Quotes about classic
page 3

“The peculiar characteristic of classical music is that it is really better than it sounds.”

Edgar Wilson Nye (1850–1896) American journalist, who later became widely known as a humorist

A stand-up line quoted in 1888.
Attributed
Variant: Wagner's music is better than it sounds (attested in an obituary; see The Quote Verifier)

Music

“The Greeks were the classicists of antiquity, and they are still today the preeminent classicists. What marked all they did, the classic stamp, is a direct simplicity in expressing the significance of actual life. It was there the Greek artists and poets found what they wanted. The unfamiliar and the extraordinary were on the whole repellent to them, and they detested every form of exaggeration. Their desire was to express truthfully what lay at hand, which they saw as beautiful and full of meaning. But that was not the Roman way. When not directly under Greek guidance, the Roman did not perceive beauty in every-day matters, or indeed care to do so. Beauty was unimportant to him. Life in his eyes was a very serious and a very arduous business, and he had no time for what he would have thought of as a mere decoration of it.”

Edith Hamilton (1867–1963) American teacher and writer

Source: The Roman Way (1932), Ch. 10

Life, Beauty, Way, Business

“Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.”

Thomas Ligotti (1953) American horror author

Wonderbook Interview with Thomas Ligotti http://wonderbooknow.com/interviews/thomas-ligotti/

Love, Life, Pleasure, Fear

“When the modern scholar cites from a classic text, the quotation seems to burn a hole in his own drab page.”

George Steiner (1929–2020) American writer

Source: The Death of Tragedy (1961), Ch. IX: (p. 314).

“For a thousand years, the Bible was almost the only book people read, if they could read at all. The stories that were officially told and portrayed were Biblical and religious stories. That other fount of Western civilization as we know it today — the Greek classics — went largely unknown until the Renaissance. For our purposes, there's a noteworthy difference between these two literatures: in the Bible people are hardly ever said to be mad as such, whereas in Greek drama they go off their rockers with alarming frequency. It was the rediscovery of the classics that stimulated the long procession of literary madpeople of the past four hundred years.”

Margaret Atwood (1939) Canadian writer

Ophelia Has a Lot to Answer For (1997)

People, Books, Literature, Reading

“Alongside their work on pure economic theory, the classical political economists engaged in a parallel project: to promote the forcible reconstruction of society into a purely market-oriented system.”

Michael Perelman (1939) American economist

Source: The Invention of Capitalism: Classical Political Economy and the Secret History of Primitive Accumulation (2000), p. 2

““his Netraabhinaya is simply incomparable"
- Kapila Vatsyayan (leading scholar of classical Indian dance), 1990”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya
Source: Kapila Vatsyayan, Gurupuja, Mathrubhumi weekly, February (11-17) 1990, p. 7.

Dance

“Classic art was like a king who has the right to govern, punish, reward, and choose his favorites from an aristocracy, obliging them to adopt conventional rules as to manners, morals, and modes of speech. The new art tries to imitate nature in its unconsciousness, its moral indifference.”

Eugène-Melchior de Vogüé (1848–1910) French diplomat, orientalist, travel writer, archaeologist, philanthropist and literary critic

Russian Novelists (1887), page 10 (translated by Jane Loring Edmands)

Art, Nature, Indifference

“Mainstream sociological theory sees differences in jobs, skills, and education as the primary causes of inequality, and substantial wealth transfers embarrass this theory. The classical sociologist Emil Durkheim, for example, predicted that family inheritances would decline over time in favor of giving to charitable and nonprofit organizations, but studies examining actual bequests invalidate this predication. … In 1989 charitable bequests constituted less than 10 percent of proceeds of estates valued at over $600,000 in the United States.”

Thomas Shapiro (1947) American sociologist

Source: The Hidden Cost of Being African American: How Wealth Perpetuates Inequality (2005), p. 32

Education, Family, Study, Time

“Interdeterminacy was a figure-ground problem arising from incongruity between the visual bias of classical science and the new acoustic sensibilities.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 44

Problem, Science

“At first critics classified authors as Ancients, that is to say, Greek and Latin authors, and Moderns, that is to say, every post-Classical Author. Then they classified them by eras, the Augustans, the Victorians, etc., and now they classify them by decades, the writers of the '30's, '40's, etc. Very soon, it seems, they will be labeling authors, like automobiles, by the year.”

W. H. Auden book The Dyer's Hand

"Reading", p. 12
The Dyer's Hand, and Other Essays (1962)

“I think I can pinpoint the one moment when the American style of dressing first appeared. It was in an appalling 1933 movie called Dancing Lady during an otherwise forgettable dance number. It also just happened to be Fred Astaire's first on-camera dance. But don't look at the steps. Look at the outfit: Astaire is wearing a single-breasted, soft flannel suit with two-tone spectator shoes and a turtleneck. You wish you could look that stylish! Later that year, in Flying Down to Rio, we get the full Astaire impact. The muted plaid suit is not all that striking, but Fred is wearing it with a soft button-down shirt, a pale woven tie, silk pocket square, bright horizontally striped hose and white bucks. Whoa! Now that's different. This melange of the classic and the sporty was an American innovation. As we approach the impeccable Astaire's 100th birthday on May 10, it's worth remembering that he remains the greatest exemplar of that style.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

G. Bruce Boyer in "Shall We Dress?" Forbes, May 3rd, 1999.

Shoe, Birthday, Thinking, Appearance

“In classical Arabic and in the other classical languages of Islam there are no pairs of terms corresponding to lay and ecclesiastical, spiritual and temporal, secular and religious, because these pairs of words express a Christian dichotomy which has no equivalent in the world of Islam.”

Bernard Lewis (1916–2018) British-American historian

Books, The Return of Islam (1976)

World

“Classical music has struggled to keep up. Unlike any other art form, it keeps on looking backwards all the time. It used to have a real museum culture. Then it went: "Oh my God, what are we going to do? Call for Nigel Kennedy. Quick!" Classical musicians have got to change or die,' she asserts strongly, 'but they just don't know how to. Audiences for classical music have dropped. The old blue rinse audience is dying out, and young people aren't coming in.”

Joanna MacGregor (1959) British musician

On Classical Music

God, People, Art, Music

“The worldview of the classical sciences conceptualized nature as a giant machine composed of intricate but replaceable machine-like parts. The new systems sciences look at nature as an organism endowed with irreplaceable elements and an innate but non-deterministic purpose for choice, for flow, for spontaneity.”

Ervin László (1932) Hungarian musician and philosopher

Source: The systems view of the world (1996), p. 10-11.

Nature, Science, Parting

“Under its first two Indian editors [The Illustrated Weekly] became a vehicle of Indian culture devoting most of its pages to art, sculpture, classical dance and pretty pictures of flowers, birds, and dencing belles. It did not touch controversial subjects, was strictly apolitical and asexual (save occasional blurred reproductions of Khajuraho or Konarak). It earned a well-deserved reputation for dull respectability. I changed all that. What was a four-wheeled victoria taking well-draped ladies out to eat the Indian air I made a noisy rumbustious, jet-propelled vehicle of information, controversy and amusement. I tore up the unwritten norms of gentility, both visual and linguistic…. And slowly the circulation built up, till the Illustrated did become a weekly habit of the English-reading pseudo-elite of the country. It became the most widely read journal in Asia (barring Japan) because it reflected all the contending points of view on every conceivable subject: politics, economics, religion, and the arts.”

Khushwant Singh (1915–2014) Indian novelist and journalist

In Khushwant Singh's editor's page http://books.google.co.in/books?id=sNBOAAAAMAAJ, IBH Pub. Co., 1981, p. 4

Religion, Art, Flowers, Bird

“The complaint is often heard at present that there is an increasing exodus from the difficult and disciplinary subjects and a rush into the soft subjects. One good sign is that those who stand for the difficult and disciplinary subjects, e. g., the professors of physics and the professors of the ancient classics, are coming more and more to see that they must co-operate and not work at cross-purposes, as they have done only too often in the past, if they are to make head against the drift toward softness.”

