Quotes about classic
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Edgar Wilson Nye photo

“The peculiar characteristic of classical music is that it is really better than it sounds.”

Edgar Wilson Nye (1850–1896) American journalist, who later became widely known as a humorist

A stand-up line quoted in 1888.
Attributed
Variant: Wagner's music is better than it sounds (attested in an obituary; see The Quote Verifier)

Edith Hamilton photo

“Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.”

Thomas Ligotti (1953) American horror author

Wonderbook Interview with Thomas Ligotti http://wonderbooknow.com/interviews/thomas-ligotti/

George Steiner photo

“When the modern scholar cites from a classic text, the quotation seems to burn a hole in his own drab page.”

George Steiner (1929–2020) American writer

Source: The Death of Tragedy (1961), Ch. IX: (p. 314).

Margaret Atwood photo

“Alongside their work on pure economic theory, the classical political economists engaged in a parallel project: to promote the forcible reconstruction of society into a purely market-oriented system.”

Michael Perelman (1939) American economist

Source: The Invention of Capitalism: Classical Political Economy and the Secret History of Primitive Accumulation (2000), p. 2

Mani Madhava Chakyar photo

““his Netraabhinaya is simply incomparable"
- Kapila Vatsyayan (leading scholar of classical Indian dance), 1990”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya
Source: Kapila Vatsyayan, Gurupuja, Mathrubhumi weekly, February (11-17) 1990, p. 7.

Eugène-Melchior de Vogüé photo
Thomas Shapiro photo
Marshall McLuhan photo

“Interdeterminacy was a figure-ground problem arising from incongruity between the visual bias of classical science and the new acoustic sensibilities.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 44

W. H. Auden photo
Fred Astaire photo
Bernard Lewis photo
Joanna MacGregor photo
Ervin László photo
Khushwant Singh photo
Hu Shih photo
Nicholas Murray Butler photo

“The moral ideal has disappeared in all that has to do with international relations. The gain-seeking impulse supported by brute force has taken its place, and so far as the surface of things is concerned human civilization has gone back a full thousand years. Inconceivable though it be, we are brought face to face in this twentieth century with governments of peoples once great and highly civilized, whose word now means absolutely nothing. A pledge is something not to be kept, but to be broken. Cruelty and national lust have displaced human feeling and friendly international co-operation. Human life has no value, and the savings of generations are wasted month by month and almost day by day in mad attempts to dominate the whole world in pursuit of gain.
How has all this been possible? What has happened to the teachings and inspiring leadership of the great prophets and apostles of the mind, who for nearly three thousand years have been holding before mankind a vision of the moral ideal supported by intellectual power? What has become of the influence and guidance of the great religions Christian, Moslem, Hebrew, Buddhist with their counsels of peace and good-will, or of those of Plato and of Aristotle, of St. Augustine and of St. Thomas Aquinas, and of the outstanding captains of the mind Spanish, Italian, French, English, German who have for hundreds of years occupied the highest place in the citadel of human fame? The answer to these questions is not easy. Indeed, it sometimes seems impossible.
Are we, then, of this twentieth century and of this still free and independent land to lose heart and to yield to the despair which is becoming so widespread in countries other than ours? Not for one moment will we yield our faith or our courage! We may well repeat once more the words of Abraham Lincoln: "Most governments have been based on the denial of the equal rights of men, ours began by affirming those rights. We made the experiment, and the fruit is before us. Look at it think of it!"
However dark the skies may seem now, however violent and apparently irresistible are the savage attacks being made with barbarous brutality upon innocent women and children and non-combatant men, upon hospitals and institutions for the care of the aged and dependent, upon cathedrals and churches, upon libraries and galleries of the world s art, upon classic monuments which record the architectural achievements of centuries we must not despair. Our spirit of faith in the ultimate rule of the moral ideal and in the permanent establishment of liberty of thought, of speech, of worship and of government will not, and must not, be permitted to weaken or to lose control of our mind and our action.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Liberty-Equality-Fraternity (1942)

Brian Leiter photo
Nassim Nicholas Taleb photo
Zakir Hussain (musician) photo
Margaret Atwood photo
Cyril Connolly photo
Jerry Fodor photo
Mark Pattison photo
Richard von Mises photo

“Equally possible cases do not always exist, e. g, they are not present in the game with a biased die, or in life insurance. Strictly speaking, the propositions of the classical theory are therefore no applicable to these cases.”

