Quotes about emotion
page 7

“When I was a kid back in Kentucky, we went to this church where my uncle preached. It was kind of a weird Baptist, full-on kind of place. People kept running up to the pulpit and grabbing his ankles and being saved. Lots of crying. Even then, at six or seven, I questioned how pure the emotion could be if it were on such display.”

Johnny Depp (1963) American actor, film producer, and musician

Quoted in Kevin Sessums, "Johnny Be Good," http://www.johnnydeppfan.com/interviews/vanifair.htm Vanity Fair (February 1997)

People, Question, Cry

“The majority of mankind is lazy-minded, incurious, absorbed in vanities, and tepid in emotion, and is therefore incapable of either much doubt or much faith; and when the ordinary man calls himself a sceptic or an unbeliever, that is ordinarily a simple pose, cloaking a disinclination to think anything out to a conclusion.”

T.S. Eliot (1888–1965) 20th century English author

Introduction to Pascal’s Pensées

Faith, Thinking

“But we may safely predict that Marx himself will become more and more what he already is: a chapter from a textbook of the history of ideas, a figure that no longer evokes any emotions, simply the author of one the 'great books' of the nineteenth century - one of those books that very few bother to read but whose titles are known to the educated public.”

Leszek Kolakowski (1927–2009) Philosopher, historian of ideas

New Epilogue, p. 1214 (See also: Karl Marx - History - Statistics...)
Main Currents Of Marxism (1978)

Books, Education, History, Idea

“When the Nobel award was announced I saw it as a personal triumph, an achievement for me and my collaborators -- a recognition for a very remarkable discovery, for reaching the goal I had pursued for 7 years. But when I sat in that crowded hall and I saw the sea of western faces surrounding me, and I, the only Indian, in my turban and closed coat, it dawned on me that I was really representing my people and my country. I felt truly humble when I received the Prize from King Gustav; it was a moment of great emotion but I could restrain myself.”

C. V. Raman (1888–1970) Indian physicist

On the occasion of the Noble Prize award presented to him in 1930 by King Gustova in Stokholm Raman observed Chandrasekhara Venkata Raman:A Legend of Modern Indian Science, 22 November 2013, Official Government of India's website Vigyan Prasar http://www.vigyanprasar.gov.in/scientists/cvraman/raman1.htm,

People, Personality, Sea, Country

“When I look at a work of Art I ask myself: does it inspire me, does it touch and move me, do I learn something from it, does it startle or amaze me - do I get excited, upset? That is the test any artwork has to pass: can it create an emotional impact on a human being even when he has no education or any information about art? I’ve always had a problem with art that you can only understand if you have a degree in art history, and I have a problem with theories. Most of them are bullshit anyway. Most critics and theorists have little respect for artists, and I think the importance of theory in art is totally overrated. Real art is self-evident. Real art is intense, enchanting, exciting and unsettling; it has a quality and magic that you cannot explain. Art is not logic, and if you want to experience it, your mind and rational thinking will be of little help. Art is something spiritual that you can only experience with your senses, your heart, your soul.”

Gottfried Helnwein (1948) Austrian photographer and painter

Interview by Brendan Maher http://www.gottfried-helnwein-interview.com/index.html, Start, Ireland, November 24, 2004

Education, Art, Soul, History

“We shall not act unfairly in any way. We shall not allow our understanding to let us down. For a leader who has to take care of a volk/people, cannot govern, driven by emotions or vengefulness. It is our task in these heavy times, while the heart often wants to speak, to let understanding dominate; understanding and faith. Carried by faith in God, the government will not be able to govern unfairly. Faith and understanding does not, however, say that we have to act timidly when greater evils may follow. Power is sometimes the best means to get peace.”

Hendrik Verwoerd (1901–1966) Prime Minister of South Africa from 1958 until his assassination in 1966

Verwoerd in 1960, as quoted and translated by J. J. Venter in H.F. Verwoerd: Foundational aspects of his thought, Koers 64(4) 1999: 415–442

God, People, Peace, Faith

“Acting is the physical representation of a mental picture and the projection of an emotional concept.”

Laurette Taylor (1884–1946) American stage and silent film actress

The Quality You Need Most, from Green Book Magazine (April 1914)

“By differentiation we mean the differences in cognitive and emotional orientation among managers in different units and the differences in formal structure among units.”

Paul R. Lawrence (1922–2011) American business theorist

Source: Organization and environment: Managing differentiation and integration, 1967, p. 11

“For me the ideal Olympics would be to go in with all that pressure, all that attention and have performances that are literally tear-jerking, that make people put their heads down because they’re embarrassed at how emotional they’re getting, that make people want to try sports, talk to their kids, call their f---ing ex-wives—and come away with no medals. I think that would be epic. That would be the perfect thing.”

Bode Miller (1977) American alpine ski racer

Interview with Newsweek, Nov. 2005, pub. 23 Feb. 2006 http://www.msnbc.msn.com/id/11522274/

People, Jerk, Thinking, Tear

“The disharmoniousness (one might say, the negative rhythm) of the individual forms was that which primarily drew me, attracted me, during the period to which this watercolor belongs. The so-called rhythmic always comes on its own because in general the person himself is rhythmically built. Thus at least on the surface, the rhythmic is innate in people. Children, 'primitive' peoples, and laymen draw rhythmically..
In that period my soul was especially enchanted by the not-fitting-together of drawn and painterly form. Line serves the plane in that the former bounds the latter. And it makes my heart race in those cases when the independent plane springs over the confining line: line and plane are not in tune! It was this that produced a strong inner emotion in me, the inner 'ah!”

Wassily Kandinsky (1866–1944) Russian painter

2 quotes from Kandinsky's letter to Hans Arp, November 1912; in Friedel, Wassily Kandinsky, p. 489; as cited in Negative Rhythm: Intersections Between Arp, Kandinsky, Münter, and Taeuber, Bibiana K. Obler (including transl. - Yale University Press, 2014 Kandinsky was trying to explain to Arp his state of mind when he made his sketch for 'Improvisation with Horses' https://upload.wikimedia.org/wikipedia/commons/c/ce/Wassily_Kandinsky_Cossacks_or_Cosaques_1910%E2%80%931.jpg, 1911, a watercolor belonging to Arp. Kandinsky had told Arp that he could have one of his pictures included in the 'Moderne Bund' (second) exhibition in Zurich, 1912, and this was the one Arp selected 1910 - 1915

Children, People, Soul, Spring

“Suppose you have two religions. Thought defines religion — the thought about the nature of God and various questions like that. Such thought is very important because it is about God, who is supposed to be supreme. The thought about what is of supreme value must have the highest force. So if you disagree about that, the emotional impact can be very great, and you will then have no way to settle it. Two different beliefs about God will thus produce intense fragmentation — similarly with thoughts about the nature of society, which is also very important, or with ideologies such as communism and capitalism, or with different beliefs about your family or about your money. Whatever it is that is very important to you, fragmentation in your thought about it is going to be very powerful in its effects.”

