Quotes about classic

A collection of quotes on the topic of classic, time, timing, use.

Quotes about classic

“I can respect the artistic aim of a composer if he arrives at the so-called modern idiom after an intense period of preparation…Such composers know what they are doing when they break a law; they know what to react against, because they have had experience in the classical forms and style. Having mastered the rules, they know which can be violated and which should be obeyed. But, I am sorry to say, I have found too often that young composers plunge into the writing of experimental music with their school lessons only half learned. Too much radical music is sheer sham, for this very reason: its composer sets about revolutionizing the laws of music before he learned them himself.”

Sergei Rachmaninoff (1873–1943) Russian composer, pianist, and conductor

Interviewed by David Ewen in The Etude, 1941; cited from Josiah Fisk and Jeff Nichols (eds.) Composers on Music (Boston, MA: Northeastern Universities Press, 1997) pp. 235-6

School, Law, Music, Learning

“The living world is not the harsh domain of classical Darwinism, where each struggle against all, with every species, every organism and every gene competing for advantage against every other. Organisms are not skin-enclosed selfish entities, and competition is never unfettered. Life evolves, as does the universe itself, in a 'sacred dance' with an underlying field. This makes living beings into elements in a vast network of intimate relations that embraces the entire biosphere itself an interconnected element within the wider connections that reach into the cosmos.”

Alexis Karpouzos (1967)

Source: https://www.goodreads.com/author/quotes/14108295.alexis_karpouzos?page=2

Selfishness, Universe, Relation ships, Dance

“I love classic beauty. It’s an idea of beauty with no standard.”

Karl Lagerfeld (1933–2019) German fashion designer

Love, Beauty, Idea

“A classic is a book that has never finished saying what it has to say.”

Italo Calvino The Uses of Literature

Source: The Uses of Literature

Books

“"Classic." A book which people praise and don't read.”

Mark Twain book Following the Equator

Pudd'nhead Wilson's New Calendar, Ch. XXV
Following the Equator (1897)

People, Books, Reading

“I don't really go along with this sense that you sometimes pick up - that is, classical music is superior to everything else. I think classical music is a very great music form, but I can also think of other great music forms. And certainly within each field, you have absolute geniuses operating. Over the years, I've tried to bring together different people from different fields, and I do try to put Bach and Beethoven next to other types of musicians.”

Joanna MacGregor (1959) British musician

Denver Post, 18/02/2005
On Classical Music

People, Music, Thinking, Sense

“If you follow the classical pattern, you are understanding the routine, the tradition, the shadow -- you are not understanding yourself.”

Bruce Lee book Tao of Jeet Kune Do

Source: Tao of Jeet Kune Do

Understanding

“When I was your age — about, ooh, a thousand years ago — I loved a good bedtime story. The Three Little Sontarans. The Emperor Dalek's New Clothes. Snow White and the Seven Keys to Doomsday, eh? All the classics.”

Mark Gatiss (1966) British actor, screenwriter and novelist

Love, Age, Clothes

“The classics tell us that, in relationships, the one between teacher and student comes second only to the one between parent and child.”

Lisa See book Snow Flower and the Secret Fan

Source: Snow Flower and the Secret Fan

Parent, Teachers

“Only someone who (like the Intuitionist) denies that the concepts and axioms of classical set theory have any meaning could be satisfied with such a solution, not someone who believes them to describe some well-determined reality. For in reality Cantor's conjecture must be either true or false, and its undecidability from the axioms as known today can only mean that these axioms do not contain a complete description of reality.”

Kurt Gödel (1906–1978) logician, mathematician, and philosopher of mathematics

Reality, Falseness

“Do not deny the classical approach, simply as a reaction, or you will have created another pattern and trapped yourself there.”

Bruce Lee book Tao of Jeet Kune Do

Source: Tao of Jeet Kune Do (1975), p. 25

“We must promote the idea of secession. Or more specifically, we must promote the idea of a world composed of tens of thousands of distinct districts, regions, and cantons, and hundred of thousands of independent free cities such as the present day oddities of Monaco, Andorra, San Marino, Liechtenstein, Hong Kong, and Singapore. Greatly increased opportunities for economically motivated migration would thus result, and the world would be one of small [classically] liberal governments economically integrated through free trade and an international commodity money such as gold.”

Hans-Hermann Hoppe (1949) Austrian school economist and libertarian anarcho-capitalist philosopher

Interview at quebecoislibre.org (7 December 2002) http://www.quebecoislibre.org/021207-8.htm.

Money, World, Motivation, Idea

“That is a very good question. I don't know the answer. But can you tell me the name of a classical Greek shoemaker?”

Arthur Miller (1915–2005) playwright from the United States

His reply to a shoe manufacturer who had asked why Miller's job should be subsidized when his was not, as recounted at a London press conference. The Guardian (25 January 1990)

Question

“Maybe baseball has to accept that it is now more like classical music than popular music, with football and basketball — and soccer? — being the Justin Biebers and Lady Gagas of sports. Baseball need not hang its head in shame. A lot of things that are good and worthy are not popular. And baseball is plenty popular, for heaven's sake.”

Jay Nordlinger (1963) American journalist

2010s, Baseball and Its Worriers (2018)

Music, Sport, Football

“In order to be able thus to misjudge, and thus to grant left-handed veneration to our classics, people must have ceased to know them. This, generally speaking, is precisely what has happened. For, otherwise, one ought to know that there is only one way of honoring them, and that is to continue seeking with the same spirit and with the same courage, and not to weary of the search.”

