“If architecture is the history of all phallic emotion, the Empire State Building is utter catharsis, and we are sitting in its silhouette.”

The Cruise (1998)

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Timothy Levitch6

American actor 1970

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“I am interested in how we interrogate architecture in terms of its social functions and meanings. Architectural historians writing on eighteenth and early nineteenth century Britain have tended to see social history as the answer to this question. But the social history of architecture or the histories of specific social groups which operated in and around the architecture or building(s), or indeed the spaces created by them or for them, provide only a backdrop or loose historical context.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 4 : A class performance : Social histories of architecture

“The influence of literary theory on its related disciplines has prompted much debate about the notion of ‘authorship’. Yet the attraction of exploring architecture, or more specifically a building, through the life of its architect (author) remains a significant force in the construction of its histories. This is particularly the case when the architect has been identified as a major figure in the evolution of the architectural history. Conversely, buildings without architects are pushed to the sidelines of history.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 2 : The authority of the author : Biography and the reconstruction of the canon

“If you are going to build the Empire State Building, the first thing you need to do is dig a deep hole and pour a strong foundation. If you are going to build a home in the suburbs, all you need to do is pour a 6-inch slab of concrete. Most people, in their drive to get rich, are trying to build an Empire State Building on a 6-inch slab.”

Robert T. Kiyosaki (1947) American finance author , investor

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“A tragedy, then, is the imitation of an action that is serious and also, as having magnitude, complete in itself; in language … not in a narrative form; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions.”

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“Empires have no interest in operating within an international system; they aspire to be the international system. Empires have no need for a balance of power. That is how the United States has conducted its foreign policy in the Americas, and China through most of its history in Asia.”

Henry Kissinger book Diplomacy

Diplomacy https://books.google.com/books?id=VPHQMG3Ue1wC&pg=PA21 (1994), p. 21 <br class="br">1990s

“Your pretty empire took so long to build, now, with a snap of history's fingers, down it goes.”

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“Architectural History is more than just the study of buildings. Architecture of the past and the present remains an essential emblem of a distinctive social system and set of cultural values, and as a result it has been the subject of study of a variety of disciplines.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 1 : Reading the past : What is architectural history?

“The purpose here is to demonstrate the diversity of classical formulae which appeared in architectural design, and if we look at classical architecture as a repertoire of forms rather than statements of specific design credos we can challenge teleological constructions of stylistic histories. The method of grouping the architecture from given periods of time under general stylistic labels has, without doubt, been the backbone of the discipline of architectural history. And when used skilfully and carefully it can provide useful punctuation marks in the lengthy and complex narrative that is the subject-matter of the history of western building. Yet it is only one of many tools with which to explore social and cultural contexts.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 3 : On classical ground : Histories of style

“Architecture has its political Use; public Buildings being the Ornament of a Country; it establishes a Nation, draws People and Commerce; makes the People love their native Country, which Passion is the Original of all great Actions in a Common-wealth…. Architecture aims at Eternity.”

Christopher Wren (1632–1723) English architect

"Of Architecture", Parentalia; or Memoirs of the Family of the Wrens, comp. by his son Christopher (1750, reprinted 1965), Appendix, p. 351.

“Everyone should be able to build, and as long as this freedom to build does not exist, the present-day planned architecture cannot be considered art at all.”

Friedensreich Hundertwasser (1928–2000) Austrian artist

Mould Manifesto against Rationalism in Architecture (1958)

“If architecture is the history of all phallic emotion, the Empire State Building is utter catharsis, and we are sitting in its silhouette.”

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Timothy Levitch6

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