Quotes about emotion
page 14

“Emotions are subjective, but psychological laws or statements about emotions, if they are true, are objective truths.”

Walter Terence Stace (1886–1967) British civil servant, educator and philosopher.

“It is color, not locally true from the point of view of the stereoscopic realist, but color to suggest any emotion of an ardent temperament. When Paul Mantz saw at the exhibition the violent and inspired sketch of Delacroix…. the 'Barque of Christ' - he turned away from it exclaiming: 'I did not know that one could be so terrible with a little blue and green'. Hokusai wrings the same cry from you [Theo], but he does it by his line, his drawing, when you say in your letter - 'the waves are claws and the ship is caught in them'. Well, if you make the color exact or the drawing exact, it won't give you sensations like that.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, 8 September 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 533) pp. 32-33 <br class="br">1880s, 1888

Color, Christ, Drawing, Cry

“When you assume negative intent, you're angry. If you take away that anger and assume positive intent, you will be amazed. Your emotional quotient goes up because you are no longer almost random in your response.”

Indra Nooyi (1955) Indian-born, naturalized American, business executive

Top 15 quotes from PepsiCo CEO Indra Nooyi

Anger

“Yet actual physical size has an emotional meaning. We relate everything to our own size, and our emotional response to size is controlled by the fact that men on the average are between five and six feet high... If practical considerations allowed me, cost of material, of transport, etc., I should like to work on large carvings more often than I do. The average in-between size does not disconnect an idea enough from prosaic everyday life. The very small or the very big [sculpture] takes on an added size emotion.”

Henry Moore (1898–1986) English artist

Source: 1925 - 1940, The sculptor speaks' (1937), p. 253

Life, Men, Idea

“We must daily decide whether the threats we face are real, whether the solutions we are offered will do any good, whether the problems we're told exist are in fact real problems, or non-problems. Every one of us has a sense of the world, and we all know that this sense is in part given to us by what other people and society tell us; in part generated by our emotional state, which we project outward; and in part by our genuine perceptions of reality. In short, our struggle to determine what is true is the struggle to decide which of our perceptions are genuine, and which are false because they are handed down, or sold to us, or generated by our own hopes and fears.”

Michael Crichton (1942–2008) American author, screenwriter, film producer

Environmentalism as a Religion (2003)

People, World, Fear, Hope

“Let every emotion be capable of becoming an intoxication to you. If what you eat fails to make you drunk, it is because you are not hungry enough.”

André Gide (1869–1951) French novelist and essayist

...que toute émotion sache te devenir une ivresse. Si ce que tu manges ne te grise pas, c'est que tu n'avais pas assez faim.
Les Nourritures Terrestres (1897)

“It may be that even a calm, neutral Finn cannot always hide all his emotions and feelings.”

Olli Rehn (1962) Finnish politician

On participating as a European commissioner in negotiating Turkey's membership during the British presidency of the European Union, 2005, quoted in Edward Stourton's Inside the British Presidency http://www.bbc.co.uk/radio4/news/insidebritishpresidency.shtml, BBC Radio 4, (27 February 2006)

Feeling

“Love and desire are both thoroughly human. Our problem with them is that they orient us toward very different goals. Love seeks control, stability, continuity, certainty. Desire seeks surrender, adventure, novelty, the unknown. In love we are searching for points of attachment, anchoring, something we know we can count on. In desire we are searching both for missing, disowned pieces of ourselves and for something beyond ourselves, outside the borders of self-recognition that, under ordinary circumstances, we protect so fiercely.Erotic passion destabilizes one's sense of self. When we find someone intensely arousing who makes possible unfamiliar experiences of ourselves and an otherness we find captivating, we are drawn into the disorienting loopiness of self/other. We tend to want to control these experiences and the others who inspire them. Thus emotional connection tends to degrade into strategies for false security that suffocate desire.”

Stephen Mitchell (1946–2000) American psychologist

Can Love Last? (New York: W. W. Norton & Company, 2002), pp. 91-92

Love, Search, Problem, Sense

“The strength of the imagination, its enriching power and excitement, lies in its interplay with reality—physical and emotional.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

"The Reach of Imagination" (1967)

Imagination, Reality

“The lesson is clear: estimates of causes of death are warped by media coverage. […] The world in our heads is not a precise replica of reality; our expectations about the frequency of events are distorted by the prevalence and emotional intensity of the messages to which we are exposed.”

Daniel Kahneman book Thinking, Fast and Slow

Source: Thinking, Fast and Slow (2011), Chapter 13, "Availability, emotion, and risk", page 138 (ISBN 9780141033570).

Death, World, Reality

“He was not actually drunk, but emotion made him feel as if he were. Sorrow, loss, anger—these were as good as a bottle of the very worst gin.”

Michael Swanwick book Jack Faust

Source: Jack Faust (1997), Chapter 19, “Ashes” (pp. 318-319)

Feeling, Loss, Anger

“The reader will, I think, soon discover that I have tried to affirm the processes of his mental development and ripening of personality---something quite independent both of the self-idolatries of the mass and of those primitive emotional fixations and stereotypes whose antiquated symbolisms linger on under the terminology of religion. If there is anything affirmative in the assertion of the meaning of spiritual maturity in the modern world, then I may hope that the effort of this book will be regarded as constructive.”

Everett Dean Martin (1880–1941)

Source: Civilizing Ourselves: Intellectual Maturity in the Modern World (1932), p. xi, Foreword

Books, World, Religion, Hope

“I suppose that every blundering idealist who hasn’t been brought face to face with the hard facts of life carries, at the back of his mind, a sneaking suspicion that villainy is a very dashing and romantic thing. When your mind turned turtle, or when they turned it for you, your new personality was necessarily fabricated out of all your fragmentary romantic notions of villainy—unlimited ambition and conceit, absolute lack of emotion, and all the rest of the supervillain ideology!”

Fritz Leiber book Gather, Darkness!

Source: Gather, Darkness! (1950), Chapter 14 (p. 144)

Life, Personality

“That most mainstream philologists will react unfavourably to this thesis I take for granted. I know well in myself the force of habit and of attachment to deep-rooted notions that reacts more through emotional outbursts than cool rationality. I repeat that the issue of origins, of when and how, is one not for philologists but for archaeologists and experts in related fields. We owe it, other than to the peoples of India who, I think, have long been wronged (by their own faults no less than foreign influences), to truth itself, which is the primary concern of all of us, to consider this thesis without prejudice.”

