Quotes about emotion
page 15

“Yo…on the amen, corner I stood lookin' at my former hood
Felt the spirit in the wind, knew my friend was gone for good
Threw dirt on the casket, the hurt, I couldn't mask it
Mixin down emotions, struggle I hadn't mastered
I choreographed seven steps to heaven
and hell, waiting to exhale and make the bread leavened
Veteran of a cold war its Chica-i-go for
What I know or, whats known”

Common (rapper) (1972) American rapper, actor and author from Illinois

"Respiration", Black Star (1998)
Albums, Compilations, Singles, and Cameos

War, Hell, Waiting, Hurt

“To my horror I began to cry…a great cloud of black guilt, knowledge of my atrocious selfishness, settled on me. One day she had said “when you love me (and she had not meant ‘make love to me’) it’s as if God forgave me for being the mess I am”; and I took it as chicanery, another emotional blackmail, to make me feel essential and give me a sense of responsibility towards her…My monstrous crime was Adam’s, the oldest and most vicious of all – male selfishness…Something far worse than lèse majesté. Lèse-humanité.”

John Fowles book Daniel Martin

Daniel Martin (1977)

Love, God, Making love, Feeling

“I am persuaded there is no triumph equal to one achieved on the stage—it comes so immediate and so home : you have before you the mass of human beings whose sympathies are at your will; you witness the emotions which you raise, you see the tears which you command : the poet has erected the statue, but it is for you to give it life—the words must find their music on your lips—the generous sentiment, the exalted hope, the touches of deep feeling, ask their expression from you : surely such influence is among the triumphs of the mind, ay and a great and noble triumph.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

Life, Hope, Music, Feeling

“Scientific language that is correct and serious so far as teachers and students are concerned must follow these stylistic norms:
# Be as verbally explicit and universal as possible…. The effect is to make `proper' scientific statements seem to talk only about an unchanging universal realm….
# Avoid colloquial forms of language and use, even in speech, forms close to those of written language. Certain words mark language as colloquial…, as does use of first and second person…
# Use technical terms in place of colloquial synonyms or paraphrases….
# Avoid personification and use of specifically or usually human attributes or qualities…, human agents or actors, and human types of action or process…
# Avoid metaphoric and figurative language, especially those using emotional, colorful, or value laden words, hyperboles and exaggeration, irony, and humorous or comic expressions.
# Be serious and dignified in all expression of scientific content. Avoid sensationalism.
# Avoid personalities and reference to individual human beings and their actions, including (for the most part) historical figures and events….
# Avoid reference to fiction or fantasy.
# Use causal forms of explanation and avoid narrative and dramatic accounts…. Similarly forbidden are dramatic forms, including dialogue, the development of suspense or mystery, the element of surprise, dramatic action, and so on.”

Jay Lemke (1946) American academic

Source: Talking Science: Language, Learning, and Values. 1990, p. 133-134, as cited in: Mary U. Hanrahan, "Applying CDA to the analysis of productive hybrid discourses in science classrooms." (2002).

Color, Teachers, Universe, Parting

“For those who are still merely vegetarian and not yet vegan, I ask, what in heaven's name are you waiting for? If you are trying to avoid the health pitfalls of eating carcasses—high fat, saturated fat, and cholesterol content; lack of fiber; deficiency of vitamins and enzymes; abundance of stored toxins—well, then take a good look at the dairy you're eating. Dairy is basically liquid meat without the iron. … Milk should be viewed as no more or less than what it is: a delivery system for fat, cholesterol, blood, pus, antibiotics, and carcinogenic growth hormones. … If your reason for abstaining from meat has more to do with an emotional attachment to animals than a concern for your health, then understand that dairy cows are truly sick, miserable, abused creatures … Someone who has become vegetarian for emotional reasons ought to switch to the vegan diet as swiftly and surely as someone brought to vegetarianism for reasons of health.”

Howard F. Lyman (1938) American activist

Source: No More Bull! (2005), Ch. 6: Message for My Fellow Vegetarians and Vegans, pp. 79-80

Health, Understanding, Waiting, Animals

“Despite the proven benefits of emotional intelligence, organizational life has typically been hostile to the inner world of feeling. Rationality is deemed superior to feeling, which can contaminate judgment. But without feeling there is no passion, and no action.”

Manfred F.R. Kets de Vries (1942) Dutch academic

General introduction
The Leader on the Couch, 2011

Life, Hostility, World, Feeling

“Without fixed ideas, no fixed feelings. (Whoever has no constant opinions has no constant emotions.)”

Joseph Joubert (1754–1824) French moralist and essayist

Feeling, Idea

“While most people can talk rationally about kernel design and portability, the issue of free-ness is 100% emotional.”

Andrew S. Tanenbaum (1944) Dutch computer scientist

In a Usenet message, 3 Feb 1992.
The "Linux is Obsolete" Debate

People

“Esperando (Cuando Cuba Sea Libre) is probably one of the most personal songs from the new [September, 2007] CD, "90 Millas"... as it really speaks about the celebration, nostalgia and emotion that will happen the day Cuba is free. If we're to move forward in Cuba, we really have to have a lot of forgiveness for each other and look towards the future.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.gloriaestefan.com (March 28, 2007)
2007, 2008

Forgiveness, Nostalgia, Future, Personality

“Seduction is the world’s elementary dynamic… All this has changed significantly for us, at least in appearance. For what has happened to good and evil? Seduction hurls them against one another, and unites them beyond meaning, in a paroxysm [sudden outbreak of emotion] of intensity and charm.”

Jean Baudrillard (1929–2007) French sociologist and philosopher

Source: 1980s, The Ecstasy of Communication (1987), p. 59

World, Appearance, Evil, Change

“"Mani Madhava Chakyar's forte was Satwikabhinaya. Endowed with expressive eyes; that can speak a thousand moods and a countenance that can reflect the range of human emotions in its entirety, Mani Madhava Chakkiar was the master at work"
- Mani Madhava Chakkyar: The Master at Work (film), 1994”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya
Source: Mani Madhava Chakkyar: The Master at Work, K.N. Panikar, Sangeet Natak Akademi New Delhi, 1994

Mood

“The fact that most of the time human beings put the truth about the nature and risks of the nuclear war out of their minds because it is too painful and therefore not "acceptable", does not alter the nature and risks of such war. The device of "rejection" may temporarily cover up anxiety, but it does not bestow peace of mind and emotional security.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The Quest for Peace and Justice (1964)

Pain, War, Truth, Peace

“A work of art is a world in itself reflecting senses and emotions of the artist's world.
Just as a flower, by virtue of its existence as a complete organism is both ornamental and self-sufficient as to color, form, and texture, so art, because of its singular existence is more than mere ornament.”