Irving Babbitt (1865–1933) American academic and literary criticism

Source: "English and the Discipline of Ideas" (1920), p. 62

Past

“The original dispute was one of poetic diction… From an interest in the minor problem of poetic diction I was led to see that the problem was really one of a suitable medium for all branches of Chinese literature. The question now became: In what language shall the New China produce its future literature? My answer was: The classical language, so long dead, can never be the medium of a living literature of a living nation; the future literature of China must be written in the living language of the people. "No dead language can produce a living literature." And the living language I proposed as the only possible medium of the future literature of China, was the pei-hau, the vulgar tongue of the vast majority of the population, the language which, in the last 500 years, had produced the numerous novels read and loved by the people, though despised by the men of letters. I wanted this much despised vulgar tongue of the people and the novels to be elevated to the position of the national language of China, to the position enjoyed by all the modern national languages in Europe.”

Hu Shih (1891–1962) Chinese philosopher, essayist and diplomat

The Chinese Renaissance (Chicago: University of Chicago Press, 1934), p. 50

Love, Men, People, Literature

“The moral ideal has disappeared in all that has to do with international relations. The gain-seeking impulse supported by brute force has taken its place, and so far as the surface of things is concerned human civilization has gone back a full thousand years. Inconceivable though it be, we are brought face to face in this twentieth century with governments of peoples once great and highly civilized, whose word now means absolutely nothing. A pledge is something not to be kept, but to be broken. Cruelty and national lust have displaced human feeling and friendly international co-operation. Human life has no value, and the savings of generations are wasted month by month and almost day by day in mad attempts to dominate the whole world in pursuit of gain.
How has all this been possible? What has happened to the teachings and inspiring leadership of the great prophets and apostles of the mind, who for nearly three thousand years have been holding before mankind a vision of the moral ideal supported by intellectual power? What has become of the influence and guidance of the great religions Christian, Moslem, Hebrew, Buddhist with their counsels of peace and good-will, or of those of Plato and of Aristotle, of St. Augustine and of St. Thomas Aquinas, and of the outstanding captains of the mind Spanish, Italian, French, English, German who have for hundreds of years occupied the highest place in the citadel of human fame? The answer to these questions is not easy. Indeed, it sometimes seems impossible.
Are we, then, of this twentieth century and of this still free and independent land to lose heart and to yield to the despair which is becoming so widespread in countries other than ours? Not for one moment will we yield our faith or our courage! We may well repeat once more the words of Abraham Lincoln: "Most governments have been based on the denial of the equal rights of men, ours began by affirming those rights. We made the experiment, and the fruit is before us. Look at it think of it!"
However dark the skies may seem now, however violent and apparently irresistible are the savage attacks being made with barbarous brutality upon innocent women and children and non-combatant men, upon hospitals and institutions for the care of the aged and dependent, upon cathedrals and churches, upon libraries and galleries of the world s art, upon classic monuments which record the architectural achievements of centuries we must not despair. Our spirit of faith in the ultimate rule of the moral ideal and in the permanent establishment of liberty of thought, of speech, of worship and of government will not, and must not, be permitted to weaken or to lose control of our mind and our action.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Liberty-Equality-Fraternity (1942)

Life, Women, Men, Children

“The Marxian theory of ideology predicts that the ruling ideas in any well functioning society will be ideas that promote the interests of the ruling class in that society, i. e., the class that is economically dominant. By the “ruling ideas” we should understand Marx to mean the central moral, political and economic ideas that dominate discussion in the mass media and in the corridors of power in that society. The theory is not peculiar to Marx, since the “classical realists” of antiquity like the Sophists and Thucydides advanced essentially the same theory: the powerful clothe their pursuit of self-interest in the garb of morality and justice. When Marx says that, “The ideas of the ruling class are in every epoch the ruling ideas” (The German Ideology) and that, “Law, morality, religion are to [the proletariat] so many bourgeois prejudices, behind which lurk in ambush just as many bourgeois interests” (The Communist Manifesto), he is simply translating in to Marxian terms the Sophistic view “that the more powerful will always take advantage of the weaker, and will give the name of law and justice to whatever they lay down in their own interests.” (W. K. C. Guthrie, The Sophists”

Brian Leiter (1963) American philosopher and legal scholar

1971), p. 60
"The Hermeneutics of Suspicion: Recovering Marx, Nietzsche, and Freud"

Religion, Justice, Law, Idea

“For the classics philosophical insight was the product of a life of leisure; for me a life of leisure is the product of philosophical insight.”

Nassim Nicholas Taleb book The Bed of Procrustes: Philosophical and Practical Aphorisms

Source: The Bed of Procrustes: Philosophical and Practical Aphorisms (2010), p. 84

Life

“Another feature of Alexandrian algebra is the absence of any explicit deductive structure. The various types of numbers… were not defined. Nor was there any axiomatic basis on which a deductive structure could be erected. The work of Heron, Nichomachus, and Diophantus, and of Archimedes as far as his arithmetic is concerned, reads like the procedural texts of the Egyptians and Babylonians… The deductive, orderly proof of Euclid and Apollonius, and of Archimedes' geometry is gone. The problems are inductive in spirit, in that they show methods for concrete problems that presumably apply to general classes whose extent is not specified. In view of the fact that as a consequence of the work of the classical Greeks mathematical results were supposed to be derived deductively from an explicit axiomatic basis, the emergence of an independent arithmetic and algebra with no logical structure of its own raised what became one of the great problems of the history of mathematics. This approach to arithmetic and algebra is the clearest indication of the Egyptian and Babylonian influences… Though the Alexandrian Greek algebraists did not seem to be concerned about this deficiency… it did trouble deeply the European mathematicians.”

Morris Kline (1908–1992) American mathematician

Source: Mathematical Thought from Ancient to Modern Times (1972), p.144

History, Mathematics, Problem, Reading

“You open London Times and you find reviews of Western classical music concerts finding pride of place even if the concerts themselves have less than 200 people in a hall meant for 1,500. They do this because they want to highlight what they see as their socio-cultural legacy.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain

People, Music, Time

“What Elizabethan playwrights learned from the Greek classics was not theories of insanity, but dramatic practice — that is, madness is a dandy theatrical element. It focuses the audience's attention and increases suspense, since you never know what a mad person may get up to next; and Shakespeare himself makes use of it in many forms. In King Lear, there's a scene in which one man pretending to be mad, another who has really gone mad, and a third who has probably always been a little addled, are brought together for purposes of comparison, irony, pathos, and tour de force acting. In Hamlet, there are two variations — Hamlet himself, who assumes madness, and Ophelia, who really does go winsomely bonkers. In MacBeth, it's Lady MacBeth who snaps.”

Margaret Atwood (1939) Canadian writer

Ophelia Has a Lot to Answer For (1997)

Learning, Personality, Madness

“You imply our education is of no use to you in after life. But no education is. We are not an employment agency; all we can do is to give you a grounding in the art of mixing with your fellow men, to tell you what to expect from life and give you an outward manner and inward poise, an old prescription from the eighteenth century which we call a classical education, an education which confers the infrequent virtues of good sense and good taste and the benefit of dual nationality, English and Mediterranean, and which, taking into account the difficulties of modern life, we find the philosophy best able to overcome them.”