Nicholas Kazanas (1939)

"Indigenous Indo-Aryans and the Rigveda," JIES 30 (2002), p. 275.

People, Truth, Thinking

“Difficult trials will naturally evoke powerful emotions in us. How would your circumstances look today if you chose to focus first on God’s promises?”

James MacDonald (1960) American pastor

Source: Always True (Moody, 2011), p. 121

God, Nature

“[Meat industry] truly is a disgusting industry, all the more so because it’s hidden. Have you ever seen animals being shipped to abattoirs? Do you even know where these abattoirs are? Have you ever seen an animal getting killed for the food you eat? It’s a dark, dark, dark trade that nobody really knows about, and a hugely profitable one at that. … If I don’t believe in killing animals, why on earth would I do it for the sake of fashion … I don’t think there’s any difference, because at the end of the day you’re killing an animal and stripping its skin off its body. It’s somebody’s baby – or it has a baby – it breathes, it lives, it has emotions, it has feelings … I find it fascinating that leather and fur are so often associated with the top luxury level of fashion. And yet leather, in this day and age, is probably cheaper than a piece of cotton. So there’s such a tiny price put on an animal’s life.”

Stella McCartney (1971) British fashion designer

" “I don’t understand what is going on on this planet, it’s all so fucked up.” Interview with Stella McCartney https://www.numero.com/en/fashion/stella-mccartney-leather-fur-vegan-kering-pinault-met-gala-anna-wintour", Numéro (28 June 2018).

Life, Age, Food, Feeling

“From this perspective, the common experience of the fading of romance over time may have less to do with the inevitable undercutting of idealization by reality and familiarity than with the increasing danger of allowing oneself episodic, passionate idealization in a relationship that one depends on for security and predictability. Intense excitement about another is a dangerous business; it often is much safer to surrender to it with a person one cannot possibly spend much time with or will never see again. Sustaining desire for something important from someone important is the central danger of emotional life. What is so dangerous about desiring someone you have is that you can lose him or her. Desire for someone unknown and unobtainable operates as a defense against desire for someone known and obtainable, therefore capable of being lost.”

Stephen Mitchell (1946–2000) American psychologist

Can Love Last? (New York: W. W. Norton & Company, 2002), p. 114

Life, Business, Reality, Passion

“I’m me. I am a human being. Many things have been said about me. Many of these things have come from people’s own emotions, good or bad. I’m proud to be a human being. I am very happy that I have this life. I am also happy that I can feel joy and pain like everyone else. I’m happy being me. Some people would love to put labels on me, but I am just me.”

Prem Rawat (1957) controversial spiritual leader

Undated
Source: Conversation with Prem Rawat The Prem Rawat Foundation

Love, Life, Pain, Happiness

“My whole intention in painting is to make a thing poetical; but not poetical in a literary sense. I want something that evokes mood, a background, a stage set for certain characters that are playing certain parts. When I paint I do not consider myself an abstractionist in the sense that I'm trying to create beautiful forms that fit together like a puzzle. The things in my painting are intended to strike something that is an emotional involvement – that has to do with the human personality and all the mysteries of life, not simply colors or abstract balances. To me, it's all reality.”

William Baziotes (1912–1963) American painter

Quote from An interview with William Baziotes, eds. P. Franks and M. White, Perspective no. 2, Hunter College New York (1956-57), pp. 27, 29-30
1950s

Life, Beauty, Color, Mood

“How do you find what's going to make everybody have this strange reaction in their bodies, this response that's sort of chemical and physical all at once—this noise and emotion that changes how you sit? A laugh is a weird sound, and when you get a couple thousand people making it at once, it's really strange. But when I can feel proud of myself for causing it, it's great.”

Billy Crystal (1948) American actor

Interview with Oprah Winfrey

People, Feeling, Change

“Indeed, most of what is in history books is stark, raving mad —the maddest of all being the historian's belief that it is sane. For some time now, I often cry when I watch the evening news, read newspapers, or study history books, a reaction I was trained to suppress in every school I attended for 25 years. In fact, it is because we so often switch into our social alters when we try to study history that we cannot understand it —our real emotions are dissociated. Those who are able to remain outside the social trance are the individuals whose personal insights are beyond those of their neighbors.”

Lloyd deMause (1931) American thinker

Source: The Emotional Life of Nations (2002), Ch. 5, pp. 108-109.

Books, School, History, Understanding

“We had a very good side with an experienced batting lineup and strong variety in our bowling but going into the tournament, it was not the most settled time for Sri Lankan cricket, with some disputes going on. But all of this actually brought us closer together as a team; it made us even more determined to do our job for the supporters and the country. In the end, it was an emotional way for myself and Mahela to sign off from our Twenty20 international careers.”

Kumar Sangakkara (1977) Sri Lankan cricketer

Kumar Sangakkara on Mahela as a coaching consultant for England, quoted on The Guardian, "Kumar Sangakkara: England made smart move on mentor Mahela Jayawardene" http://www.theguardian.com/sport/2016/mar/13/kumar-sangakkara-england-mahela-jayawardene-world-twenty20-sri-lanka, March 13, 2016.

Way, Support, Strong, Time

“Government by emotion is identified with rule by tyranny.”

George Alec Effinger (1947–2002) Novelist, short story writer

Source: Relatives (1973)., Chapter 1 (p. 24).

“The emotional quality of what we moderns call our thought produces an extreme violence of conviction combined with extreme incoherence in our arguments. I refer here to ordinary people and not to an intellectual elite. We do not involve ourselves in studying the meaning and consequences of a fact calmly and objectively. The fact asserts itself through its image and associates itself in unchallengeable fashion with other images which, in this mode of thinking, are its true context. Emotions justify as well as provoke or command opinions, which still seem intellectual and reasoned.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

J. Hanks, trans. (1985), p. 211
The Humiliation of the Word (1981)

People, Fashion, Thinking, Study

“The heart of change is in the emotions.”

