Quotes about expression
page 20
In other words, it is not the Protocols that produce antisemetism, it is people’s profound need to single out an Enemy that leads them to believe in the Protocols.
I believe that-in spite of this courageous, not comic but tragic book by Will Eisner- the story is hardly over. Yet is is a story very much worth telling, for one must fight the Big Lie and the hatred it spawns.
Umberto Eco, Milan Italy December 2004 translated by Allesandra Bastagli, p. vi-vii
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)
As quoted in Richard Pipes, The Unknown Lenin: From the Secret Archive (1996), p. 77.
Attributions
Quoted in "1959 Year In Review: Death of John Foster Dulles," http://www.upi.com/Audio/Year_in_Review/Events-of-1959/Death-of-John-Foster-Dulles/12295509433704-3/ UPI.com (1959).
Wojnar, Anna (April 2011): O mózgu interdyscyplinarnie. Alma Mater”, 134–135, pp. 24–25 (in Polish).
Source: Consciencism (1964), Introduction, pp. 2-4.
Source: Sex, Art and American Culture : New Essays (1992), p. 15
The Autobiography of Margot Asquith (Harmondsworth: Penguin, 1963) p. 291. (1922)
Of the crowds outside 10 Downing Street on August 3, 1914.
In Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008.
1914 - 1916, Pittura e scultura futuriste' Milan, 1914
When describing the sources of his music
New York Times interview (1972)
Letter to Dr Uhlemayr-Savage Messiah By H S (Jim) Ede Heinimann (1931)
Jeff Cooper's Commentaries, vol. 4, no. 16, December, 1996
Broken Lights p. 105 Diaries 1953-1954
lecture at Clark University, " A study in evolution, based on color-characters in pigeons, and bearing on moot questions http://books.google.com/books?id=TdcwAQAAMAAJ&pg=PA3" (1909), quoted in Eight Little Piggies (W.W. Norton, 1993) by Stephen Jay Gould, page 366
Often attributed to Giorgio Vasari, while in the text Vasari attributes these words to Leonardo da Vinci in: Giorgio Vasari. Lives of the Most Eminent Painters, Sculptors and Architects as translated by Mrs. Jonathan Foster (1852), Vol. 2;
Misattributed
Raymond, p. 290 https://babel.hathitrust.org/cgi/pt?id=loc.ark:/13960/t80k3mq4s;view=1up;seq=332
Raymond, or Life and Death (1916)
Naipaul, V. S. (1981). Among the believers: An Islamic journey. New York: Knopf.
Interview with Bradley Joseph, The Spiritual Significance Of Music, World Edition http://www.xtrememusic.org/world/joseph_bradley.pdf http://www.xtrememusic.org/new.html (from extrememusic.org) http://xtrememusic.org/world.html
“Music expresses the motion of the waters, the play of curves described by changing breezes.”
As quoted in The Twentieth Century (1972) by Caroline Farrar Ware, p. 222
Variant translation: Music is the expression of the movement of the waters, the play of curves described by changing breezes.
Overview: Castles in Context
Medieval castles (2005)
"Room of One's Own", p. 355
The Lying Stones of Marrakech (2001)
Software Engineering Radio Episode 140: Newspeak and Pluggable Types with Gilad Bracha http://www.se-radio.net/2009/07/episode-140-newspeak-and-pluggable-types-with-gilad-bracha/
Philosophy and Living (1939)
"The Conservation Ethic" [1933]; Published in The River of the Mother of God and Other Essays by Aldo Leopold, Susan L. Flader and J. Baird Callicott (eds.) 1991, p. 191.
1930s
“O Lallo, as the words of the Lord come to me, so do I express them.”
Guru Nanak Dev ji (1469 - 1539)
Vol. I: Arithmetical Algebra Preface, p. vi-vii
A Treatise on Algebra (1842)
“We have this expression, Christy and I: We don't wake up for less than $10,000 a day.”
Spoken in Vogue (1990) to Jonathan Van Meter, talking about money and how she and a few other models were calling the shots and changing the game: Christy refers to supermodel Christy Turlington
Often misquoted as: "We don't get out of bed for less than..." or "I don't get out of bed for less than..."
John Maynard Keynes: 1883-1946: Economist, Philosopher, Statesman (2003), Ch. 2. Cambridge Civilisation: Sidgwick and Marshall
Source: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 40
Delacroix était passionnément amoureux de la passion, et froidement déterminé à chercher les moyens d'exprimer la passion de la manière la plus visible. Dans ce double caractère, nous trouvons, disons-le en passant, les deux signes qui marquent les plus solides génies, génies extrêmes.