Cyril Connolly book Enemies of Promise

Source: Enemies of Promise (1938), Part 3: A Georgian Boyhood, Ch. 24: Vale (p. 258)

Life, Men, Education, Art

“When taken as a way of modeling cognitive architecture, connectionism really does represent an approach that is quite different from that of the classical cognitive science that it seeks to replace. Classical models of the mind were derived from the structure of Turing and Von Neumann machines. They are not, of course, committed to the details of these machines as exemplified in Turing's original formulation or in typical commercial computers—only to the basic idea that the kind of computing that is relevant to understanding cognition involves operations on symbols.. In contrast, connectionists propose to design systems that can exhibit intelligent behavior without storing, retrieving, or otherwise operating on structured symbolic expressions. The style of processing carried out in such models is thus strikingly unlike what goes on when conventional machines are computing some function.”

Jerry Fodor (1935–2017) American philosopher

Jerry A. Fodor, and Zenon W. Pylyshyn. "Connectionism and cognitive architecture: A critical analysis." Cognition 28.1-2 (1988): 3-71.

Way, Behavior, Intelligence, Idea

“I wanted not merely to get up my classics, but to penetrate to the secrets and mysteries which I vaguely understood to be somehow wrapt up in books, though they had not, as yet, been revealed to me. I was disconcerted to find that none of my new acquaintance had any share of this yearning curiosity.”

Mark Pattison (1813–1884) English author and Church of England priest

Source: Memoirs (1885), Chapter III, p. 105

Secret, Books

“Equally possible cases do not always exist, e. g, they are not present in the game with a biased die, or in life insurance. Strictly speaking, the propositions of the classical theory are therefore no applicable to these cases.”

Richard von Mises (1883–1953) Austrian physicist and mathematician

Third Lecture, Critical Discussion of the Foundations of Probability, p. 80
Probability, Statistics And Truth - Second Revised English Edition - (1957)

Life, Game

“Man's secret horror of his foot is one of the explanations for the tendency to conceal its length and form as much as possible. Heels of greater or lesser height, depending on the sex, distract from the foot's low and flat character. Besides the uneasiness is often confused with a sexual uneasiness; this is especially striking among the Chinese who, after having atrophied the feet of women, situate them at the most excessive point of deviance. The husband himself must not see the nude feet of his wife, and it is incorrect and immoral in general to look at the feet of women. Catholic confessors, adapting themselves to this aberration, ask their Chinese penitents "if they have not looked at women's feet.
The same aberration is found among the Turks (Volga Turks, Turks of Central Asia), who consider it immortal to show their nude feet and whoe ven go to bed in stockings.
Nothing similar can be cited from classical antiquity (apart from the use of very high soles in tragedies). The most prudish Roman matrons constantly allowed their nude toes to be seen. On the other hand, modesty concerning feet developed excessively in the modern ea and only started to disappear in the nineteenth century. M. Salomon Reinarch has studied this development in detail in the article entitled Pieds pudiques [Modest Feet], insisting on the role of Spain, where women's feet have been the object of most dreaded anxiety and thus were the cause of crimes. The simple fact of allowing the shod foot to be seen, jutting up from under a skirt, was regarded as indecent. Under no circumstances was it possible to touch the foot of a woman.”

Georges Bataille (1897–1962) French intellectual and literary figure

Source: Visions of Excess: Selected Writings 1927-1939, p.21-22

Women, Secret, Sex, Study

“No work which is destined to become a classic can look like the classics which have preceded it. In art, as in biology, there is heredity but no identity with the ascendants. Painters inherit characteristics acquired by their forerunners; that is why no important work of art can belong to any period but its own, to the very moment of its creation. It is necessarily dated by its own appearance. The conscious will of the painter cannot intervene.”

Juan Gris (1887–1927) Spanish painter and sculptor

Quote from 'On the Possibilities of Painting,' lecture, Sociétés des études philosophiques et scientifiques pour l'examen des idées nouvelles, Sorbonne, Paris (1924-05-15), printed in the Transatlantic Review, # 16 (June 1924), pp. 482-488; trans. Douglas Cooper in Horizon, # 80 (August 1946), pp. 113-122

Art, Appearance

“The tribal ceremonies of birth, initiation, marriage, burial, installation, and so forth, serve to translate the individual’s life-crises and life-deeds into classic, impersonal forms. They disclose him to himself, not as this personality or that, but as the warrior, the bride, the widow, the priest, the chieftain; at the same time rehearsing for the rest of the community the old lesson of the archetypal stages.”

Joseph Campbell book The Hero with a Thousand Faces

Epilogue
The Hero with a Thousand Faces (1949)

Life, Marriage, Communication, Birth

“Who is, in the classical conception, the subject that comprehends the ontological condition of truth and untruth? It is the master of pure contemplation (theoria), and the master of a practice guided by theoria, i. e., the philosopher-statesman. To be sure, the truth which he knows and expounds is potentially accessible to everyone. Led by the philosopher, the slave in Plato’s Meno is capable of grasping the truth of a geometrical axiom, i. e., a truth beyond change and corruption. But since truth is a state of Being as well as of thought, and since the latter is the expression and manifestation of the former, access to truth remains mere potentiality as long as it is not living in and with the truth. And this mode of existence is closed to the slave — and to anyone who has to spend his life procuring the necessities of life. Consequently, if men no longer had to spend their lives in the realm of necessity, truth and a true human existence would be in a strict and real sense universal. Philosophy envisages the equality of man but, at the same time, it submits to the factual denial of equality. For in the given reality, procurement of the necessities is the life-long job of the majority, and the necessities have to be procured and served so that truth (which is freedom from material necessities) can be. Here, the historical barrier arrests and distorts the quest for truth; the societal division of labor obtains the dignity of an ontological condition. If truth presupposes freedom from toil, and if this freedom is, in the social reality, the prerogative of a minority, then the reality allows such a truth only in approximation and for a privileged group. This state of affairs contradicts the universal character of truth, which defines and “prescribes” not only a theoretical goal, but the best life of man qua man, with respect to the essence of man. For philosophy, the contradiction is insoluble, or else it does not appear as a contradiction because it is the structure of the slave or serf society which this philosophy does not transcend. Thus it leaves history behind, unmastered, and elevates truth safely above the historical reality. There, truth is reserved intact, not as an achievement of heaven or in heaven, but as an achievement of thought — intact because its very notion expresses the insight that those who devote their lives to earning a living are incapable of living a human existence.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 128-130

Life, Men, Truth, History

“A classic is a book that doesn't have to be written again.”

Carl Van Doren (1885–1950) American biographer

As quoted in "Bermudian" (November 1950) by James Thurber

Books

“What depth in these thoughts - what classical talent!”

Joseph Martin Kraus (1756–1792) German composer

Welche Tiefe der Gedanken - welch klassisches Talent!
Joseph Haydn to Fredrik Samuel Silverstolpe

“Objects enter into each other... Chardin [French classical still-life painter] was the first to have glimpsed that and rendered the atmosphere of objects... Notice how a light transversal plane straddling the bridge of your nose makes the values more evident to the eye... Well, he noticed that before we did... He neglected nothing. He also perceived that whole encounter in the atmosphere of the tiniest particles, the fine dust of emotion that surrounds objects..”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 220 in: 'What he told me – III. The Studio'

Life, Light

“I’m not classically trained. I didn’t come from the fancy home, no.”

Kate Winslet (1975) English actress and singer

Isn’t She Deneuvely?: Vanity Fair, Dec 2008 http://www.vanityfair.com/culture/features/2008/12/winslet200812

Home, Training

“One hears murmurs against Mussolini on the ground that he is a desperado: the real objection to him is that he is a politician. Indeed, he is probably the most perfect specimen of the genus politician on view in the world today. His career has been impeccably classical. Beginning life as a ranting Socialist of the worst type, he abjured Socialism the moment he saw better opportunities for himself on the other side, and ever since then he has devoted himself gaudily to clapping Socialists in jail, filling them with castor oil, sending blacklegs to burn down their houses, and otherwise roughing them. Modern politics has produced no more adept practitioner.”