Richard von Mises (1883–1953) Austrian physicist and mathematician

Third Lecture, Critical Discussion of the Foundations of Probability, p. 80
Probability, Statistics And Truth - Second Revised English Edition - (1957)

Georges Bataille photo

“Man's secret horror of his foot is one of the explanations for the tendency to conceal its length and form as much as possible. Heels of greater or lesser height, depending on the sex, distract from the foot's low and flat character. Besides the uneasiness is often confused with a sexual uneasiness; this is especially striking among the Chinese who, after having atrophied the feet of women, situate them at the most excessive point of deviance. The husband himself must not see the nude feet of his wife, and it is incorrect and immoral in general to look at the feet of women. Catholic confessors, adapting themselves to this aberration, ask their Chinese penitents "if they have not looked at women's feet.
The same aberration is found among the Turks (Volga Turks, Turks of Central Asia), who consider it immortal to show their nude feet and whoe ven go to bed in stockings.
Nothing similar can be cited from classical antiquity (apart from the use of very high soles in tragedies). The most prudish Roman matrons constantly allowed their nude toes to be seen. On the other hand, modesty concerning feet developed excessively in the modern ea and only started to disappear in the nineteenth century. M. Salomon Reinarch has studied this development in detail in the article entitled Pieds pudiques [Modest Feet], insisting on the role of Spain, where women's feet have been the object of most dreaded anxiety and thus were the cause of crimes. The simple fact of allowing the shod foot to be seen, jutting up from under a skirt, was regarded as indecent. Under no circumstances was it possible to touch the foot of a woman.”

Georges Bataille (1897–1962) French intellectual and literary figure

Source: Visions of Excess: Selected Writings 1927-1939, p.21-22

Juan Gris photo

“No work which is destined to become a classic can look like the classics which have preceded it. In art, as in biology, there is heredity but no identity with the ascendants. Painters inherit characteristics acquired by their forerunners; that is why no important work of art can belong to any period but its own, to the very moment of its creation. It is necessarily dated by its own appearance. The conscious will of the painter cannot intervene.”

Juan Gris (1887–1927) Spanish painter and sculptor

Quote from 'On the Possibilities of Painting,' lecture, Sociétés des études philosophiques et scientifiques pour l'examen des idées nouvelles, Sorbonne, Paris (1924-05-15), printed in the Transatlantic Review, # 16 (June 1924), pp. 482-488; trans. Douglas Cooper in Horizon, # 80 (August 1946), pp. 113-122

Joseph Campbell photo
Herbert Marcuse photo

“Who is, in the classical conception, the subject that comprehends the ontological condition of truth and untruth? It is the master of pure contemplation (theoria), and the master of a practice guided by theoria, i. e., the philosopher-statesman. To be sure, the truth which he knows and expounds is potentially accessible to everyone. Led by the philosopher, the slave in Plato’s Meno is capable of grasping the truth of a geometrical axiom, i. e., a truth beyond change and corruption. But since truth is a state of Being as well as of thought, and since the latter is the expression and manifestation of the former, access to truth remains mere potentiality as long as it is not living in and with the truth. And this mode of existence is closed to the slave — and to anyone who has to spend his life procuring the necessities of life. Consequently, if men no longer had to spend their lives in the realm of necessity, truth and a true human existence would be in a strict and real sense universal. Philosophy envisages the equality of man but, at the same time, it submits to the factual denial of equality. For in the given reality, procurement of the necessities is the life-long job of the majority, and the necessities have to be procured and served so that truth (which is freedom from material necessities) can be. Here, the historical barrier arrests and distorts the quest for truth; the societal division of labor obtains the dignity of an ontological condition. If truth presupposes freedom from toil, and if this freedom is, in the social reality, the prerogative of a minority, then the reality allows such a truth only in approximation and for a privileged group. This state of affairs contradicts the universal character of truth, which defines and “prescribes” not only a theoretical goal, but the best life of man qua man, with respect to the essence of man. For philosophy, the contradiction is insoluble, or else it does not appear as a contradiction because it is the structure of the slave or serf society which this philosophy does not transcend. Thus it leaves history behind, unmastered, and elevates truth safely above the historical reality. There, truth is reserved intact, not as an achievement of heaven or in heaven, but as an achievement of thought — intact because its very notion expresses the insight that those who devote their lives to earning a living are incapable of living a human existence.”