Hans Hofmann (1880–1966) American artist

'Excerpts from the Teaching of Hans Hofmann', p. 59
Search for the Real and Other Essays (1948)

World, Art, Color, Flowers

“Lithuanian baritone Vytautas Juozapaitis, last year's devilish, dark-toned Don Giovanni, Teatro Lirico has a powerful singer with an impressive stage presence. Sparks flew because Vasileva and Juozapaitis created such emotional tension: she more nuanced than the usual submissive heroine, he more sympathetic than the stock villain.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Lloyd Schwartz, "Agonies and Ecstasies". The Boston Phoenix (April 9, 2004) http://www.bostonphoenix.com/boston/music/other_stories/multi_1/documents/03734446.asp

“If people want to call us emo, that’s totally cool. We started out as a pop punk band, because we were very much interested in giving the band a sound like Green Day or The Descendents, but I think we’ve turned into a rock band. Some of our lyrics are definitely emotional, but some Zeppelin lyrics are pretty emotional, too. You could call them an emo band as well.”

Joe Trohman (1984) American musician

My Heart Will Always Be The B-Side To My Tongue (2004), Ultimate Guitar Interview (2008)

People, Thinking

“Evolutionary psychology was the organizing framework—the source of “explanatory adequacy” or a “theory of the computation”—that the science of psychology had been missing. Like vision and language, our emotions and cognitive faculties are complex, useful, and nonrandomly organized, which means that they must be a product of the only physical process capable of generating complex, useful, nonrandom organization, namely, natural selection. An appeal to evolution was already implicit in the metatheoretical directives of Marr and Chomsky, with their appeal to the function of a mental faculty, and evolutionary psychology simply shows how to apply that logic to the rest of the mind.”

Steven Pinker (1954) psychologist, linguist, author

Steven Pinker, "Foreword" in: Buss, David M., ed. The handbook of evolutionary psychology. John Wiley & Sons, 2005. p. xiv

Nature, Science

“Pop Art is not painting because painting must have content and emotion.”

Grace Hartigan (1922–2008) American artist

As quoted in "Grace Hartigan, 86, Abstract Painter, Dies" in The New York Times (18 November 2008)

Art, Painting

“… and what you are left with is a premonition of the way your life will fade behind you, like a book you have read too quickly, leaving a dwindling trail of images and emotions until all you can remember is a name.”

Jay McInerney book Bright Lights, Big City

Bright Lights, Big City (1984)

Life, Books, Way, Reading

“Like all great churches, that are not mere store-houses of theology, Chartres expressed, besides whatever else it meant, an emotion, the deepest man ever felt,— the struggle of his own littleness to grasp the infinite. You may, if you like, figure in it a mathematic formula of infinity,— the broken arch, our finite idea of space; the spire, pointing, with its converging lines, to Unity beyond space; the sleepless, restless thrust of the vaults, telling the unsatisfied, incomplete, overstrained effort of man to rival the energy, intelligence and purpose of God. Thomas Aquinas and the schoolmen tried to put it in words, but their church is another chapter. In act, all man's work ends there;— mathematics, physics, chemistry, dynamics, optics, every sort of machinery science may invent,— to this favor come at last, as religion and philosophy did before science was born.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

God, Religion, Intelligence, Mathematics

“In matters of national security emotion is no substitute for intelligence, nor rigidity for prudence. To act coolly, intelligently and prudently in perilous circumstances is the test of a man — and also a nation.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Radio address (11 April 1955); as quoted in The World's Great Speeches (1999) edited by Lewis Copeland, Lawrence W. Lamm, and Stephen J. McKenna

Intelligence

“It may seem to be a long way from Blake's innocent talk of love and copulation to De Sade's need to inflict pain. And yet both are the outcome of a sexual mysticism that strives to transcend the everyday world. Simone de Beauvoir said penetratingly of De Sade's work that 'he is trying to communicate an experience whose distinguishing characteristic is, nevertheless its will to remain incommunicable'. De Sade's perversion may have sprung from his dislike of his mother or of other women, but its basis is a kind of distorted religious emotion.”

Colin Wilson (1931–2013) author

Source: The Origins of the Sexual Impulse (1963), p. 90

Love, Women, Pain, World

“Unfortunately, the process of gaining money in [a man’s] life usually meant alienating the wife in his life. Sometimes this leads to a legal divorce, but more often to a psychological divorce. Which is why a survey of doctors’ wives reported in Medical/Mrs. Found the doctors’ wives harboring hostility that was ‘stunning to behold.’ Yet the wives remained married to the doctors. Why? More than anything else, the wives said, they wanted security from marriage… the men, then, were often prostitutes to an illusion of emotional security. At least their wives had the reality of economic security.”

Warren Farrell book The Myth of Male Power

Source: The Myth of Male Power (1993), Part II: The Glass Cellars of the disposable sex, p. 203.

Life, Men, Money, Hostility

“While I usually came back from meeting Gandhiji elated and inspired but always a bit sceptical, and from talks with Jawaharlal, fired with emotional zeal but often confused and unconvinced, meetings with Vallabhbhai were a joy from which I returned with renewed confidence in the future of our country. I have often thought that if fate had decreed that he, instead of Jawaharlal, would be the younger of the two, India would have followed a very different path and would be in better economic shape that it is today.”

J. R. D. Tata (1904–1993) Indian businessman

Keynote: Excerpts from his speeches and chairman's statements to shareholders

Fate, Confidence, Future, Joy

“Yeah, I'm definitely a completely different person onstage than offstage. It just comes from inside me. Everything that has happened to me up 'til now has everything to do with who I am today. It feels good to just be able to get on stage and release lots of suppressed emotion, things that aren't necessarily on the outside of who I am.”

Bert McCracken (1982) American musician

Peter Wood, Neala Johnson, Joanna Vaughan (October 13, 2005) "Chaos Reigns", The Advertiser, p. 60.

