Quotes about emotion
page 16

“We have to give the American people a referendum. We will win this referendum if we have it now. If we wait and delay five or six years we will lose this referendum. The public is way ahead of the political class. They get that things are broken. They get that we're spending their kids' inheritance and mortgaging their future. They are ready to be talked to like adults and not like children. So when they see the demagoguery that is directed toward people or ideas that are sincere and are real, it doesn't work anymore. The Democrats are going to come at us with their old playbook. They're going to tap into the emotions of fear, anger, and envy. But that's not aspirational. That's not hope and change, and I don't think it's going to work anymore.”

Paul Ryan (1970) American politician

Source: Young Guns: A New Generation of Conservative Leaders (2010), p. 15

Children, People, Fear, Hope

“When one read’s Kierkegaard’s profound analyses of anxiety and despair or Nietzsche’s amazingly acute insights into the dynamics of resentment and the guilt and hostility which accompany repressed emotional powers, one might pinch oneself to realize that one is reading works written in the last century and not some new contemporary psychological analysis.”

Rollo May (1909–1994) US psychiatrist

Source: The Discovery of Being (1983), p. 53

Hostility, Reading, Despair

“Few are the beliefs, still fewer the superstitions of to-day. We pretend to account for everything, till we do not believe enough for that humility so essential to moral discipline. But the dark creed of the fatalist still holds its ground — there is that within us, which dares not deny what, in the still depths of the soul, we feel to have a mysterious predominance. To a certain degree we controul our own actions — we have the choice of right or wrong; but the consequences, the fearful consequences, lie not with us. Let any one look upon the most important epochs of his life; how little have they been of his own making — how one slight thing has led on to another, till the result has been the very reverse of our calculations. Our emotions, how little are they under our own controul! how often has the blanched lip, or the flushed cheek, betrayed what the will was strong to conceal! Of all our sensations, love is the one which has most the stamp of Fate. What a mere chance usually leads to our meeting the person destined to alter the whole current of our life. What a mystery even to ourselves the influence which they exercise over us. Why should we feel so differently towards them, to what we ever felt before? An attachment is an epoch in existence — it leads to casting off old ties, that, till then, had seemed our dearest; it begins new duties; often, in a woman especially, changes the whole character; and yet, whether in its beginning, its continuance or its end, love is as little within our power as the wind that passes, of which no man knows whither it goeth or whence it comes.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

No.14. The Bride of Lammermuir — LUCY ASHTON.
Literary Remains

Love, Life, Fate, Lie

“I write just because the fire of my emotion is burning. Had I not, I would not have been able to find peace.”

Ba Jin (1904–2005) Chinese novelist

As quoted in "Literary witness to century of turmoil" in China Daily (24 November 2003) http://www.chinadaily.com.cn/en/doc/2003-11/24/content_284041.htm

Peace

“When entering the studio, I don't know what will happen. I do a so-called trip into myself: I sit down at the piano and the melody might start to evolve from my playing or then I might start to sing it. At that stage I do not yet have clear ideas about what kind of emotions I would like to express. Until I play the completed piece to Roma and Nicky and when I observe their reactions, the music gets its meaning…”

Enya (1961) Irish singer, songwriter, and musician

Anna interview (2005)

Music, Idea, Singing

“Ruburt tuned in to the world view of a man known dead. He was not directly in communication with William James. He was aware, however, of the universe through William James' world view. As you might tune into a program on a television set, Ruburt tuned into the view of reality now held in the mind of William James. Because that view necessarily involved emotions, Ruburt felt some sense of emotional contact -- but only with the validity of the emotions. Each person has such a world view, whether living or dead in your terms, and that "living picture" exists despite time or space. It can be perceived by others.”

Jane Roberts (1929–1984) American Writer

Source: Psychic Politics: An Aspect Psychology Book (1976), p. 82-83

World, Communication, Reality, Sense

“The man with the proper imagination is able to conceive of any commodity in such a way that it becomes an object of emotion to him and to those to whom he imparts his picture, and hence creates desire rather than a mere feeling of ought.”

Walter Dill Scott (1869–1955) President of Northwestern university and psychologist

Source: Influencing men in business, 1911, p. 134

Way, Feeling, Imagination

“These pieces have been and will, I think, during my life, continue to be to me the sources of daily and exalted pleasures. The tender and the sublime emotions of the mind were never before so wrought up by the human hand. I am not ashamed to own that I think this rude bard of the North the greatest poet that has ever existed. Merely for the pleasure of reading his works, I am become desirous of learning the language in which he sung, and of possessing his songs in their original form.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

Thomas Jefferson, letter to Charles McPherson, February 25, 1773, cited from H. A. Washington (ed.) The Writings of Thomas Jefferson (Washington, D.C.: Taylor & Maury, 1853) vol. 1, pp. 195-6.
Criticism

Life, Pleasure, Thinking, Learning

“I’m much more emotional than Mr. Spock. Spock rarely betrays what he is thinking or feeling. He’s fun to portray. But I hope I won’t explode one of these days.”

Leonard Nimoy (1931–2015) American actor, film director, poet, musician and photographer

"Leonard Nimoy's Confessions About His Emotions", TV And Movie Play magazine (1967)

Hope, Feeling, Thinking

“In the yearly days those nouvo riches were too busy. As they finally got their moneys grabbed, they started to look round and discovered emptiness, vacuum inside… It so happened that the whole new generation grew up with this feeling of emptiness. When, say, falling in love, such a person simply doesn’t know - how to experience an emotion. And then this question of Life’s reason arises. People don’t think about it until one day something happens. Then all of a sudden they find that their life is not particularly interesting. First they get bored, then get frightened. Because its frightening for one, after having got everything - houses, cars, stocks and funds, - to discover they haven’t a ground to stand on.”

Nina Shatskaya (1966) Russian singer

Ogonyok interview. Нина Шацкая, Огонек, 2011-01-01 http://www.ogoniok.com/4977/25/,

Love, Life, Money, People

“Language in its original imaginative form maybe said to have expressiveness, but no meaning. About such language we cannot distinguish between what the speaker says and what he means… Language in its intellectualized form has both expressiveness and meaning. As language, it expressed a certain emotion. As symbolism, it refers beyond that emotion to the thought whose emotional charge it is… The progressive intellectualization of language, its progressive conversion by the work of grammar and logic into a scientific symbolism, thus represents not a progressive drying-up of emotion, but its progressive articulation and specialization. We are not getting away from an emotional atmosphere into a dry, rational atmosphere; we are acquiring new emotions and new means of expressing them.”