L’œuvre et la vie d’Eugène Delacroix http://fr.wikisource.org/wiki/L%27%C5%92uvre_et_la_vie_d%27Eug%C3%A8ne_Delacroix#III [The Life and Work of Eugène Delacroix] (1863), published in Curiosités esthétiques (1868)
II. Main Part : The Unveiling of the Secret.
Parsifal and the Secret of the Graal Unveiled (1914)
http://www.gravett.org/bizarrescience/archives/003967.html
Letter to the Wall Street Journal
In her Diary (1898); as quoted in: Werner Haftmann (1966) An analysis of the artists and their work, p. 82
1898
On his facing a case filed against him along with three other authors for reading out portions of Salman Rushdie’s Satanic Verses during last year’s lit fest,
Mohammed Iqbal, in: "Jeet Thayil wins DSC Prize for South Asian Literature"
Hindu Temples – What Happened to Them, Volume I (1990)
Foreword
All Else Is Bondage : Non-Volitional Living (1964)
Broadcast (22 April 1936), quoted in "Mr. Attlee on a war budget", The Times (23 April 1936), p. 16.
1930s
Asked about Tottenham Hotspur's chances of winning the FA Cup
Rotatey Diskers with Unwin (1960)
"Ashok Kumar Sarkar Memorial Lecture 2015" Jan 29, 2015 http://ziahaiderrahman.com/aks/. Retrieved on 2015-02-12.
Interview, Telegraph Review, 2013
Source: Main Currents Of Marxism (1978), Three Volume edition, Volume I, The Founders, pp. 143-4
Gurdjieff’s All and Everything (1950)
Out of Step (1985)
Source: 1930s, On my Painting (1938), pp. 18-19
"Spring and Fall", lines 12-15
Wessex Poems and Other Verses (1918)
5.Paul Samuelson is Human.
Ten Ways to Know Paul A. Samuelson (2006)
The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter III. Greece and Rome
Letter (1801-01-03) [Letters of Jane Austen -- Brabourne Edition]
Letters
Public Lecture (2018)
Source: 1950s-1960s, Social Choice and Individual Values (1951), p. 85 as cited in: Gerry Mackie (2006) "The Reception of Social Choice Theory By Democratic Theory".
Diane Sawyer interview http://sixtyminutes.ninemsn.com.au/sixtyminutes/stories/2003_11_23/story_1024.asp, 60 Minutes (23 November 2003)
“The eye of genius has always a plaintive expression, and its natural language is pathos.”
1840s, Letters from New York (1843)
Source: Letters from New York http://www.bartleby.com/66/62/12262.html, vol. 1, letter 39
Source: BBC News http://news.bbc.co.uk/1/hi/world/middle_east/3623603.stm
The Day, 1906. Alle Verk, xii. 319. S. Liptzin. Peretz. Yivo, 1947, p. 18.
Quote from Degas' Notebook of 1869; as quoted in Impressionism and Post Impressionism 1874 – 1904, 'Sources and Documents', Linda Nochlin, Englewood Cliffs, New Yersey, 1966, p. 62
1855 - 1875
Source: The Heart of Buddhist Meditation (1965), p. 31
February 7, 2006 remarks at a reception for Air Force Servicemen http://www.leader.ir/langs/en/?p=contentShow&id=3500
2005
"The American Action Painters" (1952) in Art News 51/8, Dec. 1952, p. 22; then published in Tradition of the New, 1959.
Source: 20th century, "Populär-wissenschafliche Vorlesungen" (1908), pp. 224-225: On thought-economy in m., 203.
Traits and Trials of Early Life (1836)
Quoted in 2007 article. [April 27, 2007]
Source: 1870s - 1880s, The Writings of a Savage (1996), p. 5: Letter to Emile Schuffenecker, (Copenhagen, 14 January 1885)
Source: What is Religion, of What does its Essence Consist? (1902), Chapter 11
Geometry as a Branch of Physics (1949)
Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), p. 62
Quote from Maitres d'Autrefois; Belgique – Hollande, Eugène Fromentin; Librairie Plon-Nourrit et Cie, Paris, 1877; as quoted by Arthur Hoebert, in The Barbizon Painters – being the story of the Men of thirty – associate of the National Academy of Design; publishers, Frederick A. Stokes Company, New York 1915, p. 73-74
Witold Doroszewski, Z zagadiiien leksykografii polskiej [Selected Problems of Polish Lexicography], Warszawa 1954, p. 93; as cited in Schaff (1962;6).
Poetic Manifesto, published in the Texas Quarterly (Winter 1961)
http://blogs.forward.com/avraham-burg/tags/edgar-m-bronfman/
Quote from The Quotable Artist, by Peggy Hadden; Skyhorse Publishing, Inc., 2010; not paged
undated
<p>Adams alludes to a well-known passage from the Rubaiyat of Omar Khayyam. In Edward FitzGerald's translation:</p><p>The Ball no Question makes of Ayes and Noes,
But Right and Left as strikes the Player goes;
And He that toss'd Thee down into the Field,
He knows about it all — HE knows — HE knows!</p>
Mont Saint Michel and Chartres (1904)
The Doors of the Sea (2005), p. 91; on Predestination in Calvinism.