Feeling, Personality

“Animals themselves cannot plead their cause, and those who plead it for them have no obvious financial or other selfish interest in the issue, although many may have “vested” their emotions in it. When we turn to special gain from maintaining existing practices, special loss if they were to be changed, we find a large number of groups whose views might be discounted. Butchers, furriers, hunters, cattlemen, chicken farmers, scientific experimenters on animals would, unless compensated, all have to suffer significant personal loss if we were to change our practices. They cannot therefore be expected to see the moral issue without the distortion of special interest. The scientists might claim that in their case their own interest coincides with a universal human interest, but I think the butcher and the furrier could make a similar claim[. ]”

Annette Baier (1929–2012) New Zealand philosopher

Source: Knowing Our Place in the Animal World, pp. 63-64

Thinking, Suffering, Universe, Change

“Besides, what difference did if make if there had been two genuine coincidences? The universe was full of them. Every molecular collision was a coincidence. You could pile a thousand coincidences on top of another, he averred, and not get Tom Digby one step nearer to believing in the supernatural. Oh, he knew intelligent people enough, all right, who coddled such beliefs. Some of his best friends liked to relate “yarns” and toy with eerie possibilities for the sake of a thrill. But the only emotion Tom ever got out of such stuff was a nauseating disgust. It cut too deep for joking. It was a reversion to that primitive, fear-bound ignorance from which science had slowly lifted man, inch by inch, against the most bitter opposition.”

Fritz Leiber (1910–1992) American writer of fantasy, horror, and science fiction

“The Hill and the Hole” (p. 165); originally published in Unknown Worlds, August 1942
Short Fiction, Night's Black Agents (1947)

People, Fear, Intelligence, Universe

“The rhetoric of to-day, the rhetoric we have to consider, is the rhetoric of the "Bulging corn bins." I suppose that this gift has been responsible for more bloodshed on this earth than all the guns and explosives that have ever been invented. If we look back only over the last century, was there anything more responsible for the French Revolution than the literary rhetoric of Rousseau, fanned by the verbal rhetoric of Robespierre and others, just as the Russian Revolution was due to the rhetoric of Kerensky— flatulent rhetoric which filled the bellies of his people with the east wind? That appalling twopenny-ha'penny gift of fluency, with the addition of a certain amount of training and of imagination in word-spinning, is the kind of rhetoric which stirs the emotions of the ignorant mob and sets it moving. It is because such forces can be set in motion by rhetoric that I have no regard for it, but a positive horror.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech at the Cambridge Union (March 1924), quoted in On England, and Other Addresses (1926), pp. 95-96.
1924

People, Imagination, Training

“The future is about emotion: reactions to events are usually far more important than the events themselves.”

Patrick Dixon book Futurewise

Futurewise (1998)

Future

“Without rhetorical exaggeration, a simply truthful combination of the miseries that have overwhelmed the noblest of nations and polities, and the finest exemplars of private virtue, forms a picture of most fearful aspect, and excites emotions of the profoundest and most hopeless sadness, counterbalanced by no consolatory result. We endure in beholding it a mental torture, allowing no defence or escape but the consideration that what has happened could not be otherwise; that it is a fatality which no intervention could alter. And at last we draw back from the intolerable disgust with which these sorrowful reflections threaten us, into the more agreeable environment of our individual life the Present formed by our private aims and interests. In short we retreat into the selfishness that stands on the quiet shore, and thence enjoys in safety the distant spectacle of "wrecks confusedly hurled." But even regarding History as the slaughter-bench at which the happiness of peoples, the wisdom of States, and the virtue of individuals have been victimised the question involuntarily arises to what principle, to what final aim these. enormous sacrifices have been offered.”

Georg Wilhelm Friedrich Hegel book Lectures on the Philosophy of History

Geschichte Als Schlachtbank
Pt. III, sec. 2, ch. 24 Lectures on the History of History Vol 1 p. 22 John Sibree translation (1857), 1914
Lectures on the Philosophy of History (1832), Volume 1

Life, Wisdom, Happiness, People

“Clive [Davis] tried to tell me that saying certain words in a song- or as he says, ‘putting some balls into it'- isn't bad, it's just strong emotion. Well, there are certain words and emotions I don't want kids hearing, and I'm not changing because they think it's going to sell better. This is going to sound horrible, but I got 12 million votes doing what I did.”

Clay Aiken (1978) singer-songwriter, actor, record producer

Thinking, Strong, Change

“There is current in our land (and several European countries) at this moment a kind of nit-picking worship of historic im-po-tence. They say, they say, that Bach must not be interpreted and that he must have no emotion, his notes speak for themselves. You want know what that is? Pure unadulterated rot! Bach has the red blood. He has the communion with the people! He has all of this amazing spirit and imagine that you could put all the music on one side of the agenda with his great interpretation and great feeling and put the greatest man of all right up on top of a dusty shelf underneath some glass case in a museum and say that he must not be interpreted! They're full of you know what and they are so untalented that they had to hide behind this thing 'cause they couldn't get in the House of Music any other way!”

Virgil Fox (1912–1980) American musician

Heavy Organ (introduction to the Bach Toccata and Fugue in Dm, BWV 565)

People, Music, Way, Feeling

“Only the surface of reason is rational. I don't mean that understanding emotion is easy, only that understanding reason is probably harder.”

Marvin Minsky (1927–2016) American cognitive scientist

Music, Mind, and Meaning (1981)

Understanding

“Intellect had run up against emotion. My conscience told me to run, yet some irrational and powerful force was resisting, like a weight pushing me toward the war. What it came to, stupidly, was a sense of shame. Hot, stupid shame. I did not want people to think badly of me.”

Tim O'Brien book The Things They Carried

The Things They Carried (1990), On the Rainy River

War, People, Stupidity, Thinking

“Music is one of the very few things left in this world, which has an amazing power of healing. I really hope that these songs will set your imagination free, enrich your emotions and help your heart and mind feel happier.”

Edyta Górniak (1972) Polish singer

Invisible (cd), 2002

World, Hope, Music, Feeling

“The strongest emotions in the marketplace are greed and fear.”