R. G. Collingwood (1889–1943) British historian and philosopher

Source: The Principles of Art (1938), p. 269

Imagination

“One such evolutionary system, or ridge, encompasses panhuman emotional faculties, or affective "programs." These include the basic, or primary, emotions that Darwin first identified: surprise, fear, anger, joy, sadness, disgust, and perhaps contempt. Certain reactions characteristic of the neurophysiology of surprise and fear are already evident in reptiles, and the other primary emotions are at least apparent in monkeys and apes. Then there are the secondary, mostly "social" emotions, such as anxiety, grief, guilt, pride, vengeance, and love. These may be unique to humans-hence, at the lower level in our evolutionary mountain landscape and somewhat more liable to cultural manipulation and variation than the primary, "Darwinian" emotions. Thus, only humans seek revenge or redemption across lifetimes and generations, whatever the cost, although the nature of the deeds that trigger insult or remorse may vary considerably across societies, and the means to counter them may range even wider.”

Scott Atran (1952) Anthropologist

Introduction: an evolutionary riddle, p. 11
In Gods We Trust: The Evolutionary Landscape of Religion (2002)

Love, Sadness, Fear, Mountain

“I want to put over my emotions in the spectator, - I want to make him fascinated by the scene, which I have not only seen with my naked eyes, but which I have seen moving deep inside myself. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat van Jozef Israëls's brief, in het Nederlands): Ik wil in den beschouwer mijne aandoeningen overbrengen, - ik wil hem laten boeijen door het tafereel, dat ik niet enkel met mijn bloot oog gezien hebben, maar dat ik diep in mij heb zien bewegen.
Quote of Israëls in his letter in 1891, to an unknown person; as cited in the museum-catalog, Museum Mesdag, 1996, p.236, note 10
Quotes of Jozef Israels, 1871 - 1900

“All emotions are the ore from which poetry may be sifted.”

T. E. Hulme (1883–1917) English Imagist poet and critic

Essay on Contemporary American Poetry, in Poetry & Drama (1914), edited by Harold Munro, Vol II

“My friends tell me that I have a tendency to point out problems without offering solutions, but they never tell me what I should do about it. In one chapter after another, I've described the ways in which imagination fails to provide us with accurate previews of our emotional futures. I’ve claimed that when we imagine our futures we tend to fill in, leave out, and take little account of how differently we will think about the future once we actually get there. I’ve claimed that neither personal experience nor cultural wisdom compensates for imagination’s shortcomings. I’ve so thoroughly marinated you in the foibles, biases, errors, and mistakes of the human mind that you may wonder how anyone ever manages to make toast without buttering their kneecaps. If so, you will be heartened to learn that there is a simple method by which anyone can make strikingly accurate predictions about how they will feel in the future. But you may be disheartened to learn that, by and large, no one wants to use it.”

Daniel T. Gilbert book Stumbling on Happiness

Source: Stumbling on Happiness, 2006, p. 223

Wisdom, Way, Error, Feeling

“Anxiety occurs because of a threat to the values a person identifies with his existence as a self … most anxiety comes from a threat to social, emotional and moral values the person identifies with himself. And here we find that a main source of anxiety, particularly in the younger generation, is that they do not have viable values available in the culture on the basis of which they can relate to their world. The anxiety which is inescapable in an age in which values are so radically in transition is a central cause of apathy … such prolonged anxiety tends to develop into lack of feeling and the experience of depersonalization.”

Rollo May (1909–1994) US psychiatrist

Source: Psychology and the Human Dilemma (1967), p. 42

Age, World, Feeling, Personality

“I feel that music is the art which can best express the emotions which flow within us. It conveys something bigger than it is.”

Andrew Sega (1975) musician from America

NAID '95 http://www.club.cc.cmu.edu/pub/scene.org/parties/1995/naid95/misc/dn-naid_089.txt

Art, Music, Feeling

“I dont want to lose any of the emotion or energy. We are just testing how far we can bend pop in our direction.”

Paul Smith (musician) (1979) English rock singer

About plans for the third album. <br class="br"> MTV http://www.mtv.co.uk/artists/maximo-park/news/40306-maximo-park-interview

“It can be said that deeply traumatized children grow into adults who live in the minefield of their own extreme emotions. Plus ca change.”

Antonella Gambotto-Burke book The Pure Weight of the Heart

Source: The Pure Weight of the Heart (1998), P. 326.

Children, Change

“I've been working hard at assuming Court polish, but the more I learn about what really goes on behind the pretty voices and waving fans and graceful bows, the more I comprehend that what is really said matters little, so long as the manner in which it is said pleases. I understand it, but I don't like it. Were I truly influential, then I would halt this foolishness that decrees that in Court one cannot be sick; that to admit you are sick is really to admit to political or social or romantic defeat; that to admit to any emotions usually means one really feels the opposite. It is a terrible kind of falsehood that people can only claim feelings as a kind of social weapon.”

Sherwood Smith book Crown Duel

Crown Duel (Crown & Court #1 - 2, 1997)

People, Feeling, Understanding, Learning

“Male mastery in marriage is a social illusion, nurtured by women exhorting their creations to play and walk. At the emotional heart of every marriage is a pietà of mother and son.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 53

Women, Marriage, Heart

“Appetite emotion must first, last and always be adapted to love.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

Source: The Emotions of Normal People (1928), p.393 as quoted in The Ages of Wonder Woman: Essays on the Amazon Princess in Changing Times, edited by Joeph J Darowski, p.8; in the essay "William Marston's Feminist Agenda" by Michelle R. Finn.

Love

“People are people, and all people have emotions and biases, rarely understood: intellectual and emotional behavior don’t necessarily have an inverse correlation. Oppenheimer, as superhuman and wise as he was in so many ways, was still a human being. Depending upon the occasion he could be as human (dramatic, overwhelming, megalomaniacal, self-serving, and even downright dishonest, as his arch-rival Edward Teller was accused of being, and was) as most of us. Like most of us, depending upon the circumstances, he could change his personality and alleged beliefs at the drop of a hat.”