David Bohm (1917–1992) American theoretical physicist

Changing Consciousness (1991)

Money, God, Family, Religion

“The more I examined my emotions, the more I was able to put that in my writing. I wanted to concentrate more on human emotions and internal feelings in the characters, inasmuch as I could in an animated cartoon show—ostensibly one for a young audience. There were times when I felt I couldn’t put the depth of feeling that I wanted to in the cartoons at that time, because it’s for kids and you have to keep it kind of upbeat. But I did it where I could. And I put it in my other work as well, when I was writing things like comics and screenplays.”

Paul Dini (1957) writer

Harley Quinn co-creator Paul Dini discusses how Batman helped him heal https://www.dailydot.com/parsec/paul-dini-batman-dark-night-harley-quinn-interview/ (June 21, 2016)

Feeling, Time, Animals

“But my present point is a much wider one. What we need, in order to feel at home in the world, is certainly not a belief that it was made for us. We are at home in this world because we were made for it. we have develped here, on this planet, and are adapted to live here. Our emotional constitution is part of that adaptation. We are not fit to live anywhere else (the possibility, such as it is, of surviving briefly, and at ruinous expense in space-craft and the like is just parasitical; it depends on extending the conditions we are used to into a few bizairre corners, not on our being able to live in other conditions.”

Mary Midgley (1919–2018) British philosopher and ethicist

Beast and Man: The Roots of Human Nature (1979).

World, Feeling, Home, Parting

“I would like to express my regret for the harms and wounds that once existed in this island of Taiwan. I also want to extend my apologies to those afflicted with such long-standing and agonizing pains. We must not forget how many families were torn up and how their emotional sufferings have been passed down from generation to generation. I can now relate to such pains. My apology is long overdue.”

James Soong (1942) Chairman of People First Party, former Governor of Taiwan Province

James Soong (2015) cited in " Soong apologizes for his role in Martial Law era http://www.taipeitimes.com/News/taiwan/archives/2015/08/22/2003625919/1" on Taipei Times, 22 August 2015

Pain, Family, Affliction, Suffering

“The emotional masses of ordinary people who resented the Great Work, the bombs and bacteria and guided missiles, were coming to the surface. The were rising up - finally. Putting an end to super-logic: rationality without responsibility.”

Philip K. Dick book Null-O

"Null-O"
The Phillip K. Dick Reader

People

“These plays and stories have for their continual theme the passing away of gods and men and cities before the mysterious power which is sometimes called by some great god's name but more often 'Time.' His travellers, who travel by so many rivers and deserts and listen to sounding names none heard before, come back with no tale that does not tell of vague rebellion against that power, and all the beautiful things they have seen get something of their charm from the pathos of fragility. This poet who has imagined colours, ceremonies and incredible processions that never passed before the eyes of Edgar Allen Poe or of De Quincey, and remembered as much fabulous beauty as Sir John Mandeville, has yet never wearied of the most universal of emotions and the one most constantly associated with the sense of beauty; and when we come to examine those astonishments that seemed so alien we find that he has but transfigured with beauty the common sights of the world.”

Lord Dunsany (1878–1957) Irish writer and dramatist

About

Men, God, World, Beauty

“When a society has doubts about its future, it tends to produce spokesmen whose main appeal is to the emotions, who argue from intuitions, and whose claim to be truth-bearers rests solely on intense personal feeling.”

Kenneth Tynan (1927–1980) English theatre critic and writer

Review of After the Fall, by Arthur Miller, at the ANTA Washington Square Theatre, New York; Blues for Mister Charlie, by James Baldwin at the ANTA Theatre, New York (1962), p. 143
Tynan Right and Left (1967)

Truth, Feeling, Future, Personality

“To me it is quite credible that the Martians may be descended from beings not unlike ourselves, by a gradual development of brain and hands (the latter giving rise to the two bunches of delicate tentacles at last) at the expense of the rest of the body. Without the body the brain would, of course, become a mere selfish intelligence, without any of the emotional substratum of the human being.”

H. G. Wells book The War of the Worlds

Book II, Ch. 2 (Ch. 19 in editions without Book division): What We Saw from the Ruined House
The War of the Worlds (1898)

Intelligence, Selfishness

“There is nothing more deplorable than those skeptics and reformers, liberal priests and humanistically-oriented scholars, who moan about “soullessness,” “barren materialism,” what is “unsatisfying in mere science,” and the “cold play of atoms,” and renounce intellectual precision, which is for them only a slight temptation. Then, with the help of some alleged “emotional knowledge” to satisfy the feelings, and with the “necessary” harmony and rounding-out of the world picture, all they invent is some universal spirit: a world-soul, or a God, who is nothing more than the world of the academic petite bourgeoisie which gives rise to him; at best, an oversoul who reads the newspaper and demonstrates a certain appreciation of social questions.”

Robert Musil (1880–1942) Austrian writer

Source: “The Religious Spirit, Modernism, and Metaphysics” (1913), p. 23

God, World, Feeling, Soul

“Perfect beauty implies perfect simplicity, a quality that at first sight does not arouse the emotions which we feel before gigantic works, objects whose very disproportion constitutes an element of beauty.”

Eugène Delacroix (1798–1863) French painter

7 September 1854 (p. 252)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

Beauty, Feeling, Perfection

“This mechanistic approach to psychiatry is being used extensively at present; I think it can be stated unequivocally that it is fraught with extreme danger. There is not only an emotional but an intellectual change in the patients. Those who have seen fighters that have been in many battles know the 'punch-drunk' or 'slap-happy' conditions and may recognize a similar state in some patients after shock therapy.”