John P. Kotter (1947) author of The heart of Change

Introduction to the 2002 edition, p. 2
The Heart of Change, (2002)

Change, Heart, Heart Touching

“Ebbinghaus: Language is a system of conventional signs that can be voluntarily produced at any time.
Croce: Language is articulated, limited sound organized for the purpose of expression.
Dittrich: Language is the totality of expressive abilities of individual human beings and animals capable of being understood by at least one other individual.
Eisler: Language is any expression of experiences by a creature with a soul.
B. Erdmann: Language is not a kind of communication of ideas but a kind of thinking: stated or formulated thinking. Language is a tool, and in fact a tool or organ of thinking that is unique to us as human beings.
Forbes: Language is an ordered sequence of words by which a speaker expresses his thoughts with the intention of making them known to a hearer.
J. Harris : Words are the symbols of ideas both general and particular: of the general, primarily, essentially and immediately; of the particular, only secondarily, accidentally and mediately.
Hegel: Language is the act of theoretical intelligence in its true sense, for it is its outward expression.
Jespersen: Language is human activity which has the aim of communicating ideas and emotions.
Jodl: Verbal language is the ability of man to fashion, by means of combined tones and sounds based on a limited numbers of elements, the total stock of his perceptions and conceptions in this natural tone material in such a way that this psychological process is clear and comprehensible to others to its least detail.
Kainz : Language is a structure of signs, with the help of which the representation of ideas and facts may be effected, so that things that are not present, even things that are completely imperceptible to the senses, may be represented.
De Laguna: Speech is the great medium through which human co-operation is brought about.
Marty: Language is any intentional utterance of sounds as a sign of a psychic state.
Pillsbury-Meader: Language is a means or instrument for the communication of thought, including ideas and emotions.
De Saussure: Language is a system of signs expressive of ideas.
Schuchardt. The essence of language lies in communication.
Sapir: Language is a purely human and non-instinctive method of communicating ideas, emotions and desires by means of a system of voluntarily produced symbols.”

Géza Révész (1878–1955) Hungarian psychologist and musicologist

Footnote at pp. 126-127; As cited in: Adam Schaff (1962). Introduction to semantics, p. 313-314
The Origins and Prehistory of Language, 1956

Way, Soul, Intelligence, Communication

“"I do not literally paint that table, but the emotion it produces upon me."
After a pause full of intense thought on my part, I asked: "But if one hasn't always emotion. What then?"
"Do not paint," he quickly answered. "When I came in here to work this morning I had no emotion, so I took a horseback ride. When I returned I felt like painting, and had all the emotion I wanted.”

Henri Matisse (1869–1954) French artist

Interview with Clara T. MacChesney (1912), in Matisse on Art (1995) edited by Jack D. Flam, p. 66
1910s

Parting, Painting

“The light through the stained glass was cobalt and red.
And the frayed cuffs and collars were mended by halos of golden thread.
The choir sang, "Once Upon a Time There Was An Ocean."
And all the old hymns and family names came fluttering down as leaves of emotion.
As nothing is different, but everything's changed.”

Paul Simon (1941) American musician, songwriter and producer

Once Upon a Time There Was an Ocean
Song lyrics, Surprise (2006)

Family, Light, Change, Time

“The odors perceived by the ant seem to lead to a highly standardized course of conduct; but the value of a simple stimulus, such as an odor, for conveying information depends not only on the information conveyed by the stimulus itself but on the whole nervous constitution of the sender and receiver of the stimulus as well. Suppose I find myself in the woods with an intelligent savage who cannot speak my language and whose language I cannot speak. Even without any code of sign language common to the two of us, I can learn a great deal from him. All I need to do is to be alert to those moments when he shows the signs of emotion or interest. I then cast my eyes around, perhaps paying special attention to the direction of his glance, and fix in my memory what I see or hear. It will not be long before I discover the things which seem important to him, not because he has communicated them to me by language, but because I myself have observed them. In other words, a signal without an intrinsic content may acquire meaning in his mind by what he observes at the time, and may acquire meaning in my mind by what I observed at the time. The ability that he has to pick out the moments of my special, active attention is in itself a language as varied in possibilities as the range of impressions that the two of us are able to encompass. Thus social animals may have an active, intelligent, flexible means of communication long before the development of language.”

Norbert Wiener book Cybernetics: Or Control and Communication in the Animal and the Machine

VIII. Information, Language, and Society. p. 157.
Cybernetics: Or Control and Communication in the Animal and the Machine (1948)

Intelligence, Communication, Learning, Memory

“The head is the seat of intelligence. The heart is the seat of emotion. Both have to work in cooperation with the body.”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p. 29

Intelligence, Heart

“I hate you, Jacob Black."
"That's good. Hate is a passionate emotion."
"I'll give you passionate," I muttered under my breath. "Murder, the ultimate crime of passion.”

Stephenie Meyer (1973) American author

Bella Swan and Jacob Black, p. 332
Twilight series, Eclipse (2007)

Hate, Passion

Mahela Jayawardene (1977) Former Sri Lankan cricketer

Way, Support, Strong, Time

“Yet all this is not ressentiment. These are only stages in the development of its sources. Revenge, envy, the impulse to detract, spite, *Schadenfreude*, and malice lead to ressentiment only if there occurs neither a moral self-conquest (such as genuine forgiveness in the case of revenge) nor an act or some other adequate expression of emotion (such as verbal abuse or shaking one's fist), and if this restraint is caused by a pronounced awareness of impotence. There will be no ressentiment if he who thirsts for revenge really acts and avenges himself, if he who is consumed by hatred harms his enemy, gives him “a piece of his mind,” or even merely vents his spleen in the presence of others. Nor will the envious fall under the dominion of ressentiment if he seeks to acquire the envied possession by means of work, barter, crime, or violence. Ressentiment can only arise if these emotions are particularly powerful and yet must be suppressed because they are coupled with the feeling that one is unable to act them out—either because of weakness, physical or mental, or because of fear. Through its very origin, ressentiment is therefore chiefly confined to those who serve and are dominated at the moment, who fruitlessly resent the sting of authority. When it occurs elsewhere, it is either due to psychological contagion—and the spiritual venom of ressentiment is extremely contagious—or to the violent suppression of an impulse which subsequently revolts by “embittering” and “poisoning” the personality. If an ill-treated servant can vent his spleen in the antechamber, he will remain free from the inner venom of ressentiment, but it will engulf him if he must hide his feelings and keep his negative and hostile emotions to himself.”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Hostility, Fear, Feeling, Forgiveness

“It remained difficult for me to understand how some people are simply born mentally deformed, lacking all the natural moral restraints and imagination which dictate the actions of most of us, however partially. Such creatures have learned from childhood to ape the appropriate sentiments when it suits them, to charm or bully their opponents, to agree to anything, to tell any lie and to pursue their own ends with implacable determination.
“Such men and women are the true aliens amongst you and it is ironic how frequently we come to rule you. We use your very best instincts and deepest emotions against you. We convince you that we alone can satisfy your need for security and comfort and then we drain you dry of everything save perpetual terror. Ha, ha, ha!””