Samuel T. Cohen (1921–2010) American physicist

F*** You! Mr. President: Confessions of the Father of the Neutron Bomb (2006)

People, Way, Behavior, Change

“Unless a potential future incorporates a powerful emotional pull, it will have great difficulty overcoming the gravitational pull of the past.”

Tim Hurson (1946) Creativity theorist, author and speaker

Think Better: An Innovator's Guide to Productive Thinking

Past, Future

“Here was a man who could not spell, and did not care to read — who had the habits and the cunning of a boor: whose aim in life was pettifogging: who never had a taste, or emotion, or enjoyment, but was sordid and soil; and yet he had rank, and honors, and power, somehow: and was dignitary of the land, and a pillar of the state.”

William Makepeace Thackeray Vanity Fair

Vol. I, ch. 9.
Vanity Fair (1847–1848)

Life, Reading

“There are antibiotic ointments that aid in the healing of external wounds. Similarly, there are many different kinds of medication available to treat diseases of our internal organs, but there is only one medicine that can heal the wounds of our mind. This medicine is pure love. In order to heal the mental and emotional wounds inflicted upon the victims of human trafficking, we need to care for them with selfless love.”

Mata Amritanandamayi (1953) Hindu spiritual leader and guru

From Amritanandamayi's Speech Against Human Trafficking and Slavery at the Vatican (2014)

Love, Disease

“It is only when death releases the true poet from the embarrassing condition of being at once immortal and alive in the flesh that the people are prepared to honour him; and his spirit as it passes is saluted by a spontaneous display of public emotion. This explains the heavy black headlines in the Press of March 1944: ALUN LEWIS THE POET IS DEAD. Search the back-files and you will find no preparatory announcement: ALUN LEWIS WRITES GREAT POETRY.”

Alun Lewis (1915–1944) Welsh poet

Robert Graves, Ha! Ha! Among the Trumpets (London: George Allen and Unwin, 1945) p. 7.
Criticism

Death, People, Search, Dead

“The first and the simplest emotion which we discover in the human mind is Curiosity.”

Edmund Burke book A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful

Part I Section I
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757)

“At one level, this movement on behalf of oppressed farm animals is emotional … Yet the movement is also the product of a deep intellectual ferment pioneered by the Princeton scholar Peter Singer. … This idea popularized by Professor Singer — that we have ethical obligations that transcend our species — is one whose time appears to have come. … What we’re seeing now is an interesting moral moment: a grass-roots effort by members of one species to promote the welfare of others. … animal rights are now firmly on the mainstream ethical agenda.”

Nicholas D. Kristof (1959) journalist, author, columnist

" Humanity Even for Nonhumans http://www.nytimes.com/2009/04/09/opinion/09kristof.html", New York Times, 8 April 2009

Idea, Effort, Grass, Appearance

“Your closest approximation of the purpose of the universe can be found in those loving emotions that you have toward the development of your children, in your intent to have them develop their fullest capacities.”

Jane Roberts (1929–1984) American Writer

Session 882, Page 122
Dreams, Evolution and Value Fulfillment, Volume One (1986)

Love, Children, Universe

“The pictures [De Kooning had] done since the 'Women', they're emotions, most of them. Most of them are landscapes and highways and sensations of that, outside the city – with the feeling of going to the city or coming from it. I am not a pastoral character. I'm not a – how do you say that? – 'country dumpling'. I am here and I like New York City. But I love to go out in a car… I'm just crazy about going over the roads and highways.”

Willem de Kooning (1904–1997) Dutch painter

Interview conducted by David Sylvester for the BBC, 1962; as quoted in Abstract Expressionism: Creators and Critics, edited by Clifford Ross, Abrahams Publishers, New York 1990, p. 48.
1960's

Love, Women, Cars, Feeling

“We are forced to distinguish between three kinds of speech: (1) The external, “rhetorical speech,” in the common meaning of this expression, which only refers to images because they affect the passions. Since these images do not stem from insight, however, they remain an object of opinion. This is the case of the purely emotive, false speech: “rhetoric” in the usual negative sense. (2) The speech which arises exclusively from a rational proceeding. It is true that this is of a demonstrative character, but it cannot have a rhetorical effect because purely rational arguments do not attain to the passions, i. e., “theoretical” speech in the usual sense. (3) The true rhetorical speech. This springs from the archai, nondeductible, moving, and indicative, due to its original images. The original speech is that of the wise man, of the sophos, who is not only epistetai, but who with insight leads, guides, and attracts.”

Ernesto Grassi (1902–1991) Italian philosopher

Source: Rhetoric as Philosophy (1980), p. 32

Spring, Sense, Passion, Falseness

“[Blogging] helps me to get out my feelings, get out my emotions. [When I started] I was mainly writing for my own sake. It really helped me articulate what I think, to get my thoughts out. I like to get feedback sometimes—although there’s a lot of hate, there’s always good advice. I found it really helpful for myself. Writing always helps.”

Abby Stein (1991) Trans activist, speaker, and educator

Interview with Daily Dot, December 8, 2015 http://www.dailydot.com/irl/transgender-orthodox-jew-abby-stein/ <br class="br">2015

Hate, Feeling, Thinking, Help

“Giving full rein to one‘s cynicism as one goes along produces a normal outlet and maintains an emotional equilibrium.”

S. S. Van Dine book The Bishop Murder Case

Ch 26
The Bishop Murder Case (1929)

“…the levels of culture, the aspects of society: military, political, economic, social, emotional, religious, and intellectual. Those are your basic human needs. …they are arranged in evolutionary sequence.”