Roy R. Grinker, Sr. (1900–1993) American psychiatrist and neurologist

Grinker (1942) as cited in: Linda Andre (2009) Doctors of Deception: What They Don't Want You to Know about Shock. p. 49

Happiness, Thinking, Change

“Character and training disposed him not to interfere in other mens’s business. His job was to find out what they did, and his inclination was to let them go on doing it. He preferred to be enlightened, rather than to enlighten; to seek facts rather than the Truth. But even the most unmissionary soul, unless he pretend he has no emotions, is sometimes faced with a choice between commission and omission. “What are they doing?” abruptly becomes, “What are we doing?””

Ursula K. Le Guin Hainish Cycle

and then, “What must I do?”
Section 5
Hainish Cycle, The Word for World Is Forest (1972)

Men, Truth, Soul, Business

“This conscious self is only one aspect of our greater reality, however; the part that springs into earthknowing. It can be called the "focus personality," because through it we perceive our three-dimensional life. It contains within it, however, traces of the unknown or "source self" out of which it constantly emerges. The source self is the fountainhead of our present physical being, but it exists outside of that frame of reference. We are earth versions of ourselves, beautifully turned into corporal experience. Our known consciousness is filtered through perceptive mechanisms that are a part of what they perceive. We are the instruments through which we know the earth. In other terms, we are particles of energy, flowing from the source self into physical materialization. Each source self forms many such particles or "Aspect selves" that impinge upon three-dimensional reality, striking our space-time continuum. Others are not physical at all, but have their existence in completely different systems of reality. Each Aspect self is connected to the other, however, through the common experience of the source self, and can come to some degree to draw on the knowledge, abilities, and perceptions of the other Aspects. Psychologically, these other Aspects appear within the known self as personality traits, characteristics, and talents that are uniquely ours. The individual is the particle or focus personality, formed by the intersection of the unknown self with space and time. We can follow any of our traits or emotions back to this source self, or at least to a recognition of its existence.”

Jane Roberts (1929–1984) American Writer

Source: Adventures In Consciousness: An Introduction to Aspect Psychology (1975), pp.118-119

Life, Spring, Knowledge, Reality

“[Regarding how the L Word change how she selects her roles] I really have a lot less tolerance for being subjugated to simply being the emotional center of a story, rather than being the active portion of the plot. It's as if women can't drive the action so often in stories. I don't know who made up that rule but it can get very frustrating if there's not more to play.”

Jennifer Beals (1963) American actress and a former teen model

Interview on AfterEllen.com (3 June 2010) http://archive.is/20130628093754/http://www.afterellen.com/people/2010/6/jennifer-beals-interview?page=0,1

Women, Change

“The prettiest or most interesting prospect may lack the conditions which awaken our emotions, and, lacking the essentials of the picture, must be passed by.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, How expression may be given to a picture, p. 33

“But I saw the relationship between people, I saw their thoughts, I saw their kind of expressionistic behavior in every difficult situation. I saw all the time the unclearness in the psychological condition of the people. You know, that was the time called the 'Roaring Twenties' and I felt that this expressionistic behavior, this unformed quality of soul power and emotion of life... I saw it, that it would lead to a kind of catastrophe. That was my general feeling.”

Joseph Beuys (1921–1986) German visual artist

Source: 1980's, Interview with Kate Horsefield, 1980, pp. 62-63; Also cited in: Video Data Bank, School/Art Institute Chicago, (1981) Profile, Volume 1

Life, People, Behavior, Feeling

“Emotional appeals about working families trying to get by on $4.25 an hour [the minimum wage in 1996] are hard to resist. Fortunately, such families do not exist.”

Tom DeLay (1947) American Republican politician

From the Congressional Record, H3706 [1996 April 23] http://frwebgate3.access.gpo.gov/cgi-bin/waisgate.cgi?WAISdocID=93746225856+0+0+0&WAISaction=retrieve. 1990s

Family

“There is no difference between landscapes and other subjects: in general in painting I try to express the emotions that the contemplation of the form produces in me.”

Roger Fry (1866–1934) English artist and art critic

Letters by Roger Fry (496 - 497) Chatto and Windus ISBN 9780701115999
Art Quotes

Painting

“Children are given us to discourage our better emotions.”

Saki (1870–1916) British writer

"Reginald on Besetting Sins"
Reginald (1904)

Children

“The Sin Washer had died centuries ago, and His legacy seemed often to be in the accumulation of connections and power more than the distribution of emotional or spiritual ease. She kept that thought to herself. Wisdom came in many forms, and silence was often the most useful.”

Laura Anne Gilman book Flesh and Fire

Source: Flesh and Fire (2009), p. 96

Wisdom, Silence

“Amid an extended, international discussion of sexual misconduct and female confession, it has occurred to me that sometimes it can be difficult for women to understand one another’s pain. We are often told that experiences of oppression are actually the result of the supposedly overwrought emotional set point of womanhood, a pressure that compels us to keep our stories to ourselves — or, in the worst of cases, to look upon each other’s stories with excessive scrutiny, behavior prescribed by the poison of internalized misogyny.”

Lauren Duca (1991) American journalist

Sexism, Remembered and Forgotten (November 17, 2017)

Women, Pain, Behavior, Understanding

“When a woman appears to express fear, we cannot assure her without at least releasing her from responsibility; when we interpret the same emotion in a man as anger, we want to blame him and be certain he acknowledges responsibility. We want to find her guiltless; we want to find him guilty.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Women Can't Hear What Men Don't Say (2000), p. 22.

Fear, Appearance, Anger

“[In Bali] life is a rhythmic, patterned unreality of pleasant, significant movement, centered in one's own body to which all emotions long ago withdrew.”

Margaret Mead (1901–1978) American anthropologist

Source: 1940s, Balinese Character (1942), p. 48

Life

“It makes a tremendous emotional and practical difference to one whether one accepts the universe in the drab discolored way of stoic resignation to necessity, or with the passionate happiness of Christian saints.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Lecture II, "Circumscription of the Topic"
1900s, The Varieties of Religious Experience (1902)

Happiness, Way, Universe, Passion

“There are some men whom a staggering emotional shock, so far from making them mental invalids for life, seems, on the other hand, to awaken, to galvanize, to arouse into an almost incredible activity of soul.”