Friedrich Nietzsche Untimely Meditations

Um aber unsere Klassiker so falsch beurteilen und so beschimpfend ehren zu können, muß man sie gar nicht mehr kennen: und dies ist die allgemeine Tatsache. Denn sonst müßte man wissen, daß es nur eine Art gibt, sie zu ehren, nämlich dadurch, daß man fortfährt, in ihrem Geiste und mit ihrem Mute zu suchen, und dabei nicht müde wird.
(A. Ludovici trans.), § 1.2
Untimely Meditations (1876)

People, Way, Search, Courage

“Bob Dole seems to me to be a classic example of somebody who had no reason to run. You're 73 years old, you're already the third-most-powerful man in the country. So why? He seems to be drawn by some psychological compulsion. And it's too bad because in a lot of ways, he's an admirable person. There's a great story there. And Bill Clinton? Well, his campaign's fascinating to a student of politics. It's disturbing to someone who cares about certain issues. But politically, it seems to be working.”

Barack Obama (1961) 44th President of the United States of America

As quoted in "A Newcomer to the Business of Politics has Seen Enough to Reach Some Conclusions About Restoring Voters' Trust", by Joe Frolik, inThe Plain Dealer (3 August 1996)
1990s

Way, Personality, Country

“In infancy I was afraid of the dark, which I peopled with all sorts of things; but my grandfather cured me of that by daring me to walk through certain dark parts of the house when I was 3 or 4 years old. After that, dark places held a certain fascination for me. But it is in dreams that I have known the real clutch of stark, hideous, maddening, paralysing fear. My infant nightmares were classics, & in them there is not an abyss of agonising cosmic horror that I have not explored. I don't have such dreams now—but the memory of them will never leave me. It is undoubtedly from them that the darkest & most gruesome side of my fictional imagination is derived. At the ages of 3, 4, 5, 6, 7, & 8 I have been whirled through formless abysses of infinite night and adumbrated horrors as black & as seethingly sinister as any of our friend Fafhrd's [a nickname Lovecraft used for Fritz Leiber] "splatter-stencil" triumphs. That's why I appreciate such triumphs so keenly, I have seen these things! Many a time I have awaked in shrieks of panic, & have fought desperately to keep from sinking back into sleep & its unutterable horrors. At the age of six my dreams became peopled with a race of lean, faceless, rubbery, winged things to which I applied the home-made name of night-gaunts. Night after night they would appear in exactly the same form—& the terror they brought was beyond any verbal description. Long decades later I embodied them in one of my Fungi from Yuggoth pseudo-sonnets, which you may have read. Well—after I was 8 all these things abated, perhaps because of the scientific habit of mind which I was acquiring (or trying to acquire). I ceased to believe in religion or any other form of the supernatural, & the new logic gradually reached my subconscious imagination. Still, occasional nightmares brought recurrent touches of the ancient fear—& as late as 1919 I had some that I could use in fiction without much change. The Statement of Randolph Carter is a literal dream transcript. Now, in the sere & yellow leaf (I shall be 47 in August), I seem to be rather deserted by stark horror. I have nightmares only 2 or 3 times a year, & of these none even approaches those of my youth in soul-shattering, phobic monstrousness. It is fully a decade & more since I have known fear in its most stupefying & hideous form. And yet, so strong is the impress of the past, I shall never cease to be fascinated by fear as a subject for aesthetic treatment. Along with the element of cosmic mystery & outsideness, it will always interest me more than anything else. It is, in a way, amusing that one of my chief interests should be an emotion whose poignant extremes I have never known in waking life!”

H.P. Lovecraft (1890–1937) American author

Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters

Life, People, Youth, Age

“In Art, the public accept what has been, because they cannot alter it, not because they appreciate it. They swallow their classics whole, and never taste them. They endure them as the inevitable, and, as they cannot mar them, they mouth about them…A fresh mode of Beauty is absolutely distasteful to them, and whenever it appears they get so angry and bewildered that they always use two stupid expressions - one is that the work of art is grossly unintelligible; the other, that the work of art is grossly immoral.”

Oscar Wilde book The Soul of Man under Socialism

The Soul of Man Under Socialism (1891)

Stupidity, Beauty, Art, Appearance

“I went through a lot of mental pains and anguish about choosing between jazz and classical. I realized that where I functioned was where I should be, and where I functioned was in jazz, so that was it.”

Bill Evans (1929–1980) American jazz pianist

http://www.billevanswebpages.com/billquotes.html.

Pain

“I can look back... at two distinct periods of opinion whose foundations I have successively come to distrust—a period before 1919 or so, when the weight of classic authority unduly influenced me, and another period from 1919 to about 1925, when I placed too high a value on the elements of revolt, florid colour, and emotional extravagance or intensity.”

H.P. Lovecraft (1890–1937) American author

Letter to August Derleth (1929), quoted in "H.P. Lovecraft, a Life" by S.T. Joshi, p. 307
Non-Fiction, Letters, to August Derleth

Success

“Many authors say that classical mechanics stand in opposition to the relativity postulate, which is taken to be the basic of the new Electro-dynamics”

Hermann Minkowski The Fundamental Equations for Electromagnetic Processes in Moving Bodies

The Fundamental Equations for Electromagnetic Processes in Moving Bodies (1907)

“Perhaps if we thought for a second of the classic, simple elegance of the Spanish lady it might help us to be "simply" ourselves.”

Rita Hayworth (1918–1987) American actress, dancer and director

Article written as guest columnist for Arlene Dahl, headlined "Rita Hayworth Sees Simplicity As Part Of Beauty" in The Toledo Blade (11 March 1964)

Help

“Causality applies only to a system which is left undisturbed. If a system is small, we cannot observe it without producing a serious disturbance and hence we cannot expect to find any causal connexion between the results of our observations. Causality will still be assumed to apply to undisturbed systems and the equations which will be set up to describe an undisturbed system will be differential equations expressing a causal connexion between conditions at one time and conditions at a later time. These equations will be in close correspondence with the equations of classical mechanics, but they will be connected only indirectly with the results of observations.”

