“Write about the emotions you fear the most.”

Comments on Fear and Loathing in Las Vegas in The Great Shark Hunt: Strange Tales from a Strange Time (1979), p. 109
1970s
Context: The only other important thing to be said about Fear & Loathing at this time is that it was fun to write, and that's rare — for me, at least, because I've always considered writing the most hateful kind of work. I suspect it's a bit like fucking — which is fun only for amateurs. Old whores don't do much giggling. Nothing is fun when you have to do it — over and over, again and again — or else you'll be evicted, and that gets old. So it's a rare goddamn trip for a locked-in, rent-paying writer to get into a gig that, even in retrospect, was a kinghell, highlife fuck-all from start to finish... and then to actually get paid for writing this kind of manic gibberish seems genuinely weird; like getting paid for kicking Agnew in the balls. So maybe there's hope. Or maybe I'm going mad... In a nation ruled by swine, all pigs are upward mobile — and the rest of us are fucked until we can put our acts together: Not necessarily to Win, but mainly to keep from Losing Completely... The Swine are gearing down for a serious workout this time around... So much, then, for The Road — and for the last possibilities of running amok in Las Vegas... Well, at least, I'll know I was there, neck deep in the madness, before the deal went down, and I got so high and wild that I felt like a two-ton Manta ray jumping all the way across the Bay of Bengal.

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

Source: Writing Down the Bones: Freeing the Writer Within

Uncommon Knowledge (2005)

Source: Living Beyond Your Feelings: Controlling Emotions So They Don't Control You

"Would you like to see a little of it?" said the Mock Turtle. (3 April 2010)
Unfit for Mass Consumption (blog entries), 2010
Context: Could anything be more inimical to art than a fear of emotion, or a fear of "excessive" emotion, or a reluctance to express emotion around others? No, of course not. Art can even best the weights of utter fucking ignorance and totalitarian repression, but it cannot survive emotional constipation.
I want a T-shirt that says, "Art is Emo." We live in an age where people are more apt to believe a thing if they read it on a T-shirt.

SALON Interview (1995)
Context: Other Asian-American writers just shudder when they are compared to me; it really denigrates the uniqueness of their own work. I find it happening less here partly because people are more aware now of the flaws of political correctness — that literature has to do something to educate people. I don't see myself, for example, writing about cultural dichotomies, but about human connections. All of us go through angst and identity crises. And even when you write in a specific context, you still tap into that subtext of emotions that we all feel about love and hope, and mothers and obligations and responsibilities.

Source: Way of the Peaceful Warrior