William McFee (1881–1966) American writer

"On a Balcony", First lines, in The Atlantic Monthly (January 1920), p. 27

Life, Men, Soul

“If you tie Handel’s hands by debarring him from the rendering of human emotion, and if you set Bach’s free by giving him no human emotion to render — if, in fact, you rob Handel of his opportunities and Bach of his difficulties — the two men can fight after a fashion, but Handel will even so come off victorious.”

Samuel Butler (1835–1902) novelist

Handel and Bach, i
The Note-Books of Samuel Butler (1912), Part VIII - Handel and Music

Men, Fashion, Victory, Fight

“But until my Journal of Psychoanalytical Anthropology began to be published and until my book The Emotional Life of Nations came out, few realized how much anthropologists distorted mothering in their tribes.”

Lloyd deMause (1931) American thinker

Source: The Origins of War in Child Abuse (2010), Ch. 1, JP, Vol. 34. No. 4, p. 299 (each chapter of deMause's book has been published first in his Journal of Psychohistory).

Life, Books

“You cannot demonstrate an emotion or prove an aspiration.”

John Morley, 1st Viscount Morley of Blackburn (1838–1923) British Liberal statesman, writer and newspaper editor

Rousseau http://www.gutenberg.org/files/14052/14052-h/14052-h.htm (1876)

“However much the various phases of the French Revolution may have modelled themselves on Roman history — the early phase on Republican virtue, the later on Imperial grandeur — the fact remains that classicism depended on a fixed and rational philosophy; whereas the spirit of the Revolution was one of change and of emotion.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Romantic Rebellion (1973), Ch. 1: David

History, Change, Dependency

“Once emotions are set in motion, and men pitted against men along these unspoken lines, you will have the kind of warfare that will split the nation from top to bottom and undo Malaysia. Everybody knows it. I don't have to say it. It is the unspoken word!”

Lee Kuan Yew (1923–2015) First Prime Minister of Singapore

Lee Kuan Yew in the Parliament of Malaysia, 1965 http://www.jeffooi.com/archives/2005/11/i_went_into_act.php 1960s

Men

“The beautiful is and remains beautiful though it arouse no emotion whatever, and though there be no one to look at it. In other words, although the beautiful exists for the gratification of an observer, it is independent of him. In this sense music, too, has no aim (object), and the mere fact that this particular art is so closely bound up with our feelings by no means justifies the assumption that its aesthetic principles depend on this union.”

Eduard Hanslick (1825–1904) austrian musician and musicologist

The Beautiful in Music (1854)

Beauty, Art, Music, Feeling

“My Kelvin decides to stay on the planet without any hope whatsoever while Tarkovsky created an image where some kind of an island appears, and on that island a hut. And when I hear about the hut and the island I'm beside myself with irritation… This is just some emotional sauce into which Tarkovsky has submerged his heroes, not to mention that he has completely amputated the scientific landscape and in its place introduced so much of the weirdness I cannot stand. […]”

Stanisław Lem (1921–2006) Polish science fiction author

On Solaris screening (1972)

Hope, Appearance

“In the movement of the proteron te phusei may be found the heart of thought, that which remains veiled in what thought says and which speaking obeys as some secret command. But already, when it speaks, thought no longer speaks what moves it. It no longer retains that emotion even as a fault of speech, as a dark night out of which it would expect to burst forth. Thought excludes the heart that moves it. That which makes thought live is spoiled, set outside of it. But it does not know this.”

Luce Irigaray (1930) feminist, philosopher, linguist, psychoanalyst, sociologist and cultural theorist

Sexes et Parentés (1987), as translated by G. Gill, Sexes and Genealogies (1993), p. 49

Secret, Heart, Night

“He understood the tone of voice instinctively, as he always had; it was his greatest gift, to know emotions even better than the person feeling them.”

Orson Scott Card Songmaster

Songmaster (1979)

Feeling, Personality

“In this unexpected scenario, the UFO occupants -- despite their obvious technological superiority -- are desperate for both human genetic material and the ability to feel human emotions -- particularly maternal emotions. Unlikely though it may seem, it is possible that the very survival of these extraterrestrials depends upon their success in absorbing chemical and psychological properties received from human abductees.”

Budd Hopkins (1931–2011) American UFO researcher, painter and sculptor

Source: Intruders: The Incredible Visitations at Copley Woods (1987), p. 190

Feeling, Success, Maternity, Dependency

“Anyone who can understand that the Buddhist idea of Nirvana is not merely negative, and that the Buddha himself who (like the Superman) 'looks down on suffering humanity like a hillsman on the planes' is not an atheistic monster, will instantly see how this misses the point. Nietzsche was not an atheist, any more than the Buddha was. Anyone who reads the Night Song and the Dance Song in Zarathustra will recognize that they spring out of the same emotion as the Vedic or Gathic hymns or the Psalms of David. The idea of the Superman is a response to the need for salvation in precisely the same way that Buddhism was a response to the 'three signs.”

Colin Wilson book The Outsider

Source: The Outsider (1956), p. 135

Way, Spring, Idea, Understanding

“Fellini was a man of many selves and contradictions: he quoted Dante with genuine emotion while executing pornographic doodles on the table napkin then balked at paying the lunch bill while handing out millions of lire to the beggars of Rome. Although he boasted he was heterosexual, he nonetheless directed one of the greatest bisexual films of all time. He was Mr. Cool as well as the Nutty Professor. He contains multitudes and the journey to his center never ceases. Quite simply, you end up cherishing an Onion Man with no center. Federico really had a rough time of it but pretended otherwise and had the grace never to expose his personal problems in public. And then there are the films that continuously generate new meanings. For example, 8 1/2 contains alembicated allusions to Hamlet of tremendous power and beauty that resonate in the mind long after the film is over.”

Damian Pettigrew Canadian filmmaker

On Fellini's personality, in Indiewire (April, 2003)

Beauty, Quotes, Problem, Time

“If he (Spock) didn’t have any emotions, he wouldn’t be interesting. Actually, Spock does have a sense of compassion though he won’t allow himself to believe that. I admire his logic. It’s so uncluttered. I appreciate the ability to be precise. I like to think that I am logical—but sometimes I look back and wonder if the things I do are logical.”