Paul Dirac book Principles of Quantum Mechanics

I. The Principle of Superposition - 1. The Need for a Quantum Theory
The Principles of Quantum Mechanics (4th ed. 1958)

Time

“Since Leibniz there has perhaps been no man who has had a full command of all the intellectual activity of his day. Since that time, science has been increasingly the task of specialists, in fields which show a tendency to grow progressively narrower… Today there are few scholars who can call themselves mathematicians or physicists or biologists without restriction. A man may be a topologist or a coleopterist. He will be filled with the jargon of his field, and will know all its literature and all its ramifications, but, more frequently than not, he will regard the next subject as something belonging to his colleague three doors down the corridor, and will consider any interest in it on his own part as an unwarrantable breach of privacy… There are fields of scientific work, as we shall see in the body of this book, which have been explored from the different sides of pure mathematics, statistics, electrical engineering, and neurophysiology; in which every single notion receives a separate name from each group, and in which important work has been triplicated or quadruplicated, while still other important work is delayed by the unavailability in one field of results that may have already become classical in the next field.
It is these boundary regions which offer the richest opportunities to the qualified investigator. They are at the same time the most refractory to the accepted techniques of mass attack and the division of labor. If the difficulty of a physiological problem is mathematical in essence, then physiologists ignorant of mathematics will get precisely as far as one physiologists ignorant of mathematics, and no further. If a physiologist who knows no mathematics works together with a mathematician who knows no physiology, the one will be unable to state his problem in terms that the other can manipulate, and the second will be unable to put the answers in any form that the first can understand… A proper exploration of these blank spaces on the map of science could only be made by a team of scientists, each a specialist in his own field but each possessing a thoroughly sound and trained acquaintance with the fields of his neighbors; all in the habit of working together, of knowing one another's intellectual customs, and of recognizing the significance of a colleague's new suggestion before it has taken on a full formal expression. The mathematician need not have the skill to conduct a physiological experiment, but he must have the skill to understand one, to criticize one, and to suggest one. The physiologist need not be able to prove a certain mathematical theorem, but he must be able to grasp its physiological significance and to tell the mathematician for what he should look. We had dreamed for years of an institution of independent scientists, working together in one of these backwoods of science, not as subordinates of some great executive officer, but joined by the desire, indeed by the spiritual necessity, to understand the region as a whole, and to lend one another the strength of that understanding.”

Norbert Wiener book Cybernetics: Or Control and Communication in the Animal and the Machine

Source: Cybernetics: Or Control and Communication in the Animal and the Machine (1948), p. 2-4; As cited in: George Klir (2001) Facets of Systems Science, p. 47-48

Books, Dreams, Literature, Mathematics

“It has been shown that, in contrast to everything which classical national economy has hitherto taught, not the producer but the consumer is the ruling factor in economic life.”

Hjalmar Schacht (1877–1970) German politician

As quoted Nazi Conspiracy and Aggression (1946) by the United States Department of State, Vol. 2, p. 746.

Life

“If one assumes, however, that the PGA TOUR has some legal obligation to play classic, Platonic golf—and if one assumes the correctness of all the other wrong turns the Court has made to get to this point—then we Justices must confront what is indeed an awesome responsibility. It has been rendered the solemn duty of the Supreme Court of the United States, laid upon it by Congress in pursuance of the Federal Government's power [t]o regulate Commerce with foreign Nations, and among the several States, U. S. Const., Art. I, § 8, cl. 3, to decide What Is Golf. I am sure that the Framers of the Constitution, aware of the 1457 edict of King James II of Scotland prohibiting golf because it interfered with the practice of archery, fully expected that sooner or later the paths of golf and government, the law and the links, would once again cross, and that the judges of this august Court would some day have to wrestle with that age-old jurisprudential question, for which their years of study in the law have so well prepared them: Is someone riding around a golf course from shot to shot really a golfer? The answer, we learn, is yes. The Court ultimately concludes, and it will henceforth be the Law of the Land, that walking is not a fundamental aspect of golf.”

Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States

PGA Tour, Inc. v. Martin, 532 U.S. 661 http://caselaw.lp.findlaw.com/scripts/getcase.pl?court=us&vol=000&invol=00-24 (2001) (dissenting). <br class="br">2000s

Age, Justice, Law, Art

“A simple calculation shows that from the classical theory follows that we should find a broadening of the beam with the maximum intensity on the place of the beam without field. However, from the quantum theory follows that we should find there no intensity at all, and deflected molecules on both sides. The beam should split up in two beams corresponding to the two orientations of the magnet. The experiment decided in favor of the quantum theory.”

Otto Stern (1888–1969) German physicist

the conclusion of the historical Stern-Gerlach experiment, in The Method of Molecular Rays http://nobelprize.org/nobel_prizes/physics/laureates/1943/stern-lecture.html, Nobel Lecture, December 12, 1946.

“A frequent source of misunderstanding has to do with the interpretation of fuzzy logic. The problem is that the term fuzzy logic has two different meanings. More specifically, in a narrow sense, fuzzy logic, FLn, is a logical system which may be viewed as an extension and generalization of classical multivalued logics. But in a wider sense, fuzzy logic, FLw is almost synonymous with the theory of fuzzy sets. In this context, what is important to recognize is that: (a) FLw is much broader than FLn and subsumes FLn as one of its branches; (b) the agenda of FLn is very different from the agendas of classical multivalued logics; and (c) at this juncture, the term fuzzy logic is usually used in its wide rather than narrow sense, effectively equating fuzzy logic with FLw</sub”

Lotfi A. Zadeh (1921–2017) Electrical engineer and computer scientist

Zadeh (1995) in Foreword of George J. Klir Fuzzy sets and fuzzy logic: theory and applications.
1990s

Problem, Sense

“I was…attacked for being a pasticheur, chided for composing “simple” music, blamed for deserting “modernism,” accused of renouncing my “true Russian heritage.” People who had never heard of, or cared about, the originals cried “sacrilege”: “The classics are ours. Leave the classics alone.” To them all my answer was and is the same: You “respect,” but I love.”