Michael Moorcock book The Steel Tsar

Book 2, Chapter 7 “A Mechanical Man” (p. 389)
The Steel Tsar (1981)

Women, Men, People, Lie

““Most people have a price. And they have a price because of human emotions named fear and greed.”

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

People, Fear

“I have to say that I find Ali’s argument truly revolting—not just because it’s intellectually weak and actually deceptive, but because it debases the entire realm of university scholarship of which I’m a member. When I see pieces like hers—lame apologetics that are meant from the outset to reinforce an opinion already held—I thank Ceiling Cat that I am a scientist: a member of the guild in which using your scholarship to reinforce emotional commitments is considered a sin.”

Jerry Coyne (1949) American biologist

" At last it happens: a professor blames ISIS’s sex slavery on the West https://whyevolutionistrue.wordpress.com/2015/08/23/at-last-it-happens-a-professor-blames-isiss-sex-slavery-on-the-west/" August 23, 2015

Cats, Universe

“Pleasure's fun. It's great, but you can't keep it going forever; just accept the fact that it's here and it's gone, and maybe then again, it will come back, and you'll get to do it again. Joy lasts forever. Pleasure is purely self-centered. It's all about your pleasure: it's about you. It's a selfish, self-centered emotion, that is created by a self-centered motive of greed. Joy is compassion. Joy is giving yourself to somebody else, or something else. And it's a kind of thing that is, in its subtlety and lowness, much more powerful than pleasure. You get hung up on pleasure; you're doomed. If you pursue joy; you will find everlasting happiness.”

George Lucas (1944) American film producer

Academy of Achievement Address, published by Corporate Valley (12 August 2013) https://www.youtube.com/watch?v=54xWQPq0fuk <br class="br">2010s

Happiness, Pleasure, Motivation, Joy

“Widows tend either to fade away when husbands die, committing emotional suttee, or else find that a new life burgeons. Here in Christchurch, a lot of burgeoning goes on.”

Fay Weldon (1931) English author, essayist and playwright

The Guardian, October 28, 2006. http://lifeandhealth.guardian.co.uk/homes/story/0,,1933478,00.html

Life

“A constructive work is an embodiment of freedom itself, and is unconsciously perceived, even by those who are consciously against it. The desire to live is the strongest universal emotion, it springs from the depths of our unconscious sensibility – and the desire to give life is our most potent, constructive, conscious expression of this intuition.”

Barbara Hepworth (1903–1975) English sculptor

1932 - 1946
Source: 'Circle', 1937; as quoted in Voicing our visions, - Writings by women artists, ed. by Mara R. Witzling, Universe New York 1991, p. 279

Life, Spring, Freedom, Universe

“The trope was eminently Oakeshottian. Politics was not a battle of interests, or a quest for truth, or a voyage of progress – it was an aesthetic performance, to captivate an audience. But it was not high theatre (Oakeshott had also insisted that politics was a second-rate activity). It was more like commercial theatre, the drama of the boulevards that plays to our emotions or embarrassments – Rattigan rather than Racine, he explained. On this stage, Mount has certainly given us a stylish production. We might call it the comedy of reform.”

Perry Anderson (1938) British historian

Source: Spectrum: From Right to Left in the World of Ideas (2005), Ch. 2. "Constitutional Theatre, Ferdinand Mount" (1992), p. 48

Truth

“The controlled laboratory studies of Harry F. and Margaret K. Harlow… separated infant monkeys… in single cages in an animal colony room where they could develop social relationships… through seeing, hearing, and smelling, but not through touching or movement. These and other studies indicate that it is the deprivation of body contact and body movement—not deprivation of the other body senses—that produces the wide variety of abnormal emotional behaviors in these isolation-reared animals.”

James W. Prescott (1930) American psychologist

"Body Pleasure and the Origins of Violence" (1975)

Behavior, Sense, Study, Animals

“Malcolm had forgotten how very young eighteen was, with its mixture of invincible assuredness, fragile emotions, and the desperate need to be taken seriously—even when caught in complete ignorance.”

Robert Lynn Asprin (1946–2008) American science fiction and fantasy author

Source: Time Scout (1995), Chapter 14 (p. 286)

“I have now done seven films as Godzilla, and I believe I have achieved most everything I have wanted to do inside the costume… Most importantly, I have always felt Godzilla should express its emotions, which is very difficult given the range of movements and expressions the suit can make. So, whatever Godzilla does - roaring, spewing his radiation breath, communicating with Godzilla Junior - I always try to add little movements that will show his emotional state, like moving his fingers, or a short glance. The Heisei Godzilla [has] a very different personality than the old Godzilla. He is very animalistic, always in motion. But I believe Godzilla is a very emotional creature.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by Steve Ryfle (1998), Japan's Favourite Mon-star: The Unauthorized Biography of "The Big G", ECW Press, p. 263-64, ISBN 1550223488

Communication, Personality

“It is very strange, this domination of our intellect by our digestive organs. We cannot work, we cannot think, unless our stomach wills so. It dictates to us our emotions, our passions.”

Jerome K. Jerome book Three Men in a Boat

Source: Three Men in a Boat (1889), Ch. 10.

Thinking, Passion

“Painting is very private and personal. There's an emotional content, but I'm more involved in the light and color and drawing of a painting. I don't set out to portray an emotion.”

Helen Frankenthaler (1928–2011) American artist

Quote from an interview in 'The Post', 1972; as cited in 'Helen Frankenthaler, noted abstract painter, dies at 83' https://www.washingtonpost.com/local/obituaries/helen-frankenthaler-noted-abstract-painter-dies-at-83/2011/12/27/gIQAwr0dLP_story.html?noredirect=on&utm_term=.08d9ecdb8773, Matt Schudel, December 27, 2011 <br class="br">1970s - 1980s

Color, Light, Drawing, Painting

“The economic and social theories used by those who take part in the social struggle ought to be judged not by their objective value but primarily for their effectiveness in arousing emotions. The scientific refutation of them which can be made is useless, however correct it may be objectively.”