Leonard Nimoy (1931–2015) American actor, film director, poet, musician and photographer

"Leonard Nimoy's Confessions About His Emotions", TV And Movie Play magazine (1967)

Thinking, Sense

“My troubles started there. It blighted my personality permanently. I have spent all my emotional life searching for my grandfather and in my formative years no one was there to take his place.
It is the custom up there in Fraserburgh that when there is a death in a household they draw the blinds and curtains. When my grandfather died it seemed that these blinds had been drawn across my life… Relatives would pretend that he had gone to a 'better place'. 'Why', I thought, 'should he go to a better place and not take me with him?”

Dennis Nilsen (1945–2018) British serial killer

'So death was a nice thing,' I thought. 'Then why does it make me miserable?'
As quoted by Brian Masters (2011), Killing for Company, Random House, p. 46, ISBN 1446428737

Life, Death, Search, Drawing

“The image of the city and the obliterated streets of Rotterdam haunted me. When I returned to Paris, I made a draft model for a statue in clay which attempted to express the combination of confusion and horror.... to stimulate emotion in the onlooker, to exude something which captivates the spectator, which opens up to them an unsuspected pathway in their own soul.”

Ossip Zadkine (1890–1967) French sculptor

Quote of Zadkine from his 'Memoirs', 1967; as cited in 'Torso of the Destroyed City' http://www.zadkine.paris.fr/en/oeuvre/torso-destroyed-city, Musée Zadkine Zadkine recounts the violence of the impressions which he felt then; the first draft for a monument to the 'Destroyed City', was broken in transport. A new version of a 'projected monument for a bombed city' was produced in 1947 1960 - 1968

Soul

“Whether or not there exists a solution to problems troubles only a minority; that the emotions have no outcome, lead to nothing, vanish into themselves — that is the great unconscious drama, the affective insolubility everyone suffers without even thinking about it.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

All Gall Is Divided (1952)

Problem, Thinking, Suffering

“I hate no one, sir. It seems a waste of emotional energy.”

Robert Silverberg (1935) American speculative fiction writer and editor

Source: Short fiction, The Emperor and the Maula (2007), p. 463

Hate

“You can't possibly care about debt relief and the Simpsons. If you listen to Ligeti and James Macmillan then why would you want to know who won the United game last night or which Cabernet Sauvignon to drink with your meal tonight? Get back into your box.
Something else missing from the Times of 1968 was anything to do with the home or emotional life. There is nothing about marriage, divorce, children, schools, au pairs, depression, drinking, health, drugs, teenagers, affairs, fashion, sex, successful relationships, failing relationships, interior decor, cancer, infertility, faith, grandparents - or any of the other things that make up the texture of our non-working lives.”

Alan Rusbridger (1953) British newspaper editor

Rusbridger (2000) " Versions of seriousness http://www.theguardian.com/dumb/story/0,7369,391891,00.html", The Guardian. 4 November 2000: Cited in: Raymond Boyle (2006) Sports Journalism: Context and Issues. p. 11 According to Boyle 2006 Rusbridger argued that "changes in the broadsheet press simply reflects wider cultural shift in taste and the breaking down of areas of supposedly high and low culture." 2000s

Life, Marriage, Children, Health

“I myself have experienced the volcanic existential depths of the Greek language. It was during a performance of Medea by Tzeni Karezi at the Herod Atticus theatre in Athens, when she was pleading to the callous Jason to take pity on her and she used the word ' splachniasou'. 'Pity' is too weak a word to describe the emotional and psychological depths ' splachniasou' expresses. 'Splachna 'is the part of the body where a woman carries her unborn children, the very root of ontological existence. How deep can you get!”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

On the Greek language
Interview on Helenism .net (September 2011)

Children, Parting

“As music is the poetry of sound, so is painting the poetry of sight, and the subject-matter has nothing to do with harmony of sound or of colour. The great musicians knew this. w:Beethoven and the rest wrote music — simply music; symphony in this key, concerto or sonata in that... Art should be independent of all claptrap — should stand alone, and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism, and the like. All these have no kind of concern with it; and that is why I insist on calling my works 'arrangements' and 'harmonies.”

James McNeill Whistler (1834–1903) American-born, British-based artist

Propositions, 2
also in a letter to 'The World', London 22 Mai, 1878; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 186
1870 - 1903, The Gentle Art of Making Enemies' (1890)

Love, Art, Music, Sense

“Everything emotional in America becomes a mere show and make-believe. Americans are trained to invest money, are said to take even desperate chances on that, yet never do they invest [in] beauty nor take desperate chances on that. With money they try to buy beauty--after it has died--famishing--with grimace. Beauty is ever dead in America.”

Elsa von Freytag-Loringhoven (1874–1927) German poet

Quoted in Irene Gammel, Baroness Elsa: Gender, Dada and Everyday Modernity, p 251-252.

Money, Beauty, Chance, Training

“We are inclined to overemphasize the material influences in history. The Russians especially make this mistake. Intellectual values and ethnic influences, tradition and emotional factors are equally important. If this were not the case, Europe would today be a federated state, not a madhouse of nationalism.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

1920s, Viereck interview (1929)

History

“How many talks have you sat through where the researcher qua [as] person just didn't show up: no anecdotes, no personal details, no emotion or enthusiasm, no humor (intentional, that is), no real contact with the audience – in other words, no performance. […] They may satisfy the second two requirements mentioned above – accuracy and nonadvocacy – but they fail in the first and, in some ways, the most important.”

Scott L. Montgomery (1951) American geologist and writer

The Chicago Guide to Communicating Science, second edition, University of Chicago press, 2017, page 302 ISBN 978-0-226-14450-4.

Way, Personality

“[T]o teach virtue we must educate the emotions, and this means learning "what to feel" in the various circumstances that prompt them.”

Roger Scruton (1944–2020) English philosopher

"Knowledge and Feeling" (p. 37)
Culture Counts (2007)

Education, Feeling, Learning

“Our culture has a universal myth in which we see emotion as more complex and obscure than intellect. Indeed, emotion might be "deeper" in some sense of prior evolution, but this need not make it harder to understand; in fact, I think today we actually know much more about emotion than about reason.”

Marvin Minsky (1927–2016) American cognitive scientist

Music, Mind, and Meaning (1981)

Understanding, Thinking, Sense, Universe

“While universities make robots that look more like human beings every time, not only because of their proven intelligence but now also because of their abilities to express and receive emotions, the consumerist habits are making us every time more similar to robots.”