Igor Stravinsky (1882–1971) Russian composer, pianist and conductor

Expositions and Developments (1959), pp. 113-114
1950s

Love, People, Music

“Classical musicians go to the conservatories, rock´n roll musicians go to the garages.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Interview at Swedish Radio, programme Nightflite (circus 1980) http://home.swipnet.se/bengt-jonsson/zappaint.htm#Bobby

“I do not know what meaning classical studies could have for our time if they were not untimely—that is to say, acting counter to our time and thereby acting on our time and, let us hope, for the benefit of a time to come.”

Friedrich Nietzsche Untimely Meditations

“On the uses and disadvantages of history for life,” R. Hollingdale, trans. (1983), § 2.0, p. 60
Untimely Meditations (1876)

Hope, Study, Time

“When I arrived at Harvard in 1969, my fellow first-year graduate students and I were taken up to the roof of the Widener Library by a well-known professor of classics. He told us how many Episcopal churches could be seen from that vantage point. As a Jew (in fact a convert from Episcopalian Christianity), I knew that my husband and I would have been forbidden to marry in Harvard's church, which had just refused to accept a Jewish wedding. As a woman I could not eat in the main dining room of the faculty club, even as a member's guest. Only a few years before, a woman would not have been able to use the undergraduate library. In 1972 I became the first female to hold the Junior Fellowship that relieved certain graduate students from teaching so that they could get on with their research. At that time I received a letter of congratulation from a prestigious classicist saying that it would be difficult to know what to call a female fellow, since "fellowess" was an awkward term. Perhaps the Greek language could solve the problem: since the masculine for "fellow" in Greek was hetairos, I could be called a hetaira. Hetaira, however, as I knew, is the ancient Greek word not for “fellowess” but for “courtesan.””

Martha C. Nussbaum (1947) American philosopher

[Martha C. Nussbaum, Cultivating Humanity, https://books.google.com/books?id=V7QrAwAAQBAJ&pg=PA6, 1 October 1998, Harvard University Press, 978-0-674-73546-0, 6–7]

Problem, Wedding, Time

“Against individualism, the Fascist conception is for the State; and it is for the individual in so far as he coincides with the State.... It is opposed to classical Liberalism.... Liberalism denied the State in the interests of the particular individual; Fascism reaffirms the State as the true reality of the individual.”

Benito Mussolini book The Doctrine of Fascism

"The Doctrine of Fascism" Firenze: Vallecchi Editore (1935 version), p. 13
1930s

Reality

“To know the quantum mechanical state of a system implies, in general, only statistical restrictions on the results of measurements. It seems interesting to ask if this statistical element be thought of as arising, as in classical statistical mechanics, because the states in question are averages over better defined states for which individually the results would be quite determined. These hypothetical 'dispersion free' states would be specified not only by the quantum mechanical state vector but also by additional 'hidden variables' - 'hidden' because if states with prescribed values of these variables could actually be prepared, quantum mechanics would be observably inadequate.”

John S. Bell (1928–1990) Northern Irish physicist

On the problem of hidden variables in quantum mechanics (1966)

Question

“People who read only the classics are sure to remain up-to-date.”

Marie von Ebner-Eschenbach (1830–1916) Austrian writer

Wenn man nur die Alten liest, ist man sicher, immer neu zu bleiben.
Source: Aphorisms (1880/1893), p. 24.

People, Reading

“p>To the new International that is now in the irreversible process of preparation we can contribute the ideas of worldwide organization and the world state; the English can suggest the idea of worldwide exploitation and trusts; the French can offer nothing….
Thus we find two great economic principles opposed to each other in the modern world. The Viking has become a free-tradesman; the Teutonic knight is now an administrative official. There can be no reconciliation. Each of these principles is proclaimed by a German people, Faustian men par excellence. Neither can accept a restriction of its will, and neither can be satisfied until the whole world has succumbed to its particular idea. This being the case, war will be waged until one side gains final victory. Is world economy to be worldwide exploitation, or worldwide organization? Are the Caesars of the coming empire to be billionaires or universal administrators? Shall the population of the earth, so long as this empire of Faustian civilization holds together, be subjected to cartels and trusts, or to men such as those envisioned in the closing pages of Goethe’s Faust, Part II? Truly, the destiny of the world is at stake….
This brings us to the political aspects of the English-Prussian antithesis. Politics is the highest and most powerful dimension of all historical existence. World history is the history of states; the history of states is the history of wars. Ideas, when they press for decisions, assume the form of political units: countries, peoples, or parties. They must be fought over not with words but with weapons. Economic warfare becomes military warfare between countries or within countries. Religious associations such as Jewry and Islam, Huguenots and Mormons, constitute themselves as countries when it becomes a matter of their continued existence or their success. Everything that proceeds from the innermost soul to become flesh or fleshly creation demands a sacrifice of flesh in return. Ideas that have become blood demand blood. War is the eternal pattern of higher human existence, and countries exist for war’s sake; they are signs of readiness for war. And even if a tired and blood-drained humanity desired to do away with war, like the citizens of the Classical world during its final centuries, like the Indians and Chinese of today, it would merely exchange its role of war-wager for that of the object about and with which others would wage war. Even if a Faustian universal harmony could be attained, masterful types on the order of late Roman, late Chinese, or late Egyptian Caesars would battle each other for this Empire—for the possession of it, if its final form were capitalistic; or for the highest rank in it, if it should become socialistic.”