Vilfredo Pareto book Manual of Political Economy

page 94.
Manual of Political Economy

Parting

“And at once I saw with great clarity that human beings possess two bodies. One is the physical body, the other -- just as real, just as self-contained -- is the emotional body. Like the physical body, the emotional body reaches a certain level of growth, and then stops. But it stops rather sooner than the physical body. So most of us possess the emotional body of a retarded adolescent.”

Colin Wilson (1931–2013) author

Source: Access to Inner Worlds (1990), p. 23

“Emotional Intelligence' refers to the capacity for recognizing our own feelings and those of others, for motivating ourselves, and for managing emotions well in ourselves and in our relationships. It describes abilities distinct from, but complementary to, academic intelligence, the purely cognitive capacities measured by IQ.”

Daniel Goleman (1946) American psychologist & journalist

Source: Working with Emotional Intelligence (1998), p. 317

Feeling, Intelligence, Motivation

“Dark comedies are my favorite, because I love that feeling – being happy and scared at the same time. It's my favorite way to feel – when I'm on the edge of my seat but I'm happy, that sense of conflicting emotions. And there's a lot of that in the show, I think.”

Pendleton Ward (1982) American animator

'Adventure Time' creator talks '80s https://www.usatoday.com/story/popcandy/2012/11/01/adventure-time-creator-talks-80s/1672583/ (November 1, 2012)

Love, Happiness, Way, Feeling

“In my opinion, a life governed by reason is likely to be more dignified than one shaped by dogma and unbridled emotions.”

Nayef Al-Rodhan (1959) philosopher, neuroscientist, geostrategist, and author

Source: Sustainable History and the Dignity of Man (2009), p.437

Life

“Poetry is a sort of inspired mathematics, which gives us equations, not for abstract figures, triangles, squares, and the like, but for the human emotions. If one has a mind which inclines to magic rather than science, one will prefer to speak of these equations as spells or incantations; it sounds more arcane, mysterious, recondite.”

Ezra Pound book The Spirit of Romance

The Spirit of Romance (1910), p. 5

Mathematics, Science

“As far as dreams were concerned—well dreams are generated by the random processes of neural oscillation during the brain’s rest phases. What dreams do is cycle and recycle images and feelings, rationalisations and fears. There’s nothing special about that. It’s not the dreams that matter (chaff, mental turbulence, the rotating metal bars moving endlessly through the transparent tub of metaphorical slushy). It is what the problem-solving circuits in the mind make of the dreams. Dreams iterate and test mental schemas, discarding the maladaptive to return the adaptive to the slush to be reworked. Dreams are emotional preparations for solving problems—that is why we have evolved them, because problem-solving abilities are highly adaptive and thus strongly evolutionarily selected. Dreams intoxicate the individual out of reliance on common sense and preconception, and tempt her into the orbit of private logic. Dreams have utility.”

Adam Roberts book Jack Glass: The Story of a Murderer

Part 2, Chapter 3, “The Utility of Dreaming” (p. 119).
Jack Glass (2012)

Fear, Dreams, Feeling, Problem

“A man can be aroused to anger as easily as he is aroused to rut. The two emotions are closely linked. Anger and lust. So the warrior is aroused in battle and fights to dominate.”

David Gemmell book Quest for Lost Heroes

Source: Drenai series, Quest for Lost Heroes, Ch. 11

Fight, Anger

“And I decided that if motherhood turned a "young American beauty" into that unhappy woman, then motherhood wasn't for me, either. That youthful, emotional decision (ill-formed and made for the wrong reasons) kept me from too much early sexual experimentation, and probably turned me into a bit of a tease. I'd "neck" but only go so far, because... well, I because I was going to be a writer, "free and unhampered."”

Jane Roberts (1929–1984) American Writer

At the very least. I wasn't going to get pregnant in my teens.
Source: The God of Jane: A Psychic Manifesto (1981), p. 44

Youth, Beauty, Decision

“Human infirmity in moderating and checking the emotions I name bondage: for, when a man is a prey to his emotions, he is not his own master, but lies at the mercy of fortune: so much so, that he is often compelled, while seeing that which is better for him, to follow that which is worse.”
Humanam impotentiam in moderandis et coercendis affectibus servitutem voco; homo enim affectibus obnoxius sui juris non est sed fortunæ in cujus potestate ita est ut sæpe coactus sit quanquam meliora sibi videat, deteriora tamen sequi.

Baruch Spinoza book Ethics

Part IV, Preface; translation by R. H. M. Elwes
Ethics (1677)

“We all sing about the things we're thinking; musicals are about expressing those emotions that you can't talk about.”

Anthony Stewart Head (1954) English actor

Giles Ahead Time Out - London's Living Guide January 9-16 2002 http://www.gilesfanfic.de/default.php?url=artikel_11_oton

Music, Thinking, Singing

“I departed from parental paths significantly and abruptly one Sunday morning when, sitting in the family pew of the Hyde Park United Church and idly twisting a loose button on the cushion beside me, I said to myself, "I do not believe in God." Some months previously… when our minister fell back on St. Anselm's ontological argument to prove the existence of God, he entirely failed to convince me. Quite the contrary, the argument struck me as an abuse of language. Though I duly submitted to the ritual of confirmation… Horton's unconvincing argument had sown doubt in my mind; and for that reason I can assign, on that morning, listening to his more emotional, hortatory rhetoric… the balance tipped, committing me to a secret, personal rejection of the Christian piety my parents held dear.”

William H. McNeill (1917–2016) Canadian historian

The Pursuit of Truth: A Historian's Memoir (2005)

God, Secret, Family, Parent

“I am not shooting at immortality through my books, no. Nor do I think Chopin was shooting at immortality through his music. That strikes me as a very selfish goal, and I don't think Chopin was particularly selfish. I would also say that I think that music comes much closer to capturing the essence of a composer's soul than do a writer's ideas capture the writer's soul. Perhaps some very emotional ideas that I express in my books can get across a bit of the essence of my soul to some readers, but I think that Chopin's music probably does a lot better job”

Douglas Hofstadter (1945) American professor of cognitive science

and the same holds, of course, for many composers

Books, Music, Soul, Idea

“He wondered why he stayed with her. Just pure laziness, he guessed. He didn't want to go through the emotional turmoil of leaving her. In spite of himself he'd worry about her and it was too much trouble. He'd need another woman right away and that took a lot of talking and arguing and persuading. It was different just to lay a girl but he would need a woman around, and that was the difference. You got used to one and it was less trouble. […]
But there was another reason too. She loved him. She really did. And he knew it. And you can't leave a thing like that. It's a structure and it has an architecture, and you can't leave it without tearing off a piece of yourself. So if you want to remain whole you stay no matter how much you may dislike staying. Juan was not a man who fooled himself very much.”