Carroll Quigley (1910–1977) American historian

Oscar Iden Lecture Series, Lecture 3: "The State of Individuals" (1976)

“One must realize that, apart from considerations of color and form, there are two fundamentally different ways of regarding a medium of expression: one is based on taste only — an approach in which the external physical elements of expression are merely pleasingly arranged. This way results in decoration with no spiritual reaction. Arrangement is not art. The second way is based on the artist’s power of empathy, to feel the intrinsic qualities of the medium of expression. Through these qualities the medium comes to life... In this life, an intuitive artist discovers the emotive and vital substance which makes a work of art.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 46
Search for the Real and Other Essays (1948)

Life, Art, Color, Way

“And art puts us, I believe, in a state of grace in which we experience a universal emotion in an, as it were, religious but in the same time perfectly natural way. General harmony, such as we find in colour, is located all around us.”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 151, in: 'What he told me – I. The motif'

Art, Way, Nature, Universe

“What we know about God is important, but what we do with what we know about God is even more important. Too often people think it is necessary that we all see God in the same way (which is impossible anyway), but what is really necessary is that we all follow God according to what God tells us. The fact that God has given us so many different faces and temperaments and emotions and histories shows us how God honors each unique journey and culture. God is not threatened by differences. It’s we who are.”

Richard Rohr (1943) American spiritual writer, speaker, teacher, Catholic Franciscan priest

Source: Everything Belongs: The Gift of Contemplative Prayer (1999), p. 110

God, People, Way, History

“But it is the nature of life that no emotion is meant to last forever…”

David Zindell (1952) American writer

Source: The Wild (1995), p. 42

Life, Nature

“The current rampages of territorial-emotional pugnacity sweeping this planet are not just another civilization failing … They are the birth-pangs of a cosmic Prometheus rising out of the long nightmare of domesticated primate history.”

Robert Anton Wilson book Prometheus Rising

Source: Prometheus Rising (1983), Ch. 5 : Dickens & Joyce : The Two-Circuit Dialectic, p. 90

History, Birth

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Age, Dreams, Music, Search

“The idea underlying such endless discussion and dreaming about the physical act is that sexual expertise confers worldliness and is therefore part of becoming an affirmed individual. This is a curious suggestion… Sex is many things — a need, a desire, an emotion, a release — but it has nothing to do with worldly sophistication, character building or even existential action. Sex, in general, is more of an obstacle than anything else for those who wish to free themselves and act as individuals… [W]e aren't dealing with a successful affirmation of responsible individualism in the real world. We are creating private dreams which compensate for the fracturing of the individual and the castration of his or her power in public life.”

John Ralston Saul (1947) Canadian author and essayist

Voltaire's Bastards (1992)

Life, World, Dreams, Sex

“The troubles of the 20th century are not unlike those of adolescence -- rapid growth beyond the ability of organizations to manage, uncontrollable emotion, and a desperate search for identity. Out of adolescence, however, comes maturity in which physical growth with all its attendant difficulties comes to an end, but in which growth continues in knowledge, in spirit, in community, and in love; it is to this that we look forward as a human race. This goal, once seen with our eyes, will draw our faltering feet toward it.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding, 1973, p. 21 as cited in: Donald W. Cole (1983) Conflict resolution technology. p. 5
1970s

Love, Search, Communication, Knowledge

“Although the insights we can have in meditation tell us nothing about the origins of the universe, they do confirm some well-established truths about the human mind: our conventional sense of self is an illusion; positive emotions, such as compassion and patience, are teachable skills; and the way we think directly influences our experience of the world.”

Sam Harris (1967) American author, philosopher and neuroscientist

Source: 2010s, Waking Up (2014), p. 8

Truth, World, Way, Thinking

“It was amazing that in this country where people allowed emotion to guide their politics they approached love with the precision of accountants.”

Naguib Mahfouz book Sugar Street

Mahfouz (1957) Sugar Street

Love, People, Country

“My songs examine and explore little specific emotions or situations or stories… They're kitchen table songs, like a conversation between me and one other person. It's almost like an alien has been sent to get emotional samples from human beings and put it all together on a record.”

KT Tunstall (1975) Scottish singer-songwriter and guitarist

KTTunstall.com

Personality

“Creating an action score can be quite challenging because action music can become too overwhelming. If all the music in the game is high energy it will become monotonous. I set out to build a pace in the score, so that there would be a variety of emotions and energy levels in the music. The challenge became to create these different music styles while still maintaining an action feel.”

Jesper Kyd (1972) musician

Go! Game! Music! interview

Music, Feeling, Game

“A honeymoon is such a special time in life when you just want to be alone. It is in this little bubble of emotion and joy and happiness over the wedding. To then be chased [actually, let’s be honest here, they were stalked] by someone who breaks the bubble made us very sad.”

Princess Madeleine, Duchess of Hälsingland and Gästrikland (1982) Swedish princess

royalcorrespondent.com interview http://royalcorrespondent.com/2013/07/15/we-really-are-a-team-says-princess-madeleine-in-a-new-interview/

Life, Happiness, Sadness, Wedding

“Wallace's emotions on discovering such marvels must surely be echoed by all of us who follow him. This is what he wrote:
"I thought of the long ages of the past during which the successive generations of these things of beauty had run their course. Year by year being born and living and dying amid these dark gloomy woods with no intelligent eye to gaze upon their loveliness, to all appearances such a wanton waste of beauty. It seems sad that on the one hand such exquisite creatures should live out their lives and exhibit their charms only in these wild inhospitable regions. This consideration must surely tell us that all living things were not made for man, many of them have no relation to him, their happiness and enjoyment's, their loves and hates, their struggles for existence, their vigorous life and early death, would seem to be immediately related to their own well-being and perpetuation alone."”

David Attenborough (1926) British broadcaster and naturalist

Closing lines, quoting from The Malay Archipelago (1869) by Alfred Russel Wallace.
Attenborough in Paradise (1996)

Love, Life, Death, Hate

“The willingness to feel fear and keep going forward distinguishes the living from the merely breathing. In fact, it is not just the so-called negative emotions that are uncomfortable. When you choose to live fully, your palate of experiences, thoughts, emotions, and possibilities expands. This leads you onto new ground in other areas of your life as well. And, folks, all that newness swirling around just ain’t comfortable.”

Nicholas Lore (1944) American social scientist

The Pathfinder (1998)

Life, Fear, Feeling

“To endow animals with human emotions has long been a scientific taboo. But if we do not, we risk missing something fundamental, about both animals and us.”

Frans de Waal (1948) Dutch primatologist and ethologist

"Are We in Anthropodenial?" in Discover magazine (July 1997) http://discovermagazine.com/1997/jul/areweinanthropod1180

Animals

“Make them laugh, make them cry, and back to laughter. What do people go to the theater for? An emotional exercise. And no preachment.”

