Quotes about emotion

page 6

Source: Silence: Lectures and Writings

Source: Bloodfever

Source: Dearly Devoted Dexter

Variant: Your emotions are the slaves to your thoughts, and you are the slave to your emotions.
Source: Eat, Pray, Love

Source: The Sea, the Sea

Source: Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead

Source: World War Z: An Oral History of the Zombie War

Source: A Woman's Worth

Source: The Blood of Olympus

Source: The Impossible Knife of Memory

Source: The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are

Source: Bloodlines

Source: Looking for Alibrandi

"Introduction" of Four Screenplays (1960). <!-- Simon & Schuster -->
Context: When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with film as music. Both affect our emotions directly, not via the intellect. And film is mainly rhythm; it is inhalation and exhalation in continuous sequence. Ever since childhood, music has been my great source of recreation and stimulation, and I often experience a film or play musically.

1950 entry, quoted in Kate Moses, "The Real Sylvia Plath," Salon.com (2000-06-01) http://dir.salon.com/story/books/feature/2000/06/01/plath2/
The Unabridged Journals of Sylvia Plath (2000)
Variant: If I didn't think, I'd be much happier; if I didn't have any sex organs, I wouldn't waver on the brink of nervous emotion and tears all the time.
Source: The Unabridged Journals of Sylvia Plath

Source: Eating the Dinosaur

Source: The Name of the Wind

Source: According to the Rolling Stones

Source: The Green Brain

Source: Real World

Steve Miller, Chapter 36, Steve, p. 376
Source: 2000s, The Last Song (2009)

Man shares the capacity for love and hate, anger and fear, loyalty and grief, with other living creatures. But humour, which has an intellectual as well as an emotional element belongs to man.
Source: 1970s, Margaret Mead: Some Personal Views (1979), p. 121

Source: Emotional Intelligence: Why It Can Matter More Than IQ

Source: Ways of Seeing (1972), p. 148

Source: Crown Duel (Crown & Court #1 - 2, 1997)

Source: Oranges Are Not the Only Fruit

Firewall

On being informed that Faulkner had said that Hemingway "had never been known to use a word that might send the reader to the dictionary." Pt. 1, Ch. 4
Papa Hemingway (1966)

Source: Focal Point: A Proven System to Simplify Your Life, Double Your Productivity, and Achieve All Your Goals

Source: Confessor

Source: City of Fallen Angels

101 Best Ways to Land a Job in Troubled Times

Source: Rise of the Evening Star

Variant translations: The fairest thing we can experience is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science. He who knows it not and can no longer wonder, no longer feel amazement, is as good as dead, a snuffed-out candle. It was the experience of mystery — even if mixed with fear — that engendered religion. A knowledge of the existence of something we cannot penetrate, of the manifestations of the profoundest reason and the most radiant beauty, which are only accessible to our reason in their most elementary forms — it is this knowledge and this emotion that constitute the truly religious attitude; in this sense, and in this alone, I am a deeply religious man.
The finest emotion of which we are capable is the mystic emotion. Herein lies the germ of all art and all true science. Anyone to whom this feeling is alien, who is no longer capable of wonderment and lives in a state of fear is a dead man. To know that what is impenetrable for us really exists and manifests itself as the highest wisdom and the most radiant beauty, whose gross forms alone are intelligible to our poor faculties — this knowledge, this feeling … that is the core of the true religious sentiment. In this sense, and in this sense alone, I rank myself among profoundly religious men.
As quoted in After Einstein : Proceedings of the Einstein Centennial Celebration (1981) by Peter Barker and Cecil G. Shugart, p. 179
The most beautiful thing we can experience is the mysterious. It is the source of all true art and science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed.
As quoted in Introduction to Philosophy (1935) by George Thomas White Patrick and Frank Miller Chapman, p. 44
The most beautiful emotion we can experience is the mysterious. It is the fundamental emotion that stands at the cradle of all true art and science. He to whom this emotion is a stranger, who can no longer wonder and stand rapt in awe, is as good as dead, a snuffed-out candle. To sense that behind anything that can be experienced there is something that our minds cannot grasp, whose beauty and sublimity reaches us only indirectly: this is religiousness. In this sense, and in this sense only, I am a devoutly religious man."
He who can no longer pause to wonder and stand rapt in awe, is as good as dead; his eyes are closed.
1930s, Mein Weltbild (My World-view) (1931)
Context: The most beautiful experience we can have is the mysterious. It is the fundamental emotion that stands at the cradle of true art and true science. Whoever does not know it and can no longer wonder, no longer marvel, is as good as dead, and his eyes are dimmed. It was the experience of mystery — even if mixed with fear — that engendered religion. A knowledge of the existence of something we cannot penetrate, our perceptions of the profoundest reason and the most radiant beauty, which only in their most primitive forms are accessible to our minds: it is this knowledge and this emotion that constitute true religiosity. In this sense, and only this sense, I am a deeply religious man.

Source: Tuesdays with Morrie

Source: Under the Dome

Source: Lover Mine

Source: Philosophy: Who Needs It?