George Goodman (1930–2014) American author and economics commentator

Source: The Money Game (1968), Chapter 7, Identity And Anxiety, p. 79

Fear

“I feel a kind of intellectual regret, not an emotional regret, at having left my parents and that world behind. But it's not a great weight on my soul. In a way I wish it were. To leave one’s background without guilt is an indication of shallowness of character, I suspect.”

John Banville (1945) Irish writer

John Banville, The Art of Fiction No. 200 (2009)

World, Way, Feeling, Soul

“Musically I try to connect a common bridge between such exhilarating feelings as performing at the Acropolis, to the emotions each and every one of us feel everyday. In the end, a good melody will always stand the test of time.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

Indie Journal Interview http://web.archive.org/web/20041101084648/http://www.indiejournal.com/indiejournal/interviews/bradleyjoseph.htm

Music, Feeling, Time

“Marvin did not give way to despair. He gave way instead to anger, which was a much healthier emotion, though equally unproductive.”

Robert Sheckley book Mindswap

Source: Mindswap (1966), Chapter 6 (p. 28)

Way, Despair, Anger

“We were aware of her profile, and it was… first, it’s artistic: can she do it? Is she capable of handling this? Can she handle it emotionally? The song. Because it’s a very emotional song. Can she handle it melodically? Does she have the range for it? Second, now then, you’ve got that, now you look to see…because it’s a very strange duet, and I’ve always said it was meant to be a duet. I had the song in ’86, and I don’t care what anybody else says; I know it was my song, it was given to me in ’86, I was gonna do it, it was always gonna be a duet, and I think the only real life of it is a duet. And that’s my opinion, and my opinion only. That’s it. But when it’s a duet, it’s a definitive duet. And then because of how it’s a call-and-response duet, you needed the timbre of the voices. If you get someone with the same timbres… I’m being analytical, but that’s exactly why we picked Marion Raven. And then on the fourth hand… what, she’s twenty-two years old? She can get MTV where I can’t!”

Meat Loaf (1947) American musician, singer, songwriter, record producer and actor

On working with Marion Raven in a duet performance of "It's All Coming Back to Me Now".
A chat with Meat Loaf (2006)

Life, Thinking

“Divorce is simply modern society's version of medieval torture. Except it lasts longer and leaves deeper scars. A divorce releases the most primitive emotions; the ugliest, raw feelings. Emotionally wounded people do their best to inflict pain upon the other party, but rather than using claws they use divorce lawyers.”

William Shatner book Up Till Now

William Shatner and David Fisher "Up Till Now: The Autobiography" https://books.google.com/books?isbn=1429937971, pg. 136.

Pain, People, Feeling

“Marston is a writer of great merit, who rose to tragedy from the ground of comedy, and whose forte was not sympathy, either with the stronger or softer emotions, but an impatient scorn and bitter indignation against the vices and follies of men, which vented itself either in comic irony or in lofty invective. He was properly a satirist.”

John Marston (1576–1634) English writer

William Hazlitt Lectures on the Dramatic Literature of the Age of Elizabeth ([1820] 1845) Lecture 3, p. 57.
Criticism

Men

“It's emotional warfare telling the people we love, the most, the truth about ourselves.”

Lauryn Hill (1975) American singer, rapper, songwriter, record producer, actress

MTV Unplugged 2.0, By: Lauryn Hill (2002)

Love, People, Truth

“This death to the logic of emotional commitments of our chance moment in the world of space and time, this recognition of, the shift of our emphasis to, the universal life that throbs and celebrates its victory in the very kiss of our own annihilation, this amor fati, "love of fate," love of the fate that is inevitably death, constitutes the experience of the tragic art…”

Joseph Campbell book The Hero with a Thousand Faces

Source: The Hero with a Thousand Faces (1949), Chapter 2

Love, Life, Death, Fate

“Many families could not and should not have been expected to abandon hope that their sons, husbands, and brothers who had disappeared in the jungles of Vietnam might yet be returned to them. And many good people, who shared their hope and had come to their assistance, were motivated by the most admirable of intentions, to keep faith with Americans who had done all that duty asked of them. But these good intentions and understandable emotions also drew the attention of people with less honorable purposes. There came to exist in America, and elsewhere in the years that followed the Vietnam War, a small cottage industry made up of swindlers, dime-store Rambos, and just plain old conspiracy nuts who preyed on the emotions of the families and on the attention of ofﬁcials who were dedicated to the search for our missing. They had helped convince many of the families and a few members of Congress that the US. government had knowingly abandoned American servicemen in Vietnam and that ﬁve successive presidential administrations had covered up the crime. It was among the most damaging and most hurtful of all the lies about the Vietnam War that I ever encountered.”

John McCain (1936–2018) politician from the United States

Source: 2000s, 2002, Worth the Fighting For (2002), pp. 235 - 236

War, People, Family, Faith

“Passion is something which very few of us have really felt. What we may have felt is enthusiasm, which is being caught up in an emotional state over something. Our passion is for something: for music, for painting, for literature, for a country, for a woman or a man; it is always the effect of a cause. When you fall in love with someone, you are in a great state of emotion, which is the effect of that particular cause; and what I am talking about is passion without a cause. It is to be passionate about everything, not just about something, whereas most of us are passionate about a particular person or thing. I think one must see this distinction very clearly. In the state of passion without a cause, there is intensity free of all attachment; but when passion has a cause, there is attachment, and attachment is the beginning of sorrow.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Vol. XIII, p. 251
Posthumous publications, The Collected Works

Love, Music, Literature, Thinking

“Impulses of revenge lead to ressentiment the more they change into actual *vindictiveness*, the more their direction shifts toward indeterminate groups of objects which need only share one common characteristic, and the less they are satisfied by vengeance taken on a specific object. If the desire for revenge remains permanently unsatisfied, and especially if the feeling of “being right (lacking in an outburst of rage, but an integral part of revenge) is intensified into the idea of a “duty,” the individual may actually wither away and die. The vindictive person is instinctively and without a conscious act of volition drawn toward events which may give rise to vengefulness, or he tends to see injurious intentions in all kinds of perfectly innocent actions and remarks of others. Great touchiness is indeed frequently a symptom of a vengeful character. The vindictive person is always in search of objects, and in fact he attacks—in the belief that he is simply wreaking vengeance. This vengeance restores his damaged feeling of personal value, his injured “honor,” or it brings “satisfaction” for the wrongs he has endured. When it is repressed, vindictiveness leads to ressentiment, a process which is intensified when the *imagination* of vengeance, too, is repressed—and finally the very emotion of revenge itself. Only then does this *state of mind* become associated with the tendency to detract from the other person's value, which brings an illusory easing of the tension."”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Feeling, Imagination, Search, Idea