Source: One-Dimensional Man (1964), pp. 128-130

Carl Van Doren photo

“A classic is a book that doesn't have to be written again.”

Carl Van Doren (1885–1950) American biographer

As quoted in "Bermudian" (November 1950) by James Thurber

Joseph Martin Kraus photo

“What depth in these thoughts - what classical talent!”

Joseph Martin Kraus (1756–1792) German composer

Welche Tiefe der Gedanken - welch klassisches Talent!
Joseph Haydn to Fredrik Samuel Silverstolpe

Paul Cézanne photo
Kate Winslet photo

“I’m not classically trained. I didn’t come from the fancy home, no.”

Kate Winslet (1975) English actress and singer

Isn’t She Deneuvely?: Vanity Fair, Dec 2008 http://www.vanityfair.com/culture/features/2008/12/winslet200812

H.L. Mencken photo
Pat Conroy photo

“Graduation was nice. General Clark liked it. The Board of Visitors liked it. Moms and Dads liked it. And the Cadets hated it, for without a doubt it ranked as the most boring event of the year. Thus it was in 1964 that the Clarey twins pulled the graduation classic. When Colonel Hoy called the name of the first twin, instead of walking directly to General Clark to receive his diploma, he headed for the line of visiting dignitaries, generals, and members of the Board of Visitors who sat in a solemn semi-circle around the stage. He shook hands with the first startled general, then proceeded to shake hands and exchange pleasantries with every one on the stage. He did this so quickly that it took several moments for the whole act to catch on. When it finally did, the Corps went wild. General Clark, looking like he had just learned the Allies had surrendered to Germany, stood dumbfounded with Clarey number one's diploma hanging loosely from his hand; then Clarey number two started down the line, repeating the virtuoso performance of Clarey number one, as the Corps whooped and shouted their approval. The first Clarey grabbed his diploma from Clark and pumped his hand vigorously up and down. Meanwhile, his brother was breezing through the hand-shaking exercise. As both of them left the stage, they raised their diplomas above their heads and shook them like war tomahawks at the wildly applauding audience. No graduation is remembered so well.”

Source: The Boo (1970), p. 33

Edmund Phelps photo
Rajiv Malhotra photo
Heinrich Robert Zimmer photo
Richard Feynman photo

“Nature isn't classical, dammit, and if you want to make a simulation of nature, you'd better make it quantum mechanical, and by golly it's a wonderful problem, because it doesn't look so easy.”

Richard Feynman (1918–1988) American theoretical physicist

" Simulating Physics with Computers http://www.cs.berkeley.edu/~christos/classics/Feynman.pdf", International Journal of Theoretical Physics, volume 21, 1982, p. 467-488, at p. 486 (final words)

Herbert Marcuse photo
Paul R. Halmos photo
Joanna MacGregor photo
Clive Staples Lewis photo
Raymond Chandler photo
Sergei Prokofiev photo
Michael Dirda photo
Ravi Gomatam photo
Rajiv Malhotra photo
Joanna MacGregor photo
Richard Rodríguez photo
Gordon Brown photo

“Our new economic approach is rooted in ideas which stress the importance of macro-economics, post neo-classical endogenous growth theory and the symbiotic relationships between growth and investment, and people and infrastructure.”