H.L. Mencken (1880–1956) American journalist and writer

"Mussolini" in the Baltimore Evening Sun (3 August 1931), also in A Second Mencken Chrestomathy : New Selections from the Writings of America's Legendary Editor, Critic, and Wit (1994) edited by Terry Teachout, p. 34
1930s

Life, World, Housing, Perfection

“Graduation was nice. General Clark liked it. The Board of Visitors liked it. Moms and Dads liked it. And the Cadets hated it, for without a doubt it ranked as the most boring event of the year. Thus it was in 1964 that the Clarey twins pulled the graduation classic. When Colonel Hoy called the name of the first twin, instead of walking directly to General Clark to receive his diploma, he headed for the line of visiting dignitaries, generals, and members of the Board of Visitors who sat in a solemn semi-circle around the stage. He shook hands with the first startled general, then proceeded to shake hands and exchange pleasantries with every one on the stage. He did this so quickly that it took several moments for the whole act to catch on. When it finally did, the Corps went wild. General Clark, looking like he had just learned the Allies had surrendered to Germany, stood dumbfounded with Clarey number one's diploma hanging loosely from his hand; then Clarey number two started down the line, repeating the virtuoso performance of Clarey number one, as the Corps whooped and shouted their approval. The first Clarey grabbed his diploma from Clark and pumped his hand vigorously up and down. Meanwhile, his brother was breezing through the hand-shaking exercise. As both of them left the stage, they raised their diplomas above their heads and shook them like war tomahawks at the wildly applauding audience. No graduation is remembered so well.”

Pat Conroy book The Boo

Source: The Boo (1970), p. 33

Hate, War, Exercises, Moms

“What theory can we use to get us out of the impending slump quickly and reliably? To use the 'new classical' theory of fluctuations begun at Chicago in the 1970s – the theory in which the "risk management" models are embedded – is unthinkable, since it is precisely the theory falsified by the asset price collapse. The thoughts of some have turned to John Maynard Keynes. His insights into uncertainty and speculation were deep. Yet his employment theory was problematic and the 'Keynesian' policy solutions are questionable at best…. At the end of his life Keynes wrote of 'modernist stuff, gone wrong and turned sour and silly'. He told his friend Friedrich Hayek he intended to re-examine his theory in his next book. He would have moved on. The admiration we all have for Keynes's fabulous contributions should not sway us from moving on.”

Edmund Phelps (1933) American economist

Edmund Phelps "Keynes had no sure cure for slumps."in: The Financial Times. Columbia University, November 4, 2008.

Life, Books, Question

“Operational research OR is regarded by many as being in crisis. If OR is taken to be ‘classical OR’, this is indisputable … If, however, the definition of OR is widened to embrace other systems-based methodologies for problem solving, then a diversity of approaches may herald not crisis, but increased competence and effectiveness in a variety of different problem contexts.”

Mike Jackson (1951) systems scientist

As cited in Jackson (2007, p. 15)
Towards a System of Systems Methodologies (1984)

Problem

“A classical concept in Hinduism has been that a true proposition has to be consistent with sruti, yukti (reason/logic) and anubhava.”

Rajiv Malhotra book Indra's Net

Source: Indra's Net (2014)

“Hegel's argument—and it is still the argument of those who entertain the old reluctance to confer the title "philosopher" upon the immortal thinkers of India and China—is that something is missing from the Oriental systems. When they are compared with Western philosophy, as developed in antiquity and in modern times, what is obviously lacking is the ever-renewed, fructifying close contact with the progressive natural sciences—their improving critical methods and their increasingly secular, nontheological, practically anti-religious, outlook on man and the world. This is enough, we are asked to agree, to justify the Western restriction of the classic term.”

Heinrich Robert Zimmer (1890–1943) German historian

Source: Philosophies of India (1951), p. 30

World, Nature, Science, Time

“Nature isn't classical, dammit, and if you want to make a simulation of nature, you'd better make it quantum mechanical, and by golly it's a wonderful problem, because it doesn't look so easy.”

Richard Feynman (1918–1988) American theoretical physicist

" Simulating Physics with Computers http://www.cs.berkeley.edu/~christos/classics/Feynman.pdf", International Journal of Theoretical Physics, volume 21, 1982, p. 467-488, at p. 486 (final words)

Nature, Problem

“At the classical origins of philosophic thought, the transcending concepts remained committed to the prevailing separation between intellectual and manual labor to the established society of enslavement. … Those who bore the brunt of the untrue reality and who, therefore, seemed to be most in need of attaining its subversion were not the concern of philosophy. It abstracted from them and continued to abstract from them.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 134-135

Reality

“Don't just read it; fight it! Ask your own question, look for your own examples, discover your own proofs. Is the hypothesis necessary? Is the converse true? What happens in the classical special case? What about the degenerate cases? Where does the proof use the hypothesis?”

Paul R. Halmos (1916–2006) American mathematician

I Want to be a Mathematician: An Automathography (1985)

Question, Reading, Fight

“I have absolutely no difficulty in coming out and saying Bach and Beethoven are great composers. You must school young people into great classical music, but you must also allow them to hear other music as well. At one point classical music colonised the high ground. Now we're reaping the backlash for that.”

Joanna MacGregor (1959) British musician

The Times, 21/04/2006
On Classical Music

People, School, Music

“I am sorry that my convictions do not allow me to repeat my friend’s offer, said one of the others. But I have had to abandon the humanitarian and egalitarian fancies. His name was Mr. Neo-Classical.”

Clive Staples Lewis book The Pilgrim's Regress

Pilgrim’s Regress 89
The Pilgrim's Regress (1933)

“There are no 'classics' of crime and detection. Not one. Within its frame of reference, which is the only way it should be judged, a classic is a piece of writing which exhausts the possibilities of its form and can never be surpassed. No story or novel of mystery has done that yet. Few have come close. Which is one of the principal reasons why otherwise reasonable people continue to assault the citadel.”

Raymond Chandler book The Simple Art of Murder

Introduction
The Simple Art of Murder (1950)

People, Way

“It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 46; from the Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Idea, Time

“Off and on during my life, I have passed sleepless nights in making up lists of the dozen or so books a person might choose to take along if suddenly marooned on a desert island. This is a relatively easy game for serious readers: At least half the titles would be recognized classics — the Bible, Plato, Shakespeare, a good dictionary, that sort of thing. But occasionally I have made the challenge a little more difficult: "What if you could take just one book?"”

Michael Dirda (1948) American literary critic

Washington Post article [concerning Geary's Guide to the World's Great Aphorists]: Arts & Living, 21 Oct 2007.

Life, Books, Game, Personality

“I was born on January 18, 1910 at 4 Seymour Street, off. London Road, Liverpool, Lancashire, England, Great. Britain, Europe, the world, the solar system, the universe. Writing out my full address like this was a great satisfaction when I was a boy. Seymour Street had a solid row of narrow, four-story houses on both sides, each with a flight of steps leading up to the front door, and what we called an "airy," a rectangular hole in front of the basement window, often with steps leading down to a basement underneath the front door. The streets of the neighborhood spoke of the Napoleonic Wars in the early nineteenth century— St. Vincent Street, Rodney Street, Lord Nelson Street. Close by was dirty Lime Street Station; St. George's Hall, a magnificent classical structure the center of Liverpudlian splendor; the theaters; and the great Picton Library with its huge circular reading room. The neighborhood was very mixed; we belonged to the English minority in Liverpool, a city largely populated by the Irish and the Welsh.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1980s, Illustrating Economics: Beasts, Ballads and Aphorisms, 1980, p. 3

War, World, Boy, Universe

“Two features of QT are commonly taken to be fundamentally non-classical: the absolute randomness of single events in the atomic regime, and the need for a permanent record of the experiment obtained using a macroscopic experimental arrangement…QT can also be applied to the larger system consisting of the original atomic system plus the macroscopic experimental arrangement. In this case, however, the larger system needs to interact with another stage of macroscopic recording. Since this procedure can continue ad infinitum, and is decisively terminated only when the result of an experiment is interpreted by a conscious observer, some noted quantum theorists have promoted the view that the quantum theory has some nexus with the consciousness of the observer…”

Ravi Gomatam (1950) Indian academic

Ravi Gomatam's paper "How do Classical and Quantum Probabilities Differ?" http://www.bvinst.edu/gomatam1/pub-2011-01.pdf, delivered at the conference on Foundations of Probabilities and Physics - 6 (FPP-6), Vaxjo, Sweden, June 13-17, 2011.