“It was on his return journey that Pao-yü's father heard of the success and disappearance of his son. Torn by conflicting emotions he hurried on, in his haste to reach home and aid in unravelling the secret of Pao-yü's hiding-place. One moonlight night, his boat lay anchored alongside the shore, which a storm of the previous day had wrapped in a mantle of snow. He was sitting writing at a table, when suddenly, through the half-open door, advancing towards him over the bow of the boat, his silhouette sharply defined against the surrounding snow, he saw the figure of a shaven-headed Buddhist priest. The priest knelt down, and struck his head four times upon the ground, and then, without a word, turned back to join two other priests who were awaiting him. The three vanished as imperceptibly as they had come; before, indeed, the astonished father was able to realise that he had been, for the last time, face to face with Pao-yü!”

Herbert Giles book A History of Chinese Literature

"The Hung Lou Mêng", p. 383
A History of Chinese Literature (1901)

Secret, Home, Time, Success

“I admit, of course, that the artist does not see nature as the vulgar do. His emotion reveals to him the inner truths that underlie appearance. But the only principle In art is to copy what one sees. Every other method is ruinous. No one can embellish Nature. It is simply and solely a question of seeing. Doubtless a mediocre man, when he copies will never produce a work of art. He looks without seeing. No matter how minutely he observes, the result will be flat and without character. But the artist's trade is not for mediocre men, and no amount of training can supply them with talent. The artist sees - he sees with his heart. He sees deep into the heart of Nature. To the artist everything in Nature is beautiful.
The vulgarian imagines that what looks to him ugly In Nature is not material for the artist. He would forbid us to represent what displeases and offends him. He makes a grave mistake. What is commonly called ugliness in Nature may become a great beauty in art.
In the realm of realities, people regard as ugly everything that is deformed and diseased and that suggests sickness, weakness and suffering. They regard as ugly everything that defies regularity, which is to them the symbol and condition of health and strength. A hump is ugly, bow-legs are ugly, misery in rags is ugly. Ugly, again, are the soul and conduct of the immoral, the vicious, the criminal man, the abnormal man who is an enemy of society; ugly is the soul of the parricide, the traitor, the unscrupulous slave of ambition. And it is right that the lives and the of which we can expect only evil should be given an odious epithet.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

Men, People, Health, Truth

“We can now return to the distinction between language and symbolism. A symbol is language and yet not language. A mathematical or logical or any other kind of symbol is invented to serve a purpose purely scientific; it is supposed to have no emotional expressiveness whatever. But when once a particular symbolism has been taken into use and mastered, it reacquires the emotional expressiveness of language proper. Every mathematician knows this. At the same time, the emotions which mathematicians find expressed in their symbols are not emotions in general, they are the peculiar emotions belonging to mathematical thinking.”

R. G. Collingwood (1889–1943) British historian and philosopher

Source: The Principles of Art (1938), p. 268

Mathematics, Thinking, Time

“It is clear that all verbal structures with meaning are verbal imitations of that elusive psychological and physiological process known as thought, a process stumbling through emotional entanglements, sudden irrational convictions, involuntary gleams of insight, rationalized prejudices, and blocks of panic and inertia, finally to reach a completely incommunicable intuition.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", Anatomy of Criticism: Four Essays (1957), Formal Phase: Symbol as Image

“If good music has charms to soothe the savage breast, bad music has no less powerful spells for filling the mildest breast with rage, the happiest with horror and disgust. Oh, those mammy songs, those love longings, those loud hilarities! How was it possible that human emotions intrinsically decent could be so ignobly parodied.”

Aldous Huxley (1894–1963) English writer

“Silence is Golden,” p. 59
Do What You Will (1928)

Love, Music, Rage

“Humor is the most honest of emotions. Applause for a speech can be insincere, but with humor, if the audience doesn't like it there's no faking it.”

Robert Orben (1928) American magician and writer

Leslie Berger (January 28, 1982) "A Little Night Humor", The Washington Post, C1.

“Music is the tonal analogue of emotive life.”

Susanne K. Langer (1895–1985) American philosopher

Feeling and Form, ch. 1, p. 27, Scribner (1953)

Life, Music

“Acid rain is a short-hand term that covers a set of highly complex and controversial environmental problems. It is a subject in which emotive and political judgements tend to obscure the underlying scientific issues which are fairly easily stated but poorly understood.”

Basil John Mason (1923–2015) British meteorologist

in The Causes and Consequences of Acid Rain, [Proceedings of the Royal Institution of Great Britain, The Institution, 1982, 31]

Problem

“Existence was given us for action, rather than indolent and aimless contemplation; our worth is determined by the good deeds we do, rather than by the fine emotions we feel. They greatly mistake, who suppose that God cares for no other pursuit than devotion.”

Elias Lyman Magoon (1810–1886) American minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 2.

God, Feeling

“Mordeen said: "I used to wonder why this love seemed sweeter than I had ever known, better than many people ever know. And then one day the reason came to me. There are very few great Anythings in the world. In work and art and emotion—the great is very rare. And I have one of the great and beautiful. Now say your yah, yah, Victor, like a child unanswerably answering Wisdom. You will have to do that, I think."”

John Steinbeck book Burning Bright

Mordeen on her love for Joe Saul in Act One: The Circus
Burning Bright (1950)

Love, Wisdom, People, World

“To invent a story, or admirably and thoroughly tell any part of a story, it is necessary to grasp the entire mind of every personage concerned in it, and know precisely how they would be affected by what happens; which to do requires a colossal intellect: but to describe a separate emotion delicately, it is only needed that one should feel it oneself; and thousands of people are capable of feeling this or that noble emotion, for one who is able to enter into all the feelings of someone sitting on the other side of the table.”

