You Can't Sleep".
Volume Two (2010)

Michel Foucault photo
Stephenie Meyer photo
Karel Appel photo

“The struggle begins, to harmonize canvas, eye, hand, forms. New apparitions stalk the earth.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Karel Appel's excerpt', c. 1953

Henry Adams photo
Richard Feynman photo
Hal David photo
Arthur Schopenhauer photo

“University professors, restricted in this way, are quite happy about the matter, for their real concern is to earn with credit an honest livelihood for themselves and also for their wives and children and moreover to enjoy a certain prestige in the eyes of the public. On the other hand, the deeply stirred mind of the real philosopher, whose whole concern is to look for the key to our existence, as mysterious as it is precarious, is regarded by them as something mythological, if indeed the man so affected does not even appear to them to be obsessed by a monomania, should he ever be met with among them. For that a man could really be in dead earnest about philosophy does not as a rule occur to anyone, least of all to a lecturer thereon; just as the most sceptical Christian is usually the Pope. It has, therefore, been one of the rarest events for a genuine philosopher to be at the same time a lecturer in philosophy.”

Inzwischen bleiben die solchermaaßen beschränkten Universitätsphilosophie bei der Sache ganz wohlgemuth; weil ihr eigentlicher Ernst darin liegt, mit Ehren ein redliches Auskommen für sich, nebst Weib und Kind, zu erwerben, auch ein gewisses Ansehn vor den Leuten zu genießen; hingegen das tiefbewegte Gemüth eines wirklichen Philosophen, dessen ganzer und großer Ernst im Aufsuchen eines Schlüssels zu unserm, so rätselhaften wie mißlichen Daseyn liegt, von ihnen zu den mythologischen Wesen gezählt wird; wenn nicht etwa» gar der damit Behaftete, sollte er ihnen je vorkommen, ihnen als von Monomanie besessen erscheint. Denn daß es mit der Philosophie so recht eigentlicher, bitterer Ernst seyn könne, läßt wohl, in der Regel, kein Mensch sich weniger träumen, als ein Docent derselben; gleichwie der ungläubigste Christ der Papst zu seyn pflegt. Daher gehört es denn auch zu den seltensten Fällen, daß ein wirklicher Philosoph zugleich ein Docent der Philosophie gewesen wäre.
Sämtliche Werke, Bd. 5, p. 153, E. Payne, trans. (1974) Vol. 1, p. 141
Parerga and Paralipomena (1851), On Philosophy in the Universities

John Angell James photo