Jorge Majfud (1969) Uruguayan-American writer

Cybors (2012)

Intelligence, Universe, Time

“I think it speaks to our basic fundamental feelings, you know. Of emotions, of love, of breakup, of love and hate and death and dying, mama, apple pie, and the whole thing. It covers a lot of territory, country music does.”

Johnny Cash (1932–2003) American singer-songwriter

CNN interview (2002)

Love, Death, Hate, Music

“I was hanging out the other night with a bunch of friends I've known forever. They were saying, "Look at you. You've grown into a swan." I looked at them and said, "My awkward phase lasted about three years longer than all of yours combined." I related to the physical and emotional awkwardness Mia goes through. She has incredibly low self-esteem. A lot of my life was spent having the same thing, but I'm getting over that now.”

Anne Hathaway (1982) American actress

As quoted in "Anne Hathaway : Royal Role" by Jeffrey Epstein at E! Online (20 July 2001)

Life, Night

“Her point of view about student work was that of a social worker teaching finger-painting to children or the insane.
I was impressed with how common such an attitude was at Benton: the faculty—insofar as they were real Benton faculty, and not just nomadic barbarians—reasoned with the students, “appreciated their point of view”, used Socratic methods on them, made allowances for them, kept looking into the oven to see if they were done; but there was one allowance they never under any circumstances made—that the students might be right about something, and they wrong. Education, to them, was a psychiatric process: the sign under which they conquered had embroidered at the bottom, in small letters, Canst thou not minister to a mind diseased?—and half of them gave it its Babu paraphrase of Can you wait upon a lunatic? One expected them to refer to former students as psychonanalysts do: “Oh, she’s an old analysand of mine.” They felt that the mind was a delicate plant which, carefully nurtured, judiciously left alone, must inevitably adopt for itself even the slightest of their own beliefs.
One Benton student, a girl noted for her beadth of reading and absence of coöperation, described things in a queer, exaggerated, plausible way. According to her, a professor at an ordinary school tells you “what’s so”, you admit that it is on examination, and what you really believe or come to believe has “that obscurity which is the privilege of young things”. But at Benton, where education was as democratic as in “that book about America by that French writer—de, de—you know the one I mean”; she meant de Tocqueville; there at Benton they wanted you really to believe everything they did, especially if they hadn’t told you what it was. You gave them the facts, the opinions of authorities, what you hoped was their own opinion; but they replied, “That’s not the point. What do you yourself really believe?” If it wasn’t what your professors believed, you and they could go on searching for your real belief forever—unless you stumbled at last upon that primal scene which is, by definition, at the root of anything….
When she said primal scene there was so much youth and knowledge in her face, so much of our first joy in created things, that I could not think of Benton for thinking of life. I suppose she was right: it is as hard to satisfy our elders’ demands of Independence as of Dependence. Harder: how much more complicated and indefinite a rationalization the first usually is!—and in both cases, it is their demands that must be satisfied, not our own. The faculty of Benton had for their students great expectations, and the students shook, sometimes gave, beneath the weight of them. If the intellectual demands were not so great as they might have been, the emotional demands made up for it. Many a girl, about to deliver to one of her teachers a final report on a year’s not-quite-completed project, had wanted to cry out like a child, “Whip me, whip me, Mother, just don’t be Reasonable!””

Randall Jarrell book Pictures from an Institution

Source: Pictures from an Institution (1954) [novel], Chapter 3, pp. 81–83

Life, Children, Books, Youth

“Jeeves," I said, and I am free to admit that in my emotion I bleated like a lamb drawing itself to the attention of the parent sheep, "what the dickens is all this?”

P.G. Wodehouse book Right Ho, Jeeves

Right Ho, Jeeves (1934)

Parent, Drawing

“Emotions are useless during business hours.”

Dashiell Hammett (1894–1961) American writer

"Zigzags of Treachery" (published in Black Mask, 1 March 1924)
Short Stories

Business

“If belief consists in an emotional reaction of the entire man on an object, how can we believe at will? We cannot control our emotions…. But gradually our will can lead us to the same results by a very simple method: we need only in cold blood act as if the thing in question were real, and keep acting as if it were real, and it will infallibly end by growing into such a connection with our life that it will become real. It will become so knit with habit and emotion that our interests in it will be those which characterize belief.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Source: 1890s, The Principles of Psychology (1890), Ch. 21

Life, Question

“Whether you like it or not, alcohol helps to create emotional links between humans, too.”

Luboš Motl (1973) Czech physicist and translator

http://motls.blogspot.com/2007/10/university-officials-vs-alcohol.html The Reference Frame http://motls.blogspot.com/

Alcohol, Help

“I hate analyzing stuff. I do the bare minimum. When it comes to interpretation, I just play it and go from there. I think emotion is everything. When you get the notes, you've just scratched the surface. The best things happen spontaneously, on stage. I'm doing three concerts here; I guarantee that none of them will be the same. We're not machines.”

Sarah Chang (1980) violinist

JS online 1999 http://www2.jsonline.com/enter/performingarts/strini/jun99/chang03060299.asp

Hate, Thinking

“.. of what use is a painting which does not realize its aesthetical problem? Underlying all sensible works of art, there must be somewhere in evidence the particular problems understood. It was so with those artists of the great past who had the intellectual knowledge of structure upon which to place their emotions. It is this structural beauty that makes the old [clssical] painting valuable. And so it becomes to me a problem. I would rather be sure that I had placed two colors in true relationship to each other than to have exposed a wealth of emotionalism gone wrong in the name of richness of personal expression... The real artists have always been interested in this problem, and you feel it strongly in the work of [Leonardo] Da Vinci, Piero della Francesca, Courbet, Pissarro, Seurat, and Cezanne.”

Marsden Hartley (1877–1943) American artist

n.p.
1921 - 1930, Art and the Personal Life', Marsden Hartley, 1928

Beauty, Art, Color, Feeling

“Do not let another day go by where your dedication to other people's opinions is greater than your dedication to your own emotions!”

Steve Maraboli (1975)

Source: Life, the Truth, and Being Free (2010), p. 127

People

“So you can't take credit for your talents, but it really matters if you use them. You can't really be blamed for your weaknesses and your failings, but it matters if you correct them. Pride and shame don't make a lot of sense in the final analyses. But they were no fun anyway. These are isolating emotions. What does make sense are things like compassion and love: caring about well-being makes sense; trying to maximize your well-being and the well-being of others makes sense. There is still a difference between suffering and happiness, and love consists in wanting those we love to be happy. All of that still makes sense without free will.”