Gordon Brown (1951) British Labour Party politician

Michael White, "The gift of tired tongues", The Guardian, 30 September 1994; Norman Macrae, "You've never had it so incoherent", Sunday Times, 2 October 1994.
Speech at an economic seminar, Tuesday 27 September 1994.
Member of Parliament

Jon Cruddas photo
Robert M. Pirsig photo
Paul Karl Feyerabend photo
Gerald James Whitrow photo
Robert Smith (musician) photo

“Science Fiction Gods; Do they take much of an interest in us? I doubt it. How much entertainment does an ant's nest provide you with?
'Adepticus Sir, that bunch of Ornithoids on Artoc 4 that you asked me to observe, well they've just trashed their planet.'
'Oh that is a pity Initiatus Jones. What was it this time, ecological screw up or nuclear winter?'
'Worse than that sir, i looks lke they were mucking around with vacuum energy without having first invented the Mobius sphere.'
'Ah yes, the old classic mistake, we loose a few like that.'
'Could we not have tipped them off about it Sir?'
'I'm afraid not Jones, stupidity must remain its own reward, it's regrettable but there you are. Did you salvage anything?'
'They composed some fairly good poetry a couple of centuries ago, and some rather fine cloud sculptures fairly recently, I've logged some records in the archives.'
'Splendid Jones, I'll peruse them this evening. What about those Apes on Sol 3, how are they getting on?'
'Quit a bit of warfare as usual Sir, mostly based on chemical explosives these days, but with the occasional use of plutonium. Many of them have developed a belief in a big bang theory, and they reckon that they have the maths to prove it.'
'Really? Smith in anthropology will probably find that hilarious, I'm sure she would appreciate the data. It was one of her old Stomping grounds you know?'
'No I didnt know that Sir'
'It was a long time ago Jones, and a bit of a fiasco actually, she gave them a piece of her mind about some of their barbaric behavior which then abruptly became worse. Ever since then they have been obsessed with the number plate on her craft, it read 'JHVH'. The department gave her a desk job after that.”

Peter J. Carroll (1953) British occultist

Source: The Apophenion (2008), p. 107-108

Fredric Jameson photo
A. James Gregor photo
Rudolf E. Kálmán photo
Will Cuppy photo
Janet Yellen photo
Howard S. Becker photo

“It is irrelevant in that ethnies arc constituted, not by lines of physical descent, but by the sense of continuity, shared memory and collective destiny, i. e. by lines of cultural affinity embodied in distinctive myths, memories, symbols and values retained by a given cultural unit of population. In that sense much has been retained, and revived, from the extant heritage of ancient Greece. For, even at the time of Slavic migrations, in Ionia and especially in Constantinople, there was a growing emphasis on the Greek language, on Greek philosophy and literature, and on classical models of thought and scholarship. Such a ‘Greek revival’ was to surface again in the tenth and fourteenth centuries, as well as subsequently, providing a powerful impetus to the sense of cultural affinity with ancient Greece and its classical heritage. This is not to deny for one moment either the enormous cultural changes undergone by the Greeks despite a surviving sense of common ethnicity or the cultural influence of surrounding peoples and civilizations over two thousand years. At the same time in terms of script and language, certain values, a particular environment and its nostalgia, continuous social interactions and a sense of religious and cultural difference, even exclusion, a sense of Greek identity and common sentiments of ethnicity can be said to have persisted”

Anthony D. Smith (1939–2016) British academic

Source: National Identity (1991), p. 30: About Ethnic Change, Dissolution and Survival