John Steinbeck book The Wayward Bus

Source: The Wayward Bus (1947), Ch. 8

Love, Fools, Girl, Tear

“If, as psychologists, we follow the analogy of the other biological sciences, we must expect to find normalcy synonymous with maximal efficiency of function. Survival of the fittest means survival of those members of a species whose organisms most successfully resist the encroachments of environmental antagonists, and continue to function with the greatest internal harmony. In the field of emotions, then, why would we alter this expectation? Why should we seek the spectacularly disharmonious emotions, the feelings that reveal a crushing of ourselves by environment, and consider these affective responses as our normal emotions? If a jungle beast is torn and wounded during the course of an ultimately victorious battle, it would be a spurious logic indeed that attributed its victory to its wounds. If a human being be emotionally torn and mentally disorganized by fear or rage during a business battle from which, ultimately, he emerges victorious, it seems equally nonsensical to ascribe his conquering strength to those emotions symptomatic of his temporary weakness and defeat. Victory comes in proportion as fear is banished. Perhaps the battle may be won with some fear still handicapping the victor, but that only means that the winner's maximal strength was not required.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

Source: The Emotions of Normal People (1928), p.2

Fear, Feeling, Business, Rage

“Suppose Sisyphus to have been acquitted his need of forever toiling up his hill in Hell, would he have made the last journey in joy? Or would mere fatigue have extinguished all other emotion, as a torch extinguished in a sconce?”

Avram Davidson (1923–1993) novelist

Vergil in Averno (1987)

Hell, Joy

“For when I construct lines and colour combinations on a flat surface, it is with the aim of portraying 'universally beauty' as consciously as possible. Nature (or that which I see) inspires me, provides me – as it does every painter – with the emotion by which I am moved to create something, but I want to approach the truth as closely as possible, abstracting everything until I come to the foundation – still only an outward foundation! – of things. It is for me a clear truth that one does not want to say something 'specific', it is then that one says what is most specific: the truth (which is of great universality).”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in a letter to H. P. Bremmer, Paris 29 January 1914; ; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 81
1910's

Truth, Beauty, Nature, Universe

“Every artist knows that there is no such thing as "freedom" in art. The first thing an artist does when he begins a new work is to lay down the barriers and limitations; he decides upon a certain composition, a certain key, a certain relation of creatures or objects to each other. He is never free, and the more splendid his imagination, the more intense his feeling, the farther he goes from general truth and general emotion.”

Willa Cather (1873–1947) American writer and novelist

"Light on Adobe Walls"
Willa Cather on Writing (1949)

Truth, Art, Feeling, Imagination

“Basically, I write from a two person standpoint. First, I let the song take hold and I put down the idea as a raw emotional statement. Then I let it breathe and come back, approaching from more of an objective point of view. This allows me to rediscover the true meaning I intended in the beginning, shedding new light on how I can best represent that to the listener.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

Indie Journal Interview http://web.archive.org/web/20041101084648/http://www.indiejournal.com/indiejournal/interviews/bradleyjoseph.htm

Idea, Light, Personality

“Self-pity is an ignoble emotion, but we all feel it, and the orthodox critical line that it represents some kind of artistic flaw is dubious, a form of emotional correctness.”

Nick Hornby book Songbook

Songbook (2003)

Feeling

“In all their polemics, the anti-creationists invariably avoid discussing the actual scientific evidence for macro-evolution. If there were any such evidence, they could easily settle the whole conflict, merely by presenting the evidence! Instead they seem compelled to resort to bombast ridicule, defamation, intimidation, and distortion. Surely that great body of working scientists, largely uninvolved so far in the creation/evolution conflict will soon begin to see that a two-model approach to all scientific study is salutary and will persuade their more emotional brethren to open their minds to potential truth wherever it might be found.”

Henry M. Morris (1918–2006) American young earth creationist and Christian apologist

" The Anti-Creationist http://www.icr.org/article/179/" (1981)

Truth, Study

“This enlarged view of the radical cause … allows us to connect leftism and modernism, the radical politics of institutional reform and the radical politics of personal relations, a political vision obsessed with issues of dependence and domination and a moral vision concerned with the inability of the individual to gain practical, emotional, or even cognitive access to other people without forfeiting his independence.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Social Theoryː Its Situation and Its Task (1987), p. 7

People, Dependency, Personality

“Over the last 24 hrs I have gone through lots of emotions. Scared, Anger, Heartache, Compassion and many others. I truely dont understand why a person would want to take the life of another. Something has changed in this country and in this world lately that is scary to see. This world is becoming the kind of place i am afraid to raise my children in. At the end of the day we arent Democrats or Republicans, Whites or Blacks, Men or Women. We are all humans and we are all Americans and its time to start acting like it and stand together as ONE! That is the only way we will ever get this Country to be better than it has ever been, but we have a long way to go and we have to start now. My heart aches for the Victims and their families of this Senseless act. I am so sorry for the hurt and pain everyone is feeling right now and there are no words i can say.”

Jason Aldean (1977) American country music singer

As quoted in "Jason Aldean releases a statement of unity following Las Vegas shooting" http://us995.cbslocal.com/2017/10/02/jason-aldean-releases-a-statement-of-unity-following-las-vegas-shooting/ (2 October 2017), by Kimmie Caruba, CBS Local

Life, Women, Men, Pain

“The first documentary I saw as a child was Robert Flaherty’s Nanook of the North (1922) broadcast one Sunday afternoon. Nanook enchanted me by his courage to smile in a frozen wasteland, and by the simple fact that he wore a fur coat rather than a military uniform: this gentle hunter wasn’t a conqueror. Later, I understood how great Flaherty was: he told a timeless story without using commentary or pedagogues, and he didn’t interview Nanook like a celebrity or an aggressive talk-show host. He remained off-screen, observing and listening to create that exceptional complicity we feel in this documentary that eschews didacticism. The emotion of life found its counterpart in the emotion of art - a rare and precious achievement in a genre that is often limited to the emotion of the informational narrative.”