Mary Pickford (1892–1979) Canadian-American actress

Kevin Brownlow, The Parade's Gone By ... (1968), p. 134

People, Exercises, Laughter, Cry

“Yes. Basically, I can read your photography [of Wolfgang Tillmans, who is interviewing her] and see what moves you. What really moves you and not just faked emotion. I don't think it's good when it's like that in art – but unfortunately it often is. That's why I like Bruce Nauman, for example, as a sculptor. With his work, sometimes I have really thought to myself, that's simply beautiful... Above all, it is difficult enough to depict something that moves you deep down inside. But that's ultimately what art is all about, and that's also what appeals to people – if an artist can do it.”

Isa Genzken (1948) German sculptor

2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)

People, Beauty, Art, Thinking

“The idea that emotion can be separated from sex is a Christian illusion, one of the most ingenious but finally unworkable strategies in Christianity’s ancient campaign against pagan nature.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 35

Sex, Idea, Nature

“It is in a sculptor's interest that there should exist a close relationship between his art and that of the poet. Otherwise, his sculpture may lack human or emotional content and become too strictly architectural. We sculptors pay a heavy price for the limited freedom that we enjoy as a result of our being able to create in three dimensions; we must sacrifice color and whole realms of subject matter, such as landscape, that scarcely lend themselves to a representation in three dimensions.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960, in France
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 153

Art, Color, Freedom

“Perhaps these experiences of cognitive man are lacking in the emotional dynamic and turbulent passion of aesthetic man; perhaps these experiences are devoid of flashy and externally impressive bursts of ecstasy or stychic enthusiasm. However, they are possessed of a profound depth and a clear penetrating vision. They do not flourish and then wither away like experiences that are only based on a vague, obscure moment of psychic upheaval.”

Joseph B. Soloveitchik (1903–1993) American theologian

Source: Halakhic Man (1983), p. 84

Passion

“It has been a fantastic weekend and now I probably need some time to believe I'm champion again. I'm 25 years old and I've won two drivers' championships and two constructors' titles with Renault. With this being my last race for Renault after five years with them, what a fantastic way to finish my relationship. I will have these memories all my life, winning both titles, the emotion, the atmosphere in the garage. We grew up together and now we have won both championships in two consecutive years. The years I have had with Renault, I will never forget. To finish the last race the way we have is something you never dream of. You never even try to dream of it because it's always more than what you expected.”

Fernando Alonso (1981) Spanish racing driver

About leaving the Renault team http://www.planet-f1.com/News/Story_Page/0,15909,3210_3463_1626080,00.html (October 23, 2006)

Life, Dreams, Way, Memory

“…we no longer have intellectually satisfying arrangements in our educational system, in our arts, humanities or anything else; instead we have slogans and ideologies. An ideology is a religious or emotional expression; it is not an intellectual expression.”

Carroll Quigley (1910–1977) American historian

Oscar Iden Lecture Series, Lecture 3: "The State of Individuals" (1976)

Education, Art

“The most serious flaw of Foucault's system is in the area of sex. I view his hurried, compulsive writing as a massive rationalist defense-formation to avoid thinking about (a) woman, (b) nature, (c) emotion, and (d) the sexual body. His attempt to make the body passive property of male society is an evasion of the universal fact so intolerable to him: that we are all born of human mothers. By turning women into ciphers, he miniaturizes and contains them.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 230

Women, Sex, Nature, Thinking

“Without feelings insignificant decisions become excruciating attempts to compare endless arrays of inconsequential things. It’s just easier to handle those with emotions.”

Ann Leckie book Ancillary Justice

Source: Ancillary Justice (2013), Chapter 6 (p. 88)

Feeling, Decision

“Uncertain of principles, we fall back on emotion; unfamiliar with the past, we are afraid of the future. Increasingly we look to men, ideas, and institutions not from the point of view of how they work, but from the point of view of how they ought to work…”

Henry Steele Commager (1902–1998) American historian

Source: Freedom, Loyalty, Dissent (1954), p. 11

Men, Idea, Past, Future

“To Principal Caird… imaging of the Unseen is of inestimable value. It furnishes an objective counterpart to religious emotion, permanent but plastic—capable of indefinite change and purification in response to the changing thoughts and aspirations of mankind.”

John Tyndall (1820–1893) British scientist

p, 125
New Fragments (1892)

Change

“The more communities break down and poverty expands, the more anxious and frightened people will retreat into self-delusion. Those who speak the truth—whether about climate change or our system of inverted totalitarianism—will be branded as seditious and unpatriotic. They will be hated for destroying the illusion. This, as Gabler noted, is the danger of a society dominated by entertainment. Such a society, he wrote, “… took dead aim at the intellectuals’ most cherished values. That theme was the triumph of the senses over the mind, of emotion over reason, of chaos over order, or the id over the superego. … Entertainment was Plato’s worst nightmare. It deposed the rational and enthroned the sensational and in so doing deposed the intellectual minority and enthroned the unrefined majority.””

Chris Hedges (1956) American journalist

"The Illusion of Freedom" (2015)

Hate, People, Truth, Communication

“The easy problems of consciousness are those that seem directly susceptible to the standard methods of cognitive science, whereby a phenomenon is explained in terms of computational or neural mechanisms. The hard problems are those that seem to resist those methods…. The really hard problem of consciousness is the problem of experience. When we think and perceive, there is a whir of information-processing, but there is also a subjective aspect…. When we see, for example, we experience visual sensations: the felt quality of redness, the experience of dark and light, the quality of depth in a visual field. Other experiences go along with perception in different modalities: the sound of a clarinet, the smell of mothballs. Then there are bodily sensations, from pains to orgasms; mental images that are conjured up internally; the felt quality of emotion, and the experience of a stream of conscious thought.”

David Chalmers (1966) Australian philosopher and cognitive scientist

"Facing Up to the Problem of Consciousness," 1995

Pain, Problem, Thinking, Light

“As a trustee of the Carnegie Trust for the Universities of Scotland I have read many applications for help in the payment of University class fees on behalf of would-be students from crofts in the remotest regions of the Highlands and Islands. It was impossible to read them without emotion and admiration, for they displayed in their simple words a spirit of courage and of aspiration undaunted by hardship which went to one's heart.”