John Ruskin book Modern Painters

Volume III, part IV, chapter XVI (1856).
Modern Painters (1843-1860)

People, Feeling, Parting

“These pseudo‑events which flood our consciousness must be distinguished from propaganda. The two do have some characteristics in common. But our peculiar problems come from the fact that pseudo‑events are in some respects the opposite of the propaganda which rules totalitarian countries. Propaganda — as prescribed, say, by Hitler in Mein Kampf — is information intentionally biased. Its effect depends primarily on its emotional appeal. While a pseudo‑event is an ambiguous truth, propaganda is an appealing falsehood. Pseudo‑events thrive on our honest desire to be informed, to have “all the facts,” and even to have more facts than there really are.”

Daniel J. Boorstin (1914–2004) American historian

Source: The Image: A Guide to Pseudo-Events in America (1961), p. 34.

Truth, Problem, Dependency, Country

“Auguste Comte defines the feminine sex as the affective or emotional sex, and the male sex as the effective or active sex. This must be understood as meaning that with women there is a much close connection between mind and body. Woman's thought are less abstract than man's.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Marriage

Women, Sex

“The best comedy is always heartless, an alternative to rational emotion.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"The Wit of George S. Kaufman and Dorothy Parker," p. 162
The Good Word & Other Words (1978)

“If you did not suffer from emotions, from feelings, you could be as powerful as we are.”

Stirling Silliphant (1918–1996) American screenwriter and film producer

David Zellaby (Martin Stephens), Village of the Damned, (speaking to his father) (1960)

Feeling, Suffering

“It is, thank heaven, difficult if not impossible for the modern European to fully appreciate the force which fanaticism exercises among an ignorant, warlike and Oriental population. Several generations have elapsed since the nations of the West have drawn the sword in religious controversy, and the evil memories of the gloomy past have soon faded in the strong, clear light of Rationalism and human sympathy. Indeed it is evident that Christianity, however degraded and distorted by cruelty and intolerance, must always exert a modifying influence on men's passions, and protect them from the more violent forms of fanatical fever, as we are protected from smallpox by vaccination. But the Mahommedan religion increases, instead of lessening, the fury of intolerance. It was originally propagated by the sword, and ever since, its votaries have been subject, above the people of all other creeds, to this form of madness. In a moment the fruits of patient toil, the prospects of material prosperity, the fear of death itself, are flung aside. The more emotional Pathans are powerless to resist. All rational considerations are forgotten. Seizing their weapons, they become Ghazis—as dangerous and as sensible as mad dogs: fit only to be treated as such. While the more generous spirits among the tribesmen become convulsed in an ecstasy of religious bloodthirstiness, poorer and more material souls derive additional impulses from the influence of others, the hopes of plunder and the joy of fighting. Thus whole nations are roused to arms. Thus the Turks repel their enemies, the Arabs of the Soudan break the British squares, and the rising on the Indian frontier spreads far and wide. In each case civilisation is confronted with militant Mahommedanism. The forces of progress clash with those of reaction. The religion of blood and war is face to face with that of peace. Luckily the religion of peace is usually the better armed.”

Winston S. Churchill book The Story of the Malakand Field Force

The Story of the Malakand Field Force: An Episode of Frontier War (1898), Chapter III.
Early career years (1898–1929)

Death, Men, War, People

“The natural cadence of our emotions are the driving force behind our poetic expressions.”

F. S. Flint (1885–1960) English Imagist poet

Otherworld Cadences (1920)

Nature

“ARTS is a somewhat conservative magazine but it is not uniformly, simply or blindly conservative, and the several conservative writers vary. And I am certainly not a conservative and neither is Miss Harrison. I decidedly disagree with the basic positions of Mr. Kramer, Miss Raynor and Mr. Tillim, though not with some of their evaluations, both of conservative and nonconservative artists. I think Ben Johnson's paintings, for example, are relatively uninteresting and powerless and that the work of some of the dop artists is full of true emotion. uninteresting and powerless and that the work of some of the dop artists is full of true emotion. The conservatism of Mr. Kramer and Mr. Mellow as successive editors lies only in the publication of more articles on conservative artists than on unconservative ones. Neither editors ever suggested to me that the magazine should have a uniform position or attempt to control my reviews, which are often contrary to Mr. Kramer’s opinions.”

Donald Judd (1928–1994) artist

1960s
Source: Arts Magazine, Vol. 38, (1963) p. 7

Art, Thinking, Success, Painting

“But I do think we need to explore the commitment problem, which has caused many women to mistakenly conclude that men, as a group, have the emotional maturity of hamsters. This is not the case. A hamster is MUCH more capable of making a lasting commitment to a woman, especially if she gives it those little food pellets. Whereas a guy, in a relationship, will consume the pellets of companionship, and he will run on the exercise wheel of lust; but as soon as he senses that the door of commitment is about to close and trap him in the wire cage of true intimacy, he'll squirm out, scamper across the kitchen floor of uncertainty and hide under the refrigerator of Non-Readiness.”

Dave Barry (1947) American writer

Column, August 18, 1991
Columns and articles

Women, Men, Food, Guy

“All this countryside [along the Seine] was calm and peaceful. The strongest emotions I have experienced on the high roads or on the hill tops whence I could see down into the valleys on tot he roofs of houses which I felt I could reach out and touch with my hand.. And then I was tempted to begin painting [c. 1893 - 17 years old]... I composed instinctively and awkwardly. I applied colors with only one idea which justified everything: to express what I felt. I painted hesitantly and exclusively for myself and no one else. It seemed to me that water, sky, clouds and trees understood the happiness they gave me.”

Maurice de Vlaminck (1876–1958) French painter

Source: Quotes dated, Dangerous Corner', 1929, p. 46

Happiness, Peace, Color, Idea

“What is the matter with you?' I asked. 'Be a man and tell me; is the President dead?' My prophetic soul told me that must be so. It was some time before the man could speak. At length he stammered out, 'Assassinated!' and then I knew I had come too late. I might, perhaps, have saved his life with my persistent precautions, which he did not at all object to. I should have been about him until all excitement was over, and would have impressed the Cabinet with the necessity of guarding his person. I am not now, and never have been, given to great emotions; but when I heard of Mr. Lincoln's cruel death I was completely unmanned. I went immediately to Washington and saw him as he lay in his grave-clothes; the same benevolent face was there, but the kindly smile had departed from his lips, and the soft, gentle eyes were closed for ever.”