Decision

“This is why the mainstream Western academics does not teach Abhinavagupta, Aryabhata, Bharata, Bhartrihari, Shankara, Kalidasa, Kapila, Kautilya, Nagarjuna, Panini, Patanjali and Ramanuja, among many other Indian greats on par with the great Greek thinkers. This violates the principle that the classical thinkers of all civilizations ought to be incorporated into curricula based solely on their merit and current relevance.”

Rajiv Malhotra book Indra's Net

Indra's Net (2014)

“You don't rely on a great army of people to spoon-feed you. Today's classical-music world is very self-defeating. I love the fact that all these corporations are falling apart. They're sinking millions into acts and getting it wrong. And I know why - it's not about the music, or the audiences. So in many ways this is a very encouraging time.”

Joanna MacGregor (1959) British musician

The Independent, 23/06/2003
On Classical Music

Love, People, World, Music

“In grammar school—and as new to American history as to the American tongue—I nevertheless puzzled through several junior biographies of Franklin because young Ben’s ambition magnified my own. I kept lists in those years of the books I read. I recognized the yearning to escape the limits of family—“a strong inclination for the sea”—as well as some more vertical yearning: a boy becomes a man by gaining wisdom; each book a rung therefore; each rung a classical tag. I weighed the shame of the sordid candle shop where Franklin was forced to work for his father against the optimism of old New England.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Wisdom, Books, School, Family

“The eighteenth century is full of contradictions. It is not only that its philosophical attitude wavers between rationalism and anti-rationalism, but its artistic aims are also dominated by two 122 opposite tendencies and at some times approach a strictly classicistic, at others a more unrestrained pictorial conception. And like the rationalism of the period, its classicism is also difficult to define and open to various sociological interpretations, since it is sustained alternately by courtly-aristocratic and middle-class strata of society and ends by developing into the representative artistic style of the revolutionary bourgeoisie.”

Arnold Hauser (1892–1978) Hungarian art historian

Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 5. Revolution and Art

Time

“Our new economic approach is rooted in ideas which stress the importance of macro-economics, post neo-classical endogenous growth theory and the symbiotic relationships between growth and investment, and people and infrastructure.”

Gordon Brown (1951) British Labour Party politician

Michael White, "The gift of tired tongues", The Guardian, 30 September 1994; Norman Macrae, "You've never had it so incoherent", Sunday Times, 2 October 1994.
Speech at an economic seminar, Tuesday 27 September 1994.
Member of Parliament

People, Idea

“To this end I suggest we need to look to an idea deeply rooted in Christian life and thought. The idea of the Common Good. The Common Good is concerned with personal and mutual flourishing in terms of our talents and vocations. It is about treating people as they really are: as human beings who belong to families, localities and communities. To shared traditions, interests and faiths. Not as abstracted, rootless, atomised individuals that dominates neo-classical or neoliberal thinking -the thinking that dominates our life.”

Jon Cruddas (1962) British politician

The Common Good in an Age of Austerity Lecture, 9 July 2014 http://joncruddas.org.uk/sites/joncruddas.org.uk/files/ebor%20a.pdf

Life, People, Family, Faith

“A rush of wind comes furiously now, down from the mountaintop. "The ancient Greeks," I say, "who were the inventors of classical reason, knew better than to use it exclusively to foretell the future. They listened to the wind and predicted the future from that. That sounds insane now. But why should the inventors of reason sound insane?"”

Robert M. Pirsig book Zen and the Art of Motorcycle Maintenance

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 14

Future

“Do electrons exist, or are they merely fictious ideas for the ordering of observations (sense date, classical events)?… If there are only sensations, then terms such as 'election or 'St. Augustine' are auxiliary terms, designed to bring some order into our experiences.”

Paul Karl Feyerabend book Science in a Free Society

Science in a Free Society (1978)

Idea, Sense

“Although the classic theoretical foundation of distance measurement in physics is the 'rigid rod', nearly all distances in surveying, whether terrestrial or celestial, are made to depend on the properties of light. The two simplest properties so employed are the principle of propogation in straight lines and the principle that the intensity of light diminishes inversely as the square of the distance.”

Gerald James Whitrow (1912–2000) British mathematician

p, 125
The Structure of the Universe: An Introduction to Cosmology (1949)

Light, Dependency

“I got very frustrated when I was reading so-called classic books or films, or listening to underground music which is trying to tell you something. it´s all nonsense, and it´s disillusioning. So it would be a paradox for me to then decide I´m going to communicate something.”

Robert Smith (musician) (1959) English singer, songwriter and musician

Sounds, August 24, 1985

Books, Music, Communication, Reading

“Science Fiction Gods; Do they take much of an interest in us? I doubt it. How much entertainment does an ant's nest provide you with?
'Adepticus Sir, that bunch of Ornithoids on Artoc 4 that you asked me to observe, well they've just trashed their planet.'
'Oh that is a pity Initiatus Jones. What was it this time, ecological screw up or nuclear winter?'
'Worse than that sir, i looks lke they were mucking around with vacuum energy without having first invented the Mobius sphere.'
'Ah yes, the old classic mistake, we loose a few like that.'
'Could we not have tipped them off about it Sir?'
'I'm afraid not Jones, stupidity must remain its own reward, it's regrettable but there you are. Did you salvage anything?'
'They composed some fairly good poetry a couple of centuries ago, and some rather fine cloud sculptures fairly recently, I've logged some records in the archives.'
'Splendid Jones, I'll peruse them this evening. What about those Apes on Sol 3, how are they getting on?'
'Quit a bit of warfare as usual Sir, mostly based on chemical explosives these days, but with the occasional use of plutonium. Many of them have developed a belief in a big bang theory, and they reckon that they have the maths to prove it.'
'Really? Smith in anthropology will probably find that hilarious, I'm sure she would appreciate the data. It was one of her old Stomping grounds you know?'
'No I didnt know that Sir'
'It was a long time ago Jones, and a bit of a fiasco actually, she gave them a piece of her mind about some of their barbaric behavior which then abruptly became worse. Ever since then they have been obsessed with the number plate on her craft, it read 'JHVH'. The department gave her a desk job after that.”

Peter J. Carroll (1953) British occultist

Source: The Apophenion (2008), p. 107-108

God, Stupidity, Behavior, Science

“Theories of the postmodern - whether celebratory or couched in the language of moral revulsion and denunciation - bear a strong family resemblance to all those more ambitious sociological generalizations which, at much the same time, bring us the news of the arrival and inauguration of a whole new type of society, most famously baptized "postindustrial society"(Daniel Bell) but often also designated consumer society, media society, information society, electronic society, or high tech and the like. Such theories have the obvious ideological mission of demonstrating, to their own relief, that the new social formation in question no longer obeys the laws of classical capitalism, namely, the primacy of industrial production and the omnipresence of class struggle.”

Fredric Jameson (1934) American academic

Source: Postmodernism: Or, The Cultural Logic of Late Capitalism (1991), Chapter 1: The Cultural Logic of Late Capitalism

Family, Law, Question, Strong

“All totalitarianism of the twentieth century were predicated on a systematic, anti-individualistic collectivism. In the case of Marxist-Leninism, the source was classical Marxism. [Giovanni] Gentile had carefully dissected the neo-Hegelian roots of that collectivism. What he found missing in the collectivism of Marx was ethical concern. He sought to provide that concern to the collectivism of Fascism—a collectivism that shared a common intellectual origin with Marxism and Marxism-Leninism.”