Hugh Macmillan, Baron Macmillan (1873–1952) British judge

Source: A Man of Law's Tale (1952), On Education, p. 14

Courage, Universe, Reading, Help

“Divorce laws have given women economic support after divorce; no laws have given men emotional support after divorce. Men are required to continue their obligations to their exes in the form of alimony or child support; women are not required to continue their obligation to their exes in the form of homemaking or nurturing.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Women Can't Hear What Men Don't Say (2000)

Women, Men, Law, Support

“Physical activity is an excellent way of using and controlling the effect of aggressive reaction, and will prevent the buildup of aggressive emotions into unsupervised physical constructions, and also prevent the habitual piling up of such aggressions, where detrimental constructions result continually.”

Jane Roberts (1929–1984) American Writer

Session 277
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 6

Way

“We need not be afraid to touch, to feel, to show emotion. The easiest thing in the world is to be what you are, what you feel. The hardest thing to be is what other people want you to be. Don’t let them put you in that position.”

Leo Buscaglia (1924–1998) Motivational speaker, writer

LOVE (1972)

People, World, Feeling

“This is one of those things - a contradiction. It was an emotional issue for me. I was born and raised in a Sikh family. I still keep my beard and turban and identify myself with the Sikh community.”

Khushwant Singh (1915–2014) Indian novelist and journalist

On his spending a night in Bangla Sahib Gurdwara to seek the Guru's support during a difficult time in your personal life.
Khushwant Singh: "Japji Sahib is Based on the Upanishads

Family, Communication

“I’m clearly a small-minded person, with my own petty grievances. Hopefully, my work transcends my own petty grievances and small-minded nature. It’s best for me to remain small-minded on an emotional level and broad-minded on a conceptual level. It doesn’t matter whatever it is that makes me do my work. Neurosis, obsession, wanting people to like me, wanting my parents to feel bad for underrating me, making a lot of money, power, social status, wanting girls to like me or just to meet one girl on a job. All of this doesn’t matter as long as the work that I do to achieve these small-minded needs is a lot more interesting than me and my reasons for making it”

Vincent Gallo (1961) American film director, writer, model, actor and musician

SOMA Interview

Money, People, Feeling, Girl

“That a human being had died did not distress her. Had it been somebody she knew it would have upset her; she wasn’t a monster. Had it been somebody she cared about. But it was nobody she knew, and it would have been disingenuous to pretend that the death of somebody she didn’t know affected her on an emotional level.”

Adam Roberts book Jack Glass: The Story of a Murderer

Part 2, Chapter 6, “The Gate of Horn and the Gate of Ivory” (p. 150).
Jack Glass (2012)

Death

“In his fancy, office was poison; it killed — body and soul — physically and socially. Office was more poisonous than priestcraft or pedagogy in proportion as it held more power; but the poison he complained of was not ambition; he shared none of Cardinal Wolsey's belated penitence for that healthy stimulant, as he had shared none of the fruits; his poison was that of the will — the distortion of sight — the warping of mind — the degradation of tissue — the coarsening of taste — the narrowing of sympathy to the emotions of a caged rat.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Soul

“In my view, most human beings are innately neither moral nor immoral but rather amoral. They are driven by emotional self-interest and have the potential to be either moral or immoral, depending on what their self-interest dictates, and will be influenced in their choices by emotions and socio-cultural contexts. Circumstances will determine the survival value of humankind’s moral compass in that being highly moral in an immoral environment may be detrimental to one’s survival and vice versa. Indeed, our neuronal architecture is pre-programmed to seek gratification and feel good regardless of the reason. All apparently altruistic behaviour serves self-interest at some level.”

Nayef Al-Rodhan (1959) philosopher, neuroscientist, geostrategist, and author

Source: Emotional amoral egoism (2008), p.16

Feeling, Dependency

“It was with deep emotion that we read the announcement issued by the Council of Flanders at its plenary meeting of June 20, 1918, because it give expression to the fact that considerable and important sections of the Belgian people are advocating Germany's right to figure in the Belgian question, and that the voice of agitation over that which they have suffered is overtopped by the voice of consanguinity with the Teutonic race.”

Gustav Stresemann (1878–1929) German politician, statesman, and Nobel Peace Prize laureate

Source: 1910s, Speech in the Reichstag, 21 June 1918, p. 179.

People, Question, Suffering, Reading

“In the street the rain was little more than a fine mist which softened the outlines of the houses and even lent a touch of poetry to a neighbourhood unlikely to evoke tender emotions. He raised his eyes to a roofline bristling with television aerials, lowered them again to windows still blank before the evening lights were lit.”

Anita Brookner (1928–2016) British novelist and art historian.

Making Things Better (2002)

Light, Housing

“The elegant study… is consistent with the themes of modern cognitive neuroscience. Every aspect of thought and emotion is rooted in brain structure and function, including many psychological disorders and, presumably, genius. The study confirms that the brain is a modular system comprising multiple intelligences, mostly nonverbal.”

Steven Pinker (1954) psychologist, linguist, author

"On Einstein's brain," The New York Times (June 24, 1999)

Intelligence, Study

“In his seminar on The Ethic of Psychoanalysis, Lacan speaks of the role of the Chorus in classical tragedy: we, the spectators, came to the theatre worried, full of everyday problems, unable to adjust without reserve to the problems of the play, that is to feel the required fears and compassions - but not problem, there is a chorus, who feels the sorrow and the compassion instead of us - or, more precisely, we feel the required emotions through the medium of the chorus: 'You are then relieved of all worries, even if you do not feel anything, the Chorus will do so in your place.”