Ilana Mercer photo

“Though Latin long held sway in Court and bureaucratic circles, the cultural cement of the empire’s core populations was Greek and its education was in the Greek classics and tongue. Imperial tradition, Christian Orthodoxy and Greek culture became even more the bases of Byzantium and her Hellenic community, after she had lost most of her western and Asiatic possessions in the seventh century — to Visigoths and then Arabs m Spain and North Africa, to the Lombards in much of Italy, to the Slavs in the Balkans and to Muslim armies in Egypt and the Near East. Political circumstances, and the resilience of Greek culture and Greek education, made her predominantly Greek in speech and character. After the sack of Constantinople in 1204 and the establishment of a Latin empire under Venetian auspices, the rivalry of the Greek empires based on Nicaea, Epirus and Trebizond to realize the patriotic Hellenic dream of recapturing the former capital further stimulated Greek ethnic sentiment against Latin usurpation. W1cn in the face of Turkith threats, the fifteenth-century Byzantine emperor, Michael Palaeologus, tried to place the Orthodox Church under the Papacy and hence Western protection; an inflamed Greek sentiment vigorously opposed his policy. The city’s populace in the fourteenth and fifteenth centuries, their Hellenic sentiments fanned by monks, priests and the Orthodox party against the Latin policies of the government, actually preferred the Turkish turban to the Latin mitre and attacked the urban wealthy classes. But the Turkish conquest and the demise of Byzantium did not spell the end of the Orthodox Greek community and its ethnic sentiment. tinder its Church and Patriarch, and organized as a recognized milliet of the Ottoman empire, the Greek community flourished in exile, the upper classes of its Diaspora assuming privileged economic and bureaucratic positions in the empire. So Byzantine bureaucratic incorporation had paradoxical effects: as in Egypt, it helped to sunder the mass of the Greek community from the state and its Court and bureaucratic imperial myths and culture in favour of a more demotic Greek Orthodoxy; but, unlike Egypt, the demise of the state served to strengthen that Orthodoxy and reattach to it the old dynastic Messianic symbolism of a restored Byzantine empire in opposition to Turkish oppression.”

Anthony D. Smith (1939–2016) British academic

The Ethnic Origins of Nations (1987)

François Englert photo

“At the ULB, Brout and I initiated a research group in fundamental interactions, that is, in the search for the general laws of nature. Joined by brilliant students, many of them becoming world renowned physicists, our group contributed to the many fields at the frontier of the challenges facing contemporary physics. While the mechanism discovered in 1964 was developed all over the world to encode the nature of weak interactions in a "Standard Model," our group contributed to the understanding of strong interactions and quark confinement, general relativity and cosmology. There we introduced the idea of a primordial exponential expansion of the universe, later called inflation, which we related to the origin of the universe itself, a scenario, which I still think may possibly be conceptually the correct one. During these developments, our group extended our contacts with other Belgian universities and got involved in many international collaborations.
With our group and many other collaborators I analysed fractal structures, supergravity, string theory, infinite Kac-Moody algebras and more generally all tentative approaches to what I consider as the most important problem in fundamental interactions: the solution to the conflict between the classical Einsteinian theory of gravitation, namely general relativity, and the framework of our present understanding of the world, quantum theory.”

François Englert (1932) Belgian theoretical physicist

excerpt[François Englert - Biographical, Nobel Prize in Physics (nobelprize.org), 2013, https://www.nobelprize.org/nobel_prizes/physics/laureates/2013/englert-bio.html]

Joanna MacGregor photo

“Most people don’t listen to classical music at all, but to rock-and-roll or hillbilly songs or some album named Music To Listen To Music By…”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”, p. 12
A Sad Heart at the Supermarket: Essays & Fables (1962)

Michael Moorcock photo
Guillaume Apollinaire photo
Robert M. Pirsig photo
Cassandra Clare photo
Rick Baker photo
Barry Boehm photo
Enoch Powell photo
Theo van Doesburg photo
James Jeans photo

“The classic threefold division of psychology into cognition, affection, and conation has been completely abandoned.”