Oswald Spengler (1880–1936) German historian and philosopher

Prussianism and Socialism (1919)

Men, War, People, World

“Why have stockholders?… What contribution do they make, entitling them to heirship of half the profits of the industrial system, receivable partly in the form of dividends, and partly in the form of increased market values resulting from undistributed corporate gains? Stockholders toil not, neither do they spin, to earn that reward. They are beneficiaries by position only. Justification for their inheritance must be sought outside classic economic reasoning…. [and] can be founded only upon social grounds… that justification turns on the distribution as well as the existence of wealth. Its force exists only in direct ratio to the number of individuals who hold such wealth. Justification for the stockholder's existence thus depends on increasing distribution within the American population. Ideally the stockholder's position will be impregnable only when every American family has its fragment of that position and of the wealth by which the opportunity to develop individuality becomes fully actualized.”

Adolf A. Berle (1895–1971) American diplomat

1967, p. xxiii
The Modern Corporation and Private Property. 1932/1967

Family, Dependency, Wealth

“My fans really love me, so they want to understand classical music and I want to help them.”

Li Yundi (1982) Chinese pianist

telegraph.co.uk http://www.telegraph.co.uk/culture/music/classicalmusic/10863146/Lang-Lang-Weve-never-met.html

Love, Music, Understanding, Help

“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”

Thomas Mann book Death in Venice

Source: Death in Venice (1912), Ch. 2, as translated by David Luke

Beauty, Sense, Time

“The apartments of the rich are cabinets of curiosities: a conglomeration of classical antiquity, gothic, renaissance; Louis XIII… Something from every century but our own, a predicament that has arisen in no other period… so that we seem to be subsisting on the ruins of the past, as if the end of the world were near.”

Alfred de Musset (1810–1857) French writer

This quotation is useful for explanations of the period of art nouveau, and the causes of the art movement.
Confession d'un Enfant du Siécle (1836)(translation)

World, Past

“Everything I loved had been dead for two centuries—or, as in the case of Graeco-Roman classicism, for two milenniums. I am never a part of anything around me—in everything I am an outsider. Should I find it possible to crawl backward through the Halls of Time to that age which is nearest my own fancy, I should doubtless be bawled out of the coffee-houses for heresy in religion, or else lampooned by John Dennis till I found refuge in the deep, silent Thames, that covers many another unfortunate. Yes, I seem to be a decided pessimist!—But pray do not think, gentlemen, that I am utterly forlorn and misanthropick creature. … Despite my solitary life, I have found infinite joy in books and writing, and am by far too much interested in the affairs of the world to quit the scene before Nature shall claim me. Though not a participant in the Business of life; I am, like the character of Addison and Steele, an impartial (or more or less impartial) Spectator, who finds not a little recreation in watching the antics of those strange and puny puppets called men. A sense of humour has helped me to endure existence; in fact, when all else fails, I never fail to extract a sarcastic smile from the contemplation of my own empty and egotistical career!”

H.P. Lovecraft (1890–1937) American author

Letter to "The Keicomolo"—Kleiner, Cole, and Moe (October 1916), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, p. 27
Non-Fiction, Letters

Love, Life, Men, Books

“I have discovered three things which know no geographical borders - classical music, American jazz, and applause as the sign of the public's favor.”

Jascha Heifetz (1901–1987) Lithuanian violinist

Heifetz official web site http://www.jaschaheifetz.com/about/quotes.html

Music

“Classical mechanics has been developed continuously from the time of Newton and applied to an ever-widening range of dynamical systems, including the electromagnetic field in interaction with matter. The underlying ideas and the laws governing their application form a simple and elegant scheme, which one would be inclined to think could not be seriously modified without having all its attractive features spout. Nevertheless it has been found possible to set up a new scheme, called quantum mechanics, which is more suitable for the description of phenomena on the atomic scale and which is in some respects more elegant and satisfying than the classical scheme. This possibility is due to the changes which the new scheme involves being of a very profound character and not clashing with the features of the classical theory that make it so attractive, as a result of which all these features can be incorporated in the new scheme.”

Paul Dirac book Principles of Quantum Mechanics

I. The Principle of Superposition - 1. The Need for a Quantum Theory
The Principles of Quantum Mechanics (4th ed. 1958)

Law, Idea, Thinking, Change

“By the time I was a student in high school I was reading the classic Men of Mathematics by E. T. Bell and I remember succeeding in proving the classic Fermat theorem about an integer multiplied by itself p times where p is a prime.”

John Nash (1928–2015) American mathematician and Nobel Prize laureate

Autobiographical essay (1994)

Men, School, Mathematics, Time

“The unconscious is not just evil by nature, it is also the source of the highest good: not only dark but also light, not only bestial, semihuman, and demonic but superhuman, spiritual, and, in the classical sense of the word, "divine."”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

The Practice of Psychotherapy, p. 364 (1953)

Nature, Sense, Light, Evil

“Definition of a classic — something that everybody wants to have read and nobody wants to read.”

Mark Twain (1835–1910) American author and humorist

Quoting or paraphrasing a Professor Winchester in "Disappearance of Literature" http://etext.lib.virginia.edu/etcbin/toccer-new2?id=TwaSpee.sgm&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=52&division=div1, speech at the Nineteenth Century Club, New York, 20 November 1900, in Mark Twain's Speeches (1910), ed. William Dean Howells, p. 194 http://books.google.com/books?id=7etXZ5Q17ngC&pg=PA194 <br class="br">Variant: A classic – something that everybody wants to have read and nobody wants to read.