Damian Pettigrew Canadian filmmaker

On documentary influences, Sundance Channel Interview (July 2004)

Life, Smile, Art, Feeling

“I was never interested in playing him with a big red S on his chest. I’m much more attracted to the underbelly stuff. Gibbs is a loner, with emotional scars a mile deep that run in a million different directions. At work, he’s a leader. But who is he if you take away his job? I play him, and even I don’t know the answer to that.”

Mark Harmon (1951) actor from the United States

TV Insider interview (2017)

“For as long as I can remember,' I said, continuing to speak to the figure standing in the archway, 'I have had an intense and highly aesthetic perception of what I call the icy bleakness of things. At the same time I have felt a great loneliness in this perception. This conjunction of feelings seems paradoxical, since such a perception, such a view of things, would seem to preclude the emotion of loneliness, or any sense of a killing sadness, as I think of it. All such heartbreaking sentiment, as usually considered, would seem to be on its knees before artworks such as yours, which so powerfully express what I have called the icy bleakness of things, submerging or devastating all sentiment in an atmosphere potent with desolate truths, permeated throughout with a visionary stagnation and lifelessness. Yet I must observe that the effect, as I now consider it, has been just the opposite. If it was your intent to evoke the icy bleakness of things with your dream monologues, then you have totally failed on both an artistic and an extra-artistic level. You have failed your art, you have failed yourself, and you have also failed me. If your artworks had really evoked the bleakness of things, then I would not have felt this need to know who you are, this killing sadness that there was actually someone who experienced the same sensations and mental states that I did and who could share them with me in the form of tape-recorded dream monologues. Who are you that I should feel this need to go to work hours before the sun comes up, that I should feel this was something I had to do and that you were someone that I had to know? This behavior violates every principle by which I have lived for as long as I can remember. Who are you to cause me to violate these long-lived principles?”

Thomas Ligotti (1953) American horror author

The Bungalow House

Truth, Sadness, Dreams, Art

“Folk codes of pride and togetherness, pride in both senses, honor, and togetherness. Ring-fenced emotion permitted only at three o’clock for ninety minutes in the sanctuary of the stadium. Can we march that pride out of the gates and into the streets? Can we harness it? Direct it? Use it for something less stymied by white lines and whistles, that could pour from the terraces and into the oak-and-leather chambers, the steel-and-glass towers?”

Russell Brand book Revolution

Revolution (2014)

Sense

“What remains of the emotion, of the underhanded but incontestable hostility with which certain republican circles greeted his election to the supreme magistracy on January 17, 1913? Nothing, except perhaps the conviction, shared by all republican patriots from the most moderate to the most extreme, that the decision of the congress was the happiest and most judicious choice.”

Raymond Poincaré (1860–1934) 10th President of the French Republic

Le Radical (11 February 1920), quoted in Gordon Wright, Raymond Poincaré and the French Presidency (New York: Octagon Books, 1967), p. 241.
About

Hostility, Decision

“There was a time when intellectual meant someone who uses reason and intellect. Today, people who call themselves intellectuals are in a form of mental death spiral: they search for, and find, those index cards that support their world view, and clutch little red books like rosaries in the face of all external evidence. They are ruled by appeals to authority. Their self-image and sense of emotional well-being trumps any and all objective evidence to the contrary.”

Bill Whittle (1959) author, director, screenwriter, editor

RAFTS https://web.archive.org/web/20060621091445/http://www.ejectejecteject.com/archives/000132.html (18 June 2006) <br class="br">2000s

Death, People, Books, World

“Life is experienced holistically with sensations pouring in through every physical and mental organ of perception. Art exists embodied in physical elements—especially meticulously calibrated aspects of sight and sound—which scholarly explication can illuminate but never fully replace. However conceptually incoherent and subjectively emotional, the amateur response to poetry comes closer to the larger human purposes of the art—which is to awaken, amplify, and refine the sense of being alive—than does critical commentary”

Dana Gioia (1950) American writer

19
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

Life, Art, Sense

“There are unwanted emotions and pain that goes along with any birth. Preston insists the Scientology-friendly labour doesn't forbid the mum-to-be from yelling out in pain. Screaming is fine… It's the words. If you can avoid saying certain phrases and words… Just try to keep it as quiet as possible. Of course, you are going to groan and yell. It hurts. Just keep it to a minimum.”

John Travolta (1954) American actor, dancer and singer

"Travolta supports Cruise's silent birth method" The Hindustan Times. New Delhi: April 5, 2006.

Pain, Birth, Hurt

“For fourteen years [1966 to 1980] [my father] suffered a debilitating disease [multiple schlerosis]. I took care of him for most of that time, until he was no longer able to be taken care of at home... So, in essence, I was caring for [my father] and my younger sister [Becky], six years younger than I. It was difficult for me. It was a tough time. Music was my escape -- my catharsis. My way of just getting my emotions out. Music has always been a beautiful force in my life.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

BBC radio interview (December 13, 2006)
2007, 2008

Life, Disease, Beauty, Music

“All writers are conventional, because all writers have the same problem of transferring their language from direct speech to the imagination. For the serious mediocre writer convention makes him sound like a lot of other people; for the popular writer it gives him a formula he can exploit; for the serious good writer it releases his experiences or emotions from himself and incorporates them into literature, where they belong.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 2: The Singing School

People, Imagination, Literature, Problem

“Some people are little more than herd animals, flocking together whenever the world becomes uncomfortable for any reason, seeking the comfort of those who agree with them, do not contradict them, and take care of their emotions. I am not one of those people. If I had a motto, it would probably be Herd thither, me hither.”