George Kelly (psychologist) (1905–1967) American psychologist and therapist

Source: The Psychology of Personal Constructs, 1955, p. 130

“Sex and politics - sex and politicians. I never understand how any politician gets a shag, really. Can you? A classic example: the David Mellor sex scandal. I bet you're the same as me. We're not shocked by these scandals involving politicians. I bet when that happened, your response was not 'Good God, that's outrageous! A man in his job, he should be running the country, not messing about like this; no wonder we're in a state; terrible!' No, that wasn't the response. You open the paper, you read about that, and you go 'Ha ha ha ha - I don't think so, Dave! I don't think so. In your dreams, perhaps.' The interesting person in that relationship is not him; it's her - Antonia. A woman of mystery; a mystery woman. Antonia de Sancha, always described as an 'unemployed actress'. Unemployed actress? How's she an unemployed actress? God! if you can feign sexual interest in David Mellor, I should think Chekhov's a piece of piss. So, she thinks 'I'm an actress. It's a role. I'll prepare'. She gets to the bedroom situation. He's in a kit-off situation, and there's Antonia giving it 'Red lorry, yellow lorry - Peter Piper picked a peck of pickled pepper'. But the hair - that's the main unattractive thing. What barber told him that suited him? Someone winding him up there. 'Yes, David, that'll suit you, mate: a greasy, oily flap of dirty-looking patent leather, wafting about down one side of your moosh; that'll drive those unemployed actresses mental!' (Linda Live, 1993)”

Linda Smith (1958–2006) comedian

Stand-up

“The buffoonery of Haydn, Beethoven, and Mozart is only an exaggeration of an essential quality of the classical style. This style was, in its origins, basically a comic one.”

Part II. The Classical Style. 1. The Coherence of the Musical Language
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)

Paul Theroux photo
Auguste Rodin photo
Burkard Schliessmann photo
Wilhelm Liebknecht photo

“At any rate we may be sure that the political instinct of our bourgeois opponents, as soon as their class interests come into play, will lead them to take a position hostile to us. A classical example is furnished by Belgium, where, as already remarked, a compromise was concluded under the most favorable circumstances conceivable, between the socialists and the liberals. Our party was in undisputed possession of the leadership and was therefore in no danger of being cheated out of the fruits of the common victory. The end sought was universal, equal and direct suffrage. But the clerical party knows its boys, knows its Pappenheimers. It knows that the bourgeoisie has no class interest in giving the laborers, who, in modern industrial states, constitute a majority of the population, the universal suffrage and thereby the prospect of winning a majority and getting political supremacy. It made a counter demand for proportional representation with plural voting, that is, giving more votes to the rich, and thereby granting to the radical bourgeoisie a share in the government, if it would assist in defeating universal and direct suffrage. And behold, without a minute’s hesitation the gentlemen of the radical bourgeoisie broke their agreement with the socialists and joined the clericals in their fight against universal suffrage and the social democracy. Whoever is not convinced by this example that the emancipation struggle of the proletariat is a class struggle is one on whom further arguments would be wasted.”

Wilhelm Liebknecht (1826–1900) German socialist politician

No Compromise – No Political Trading (1899)

Jay Leiderman photo
Joseph Addison photo

“For wheresoe'er I turn my ravished eyes,
Gay gilded scenes and shining prospects rise,
Poetic fields encompass me around,
And still I seem to tread on classic ground.”

Joseph Addison (1672–1719) politician, writer and playwright

A Letter from Italy, to the Right Honourable Charles, Lord Halifax. 1701.

Vladimir Tatlin photo

“[iron and glass, the] 'materials of the new Classicism.”

Vladimir Tatlin (1885–1953) Russian artist

Quote, 1921: in Nasha predstoiashchaia rabota,, V. Tatlin, T Shapiro, I. Meerzon, and P. Vinogradov, 'VIII s"ezd sovetov. Ezhednevnyi biulleten' s"ezda 13 (January 1, 1921), p. 11; as cited by Vasilii Rakitin, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 30
Quotes, 1910 - 1925

Roberto Mangabeira Unger photo