Reading

“However far the phenomena transcend the scope of classical physical explanation, the account of all evidence must be expressed in classical terms. The argument is that simply by the word "experiment" we refer to a situation where we can tell others what we have done and what we have learned and that, therefore, the account of the experimental arrangement and of the results of the observations must be expressed in unambiguous language with suitable application of the terminology of classical physics.”

Niels Bohr (1885–1962) Danish physicist

Niels Bohr, "Discussions with Einstein on Epistemological Problems in Atomic Physics," in Paul Arthur Schilpp, Albert Einstein: Philosopher Scientist (1949) pp. 199-241.

Learning

“I grew up in the classic American-Jewish suburbia, which has a whole different sense of what it means to be Jewish than anywhere else in the world.”

Natalie Portman (1981) Israeli-American actress

Interview, Jewish Chronicle, 6 July 2007 http://thejc.com/home.aspx?AId=44797&ATypeId=1&search=true2&srchstr=Natalie%20Portman&srchtxt=1&srchhead=1&srchauthor=1&srchsandp=1&scsrch=0

World, Sense

“Classical political economy nearly touches the true relation of things, without, however, consciously formulating it. This it cannot so long as it sticks in its bourgeois skin.”

Karl Marx book Das Kapital

Vol. I, Ch. 19, pg. 594.
Das Kapital (Buch I) (1867)

“Dread of disaster makes everybody act in the very way that increases the disaster. Psychologically the situation is analogous to that of people trampled to death when there is a panic in a theatre caused by a cry of 'Fire!' In the situation that existed in the great depression, things could only be set right by causing the idle plant to work again. But everybody felt that to do so was to risk almost certain loss. Within the framework of classical economics there was no solution. Roosevelt saved the situation by bold and heretical action. He spent billions of public money and created a huge public debt, but by so doing he revived production and brought his country out of the depression. Businessmen, who in spite of such a sharp lesson continued to believe in old-fashioned economics, were infinitely shocked, and although Roosevelt saved them from ruin, they continued to curse him and to speak of him as 'the madman in the White House.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Except for Fabre's investigation of the behavior of insects, I do not know any equally striking example of inability to learn from experience.
Part II: Man and Man, Ch. 14: Economic Co-operation and Competition, pp. 132–3
1950s, New Hopes for a Changing World (1951)

Death, Money, People, Way

“One possibility in this direction is to regard, classically, an electron as the end of a single Faraday line of force. The electric field in this picture from discrete Faraday lines of force, which are to be treated as physical things, like strings. One has then to develop a dynamics for such a string like structure, and quantize it…. In such a theory a bare electron would be inconceivable, since one cannot imagine the end of a piece of string without having the string.”

Paul Dirac (1902–1984) theoretical physicist

Bombay Lectures (1955)

Imagination

“The best critics of the nineteenth and twentieth centuries demand perfect rhyming, and no aspirant for fame can afford to depart from a standard so universal. It is evidently the true goal of the English, as well as of the French bard; the goal from which we are but temporarily deflected during the preceding age.
But exceptions should and must be made in the case of a few who have somehow absorbed the atmosphere of other days, and who long in their hearts for the stately sound of the old classic cadences. Well may their predilection for imperfect rhyming be discouraged to a limited extent, but to chain them wholly to modern rules would be barbarous. Every limited mind demands a certain freedom of expression, and the man who cannot express himself satisfactorily without the stimulation derived from the spirited mode of two centuries ago should certainly be permitted to follow without undue restraint a practice so harmless, so free from essential error, and so sanctioned by precedent, as that of employing in his poetical compositions the smooth and inoffensive allowable rhyme.”

H.P. Lovecraft (1890–1937) American author

The Allowable Rhyme (1915)
Non-Fiction

Age, Error, Freedom, Universe

“Philological considerations have slowly but surely taken the place of profound explorations of eternal problems. The question becomes: What did this or that philosopher think or not think? And is this or that text rightly ascribed to him or not? And even: Is this variant of a classical text preferable to that other? Students in university seminars today are encouraged to occupy themselves with such emasculated inquiries. As a result, of course, philosophy itself is banished from the university altogether.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

So ist langsam an Stelle einer tiefsinnigen Ausdeutung der ewig gleichen Probleme ein historisches, ja selbst ein philologisches Abwägen und Fragen getreten: was der und jener Philosoph gedacht habe oder nicht, oder ob die und jene Schrift ihm mit Recht zuzuschreiben sei oder gar ob diese oder jene Lesart den Vorzug verdiene. Zu einem derartigen neutralen Sichbefassen mit Philosophie werden jetzt unsere Studenten in den philosophischen Seminarien unserer Universitäten angereizt: weshalb ich mich längst gewöhnt habe, eine solche Wissenschaft als Abzweigung der Philologie zu betrachten und ihre Vertreter danach abzuschätzen, ob sie gute Philologen sind oder nicht. Demnach ist nun freilich die Philosophie selbst von der Universität verbannt: womit unsre erste Frage nach dem Bildungswert der Universitäten beantwortet ist.
Anti-Education (1872)

Question, Problem, Thinking, Universe

“Attributed across social media to TSZ. Is actually quoted in TSZ, Penguin Classics, Reg Hollingdale translation, in the introduction pg 12. Attributed to 'posthumously produced notes' [Nachlass? ] Hollingdale continues.' In a man who thinks like this, the dichotomy between thinking and feeling, intellect and passion, has really disappeared. He feels his thoughts. He can fall in love with an idea. An idea can make him ill.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Disputed

Love, Feeling, Quotes, Idea

“on the radio I heard the news
of that day
at least 6 times, I was
well versed in world
affairs.
the remainder of the stations played a
thin, sick music.
the classical stations refused to come in
clearly
and when they did
it was a stale repetition of standard and
tiresome works.