Sam Harris (1967) American author, philosopher and neuroscientist

Sam Harris at Sydney Opera House Festival of Dangerous Ideas 2012, Discussion on Free Will http://www.youtube.com/watch?v=JM3raA1EwrI. 2010s

Love, Happiness, Sense, Suffering

“The bourgeois … necessarily regards all behaviour that bursts ‘spontaneously’ forth from the individual ignorant of its causality, as above all free. Therefore the instincts are conceived as freely striving for unconscious goals, and psychology becomes the adventures of the free instincts in their struggles against the restraints of the environment (in Freud, of society) which impede and cripple their freedom. Out of this struggle cognitive and emotional consciousness is born.Now the only objection to this bourgeois psychology is that it inverts the picture. The instincts are not free springs of connation towards a goal. They are, so far as they can be abstractly separated, unconscious necessities, as Kant realised. They are unfree.”

Christopher Caudwell (1907–1937) British Marxist literary critic, journalist and writer

Further Studies in a Dying Culture (1949), Chapter IV: Consciousness: A Study in Bourgeois Psychology

Spring, Freedom

“I don’t necessarily trust the way the food is being processed. I don’t agree with the way the animals are mass-slaughtered. So that’s one thing that kind of got me looking at what they call a vegan diet. … My mind is extremely clear. I’m not easily flustered [now]. My attitude is totally different. I had a really bad temper growing up, something I worked on for years. And now I’m able to recognize different emotions and I’m not governed by them. Doesn’t mean I don’t have them. I’m human. But I’m not easily moved. … I think a lot of people look at things as being restrictions, but that kind of shows me the way they view life. I don’t view it as restriction ― I look at what I can eat, what’s going to be the best source of energy for me.”

Kendrick Farris (1986) American weightlifter

"Kendrick Farris, The Only Male U.S. Weightlifter In The Olympics, Is Totally Vegan" https://www.huffingtonpost.com/entry/kendrick-farris-olympics-vegan_us_57ab6be7e4b0db3be07ccc07?guccounter=1, interview with HuffPost (August 10, 2016).

Life, People, Food, Way

“The lap back to the pits and the whole podium ceremony was just unbelievable. I think for sure this is the best day of my life. These pictures, these emotions, I will never forget. It is unbelievable. It is so much greater than you might think it is. It is great. Again, I can just say a big, big thank you to all the guys working in the team. I think they did a fantastic job. Who might have thought about that at the beginning of the season. We had a poor start but then it got better and better and in these conditions we can make a bit of a gap by staying longer on full throttle. It is great, fantastic. I am speechless.”

Sebastian Vettel (1987) German racing driver in Formula 1

http://www.formula1.com/news/headlines/2008/9/8387.html FIA post-race press conference, September 14, 2008.
After his maiden win at Monza.
Sourced quotes

Life, Guy, Thinking, Forgetting

“One can’t expect logic from males; they think with their testicles and act from their emotions.”

Robert A. Heinlein book The Number of the Beast

Source: The Number of the Beast (1980), Chapter XXXIX : Random Numbers, p. 385

Thinking

“I say cowardice, because the standards which is Isaiah Berlin himself has set for anyone who undertakes such an enterprise are dauntingly high. His ability to catch the allegiances and the emotional tone of the authors he has written about, as well as his ability to meet the commentator's first duty to the subtleties of their thought, has always meant that their per sonalities and ideas alike have remained in tact and alive.”

Alan Ryan (1940) British philosopher

Introduction in The Idea of freedom: Essays in Honour of Isaiah Berlin (1979), Edited by Alan Ryan.

Idea

“The nearer emotional life approaches to hysteria, to continual outward show, the less genuine it becomes. Feeling becomes equated with vehemence of expression, so that insincerity becomes permanent.”

Theodore Dalrymple (1949) English doctor and writer

A Neglected Genius http://www.city-journal.org/html/14_1_oh_to_be.html (Winter 2004). City Journal (1998 - 2008)

Life, Feeling

“It would be very convincing to say that there’s no hope for movies — that audiences have been so corrupted by television and have become so jaded that all they want are noisy thrills and dumb jokes and images that move along in an undemanding way, so they can sit and react at the simplest motor level. And there’s plenty of evidence, such as the success of Alien. This was a haunted-house-with-gorilla picture set in outer space. It reached out, grabbed you, and squeezed your stomach; it was more gripping than entertaining, but a lot of people didn’t mind. They thought it was terrific, because at least they’d felt something: they’d been brutalized. It was like an entertainment contrived in Aldous Huxley’s Brave New World by the Professor of Feelies in the College of Emotional Engineering.”

Pauline Kael (1919–2001) American film critic

Taking It All In (1983), Why Are Movies So Bad? Or, The Numbers (1980-06-23)

People, World, Hope, Way

“It’s a women’s issue, but a lot of the women wouldn’t be having abortions if the men would step up and be a part of what they are already biologically a part of. Raising children and having children, even though the women birthed the child, is designed for two people to do it. And there is so much undue stress and pressure on the woman if the other one isn’t there. So, really one thing we do is say it’s a woman’s issue, forcing the woman to have to deal with it on her own, so that way men don’t have to. As a man, I am going to passive-aggressively tell you you are in control, when really I am just telling you that because it makes my life easier, cause that way I don’t have to step up and make a decision. I obviously think that a man has just as much invested in that child as the woman does. He need to be there to support her through the physical changes of the pregnancy, and help and provide emotional strength, and do it together. As much as he has a role in making the baby in the first place, it needs to take both of them the whole way through. Any idea that a man doesn’t have a role in it is not true, and is simply more about politics and making a man’s life easier.”

Benjamin Watson (1980) gridiron football player

Benjamin Watson Interview, Part Two http://turningpointfriends.org/benjamin-watson-interview-part-two/

Life, Women, Men, Children

“Dolphins read each other’s emotions by sonar and it’s the inside of the body, the configuration of the viscera, that lets dolphins know whether the dolphin they are meeting is tense or happy. Their emotions are much more connected with the insides of each other’s bodies. We don’t have that. It’s like denying 90% of what we are physically, not knowing it.”