David Dixon Porter (1813–1891) United States Navy admiral

Source: 1880s, Incidents and Anecdotes of the Civil War (1885), p. 319

Life, Death, Smile, Soul

“I'm bereft of spiritual solutions. I do believe that there has to be a better world, but that's rather simple. I'm quite obsessed with death. I've gone through periods of intense envy for people who've died. Yes, I have a dramatic unswayable unavoidable obsession with death. I can remember being obsessed with it from the age of eight and I often wondered whether it was quite a natural inbuilt emotion for people who're destined to take their own lives, that they recognise it and begin to study it. If there was a magical beautiful pill that one could take that would retire you from this world, I think I would take it and I suppose that's the extremity of the obsessiveness.”

Morrissey (1959) English singer

from "Stop me if you've heard this one before", interview by Len Brown in NME (20 February 1988)
In interviews etc., About life and death

Death, People, Age, World

“If architecture is the history of all phallic emotion, the Empire State Building is utter catharsis, and we are sitting in its silhouette.”

Timothy Levitch (1970) American actor

The Cruise (1998)

History

“This second time round, she’d discovered that to be happy was not so much a self-sufficient, spontaneous emotion, such as you might feel in relation to a dream or a secret, but a way of reacting to the rest of the world; that to be happy this time, she must curb the natural human instinct to look up at the sky, with its all-encompassing definition, and gaze towards the immediate ground and horizon, with its lack of shape, or abode, or clear ending.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Real Time (2002)

Happiness, Secret, World, Dreams

“The primordial forms of all sciences, taken back beyond the rise of writing, lie ultimately in the magic of prehistory. Just as modern man wants to indicate what consequences his actions will have, so also a man who grows up in the magical way of life seeks to find a ground for everything and to find consequences of his action. Magic as a more or less clearly formulated system of tenets shot through with emotional elements, can become independent only when magicians, acting as specialists, proclaim the consequences of certain customs, either esoterically,. e. g. at certain rituals, or exoterically as popular education. The magicians tell what cases are to count as 'equal', and when certain measures shall be used”

Otto Neurath (1882–1945) austrian economist, philosopher and sociologist

if we think them ineffective, we call them ceremonies
Source: 1930s, "Empirical Sociology" (1931), p. 319

Life, Lie, Education, Way

“The material presence of the work only serves as a conveyer launching an invitation to the observer to take part of the comprehensive game of the thousand and one emotions and visions.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

Source: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 26.

Game, Parting

“A work is imaginative in virtue of the power of its images over our emotions; not in virtue of any rarity or surprisingness in the images themselves.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)

Imagination

“I am not a good enough writer to have an agenda or come up with a message and try to put it into a song, […] It's more like you write what comes to you… You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave…”

Eddie Vedder (1964) musician, songwriter, member of Pearl Jam

L.A. Times 5/1/94, "He Didn't Ask for All This".

Music, Cars, Feeling, Mood

“I well recall my emotions when I came upon the grave of Beethoven in the Central Friedhof, with its incomparable guard of honor — Mozart, Schubert, Gluck, Brahms, Hugo Wolf and Johann Strauss!”

H.L. Mencken (1880–1956) American journalist and writer

H.L. Mencken : Thirty-five Years of Newspaper Work (1994) , p. 190; this work was written in 1941-1942 but sealed until 1991.
1940s–present

Wolf

“Image…that which presents an intellectual and emotional complex in an instant of time.”

Ezra Pound (1885–1972) American Imagist poet and critic

"Poetry: A Few Don'ts by an Imagist", Poetry: A Magazine of Verse (March 1913)

Time

“I rejoice that the reign of Christ is such, while it thrills the soul with emotions, and opens before the highest intellect the most boundless conceptions, we are left at the same time ready, though our hearts be thrilled, to have our hands filled for deeds of benevolence and love. The happiest moments may be the busiest moments.”

Matthew Simpson (1811–1884) American bishop and academic

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 130.

Love, Soul, Time, Heart

“When people perform an organized action sequence and are interrupted, they try to make sense of it. The longer they search, the higher the arousal, and the stronger the emotion. If the interruption slows the accomplishment of an organized sequence, people are likely to experience anger. If the interruption has accelerated accomplishment, then they are likely to experience pleasure. If people find that the interruption can be circumvented, they experience relief. If they find that the interruption has thwarted a higher level plan, then anger is likely to turn into rage, and if they find that the interruption has thwarted a minor behavioural sequence, they are likely to feel irritated.”

Karl E. Weick (1936) Organisational psychologist

Source: 1980s-1990s, Sensemaking in Organizations, 1995, p. 48-49, as cited in: Magala, Slawomir J. " Book Review Essay: Karl E. Weick: Sensemaking in Organizations 1995, London: Sage. 231 pages. http://www.sagepub.com/mcdonaldizationstudy5/articles/Book%20Reviews_Articles%20PDFs/Magala.pdf," Organization studies 18.2 (1997): p. 324.

People, Pleasure, Feeling, Search

“Have the courage to analyze great emotions to create characters who shall be lofty and true. The whole art of the analytical novel lies there.”

Paul Bourget (1852–1935) French writer

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love

Art, Courage

“One of the things a cartoon does is to express violent emotion and passion in a completely mechanical and removed style. To express this thing in a painterly style would dilute it; the techniques I use are not commercial, they only appear to be commercial – and the ways of seeing and composing and unifying are different and have different ends.”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

Way, Appearance, Passion

“It is important for the poet not to be emotional because you cannot see the world clearly with tears in your eyes.”

Billy Collins (1941) American poet

Interview with Kritya: In the Name of Poetry

World, Tear

“To be benevolent in speculation, is often to be selfish in action and in reality. The vanity and the indolence of man delude him into a thousand inconsistencies. He professes to love the name and the semblance of virtue, but the labour of exertion and of self-denial terrifies him from attempting it. The emotions of kindness are delightful to his bosom, but then they are little better than a selfish indulgence—they terminate in his own enjoyment—they are a mere refinement of luxury. His eye melts over the picture of fictitious distress, while not a tear is left for the actual starvation and misery with which he is surrounded. It is easy to indulge the imaginations of a visionary heart in going over a scene of fancied affliction, because here there is no sloth to overcome—no avaricious propensity to control—no offensive or disgusting circumstance to allay the unmingled impression of sympathy which a soft and elegant picture is calculated to awaken. It is not so easy to be benevolent in action and in reality, because here there is fatigue to undergo—there is time and money to give — there is the mortifying spectacle of vice, and folly, and ingratitude, to encounter.”