A. James Gregor (1929–2019) American political scientist

Source: Giovanni Gentile: Philosopher of Fascism, (2001), p. 102

“At present, a nonspecialist might well regard the Wiener-Kolmogorov theory of filtering and prediction [1, 2] as "classical' — in short, a field where the techniques are well established and only minor improvements and generalizations can be expected.
That this is not really so can be seen convincingly from recent results of Shinbrot [3], Stceg [4], Pugachev [5, 6], and Parzen [7]. Using a variety of methods, these investigators have solved some long-stauding problems in nonstationary filtering and prediction theory. We present here a unified account of our own independent researches during the past two years (which overlap with much of the work [3-71 just mentioned), as well as numerous new results. We, too, use time-domain methods, and obtain major improvements and generalizations of the conventional Wiener theory. In particular, our methods apply without modification to multivariate problems.”

Rudolf E. Kálmán (1930–2016) Hungarian-born American electrical engineer

Source: New results in linear filtering and prediction theory (1961), p. 95 Opening paragraphs

Problem, Time, Past

“[Footnote:] Pliny the Elder described a Whale called "Balaena or Whirlpool, which is so long and broad as to take up more in length and breadth than two acres of ground." This brings up again the old question: Are the classics doomed? Our ancestors believed that four years of this sort of information would inevitably produce a President, or at least a Cabinet Member. It didn't seem to work out that way.”

Will Cuppy (1884–1949) American writer

The Whale
How to Tell Your Friends from the Apes (1931)

Way, Question

“O. K., so what does standard new classical economics say? You should cut the wages of everybody who works for you. Because there are all the people standing outside the factory gates, and they have the same skill set as the people who work for you. You should at least be willing, according to this view, if not to hire them, to say to your own workers, ‘If you don’t take a pay cut, I’m going to replace you with them.’ But one goes around, actually talks to firms, and you’ll find that no firm would do that.”

Janet Yellen (1946) American economist and professor

The Hand on the Lever (2014)

People

“Maybe the years I spent playing the piano in taverns in Chicago and elsewhere led me to believe that the people who did that mundane work were as important to an understanding of art as the better-known players who produced the recognized classics of jazz. Growing up … may have led me to think that the craftsman who help make art works areas important as the people who conceive them… Learning the "Chicago tradition" of sociology from Everett C. Hughes and Herbert Blumer surely led to a skepticism about conventional definitions of the objects of sociological study.”

Howard S. Becker (1928) American sociologist

Source: Art Worlds (1982), p. ix.

People, Art, Understanding, Thinking

“It is irrelevant in that ethnies arc constituted, not by lines of physical descent, but by the sense of continuity, shared memory and collective destiny, i. e. by lines of cultural affinity embodied in distinctive myths, memories, symbols and values retained by a given cultural unit of population. In that sense much has been retained, and revived, from the extant heritage of ancient Greece. For, even at the time of Slavic migrations, in Ionia and especially in Constantinople, there was a growing emphasis on the Greek language, on Greek philosophy and literature, and on classical models of thought and scholarship. Such a ‘Greek revival’ was to surface again in the tenth and fourteenth centuries, as well as subsequently, providing a powerful impetus to the sense of cultural affinity with ancient Greece and its classical heritage. This is not to deny for one moment either the enormous cultural changes undergone by the Greeks despite a surviving sense of common ethnicity or the cultural influence of surrounding peoples and civilizations over two thousand years. At the same time in terms of script and language, certain values, a particular environment and its nostalgia, continuous social interactions and a sense of religious and cultural difference, even exclusion, a sense of Greek identity and common sentiments of ethnicity can be said to have persisted”

Anthony D. Smith (1939–2016) British academic

Source: National Identity (1991), p. 30: About Ethnic Change, Dissolution and Survival

People, Literature, Sense, Nostalgia

“From the beginning, the forces of light and the forces of darkness have polarized the field of organizational analysis, and the struggle has been protracted and inconclusive. The forces of darkness have been represented by the mechanical school of organizational theory — those who treat the organization as a machine. This school characterizes organizations in terms o£ such things as:
:* centralized authority
:* clear lines of authority
:* specialization and expertise
:* marked division of labor
:* rules and regulations
:* clear separation of staff and line
The forces of light, which by mid-twentieth century came to be characterized as the human relations school, emphasizes people rather than machines, accommodations rather than machine-like precision, and draws its inspiration from biological systems rather than engineering systems. It has emphasized such things as:
:* delegation of authority
:* employee autonomy
:* trust and openness
:* concerns with the "whole person"
:* interpersonal dynamics
The forces of darkness formulated their position first, starting in the early part of this century. They have been characterized as the scientific management or classical management school…”

Charles Perrow (1925–2019) American sociologist

Source: 1970s, "The short and glorious history of organizational theory", 1973, p. 3

People, School, Light, Parting

“The classical Greek philosophers, Aristotle and Plato, established some important systems ideas. Aristotle reasoned that the parts of the body only make sense in terms of the way they function to support the whole organism and used this biological analogy to consider how individuals need to be related to the State. Plato was interested in how the notion of control, or the art of steersmanship (kybernetes), could be applied both to vessels and the State. Ships had to be steered safely toward harbour by a helmsman. A similar role needed to be followed in societies if they were to prosper.”

Mike Jackson (1951) systems scientist

Source: Systems Thinking: Creative Holism for Managers (2003), p. 4

Art, Way, Idea, Support

“In the classical conservative and libertarian traditions values are private things. They must be left to individuals and to civil society to practice and police. Party and state operatives have police powers with which to back their 'values.' Therefore, never-ever are they to preach or police The People's values.”

Ilana Mercer South African writer

"Trump nation tired of racial sadomasochism," http://www.wnd.com/2016/03/trump-nation-tired-of-racial-sadomasochism/ WorldNetDaily.com, March 3, 2016. <br class="br">2010s, 2016

People

“Though Latin long held sway in Court and bureaucratic circles, the cultural cement of the empire’s core populations was Greek and its education was in the Greek classics and tongue. Imperial tradition, Christian Orthodoxy and Greek culture became even more the bases of Byzantium and her Hellenic community, after she had lost most of her western and Asiatic possessions in the seventh century — to Visigoths and then Arabs m Spain and North Africa, to the Lombards in much of Italy, to the Slavs in the Balkans and to Muslim armies in Egypt and the Near East. Political circumstances, and the resilience of Greek culture and Greek education, made her predominantly Greek in speech and character. After the sack of Constantinople in 1204 and the establishment of a Latin empire under Venetian auspices, the rivalry of the Greek empires based on Nicaea, Epirus and Trebizond to realize the patriotic Hellenic dream of recapturing the former capital further stimulated Greek ethnic sentiment against Latin usurpation. W1cn in the face of Turkith threats, the fifteenth-century Byzantine emperor, Michael Palaeologus, tried to place the Orthodox Church under the Papacy and hence Western protection; an inflamed Greek sentiment vigorously opposed his policy. The city’s populace in the fourteenth and fifteenth centuries, their Hellenic sentiments fanned by monks, priests and the Orthodox party against the Latin policies of the government, actually preferred the Turkish turban to the Latin mitre and attacked the urban wealthy classes. But the Turkish conquest and the demise of Byzantium did not spell the end of the Orthodox Greek community and its ethnic sentiment. tinder its Church and Patriarch, and organized as a recognized milliet of the Ottoman empire, the Greek community flourished in exile, the upper classes of its Diaspora assuming privileged economic and bureaucratic positions in the empire. So Byzantine bureaucratic incorporation had paradoxical effects: as in Egypt, it helped to sunder the mass of the Greek community from the state and its Court and bureaucratic imperial myths and culture in favour of a more demotic Greek Orthodoxy; but, unlike Egypt, the demise of the state served to strengthen that Orthodoxy and reattach to it the old dynastic Messianic symbolism of a restored Byzantine empire in opposition to Turkish oppression.”