I turned the radio off.
a strange whirling began in my
head—it circled behind the forehead, clockwise…
I began to wonder, is this what happens
when one goes
mad?”

Charles Bukowski (1920–1994) American writer

"jam"
The Last Night of the Earth Poems (1992)

World, Music, Time, Madness

“[New classical economics] was the starting point for a rightward shift in economics that went against the idea that monetary policy can improve macroeconomic outcomes.”

Janet Yellen (1946) American economist and professor

The Hand on the Lever (2014)

Idea

“I think that people are entitled to be amused, and entertained. If they see deviations from this classical norm, it's probably good for their mental health.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Cocaine Decisions (1983) http://youtube.com/watch?v=RDEwJ2xlSXk <br class="br">Context: I'll tell you what classical music is, for those of you who don't know. Classical music is this music that was written by a bunch of dead people a long time ago. And it's formula music, the same as top forty music is formula music. In order to have a piece be classical, it has to conform to academic standards that were the current norms of that day and age … I think that people are entitled to be amused, and entertained. If they see deviations from this classical norm, it's probably good for their mental health.

People, Health, Thinking

“Beginners learned how to establish parallels, by means of the Game's symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)
Context: Under the shifting hegemony of now this, now that science or art, the Game of games had developed into a kind of universal language through which the players could express values and set these in relation to one another. Throughout its history the Game was closely allied with music, and usually proceeded according to musical and mathematical rules. One theme, two themes, or three themes were stated, elaborated, varied, and underwent a development quite similar to that of the theme in a Bach fugue or a concerto movement. A Game, for example, might start from a given astronomical configuration, or from the actual theme of a Bach fugue, or from a sentence out of Leibniz or the Upanishads, and from this theme, depending on the intentions and talents of the player, it could either further explore and elaborate the initial motif or else enrich its expressiveness by allusions to kindred concepts. Beginners learned how to establish parallels, by means of the Game's symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.

Law, Music, Game, Nature

“All of his classical techniques and standard styles are minimized, if not wiped out, and nothingness prevails. He is no longer confined.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker

Source: The Warrior Within : The Philosophies of Bruce Lee (1996), p. 108-109
Context: The Three Stages of Cultivation — The first is the primitive stage. It is a stage of original ignorance in which a person knows nothing about the art of combat. In a fight, he simply blocks and strikes instinctively without a concern for what is right and wrong. Of course, he may not be so-called scientific, but, nevertheless, being himself, his attacks or defenses are fluid. The second stage — the stage of sophistication, or mechanical stage — begins when a person starts his training. He is taught the different ways of blocking, striking, kicking, standing, breathing, and thinking — unquestionably, he has gained the scientific knowledge of combat, but unfortunately his original self and sense of freedom are lost, and his action no longer flows by itself. His mind tends to freeze at different movements for calculations and analysis, and even worse, he might be called “intellectually bound” and maintain himself outside of the actual reality. The third stage — the stage of artlessness, or spontaneous stage — occurs when, after years of serious and hard practice, the student realizes that after all, gung fu is nothing special. And instead of trying to impose on his mind, he adjusts himself to his opponent like water pressing on an earthen wall. It flows through the slightest crack. There is nothing to try to do but try to be purposeless and formless, like water. All of his classical techniques and standard styles are minimized, if not wiped out, and nothingness prevails. He is no longer confined.

“Being in a band is a lot like having a classic car. You have to constantly tune it and care for it, because if you don’t then it’s going to rust and fall apart.”

Billie Joe Armstrong (1972) American singer and guitarist

Cars

“In this derivation Bohr had relied on the old idea of classical radiation theory, that the frequencies of spectral lines should agree with the frequency of the electron’s orbital motion, but he had assumed this only for the largest orbits, with large n. The light frequencies he calculated for transitions between lower states, such as n=2 → n=1, did not at all agree with the orbital frequency of the initial or final state. So Bohr’s work represented another large step away from classical physics.”

Steven Weinberg (1933) American theoretical physicist

Source: Lectures on Quantum Mechanics (2012, 2nd ed. 2015), Ch. 1: Historical Introduction

Light, Idea

“To start, we will consider a single particle moving in three space dimensions under the influence of a general central potential. Later we will specialize to the case of a Coulomb potential, and work out the spectrum of hydrogen. One other classic problem, the harmonic oscillator, will be treated at the end of this chapter.”

Steven Weinberg (1933) American theoretical physicist

Source: Lectures on Quantum Mechanics (2012, 2nd ed. 2015), Ch. 2: Particle States in a Central Potential

Problem

“The Ramacharitamanas undoubtedly is the great poem worthy to rank among the great classical masterpieces of world literature.”

Tulsidas (1532–1623) Hindu poet-saint

Source: On Tulsidas’s epic Ramacharritamanas, P.E.Keay in "A Garden of Deeds: Ramacharitmanas, a Message of Human Ethics", p. 35

World, Literature

“On Martin Scorsese: Martin has brought so much to the art form of film, and he is not the type of person who would be upset by not receiving an Oscar, although it is a practical joke that he has not won an Academy Award after all these years. Whatever opinions critics will have of The Aviator, I really think that this is a great piece of art: once again, he has made a great classic film.”

