Quotes about classic
page 4

Gene Kelly photo
Asger Jorn photo
Max Müller photo

“As for more than twenty years my principal work has been devoted to the ancient literature of India, I cannot but feel a deep and real sympathy for all that concerns the higher interests of the people of that country. Though I have never been in India, I have many friends there, both among the civilians and among the natives, and I believe I am not mistaken in supposing that the publication in England of the ancient sacred writings of the Brahmans, which had never been published in India, and other contributions from different European scholars towards a better knowledge of the ancient literature and religion of India, have not been without some effect on the intellectual and religious movement that is going on among the more thoughtful members of Indian society. I have sometimes regretted that I am not an Englishman, and able to help more actively in the great work of educating and improving the natives. But I do rejoice that this great task of governing and benefiting India should have fallen to one who knows the greatness of that task and all its opportunities and responsibilities, who thinks not only of its political and financial bearings, but has a heart to feel for the moral welfare of those millions of human beings that are, more or less directly, committed to his charge. India has been conquered once, but India must be conquered again, and that second conquest should be a conquest by education. Much has been done for education of late, but if the funds were tripled and quadrupled, that would hardly be enough. The results of the educational work carried on during the last twenty years are palpable everywhere. They are good and bad, as was to be expected. It is easy to find fault with what is called Young Bengal, the product of English ideas grafted on the native mind. But Young Bengal, with all its faults, is full of promise. Its bad features are apparent everywhere, its good qualities are naturally hidden from the eyes of careless observers.... India can never be anglicized, but it can be reinvigorated. By encouraging a study of their own ancient literature, as part of their education, a national feeling of pride and self-respect will be reawakened among those who influence the large masses of the people. A new national literature may spring up, impregnated with Western ideas, yet retaining its native spirit and character. The two things hang together. In order to raise the character of the vernaculars, a study of the ancient classical language is absolutely necessary: for from it these modern dialects have branched off, and from it alone can they draw their vital strength and beauty. A new national literature will bring with it a new national life and new moral vigour. As to religion, that will take care of itself. The missionaries have done far more than they themselves seem to be aware of, nay, much of the work which is theirs they would probably disclaim. The Christianity of our nineteenth century will hardly be the Christianity of India. But the ancient religion of India is doomed — and if Christianity does not step in, whose fault will it be?”

Max Müller (1823–1900) German-born philologist and orientalist

Letter to the Duke of Argyll, published in The Life and Letters of Right Honorable Friedrich Max Müller (1902) edited by Georgina Müller

Jordan Vogt-Roberts photo

“Kong, I think represents a classic cinematic case of being misunderstood. And so, tapping into that is a very, very pure way of breaking down his character and then getting into him being this lonely protector, and the sad plight that he has is a totally different thing than we’ve seen before. Was it difficult? Sure, but it was necessary.”

Jordan Vogt-Roberts (1984) American film director

Interview: Director Jordan Vogt-Roberts on Resurrecting an Icon for KONG: SKULL ISLAND http://dailydead.com/interview-director-jordan-vogt-roberts-on-resurrecting-an-icon-for-kong-skull-island/ (March 9, 2017)

Joanna MacGregor photo
Bhimsen Joshi photo

“Had I not been a classical singer, I would have loved to spend my entire life in a garage fine-tuning a Fiat or a Maruti.”

Bhimsen Joshi (1922–2011) Indian vocalist

His often repeated lines. Relentless riyaz- Bhimsen Joshis recipe for success, 29 November 2013, Deccan Herald http://archive.deccanherald.com/content/Nov52008/national2008110598978.asp?section=thirdcolumnupdatenews,

Herbert Read photo
John Gray photo
Akshay Agrawal photo

“It was not easy. It was a classic case of the owner believing in the idea more than anyone else. But now when I look back, I feel thankful that we got no funding, else we'd have used all the money in lesser things. This forced us to re-invent ourselves from the ground up. The no-money module works”

Akshay Agrawal (1998) Serial Social Entrepreneur

A Class Apart - Mid Day 23rd October 2016 http://www.mid-day.com/articles/zomato-for-schools-mumbai-boy-akshay-agrawal-creates-website-to-rank-schools/17706190

David Graeber photo
Wilhelm II, German Emperor photo

“I am just now not reading but devouring Captain Mahan's book and am trying to learn it by heart. It is a first-class book and classical on all points.”