Slavoj Žižek book The Sublime Object of Ideology

32; quote from Lacan's Le séminaire, livre VII : L'éthique de la psychanalyse, 295
The Sublime Object of Ideology (1989)

Fear, Feeling, Problem

“Only in truth does charity shine forth, only in truth can charity be authentically lived. Truth is the light that gives meaning and value to charity. That light is both the light of reason and the light of faith, through which the intellect attains to the natural and supernatural truth of charity: it grasps its meaning as gift, acceptance, and communion. Without truth, charity degenerates into sentimentality. Love becomes an empty shell, to be filled in an arbitrary way. In a culture without truth, this is the fatal risk facing love. It falls prey to contingent subjective emotions and opinions, the word “love” is abused and distorted, to the point where it comes to mean the opposite. Truth frees charity from the constraints of an emotionalism that deprives it of relational and social content, and of a fideism that deprives it of human and universal breathing-space.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

2009, Cartias in Vertitate (29 June 2009)

Love, Truth, Faith, Way

“It was in reading Tristam Shandy that I noticed how it is primarily men who gravitate towards the game-playing self-reflexive style. There is an alienation from emotion in it, a Nervous Nelly fear of letting go and being “exposed.” As an attitude towards life, it betrays a perpetual adolescence. Those who hurled themselves after Derrida were not the most sophisticated but the most pretentious, and least creative members of my generation of academics.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 231

Life, Men, Fear, Game

“A poem might begin for me from a rhythmical phrase without words but with an an emotional / tonal pitch or colour which will announce itself. Other times I' ll just become obsessed by something.. hoping that eventually it will speak to me in English.”

Jan Zwicky (1955) Canadian philosopher

Interview with Anne Simpson - 'Words from Canadian poets in conversation', 2002
Other

Hope, Time

“Dada hurts. Dada does not jest, for the reason that it was experienced by revolutionary men and not by philistines who demand that art be a decoration for the mendacity of their own emotions... I am firmly convinced that all art will become dadaistic in the course of time, because from Dada proceeds the perpetual urge for its renovation.”

Richard Huelsenbeck (1892–1974) German poet

Quote of Huelsenbeck, in 'Dada Lives', Transition no. 25 (Autumn 1936), as cited in The Dada Painters and Poets: An Anthology, ed. Robert Motherwell (1951)

Men, Art, Time, Hurt

“What really made me angry though was finding myself agreeing with any of the journal's articles, and I did agree with several. The writers had a keen, if cold intelligence. They did a great deal of seeing through some of the nonsense concerned with the psychic field in general. Of course, they were almost vengefully gleeful when they could legitimately knock down some psychic performance, or show a psychic's predictions to be wrong. Only why couldn't they see their own scientific nonsense? And why couldn't their trained intellects perceive their own emotional vehemence? Because, I thought unhappily, they were scientific witch hunters.”

Jane Roberts (1929–1984) American Writer

Source: The God of Jane: A Psychic Manifesto (1981), p. 141

Intelligence, Training

“Two children die. An accident and a suicide amongst so many murders. A chance death and a death of self-recrimination. Smut and the Skipping Girl have been aping their parents and elders -- perhaps they could now teach them a lesson -- all the machinations and game-playing and adjusting for sexual and emotional positioning is not worth the effort.”

Peter Greenaway (1942) British film director

Fear of Drowning By Numbers

Death, Children, Girl, Game

“Negro weddings were attended by white people who joined in the celebration. If the marriages were of a rather impermanent nature, that fact was frequently considered as 'one of the blessings of slavery.' At church and camp meetings the Negroes, in their own section of the building or tabernacle, enjoyed the experiences immensely. They could shout without restraint, while the masters, in order to preserve their dignity, had to repress their emotions. It made little difference if religion was thrown off soon after the camp meeting dissolved -- backsliding was pleasant, and there was always a chance to get intoxicatingly converted again.”

W. Cleon Skousen (1913–2006) ex FBI agent, conservative United States author and faith-based political theorist

The Making of America (1986)

Marriage, People, Religion, Nature

“The power of our intention and the energy it unleashes are dependent on our levels of coherence and intensity. The affirmation of our positive intentions in thought, feeling and action increases the power of our abilities. Nonetheless, it is important to appreciate that the matrix of physical, emotional, and mental levels of consciousness through which our personal and collective intentions and choices are explored and experienced require a “health warning” on interpreting the Law of Attraction too simplistically.”

Ervin László (1932) Hungarian musician and philosopher

Source: Cosmos: A Co-creator's Guide to the Whole-World (2010), p. 119.

Health, Law, Feeling, Dependency

“If poetry is emotion recollected in tranquility, then science is tranquility recollected in emotion: a struggle to think carefully in the swirl of passionate curiosity.”

George Musser

Spooky Action at a Distance (2015), Ch. 4 : The Great Debate

Thinking, Passion, Science

“Since suffering a concussion eight years ago, I find my inside emotions are right to the front and as such, when I heard that Antonio Carlos Jobim had died in December of 1994 I was much affected, I experienced happenings like no other time in my life. While sleeping one night, I dreamed that I was conducting a recording session with strings in Brazil and we were performing Jobim's "Corcovado," except that besides thje melody and harmony, there was polyharmonic bass line. As I awakened from this dream, I went to my piano and wrote down what I had dreamed.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Explaining the genesis of the track "Corcovado Fúnebre" in the liner notes from Clare Fischer's Jazz Corps

Life, Dreams, Sleep, Suffering

“If you take a look at science in its everyday function, of course you find that scientists run the gamut of human emotions and personalities and character and so on. But there’s one thing that is really striking to the outsider, and that is the gauntlet of criticism that is considered acceptable or even desirable. The poor graduate student at his or her Ph. D. oral exam is subjected to a withering crossfire of questions that sometimes seem hostile or contemptuous; this from the professors who have the candidate’s future in their grasp. The students naturally are nervous; who wouldn’t be? True, they’ve prepared for it for years. But they understand that at that critical moment they really have to be able to answer questions. So in preparing to defend their theses, they must anticipate questions; they have to think, “Where in my thesis is there a weakness that someone else might find — because I sure better find it before they do, because if they find it and I'm not prepared, I'm in deep trouble."”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

Wonder and Skepticism
Skeptical Inquirer
19
1
1995
January-February
0194-6730
http://www.csicop.org/si/show/wonder_and_skepticism/

Hostility, Understanding, Question, Nature

“The progress of science in furnishing the government with means of espionage is not likely to stop with wire tapping. Ways may some day be developed by which the government, without removing papers from secret drawers, can reproduce them in court, and by which it will be enabled to expose to a jury the most intimate occurrences of the home. Advances in the psychic and related sciences may bring means of exploring unexpressed beliefs, thoughts and emotions. 'That places the liberty of every man in the hands of every petty officer' was said by James Otis of much lesser intrusions than these. 1 To Lord Camden a far slighter intrusion seemed 'subversive of all the comforts of society.”