Leonardo DiCaprio (1974) American actor and film producer

http://www.flixster.com/actor/leonardo-di-caprio/leonardo-dicaprio-quotes

Personality, Thinking, Art

“I also knew the formula that expresses the energy distribution in the normal spectrum. A theoretical interpretation therefore had to be found at any cost, no matter how high. It was clear to me that classical physics could offer no solution to this problem, and would have meant that all energy would eventually transfer from matter to radiation. ...This approach was opened to me by maintaining the two laws of thermodynamics. The two laws, it seems to me, must be upheld under all circumstances. For the rest, I was ready to sacrifice every one of my previous convictions about physical laws. ...[One] finds that the continuous loss of energy into radiation can be prevented by assuming that energy is forced at the outset to remain together in certain quanta. This was purely a formal assumption and I really did not give it much thought except that no matter what the cost, I must bring about a positive result.”

Max Planck (1858–1947) German theoretical physicist

Letter to Robert W. Wood (October 7, 1931) in Archive for the History of Quantum Physics, Microfilm 66, 5, as cited in Thomas S. Kuhn, Black-Body Theory and the Quantum Discontinuity, 1894–1912 (1978) pp. 132, 288. Translation of the entire letter, which is follow above is in Armin Hermann, Frühgeschiche der Quantentheorie (1899–1913) Mosbach/Baden: Physik Verlag (1969), transl. Claude W. Nash, p. 23 of the translation; and also in M. S. Longair,Theoretical Concepts in Physics(Cambridge and NewYork: Cambridge University Press, 1984), ch. 6–12, p. 222. All as quoted/cited by Clayton A. Gearhart, "Planck, the Quantum, and the Historians" http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.613.4262&rep=rep1&type=pdf, Physics in Perspective, 4 (2002) 170-215.

Problem, Loss, Law

“There is no need for words in the world of classical music. Silence speaks louder here.”

Mwanandeke Kindembo (1996) Congolese author

Silence, Music, World

“Become major, Paul. Live like a hero. That's what the classics teach us. Be a main character. Otherwise what is life for?”

J.M. Coetzee (1940) South African writer

Life

“If Music is a Place -- then Jazz is the City, Folk is the Wilderness, Rock is the Road, Classical is a Temple.”

Vera Nazarian (1966) American writer

Music

“I flipped the good doctor the bird.
Snorting, Gideon caught my hand and pulled me back down the hall.
"What is it with you and giving people the finger?"
"What? It's a classic.”

Sylvia Day (1973) American writer

Source: Reflected in You

People, Bird

“A classic is classic not because it conforms to certain structural rules, or fits certain definitions (of which its author had quite probably never heard). It is classic because of a certain eternal and irrepressible freshness.”

Edith Wharton (1862–1937) American novelist, short story writer, designer

Ezra Pound, ABC of Reading (1934): "Warning"
Misattributed

“This is a classic story of the friendship between humans and cats. Yes. I got in a lie right from the start!”

Hiro Mashima (1977) Japanese manga artist

Source: Fairy Tail, Vol. 1

Friendship, Lie, Cats

“Fire isn't always an element of destruction. Classical alchemical doctrine teaches that it also has dominion over another province: change.”

Jim Butcher book Cold Days

Source: Cold Days

Change

“The Princess Bride
S. Morgenstern's
Classic Tale of True Love
and High Adventure

You had to admire a guy who called his own new book a classic before it was published and anyone had a chance to read it.”

William Goldman book The Princess Bride

Source: The Princess Bride

Love, Books, Guy, Chance

“Wait a minute! Wait a minute! I figured this out.
I know what's wrong with what we've done in Iraq.
We've been following time as it goes forward.
What a classic mistake. Linear time is so pre-9-11.”

Jon Stewart (1962) American political satirist, writer, television host, actor, media critic and stand-up comedian

Time, Waiting

“I was fairly poor
but most of my money went
for wine and
classical music.
I loved to mix the two
together.”

Charles Bukowski (1920–1994) American writer

Source: The Last Night of the Earth Poems

Love, Money, Music, Wine

“Hemingway has his classic moment in "The Sun Also Rises" when someone asks Mike Campbell how he went bankrupt. All he can say is, "Gradually, then suddenly." That's how depression hits. You wake up one morning, afraid that you're gonna live.”

Elizabeth Wurtzel book Prozac Nation

Variant: There is a classic moment in ‘The Sun Also Rises’ when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, “Gradually and then suddenly.” When someone asks how I lost my mind, that’s all I can say too.
Source: Prozac Nation

Sun

“Read everything. Read fiction and non-fiction, read hot best sellers and the classics you never got around to in college.”

Jennifer Weiner (1970) American writer

Reading

“Definition of a classic: a book everyone is assumed to have read and often thinks they have.”

Alan Bennett (1934) English actor, author

Books, Thinking, Reading

“As long as we have Netfix, Turner Classic Movies, Amazon, YouTube, and bookstores, there is no excuse ever to lack inspiration.”

Tim Gunn (1953) American actor and fashion consultant

Source: Gunn's Golden Rules: Life's Little Lessons for Making It Work

“By the Angel, it just crushed Sophocles," noted Will. "Has no one respect for the classics these days?”

Cassandra Clare book Clockwork Princess

Source: Clockwork Princess

Angels

“I think classical ballet dancers dance on pointe because they're simultaneously touching the earth and reaching up to the skies”

Paulo Coelho (1947) Brazilian lyricist and novelist

Source: The Witch Of Portobello

Thinking, Dance

“Every man with a bellyful of the classics is an enemy to the human race”

Henry Miller (1891–1980) American novelist

“So much of liberalism in its classical sense is taken for granted in the West today and even disrespected. We take freedom for granted, and because of this we don't understand how incredibly vulnerable it is.”

Niall Ferguson (1964) British historian

"Niall Ferguson: 'Westerners don't understand how vulnerable freedom is'" https://www.theguardian.com/books/2011/feb/20/niall-ferguson-interview-civilization, The Guardian, February 20, 2011.

Understanding, Sense, Freedom