Anthony D. Smith (1939–2016) British academic

The Ethnic Origins of Nations (1987)

Education, Dreams, Communication, Help

“At the ULB, Brout and I initiated a research group in fundamental interactions, that is, in the search for the general laws of nature. Joined by brilliant students, many of them becoming world renowned physicists, our group contributed to the many fields at the frontier of the challenges facing contemporary physics. While the mechanism discovered in 1964 was developed all over the world to encode the nature of weak interactions in a "Standard Model," our group contributed to the understanding of strong interactions and quark confinement, general relativity and cosmology. There we introduced the idea of a primordial exponential expansion of the universe, later called inflation, which we related to the origin of the universe itself, a scenario, which I still think may possibly be conceptually the correct one. During these developments, our group extended our contacts with other Belgian universities and got involved in many international collaborations.
With our group and many other collaborators I analysed fractal structures, supergravity, string theory, infinite Kac-Moody algebras and more generally all tentative approaches to what I consider as the most important problem in fundamental interactions: the solution to the conflict between the classical Einsteinian theory of gravitation, namely general relativity, and the framework of our present understanding of the world, quantum theory.”

François Englert (1932) Belgian theoretical physicist

excerpt[François Englert - Biographical, Nobel Prize in Physics (nobelprize.org), 2013, https://www.nobelprize.org/nobel_prizes/physics/laureates/2013/englert-bio.html]

World, Law, Search, Idea

“Not only was I fiddling around at the keyboard but there were all these other children of all backgrounds wanting to play every sort of music bits of classical, jazz, pop, improvisation.”

Joanna MacGregor (1959) British musician

The Guardian - 26/05/2000
Childhood

Children, Music

“Most people don’t listen to classical music at all, but to rock-and-roll or hillbilly songs or some album named Music To Listen To Music By…”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”, p. 12
A Sad Heart at the Supermarket: Essays & Fables (1962)

People, Music

“The physiocrats started a train of thought which was a powerful stimulus to the development of a labour theory of value and surplus value. They did not, however develop such a theory of value themselves. What attention they gave to the problem of exchange-value and price produced results of an altogether different character. Thus while one of their contributions finds its continuation in Smith, Ricardo, and Marx, the other leads to the post-classical supply and demand and utility theories of value.”

Eric Roll, Baron Roll of Ipsden (1907–2005) British economist

Source: A History of Economic Thought (1939), Chapter III, The Founders Of Political Economy, p. 135

Problem, Training

“She is in other words a classic demagogue,” said von Bek…“It was Hitler’s secret that he could seem one thing to one group and an entirely different thing to another. That is how they rise so swiftly to power. These creatures are bizarre. They can virtually change shape and colour. They have an amophous quality and yet at the same time they have a will to dominate others which is unrelenting, almost their only consistent trait, their only reality.”

Michael Moorcock Erekosë

Book 2, Chapter 9 (p. 612)
Erekosë, The Dragon in the Sword (1986)

Secret, Reality, Change, Time

“The poems I am writing at the moment will be much closer to your present way of thinking. I am trying to renew poetic style, but within a classical framework. On the other hand, I don't want to lapse into imitating others. Letter to Picasso 1918”

Guillaume Apollinaire (1880–1918) French poet

Way, Thinking

“In recent times we have seen a huge split develop between a classic culture and a romantic counterculture—two worlds growingly alienated and hateful toward each other with everyone wondering if it will always be this way, a house divided against itself.”

Robert M. Pirsig book Zen and the Art of Motorcycle Maintenance

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 6

Hate, World, Way, Time

“"Sometimes it comes down to a choice. Between saving one person and saving the whole world. I've seen it happen, and I'm selfish enough to want the person who loves me to choose me. But Nephilim will always choose the world. I look at Alec and I feel like Lucifer in Paradise Lost. "Abashed the Devil stood, And felt how awful goodness is." He meant it in the classic sense. 'Awful' as in inspiring awe. And awe is well and good, but it's poison to love. Love has to be between equals."”

Cassandra Clare The Mortal Instruments

Magnus Bane, to Luke Garroway, about Alec Lightwood, pg. 428
The Mortal Instruments, City of Heavenly Fire (2014)

Love, World, Feeling, Sense

“At the center of market fundamentalism lies the general acceptance of the Walrasian general equilibrium model, or the neo-classical paradigm. Although many economists came to doubt the universal validity of such models in view of economies of scope, bounded rationality, asymmetric information, and other types of market imperfections and ventured into institutional analysis, the orthodoxy still remains the one which postulate some type of rationality of atomized individuals and the market which mediate among these atomized individuals and firms to reach some stable equilibrium.”

Eisuke Sakakibara (1941) Japanese economist and critic

The End of Market Fundamentalism (1999)

Universe

“I do quite like hairy things. That probably came out of my growing up in front of the television as a kid in the 50s. I saw a lot of the classic Universal films, and was really attracted to the Wolf Man - I thought that was such a cool idea. And, you know, Mr Hyde. So many things I like had hair on. So I started making hairy things and never stopped, you know?”

Rick Baker (1950) American special makeup effects artist

Rick Baker interview: Men In Black 3, werewolves and Videodrome http://www.denofgeek.com/movies/23258/rick-baker-interview-men-in-black-3-werewolves-and-videodrome (November 5, 2012)

Idea, Universe, Wolf

“The dictionary defines "economics" as "a social science concerned chiefly with description and analysis of the production, distribution, and consumption of goods and services." Here is another definition of economics which I think is more helpful in explaining how economics relates to software engineering.
Economics is the study of how people make decisions in resource-limited situations.
This definition of economics fits the major branches of classical economics very well.
Macroeconomics is the study of how people make decisions in resource-limited situations on a national or global scale. It deals with the effects of decisions that national leaders make on such issues as tax rates, interest rates, foreign and trade policy.
Microeconomics is the study of how people make decisions in resource-limited situations on a more personal scale. It deals with the decisions that individuals and organizations make on such issues such as how much insurance to buy, which word processor to buy, or what prices to charge for their products or services.”

Barry Boehm (1935) American software engineer

Source: Software engineering economics. (1984), p. 4

People, Thinking, Decision, Study

“It obliges one to think with a particular kind of logic and severity. If it is nonsense, it will not go into Latin…I regard it as cruelty to the young to deprive them of that insight into language…Who would have thought Thatcher would be responsible for introducing the Prussian system, of dictating from central government the content of education in the supposed interest of the state? Translation into Latin was the great stamp and mark of English classical scholarship…My fatal decision was not to be pedantic and leave it in Latin. I had written Et Tiberim multo spumantem sanguine cerno: from Virgil in the Aeneid.”

Enoch Powell (1912–1998) British politician

And at the last minute I said, 'I can't put that out in Latin, that's pedantic'...In Latin, it would have been lost.
Interview with Valerie Grove, The Times (6 August 1993), p. 15
1990s

Education, Thinking, Decision

“White
This is the spiritual colour of our times, the clearness which directs all our actions. It is neither grey nor ivory white, but pure white.
White This is the colour of modern times, the colour which dissipates a whole era; our era is one of perfection, purity and certitude.
White It includes everything. We have superseded both the 'brown' of decadence and classicism and the 'blue' of divisionism, the cult of the blue sky, the gods with green beards and the spectrum.
White pure white…”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote in Van Doesburg's text 'Towards white painting', Paris, December 1929, in 'Art Concret' April 1930; as quoted in Theo van Doesburg, Joost Baljeu, Studio Vista, London 1974, p. 183
1926 – 1931

God, Time, Perfection

“Another conspicuous failure of classical mechanics was with one aspect of the problem of radiation. …Imagine a crowd of steel balls rolling about on a steel floor. …There must… be a steady leakage of energy from… causes, such as air resistance and the friction of the floor, so the balls will eventually lose energy, and, after no great length of time, will be found standing at rest on the floor. The energy of their motion seems to have been lost… most of it has been transformed into heat. The classical mechanics predicts that this must happen; it shows that all energy of motion, except possibly a minute fraction of the whole, must be transformed into heat whenever such a transformation is physically possible. It is because of this that perpetual-motion machines are a practical impossibility.”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

Imagination, Failure, Problem, Time

“The classic threefold division of psychology into cognition, affection, and conation has been completely abandoned.”