Source: Speak

Source: Tales of Burning Love

Source: Wasted: A Memoir of Anorexia and Bulimia

Source: City of Fallen Angels

Source: Seven Nights

Source: Guilty Pleasures

Source: Mastery

Variant translations: The fairest thing we can experience is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science. He who knows it not and can no longer wonder, no longer feel amazement, is as good as dead, a snuffed-out candle. It was the experience of mystery — even if mixed with fear — that engendered religion. A knowledge of the existence of something we cannot penetrate, of the manifestations of the profoundest reason and the most radiant beauty, which are only accessible to our reason in their most elementary forms — it is this knowledge and this emotion that constitute the truly religious attitude; in this sense, and in this alone, I am a deeply religious man.
The finest emotion of which we are capable is the mystic emotion. Herein lies the germ of all art and all true science. Anyone to whom this feeling is alien, who is no longer capable of wonderment and lives in a state of fear is a dead man. To know that what is impenetrable for us really exists and manifests itself as the highest wisdom and the most radiant beauty, whose gross forms alone are intelligible to our poor faculties — this knowledge, this feeling … that is the core of the true religious sentiment. In this sense, and in this sense alone, I rank myself among profoundly religious men.
As quoted in After Einstein : Proceedings of the Einstein Centennial Celebration (1981) by Peter Barker and Cecil G. Shugart, p. 179
The most beautiful thing we can experience is the mysterious. It is the source of all true art and science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed.
As quoted in Introduction to Philosophy (1935) by George Thomas White Patrick and Frank Miller Chapman, p. 44
The most beautiful emotion we can experience is the mysterious. It is the fundamental emotion that stands at the cradle of all true art and science. He to whom this emotion is a stranger, who can no longer wonder and stand rapt in awe, is as good as dead, a snuffed-out candle. To sense that behind anything that can be experienced there is something that our minds cannot grasp, whose beauty and sublimity reaches us only indirectly: this is religiousness. In this sense, and in this sense only, I am a devoutly religious man."
He who can no longer pause to wonder and stand rapt in awe, is as good as dead; his eyes are closed.
1930s, Mein Weltbild (My World-view) (1931)
Context: The most beautiful experience we can have is the mysterious. It is the fundamental emotion that stands at the cradle of true art and true science. Whoever does not know it and can no longer wonder, no longer marvel, is as good as dead, and his eyes are dimmed. It was the experience of mystery — even if mixed with fear — that engendered religion. A knowledge of the existence of something we cannot penetrate, our perceptions of the profoundest reason and the most radiant beauty, which only in their most primitive forms are accessible to our minds: it is this knowledge and this emotion that constitute true religiosity. In this sense, and only this sense, I am a deeply religious man.

Source: Catch a Mate

Source: Choke

Source: Confessor

Source: The 48 Laws of Power

Source: Not A Star

Source: Story: Substance, Structure, Style, and the Principles of Screenwriting

LIVE 8, Hyde Park, London, July 2005
Music

Source: Planet of the Damned (1962), Chapter 15

Source: The Naked Civil Servant (1968), Ch. 19

In August 1780, as quoted in "Death of Baron De Kalb" https://books.google.com/books?id=k2QAAAAAYAAJ&pg=PA234&lpg=PA234&dq=%22I+thank+you+sir+for+your+generous+sympathy,+but+I+die+the+death+I+always+prayed+for:+the+death+of+a+soldier+fighting+for+the+rights+of+man%22&source=bl&ots=-93hJzoCYU&sig=tAag8ObQI-ZjiII56viczov02wM&hl=en&sa=X&ei=VlYVVcuJI4KmNsazgYgL&ved=0CCUQ6AEwAQ#v=onepage&q=%22I%20thank%20you%20sir%20for%20your%20generous%20sympathy%2C%20but%20I%20die%20the%20death%20I%20always%20prayed%20for%3A%20the%20death%20of%20a%20soldier%20fighting%20for%20the%20rights%20of%20man%22&f=false (1849), by Benjamin Franklin Ells, The Western Miscellany, Volume 1, p. 233.
1780s

Part IV, Chapter V
Les voix du silence [Voices of Silence] (1951)

First line
Curtain - Poirot's Last Case (1975)

Source: From the Notebooks of Dr. Brain (2007), Chapter 6 “Up is Down: The Path Inside is Outside” (p. 185)

“Basis for Negotiations” p. 124
Short fiction, Who Can Replace a Man? (1965)

"The Power Urge," essay in The Spectator (15 December, 1982); reprinted in Another Voice (1986)

Oxford Book of English Verse, Introduction

Source: 1890s, The Principles of Psychology (1890), Ch. 10

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

Knowledge and Global Order https://www.bbvaopenmind.com/en/article/knowledge-and-global-order/?fullscreen=true - OpenMind September 2013

The Integrity of the Intellect (July 1920)

"A Note on Poetry," preface to The Rage for the Lost Penny: Five Young American Poets (New Directions, 1940) [p. 49]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Nobel Prize Autobiographical Information http://www.nobelprize.org/nobel_prizes/economic-sciences/laureates/2002/kahneman-bio.html (2002).

see “Nazi”
" Latest college shenanigans by the Regressive Left: censorship at Pomona and UCLA; Wellesley student paper publishes “we need free speech but...” editorial https://whyevolutionistrue.wordpress.com/2017/04/21/latest-news-about-college-shenanigans-by-the-regressive-left-censorship-at-pomona-and-ucla-wellesley-student-paper-writes-we-need-free-speech-but-article/" April 21, 2017

"The Demise of the Demarcation Problem", in Cohen, R.S.; Laudan, L., Physics, Philosophy and Psychoanalysis: Essays in Honor of Adolf Grünbaum (1983)

Oscar Iden Lecture Series, Lecture 3: "The State of Individuals" (1976)

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 34

the happening world (8) “Be Kind To Your Forfeited Friends”
Stand on Zanzibar (1968)

Smuts expounding a confrontation of opposites in his presidential address to the British Association in September 1931, as cited by W. K. Hancock in SMUTS 2: The Fields of Force 1919-1950, p. 232-234

Quote of Metzinger in 'The Wild Men of Paris', by Gelett Burgess https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf, in 'The Architectural Record, Vol XXVII, May 1910, p. 414

1980 - 2000, Perfection Is in the Mind', 1995