Louis Brandeis (1856–1941) American Supreme Court Justice

Can it be that the Constitution affords no protection against such invasions of individual security?
Dissenting, Olmstead v. United States, 277 U.S. 438 (1928).
Judicial opinions

Secret, Way, Home, Science

“This revolution of music is paralleled by the increasing proliferation of machinery sharing in human labor. In the pounding atmosphere of great cities as well as in the formerly silent countryside, machines create today such a large number of varied noises that pure sound, with its littleness and its monotony, now fails to arouse any emotion.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Source: 1910's, The Art of Noise', 1913, p. 5

Music

“To be in touch with senses and emotions beyond conquest is to enter the realm of the mysterious.”

Bell Hooks (1952) American author, feminist, and social activist

Source: Outlaw Culture: Resisting Representations (2006), Chapter 2, Altars of Sacrifice

Sense

“The appropriate emotion is shame — shame at our own dependency, in this case, on the underpaid labor of others. When someone works for less pay than she can live on — when, for example, she goes hungry so that you can eat more cheaply and conveniently — then she has made a great sacrifice for you, she has made you a gift of some part of her abilities, her health, and her life. The "working poor," as they are approvingly termed, are in fact the major philanthropists of our society. They neglect their own children so that the children of others will be cared for; they live in substandard housing so that other homes will be shiny and perfect; they endure privation so that inflation will be low and stock prices high. To be a member of the working poor is to be an anonymous donor, a nameless benefactor, to everyone else.”

Barbara Ehrenreich (1941) American writer and journalist

Evaluation (p. 221)
Nickel and Dimed: On (Not) Getting by in America (2001)

Life, Children, Health, Home

“My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.”

Saul Bass (1920–1996) American graphic designer and filmmaker

Haskins, Pamela (Autumn 1996). "Saul, Can You Make Me a Title? Interview with Saul Bass". Film Quarterly. pp. 12–13.

Way, Mood

“Today I saw an exhibition of old Japanese paintings and sculpture [in Paris]. I was seized by the great strangeness of these things. It makes our own art seem all the more conventional to me. Our art is very meager in expressing the emotions we have inside. Old Japanese art seems to have a better solution for that... We must put more weight on the fundamentals!! When I took my eyes from these pictures and began looking at the people around me, I suddenly saw that human being are more remarkable, much more striking and surprising than they have been painted. A sudden realization like that comes only at moments.”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, Paris, 1898; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 197
1898

People, Art, Painting

“Matt Ledbetter cleared his throat and spoke to me in a voice trembling with emotion. "Will, that freshman doesn't belong in this school. We've got to run him out of here. We can't help it if he cries. He cries every time we look at him. He simply doesn't belong here. It'll be better for him and the other knobs when he goes." "Last year, you were a freshman, Matt. This year you're God." "He doesn't belong here, Will. It's our duty to run him out. We owe it to the Institute. We owe it to the line." "Your duty?"”

Pat Conroy The Lords of Discipline

I asked him. "Our duty," Matt replied.
Source: The Lords of Discipline (1980), p. 96

God, School, Time, Help

“The Great Commandment demands of everyone the total love of God and the love one's neighbour according to the measure of man's natural self-affirmation. If love is emotion, how can it be demanded? Emotions cannot be demanded. We cannot demand them of ourselves. If we try, something artificial is produced which shows the traits of what had to be suppressed in its production. Repentance, intentionally produced, hides self-complacency in perversion. Love, intentionally produced, shows indifference or hostility in perversion. The means: love as an emotion cannot be commanded. Either love is something other than emotion or the Great Commandment is meaningless.”

Paul Tillich (1886–1965) German-American theologian and philosopher

Source: Love, Power and Justice (1954), p. 4

Love, God, Hostility, Nature

“The most profound breach in this country is not between the rich and the poor, but between the people and the intellectuals. In their view of life, the American people are predominantly Apollonian. The mainstream intellectuals are Dionysian. This means the people are reality-oriented, common sense-oriented, technology-oriented. The intellectuals call this "materialistic," and "middle-class." The intellectuals are emotion-oriented, and seek in panic an escape from a reality they are unable to deal with, and from a technological civilization that ignores their feelings.”

Ayn Rand (1905–1982) Russian-American novelist and philosopher

Apollo and Dionysus (1969)

Life, People, Feeling, Reality

“Storytelling is very difficult. But adding the flavor helps to relay the storytelling, meaning in a cut scene, with a set camera and effects, you can make the users feel sorrow, or make them happy or laugh. This is an easy approach, which we have been doing. That is one point, the second point is that if I make multiple storylines and allow the users to select which story, this might really sacrifice the deep emotion the user might feel; when there's a concrete storyline, and you kind of go along that rail, you feel the destiny of the story, which at the end, makes you feel more moved. But when you make it interactive — if you want multiple stories where you go one way or another — will that make the player more moved when he or she finishes the game? These two points are really the key which I am thinking about, and if this works, I think I could probably introduce a more interactive storytelling method.”

Hideo Kojima (1963) Japanese video game designer

Source: "Hideo Kojima: The Kikizo Interview 2008 (Page 3)". https://web.archive.org/web/20111009180041/http://archive.videogamesdaily.com/features/hideo-kojima-interview-2008-p3.asp Kikizo. August 24, 2008. Archived from the original on October 9, 2011. Retrieved August 7, 2009.

Happiness, Way, Feeling, Game

“The success of Watermark surprised me. I never thought of music as something commercial; it was something very personal to me… The writing of a melody is an emotional moment; success doesn't make it easy.”

Enya (1961) Irish singer, songwriter, and musician

You interview (2006)

Music, Success, Personality

“Religious practice is costly in terms of material sacrifice (at least one's prayer time), emotional expenditure (inciting fears and hopes), and cognitive effort (maintaining both factual and counterintuitive networks of beliefs).”

Scott Atran (1952) Anthropologist

Introduction: an evolutionary riddle, p. 4
In Gods We Trust: The Evolutionary Landscape of Religion (2002)

Fear, Hope, Effort, Time

Quotes about emotion page 16

Quotes about emotion
page 16