David Cronenberg (1943) Canadian film director, screenwriter and actor

Bomb Magazine http://bombmagazine.org/article/1160/david-cronenberg, Bette Gordon.

Happiness, Reading

“Human beings are lazy and it very often happens that one wearies of a new-born emotion for no valid reason unless there is some restraint to stimulate and stabilize it.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Friendship

“The power of emotions as drivers of behaviour, especially when survival is perceived as being at stake, needs to be recognised and taken into account at all levels of society and governance.”

Nayef Al-Rodhan (1959) philosopher, neuroscientist, geostrategist, and author

Source: Emotional amoral egoism (2008), p.203

“Man is the roof and crown of creation. He may be tossed about by uncertain storms of life, but the solution to it lies in his own efforts in finding an ideal, and then raising his personality, from the level of petty emotions, to the loftier heights of the chosen ideal.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

Life, Effort, Personality

“There are two kinds of taste in the appreciation of imaginative literature: the taste for emotions of surprise and the taste for emotions of recognition.”

Henry James (1843–1916) American novelist, short story author, and literary critic

"Anthony Trollope," Century Magazine (July 1883); reprinted in Partial Portraits (1888).

Imagination, Literature

“There is, however, no doubt that the various races, when carefully compared and measured, differ much from each other,—as in the texture of the hair, the relative proportions of all parts of the body,2 the capacity of the lungs, the form and capacity of the skull, and even in the convolutions of the brain.3 But it would be an endless task to specify the numerous points of structural difference. The races differ also in constitution, in acclimatisation, and in liability to certain diseases. Their mental characteristics are likewise very distinct; chiefly as it would appear in their emotional, but partly in their intellectual, faculties. Every one who has had the opportunity of comparison, must have been struck with the contrast between the taciturn, even morose, aborigines of S. America and the light-hearted, talkative negroes. There is a nearly similar contrast between the Malays and the Papuans,4 who live under the same physical conditions, and are separated from each other only by a narrow space of sea.”

Charles Darwin book The Descent of Man, and Selection in Relation to Sex

volume I, chapter VII: "On the Races of Man", page 216 http://darwin-online.org.uk/content/frameset?pageseq=238&itemID=F937.1&viewtype=image The Descent of Man (1871)

Disease, Light, Appearance, Heart

“At the constitutional level where we work, ninety percent of any decision is emotional. The rational part of us supplies the reasons for supporting our predilections.”

Charles Evans Hughes (1862–1948) American judge

Reported in Justice William O. Douglas, The Court Years (1980), p. 8

Support, Decision, Parting

“Fear of emotional contact with men out of fear of being a sexual suspect makes boys, ironically, even more powerless before girls. Homophobia is like telling the United States it will be a sissy nation if it doesn’t get all its oil from OPEC.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Are the Way They Are (1988), p. 128.

Men, Fear, Girl, Boy

“The cinema is about other things than storytelling. What you remember from a good film -- and let's only talk about good films -- is not the story, but a particular and hopefully unique experience that is about atmosphere, ambience, performance, style, an emotional attitude, gestures, singular events, a particular audio-visual experience that does not rely on the story.”

Peter Greenaway (1942) British film director

"105 Years of Illustrated Text" in the Zoetrope All-Story, Vol. 5 No. 1.
105 Years of Illustrated Text

“There is a great and crying evil in modern society. It is want of purpose. It is that narrowness of vision which shuts out the wider vistas of the soul. It is the absence of those sublime emotions which, wherever they arise, do not fall to exalt and consecrate existence.”

Felix Adler (1851–1933) German American professor of political and social ethics, rationalist, and lecturer

Founding Address (1876)

Soul, Evil, Cry

“Moves like a fist through traffic,
Anger and no-one can kill it,
Shoves a little bump to the momentum,
It's just a little lump but you feel it
In the creases and the shadows,
With a rattling deep emotion.
The cool, cool river
Sweeps the wild, wide ocean.”

Paul Simon (1941) American musician, songwriter and producer

The Cool, Cool River
Song lyrics, The Rhythm of the Saints (1990)

Feeling, Anger

“Racial prejudice is thus a generalized set of stereotypes of a high degree of consistency which includes emotional responses to race names, a belief in typical characteristics associated with race names, and an evaluation of such traits.”

Daniel Katz (1903–1998) American psychologist

Daniel Katz and K.W. Braly (1935) "Racial prejudice and racial stereotypes". Journal of Abnormal and Social Psychology. p. 191-2 Cited in: Mark P. Zanna, James M. Olson (1994) The Psychology of Prejudice. p. 16

“In this way, we influence the muscles of physiognomy [facial expression] and it is possible for us to arouse any passion or sentiment whatsoever; the contraction of the interconnected muscles, constituting “the anatomy of expression”, evokes in the brain of the hypnotised person certain impressions just as these, in the waking state, determine the whole facial expression. It is thus merely a reversal of the usual order [of causation] between the emotions and their physical expressions.”

James Braid (1795–1860) Scottish surgeon, hypnotist, and hypnotherapist

Original Philosophy of Hypnotism The International College of Hypnosis & Hypnotherapy

Way, Passion, Personality

“Well OK, if you want to call it emotional. I’m just saying how ever you want to categorize, it I don’t think its much different from the black woman in the psych ward. I don’t think it is different from an Anorexics who is already terribly thin looking in a mirror and thinking, ‘I feel fat.’ Yes they really feel that way, but they aren’t. Bruce Jenner is not a woman. Every cell in his body is the cell of a man.”

Ann Coulter (1961) author, political commentator

2015-06-02
Coulter: Jenner Transgender Behavior a ‘Mental Illness,’ Shouldn’t Be Celebrated
http://www.breitbart.com/video/2015/06/03/coulter-jenner-transgender-behavior-a-mental-illness-shouldnt-be-celebrated/
2015

Way, Feeling, Thinking

“The overly specific sexual orientation, then, reflects a basic division in consciousness. It not only separates a man from his own intuitions and emotions to some extent, or a woman from her own intellect, but it effectively provides a civilization in which mind and heart, fact and revelation, appear completely divorced. To some degree each person is at war with the psyche, for all of an individual’s human characteristics must be denied unless they fit in with those considered normal to the sexual identity.”

Jane Roberts (1929–1984) American Writer

Session 772, Page 81
The Nature of the Psyche: Its Human Expression (1979)

War, Appearance, Heart, Personality