Thomas Chalmers (1780–1847) Scottish mathematician and a leader of the Free Church of Scotland

Source: Discourses on the Christian Revelation viewed in connection with the Modern Astronomy together with his sermons... (1818), P. 175.

Love, Money, Imagination, Reality

“The soul is a thing so impalpable, so often useless and sometimes so embarrassing that I suffered, upon losing it, a little less emotion than if I had mislaid, while out on a stroll, my calling-card.”

Charles Baudelaire book Le Spleen de Paris

L'âme est une chose si impalpable, si souvent inutile et quelquefois si gênante, que je n'éprouvai, quant à cette perte, qu'un peu moins d'émotion que si j'avais égaré, dans une promenade, ma carte de visite. XXIX: "Le Joueur généreux" http://fr.wikisource.org/wiki/Petits_Po%C3%A8mes_en_prose_-_XXIX._Le_Joueur_g%C3%A9n%C3%A9reux Le Spleen de Paris (1862)

Soul, Suffering

“Whether we're socially indoctrinated to do it or whether it's some other part of the biological imperative, there is emotional attachment that grows specifically around sex. That's how personal relationships are made. If sex were only a simple function, it could be disposed of and not thought of. And you and I both know that's just not true.”

Joshua Jackson (1978) Canadian actor

As quoted in Jane magazine (March 2005)

Sex, Parting, Personality

“I would suggest that just as women who make it in the world of business need male business mentors, perhaps men who make it in the world of emotions will need female emotional mentors.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Are the Way They Are (1988), p. 317.

Women, Men, World, Business

“Ultimately modelling, acting or dancing is a form of an art. There might be different ways to express these various arts but the basics are always same. We have only nine emotions all over the world and expressing those emotions in any form is going to be similar in one or the other way. there is a rhythm in everything. In modelling we hold the expressions or try to express with no emotions on face but with pride and attitude in acting we go with the flow of the emotions and in dance, we express through our face and body both in rhythm. So this rhythm and emotions are part of your expressions.”

Nikita Gokhale (1990) Indian Actress, Indian Model

"‘Interview with Nikita Gohkale’" https://vasfotios.wixsite.com/citylights/single-post/2017/12/12/Interview-with-Nikita-Gohkale. City Lights. December 12, 2017.

World, Art, Way, Dance

“Humankind is conceived as primarily motivated by neurochemically mediated emotions resulting from genetic make-up and environmental influences, employing reason and engaging in conscious reflection only occasionally.”

Nayef Al-Rodhan (1959) philosopher, neuroscientist, geostrategist, and author

Source: Emotional amoral egoism (2008), p.65

Motivation

“If you need to get upset or angry with someone, do so in a very conscious way so that you don’t lose control or react without thinking. You cannot spend your life apologizing for having lost control of your emotions.”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Life, Way, Thinking

“…we must go to the poets to see what they all meant by it; but the sum is an emotion — clear and strong as love and much clearer than logic,— whose charm lies in its unstable balance. The Transition is the equilibrium between the Love of God,— which is Faith, and the Logic of God,— which is Reason; between the round arch and the pointed. One may not be sure which pleases most, but one need not be harsh towards people who think that the moment of balance is exquisite. The last and highest moment is seen at Chartres where, in 1200, the charm depends on the constant doubt whether emotion or science is uppermost.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Love, God, People, Faith

“Isn't this the prettiest little thing you've ever seen? It was over a year ago I held this belt high in the air after I fought for it for the first time in Dayton, Ohio against Samoa Joe and I proclaimed this belt the most important thing to me. Right now, in my hands, as of this day 6/18/05, THIS becomes the most important belt in the world! This belt in the hands of any other man is just a belt, but in my hands it becomes power. Just like this microphone in the hands of any of the boys in the back is just a microphone, but in the hands of a dangerous man like myself it becomes a pipe-bomb. These words that I speak spoken by anybody else are just words strung loosely together to form sentences. What I say I mean, and what I mean I say, and they become anthems! You see, if I could be afforded the time here a little bit of a story. There was once an old man, walking home from work. He was walking in the snow, and he stumbled upon a snake frozen in the ice. He took that snake, and he brought it home, and he took care of it, and he thawed it out, and he nursed it back to health. And as soon as that snake was well enough, it bit the old man. And as the old man lay there dying he asked the snake, 'Why? I took care of you. I loved you. I saved your life.' And that snake looked that man right in the eye and said, 'You stupid old man. I'm a snake.' The greatest thing the devil ever did was make you people believe he didn't exist… and you're looking at him right now! I AM THE DEVIL HIMSELF! And all of you stupid, mindless people fell for it! You all believed in the same make-believe superhero that the legendary Ricky 'The Dragon' Steamboat saw some year ago today. No, you see, you don't know anything. You followed me hook-line and sinker, all of you did, and I'm not mad at you… I just feel sorry for you. This belongs to me! Everything you see here belongs to me, and I did what I had to do to get my hands on this. Now I am the GREATEST PRO WRESTLER walkin' the Earth today! This is my stage, this is my theater, you are my puppets! When I pulled those marionette strings, and I moved your emotions, and I played with them, and honestly it's 'cause I get off on it. I hate each and every single one of you with a thousand burns and I will not stop… I will not stop until I prove that I am better than you, that I am better than Low Ki, that I am better than AJ Styles! I'm better than Samoa Joe. Ladies and gentlemen, the champ is here! You don't have to love it, but you better learn to accept it. 'Cause I'm taking this with me, and there's not a single person in that locker room that can stop me!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Ring of Honor, Death Before Dishonor III. June 18th, 2005. This promo took place directly after Punk defeated Austin Aries for the ROH World Championship proceeding to turn the, at the time face, Punk heel. Directly after this promo Christopher Daniels made his first appearance in ROH in over a year to challenge for the belt. This promo also made reference to an old parable http://www.snopes.com/critters/malice/scorpion.htm about an animal doing an act of kindness to another creature that is venomous and being surprised when the animal injects the venom to the creature after the act of kindness who then proceeds to explain it is their nature to perform the act. Ring of Honor

Love, Life, Hate, People