Erik Naggum (1965–2009) Norwegian computer programmer

Ungregarious News http://ungregarious.org/2004/

People, World, Animals

“Individuals who participate in interaction rituals are filled with emotional energy, in proportion to the intensity of the interaction. Durkheim called this energy “moral force,” the flow of enthusiasm that allows individuals in the throes of ritual participation to carry out heroic acts of fervor or self-sacrifice. I would emphasize another result of group-generated emotional energy: it charges up individuals like an electric battery, giving them a corresponding degree of enthusiasm toward ritually created symbolic goals when they are out of the presence of the group. Much of what we consider individual personality consists of the extent to which persons carry the energy of intense interaction rituals; at the high end, such persons are charismatic; a little less intensely, they are forceful leaders and the stars of sociability; modest charges of emotional energy make passive individuals; and those whose interaction ritual participation is meager and unsuccessful are withdrawn and depressed.”

Randall Collins (1941) American sociologist

Source: The Sociology of Philosophies (1998), p. 23

Star, Personality

“Imagine immortality, where even a marriage of fifty years would feel like a one-night stand. Imagine seeing trends and fashions blur past you. Imagine the world more crowded and desperate every century. Imagine changing religions, homes, diets, careers, until none of them have any real value. Imagine traveling the world until you're bored with every square inch. Imagine your emotions, your loves and hates and rivalries and victories, played out again and again until life is nothing more than a melo-dramatic soap opera. Until you regard the birth and death of other people with no more emotion than the wilted cut flowers you throw away.”

Chuck Palahniuk book Lullaby

Lullaby (2002)

Love, Life, Death, Hate

“I have told you that emotions also possess an electrical reality. Thoughts formed and sent out within the impulse range of emotion often succeed because of the peculiar nature of emotional electrical impulses themselves. They have a particularly strong electrical mass.”

Jane Roberts (1929–1984) American Writer

Session 136, Page 280
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 3

Nature, Reality, Strong

“He thought back on his family with deep emotion and love. His conviction that he would have to disappear was, if possible, even firmer than his sister's. He remained in this state of empty and peaceful reflection until the tower clock struck three in the morning. He still saw that outside the window everything was beginning to grow light. Then, without his consent, his head sank down to the floor, and from his nostrils streamed his last weak breath.”

Franz Kafka book The Metamorphosis

The Metamorphosis (1915)

Love, Family, Peace, Sister

“There is an old-fashioned word for the body of skills that emotional intelligence represents: character.”

Daniel Goleman (1946) American psychologist & journalist

Source: Emotional Intelligence: Why It Can Matter More Than IQ (1995), p. 285

Intelligence, Fashion

“I've got some issues that nobody can see and all of these emotions are pouring out of me I bring them to the light for you it's only right”

Kid Cudi (1984) American rapper, singer, songwriter, guitarist and actor from Ohio

- Soundtrack 2 My Life
Music

Light

“I am an artist, and, through my eye, must confess to a tremendous bias. In my purely literary voyages my eye is always my compass. “The architectural simplicity” – whether of a platonic idea or greek temple – I far prefer to no idea at all, or no temple at all, or, for instance, to most of the complicated and too tropical structures of India. Nothing could ever convince my EYE – even if my intelligence were otherwise overcome – that anything that did not possess this simplicity, conceptual quality, hard exact outline, grand architectural proportion, was the greatest art. Bergson is indeed the arch enemy of every impulse having its seat in the apparatus of vision, and requiring a concrete world. Bergson is the enemy of the Eye, from the start; though he might arrive at some emotional compromise with the Ear. But I can hardly imagine any way in which he is not against every form of intelligent life. (p. 338)”

Wyndham Lewis (1882–1957) writer and painter

"The Great God Flux".
The Art of Being Ruled (1926)

Life, World, Art, Way

“Dicko: It was good to see you step outside the AC role that you entered the competition as. Um, I would take those movement coaching sessions a little more seriously. Simply put, um, performing a song is about communicating emotions and whether we like it or not 80% of communication is non-verbal. You communicate with your body, you communicate in emotion, sensuality and a sense of power and that's something that Anastacia does pretty well. I think it's something that you really need to work on because actually seeing that piece before you performed highlighted the fact that that's a bit of a failing of yours. I think your voice is great. It's really holding up well and actually preferred it to the version of Anastacia or Miriam as I sometimes call him. Her.”

Hayley Jensen (1983) Australian singer

Australian Idol, Final Performances, Final 11

Communication, Thinking, Sense

“Even pacifist agitation or the nation-wide fever of big sports competitions acts as a spur to war fever in circumstances like ours. Any kind of excitement or emotion contributes to the possibility of dangerous explosions when the feelings of huge populations are kept inflamed even in peacetime for the sake of the advancement of commerce. Headlines mean street sales. It takes emotion to move merchandise. And wars and rumors of wars are the merchandise and also the emotion of the popular press.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1950s, The Mechanical Bride (1951), p. 7

War, Feeling, Sport

“Every work of art is the child of its age and, in many cases, the mother of our emotions. It follows that each period of culture produces an art of its own which can never be repeated. Efforts to revive the art-principles of the past will at best produce an art that is still-born. It is impossible for us to live and feel, as did the ancient Greeks. In the same way those who strive to follow the Greek methods in sculpture achieve only a similarity of form, the work remaining soulless for all time. Such imitation is mere aping. Externally the monkey completely resembles a human being; he will sit holding a book in front of his nose, and turn over the pages with a thoughtful aspect, but his actions have for him no real meaning.”

Wassily Kandinsky (1866–1944) Russian painter

I. Kandinsky's introduction: Lead paragraph
1910 - 1915, Concerning the Spiritual in Art, 1911

Books, Age, Art, Way

“[Concerning the love La Fontaine felt for animals] He follows their emotions, he represents their reasonings, he becomes tender, he becomes gay, he participates in their feelings. The factis, he lived in them. […] The animals contain all the materials of man-sensations, judgments, images.”

Hippolyte Taine (1828–1893) French critic and historian

La Fontaine et ses Fables (1853–1861), Hachette, 1911, p. 166 and 107; as quoted in Matthieu Ricard, A Plea for the Animals, trans. Sherab Chödzin Kohn, Shambhala Publications, 2016, p. 102.

Love, Feeling, Animals

“A lot of people are just really confused by me; they don’t know what to think of me, so they try to compartmentalize me or diminish me. Maybe they just feel unsafe. But any time you have an overtly emotional or irrational, negative reaction to something, you’re fearing something that it’s bringing up in you.”

Madonna (1958) American singer, songwriter, and actress

Madonna Interview:Sunday Times Culture, The Times, 2009-09-20 http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article6836901.ece?token=null&offset=0&page=1,

People, Fear, Feeling, Thinking