George Kelly (psychologist) (1905–1967) American psychologist and therapist

Source: The Psychology of Personal Constructs, 1955, p. 130

“Sex and politics - sex and politicians. I never understand how any politician gets a shag, really. Can you? A classic example: the David Mellor sex scandal. I bet you're the same as me. We're not shocked by these scandals involving politicians. I bet when that happened, your response was not 'Good God, that's outrageous! A man in his job, he should be running the country, not messing about like this; no wonder we're in a state; terrible!' No, that wasn't the response. You open the paper, you read about that, and you go 'Ha ha ha ha - I don't think so, Dave! I don't think so. In your dreams, perhaps.' The interesting person in that relationship is not him; it's her - Antonia. A woman of mystery; a mystery woman. Antonia de Sancha, always described as an 'unemployed actress'. Unemployed actress? How's she an unemployed actress? God! if you can feign sexual interest in David Mellor, I should think Chekhov's a piece of piss. So, she thinks 'I'm an actress. It's a role. I'll prepare'. She gets to the bedroom situation. He's in a kit-off situation, and there's Antonia giving it 'Red lorry, yellow lorry - Peter Piper picked a peck of pickled pepper'. But the hair - that's the main unattractive thing. What barber told him that suited him? Someone winding him up there. 'Yes, David, that'll suit you, mate: a greasy, oily flap of dirty-looking patent leather, wafting about down one side of your moosh; that'll drive those unemployed actresses mental!' (Linda Live, 1993)”

Linda Smith (1958–2006) comedian

Stand-up

God, Dreams, Sex, Understanding

“The buffoonery of Haydn, Beethoven, and Mozart is only an exaggeration of an essential quality of the classical style. This style was, in its origins, basically a comic one.”

Charles Rosen book The Classical Style

Part II. The Classical Style. 1. The Coherence of the Musical Language
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)

“Assigning human personalities to animals is the chief trait of the pet owner—the doting dog-lover with his baby talk, the smug stay-at-home with a fat lump of fur on her lap who says, "Me, I'm a cat person," and the granny who puts her nose against the tin cage and makes kissing noises at her parakeet. Their affection is often tinged with a sense of superiority. Deer and duck hunters never talk this way about their prey, though big game hunters— Hemingway is the classic example — often sentimentalize the creatures they blow to bits and then lovingly stuff to hang on the wall.”

Paul Theroux (1941) American travel writer and novelist

Living With Geese.

Dogs, Way, Home, Game

“The young artists of to-day understand nothing; they copy to satiety the classic ornaments and designs, and reproduce them in so cold a manner that they lose all meaning. The ancients obtained their designs from nature. They found their models in the garden, even in the vegetable garden. They drew their inspiration from its source. The cabbage-leaf, the oak-leaf, the clover, the thistle, and the brier are the motives of the Gothic capital. It is not photographic truth, but living truth, that we must seek in art.”

Auguste Rodin (1840–1917) French sculptor

Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 125

Truth, Art, Motivation, Understanding

“To approach Chopin, you have to separate him completely from Schumann. Schumann admired Chopin very much and saw him as friend, but - what only few people know - Chopin himself had much less interest in and esteem for Schumann. In detail: Schumann’s works follow on from a transitional period determined by the successors of Viennese Classicism, particularly Beethoven. Just as the sons of Bach espoused the ‘galant,’ ornamented style of their generation, so the pupils of Mozart and Beethoven - Hummel, Ries, Czerny, Moscheles - took pains to compensate for a thinner musical substance with increased instrumental brilliance and thus prepared the ground for the golden age of the piano and the era of the Romantic virtuoso. Among the multitude of composers writing for the piano at that time, only two - Weber and Schubert - stand out as original creative forces.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Pain, People, Age, Music

“At any rate we may be sure that the political instinct of our bourgeois opponents, as soon as their class interests come into play, will lead them to take a position hostile to us. A classical example is furnished by Belgium, where, as already remarked, a compromise was concluded under the most favorable circumstances conceivable, between the socialists and the liberals. Our party was in undisputed possession of the leadership and was therefore in no danger of being cheated out of the fruits of the common victory. The end sought was universal, equal and direct suffrage. But the clerical party knows its boys, knows its Pappenheimers. It knows that the bourgeoisie has no class interest in giving the laborers, who, in modern industrial states, constitute a majority of the population, the universal suffrage and thereby the prospect of winning a majority and getting political supremacy. It made a counter demand for proportional representation with plural voting, that is, giving more votes to the rich, and thereby granting to the radical bourgeoisie a share in the government, if it would assist in defeating universal and direct suffrage. And behold, without a minute’s hesitation the gentlemen of the radical bourgeoisie broke their agreement with the socialists and joined the clericals in their fight against universal suffrage and the social democracy. Whoever is not convinced by this example that the emancipation struggle of the proletariat is a class struggle is one on whom further arguments would be wasted.”

Wilhelm Liebknecht (1826–1900) German socialist politician

No Compromise – No Political Trading (1899)

Hostility, Democracy, Boy, Universe

“Hack has become a sort of all-encompassing term, when in fact some of this was social engineering, some of this was good old-fashioned regular ‘there’s a hole, I’m going to walk through it’,” said Leiderman. “If you left your front door open people wouldn’t really call it a break-in. To some extent Stratfor were unsecure to the point where it was like their front door was open and Mr Hammond allegedly, with some others, walked right in, and people are calling it a hack. “As far as I’m aware, nothing was really hacked in the classic sense,” he added.”

Jay Leiderman (1971) lawyer

From Computing Magazine, UK. Analysis: a case of government versus hacktivism http://www.computing.co.uk/ctg/analysis/2230770/analysis-a-case-of-government-versus-hacktivism#ixzz2EzJrtLFS

People, Fashion, Sense

Zenon Pylyshyn (1937) Canadian philosopher

Jerry A. Fodor, and Zenon W. Pylyshyn. "Connectionism and cognitive architecture: A critical analysis." Cognition 28.1-2 (1988): 3-71.

Way, Behavior, Intelligence, Idea

“For wheresoe'er I turn my ravished eyes,
Gay gilded scenes and shining prospects rise,
Poetic fields encompass me around,
And still I seem to tread on classic ground.”

Joseph Addison (1672–1719) politician, writer and playwright

A Letter from Italy, to the Right Honourable Charles, Lord Halifax. 1701.

“[iron and glass, the] 'materials of the new Classicism.”

Vladimir Tatlin (1885–1953) Russian artist

Quote, 1921: in Nasha predstoiashchaia rabota,, V. Tatlin, T Shapiro, I. Meerzon, and P. Vinogradov, 'VIII s"ezd sovetov. Ezhednevnyi biulleten' s"ezda 13 (January 1, 1921), p. 11; as cited by Vasilii Rakitin, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 30
Quotes, 1910 - 1925

“For all the classic social theorists, the effort to state a comprehensive view of men and society was inseparable from an interest in understanding the condition and prospects of their age. In this they simply repeated the eternal lesson that all deep thought begins and ends in the attempt to grasp whatever touches one most immediately.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Law in Modern Societyː Toward a Criticism of Social Theory (1976), p. 38

Men, Age, Understanding, Effort

Quotes about classic page 3

Quotes about classic
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