Wilhelm II, German Emperor (1859–1941) German Emperor and King of Prussia

Letter to an American friend (1893), quoted in John Rohl, Wilhelm II: The Kaiser's Personal Monarchy 1888-1900 (Cambridge: Cambridge University Press, 2004), p. 1003
1890s

Bud Selig photo

“Anyone taking classics or history for the prestige is either at Oxford or stuck in 1909.”

Laura Penny (1975) Canadian journalist

Source: More Money than Brains (2010), Chapter One, Don't Need No Edjumacation, p. 13

Raheem Kassam photo

“Insulting the hijab is also hardly Islamophobic. Indeed many in the West see the hijab as a symbol of oppression against women, and in opposing it are simply standing up for classical liberal, Western values.”

Raheem Kassam (1986) British journalist and politician

BBC Says Opposing Shariah Law Is ‘Islamophobic’ http://www.breitbart.com/london/2016/08/19/bbc-refusing-shariah-law-islamophobia/ (Aug 19, 2016)

Karl Wilhelm Friedrich Schlegel photo

“To live classically and to realize antiquity practically within oneself is the summit and goal of philology.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Philosophical Fragments, P. Firchow, trans. (1991) § 147

“In this chapter I want to raise the question partly in jest but partly also in seriousness whether the concept of the image cannot become the abstract foundation of a new science, or at least a cross-disciplinary specialization. As I am indulging in the symbolic communication of an image of images I will even venture to give the science a name — Eiconics — hoping thereby to endow it in the minds of my readers with some of the prestige of classical antiquity. I run some risk perhaps of having my new science confused with the study of icons. A little confusion, however, and the subtle overtones of half-remembered associations are all part of the magic of the name.”

Kenneth E. Boulding (1910–1993) British-American economist

Robert A. Solo (1994) commented: "Curiously, and quite independently of the publication of the The Image, there did occur in the 1950s and in the decades that followed a revolutionary transformation of the social and behavioral sciences associated with the term structuralism, which hinged on the concept and study of the image (call it cognitive structure, or paradigm, or episteme, or ideology). This was the case in the work of Jean Piaget in psychology, of Thomas Kuhn and Michael Foucault in the history and philosophy of science, of Noam Chomsky in linguistics, of Claude Levi Strauss in anthropology, and others. Though The Image was the first and in my view by far the finest American structuralist essay, it had no visible impact on economics... The economist's image of his world is alas very difficult to penetrate and even more difficult to change."
Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 128

Sidney Coleman photo

“People get a lot of confusion, because they keep trying to think of quantum mechanics as classical mechanics”

Sidney Coleman (1937–2007) American physicist

Quantum Mechanics in Your Face http://www.physics.harvard.edu/about/video.html, a lecture given by Sidney Coleman at the New England sectional meeting of the American Physical Society (Apr. 9, 1994)

André Maurois photo
Alain Aspect photo
William Hazlitt photo

“Any one who has passed through the regular gradations of a classical education, and is not made a fool by it, may consider himself as having had a very narrow escape.”

William Hazlitt (1778–1830) English writer

"On the Ignorance of the Learned"
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

James Jeans photo
Jesús Huerta de Soto photo

“Nepotism. My brother’s son, André Fischer, was the drummer in the band Rufus, with Chaka Khan. Apparently, the arrangements I made for their early records were appreciated, so in the following years I was hired almost exclusively by black artists. I am surprised that my arrangements are now considered one of the prerequisites for a hit album. People feel that they make a song sound almost classical.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

On how a white American of German extraction became the orchestral 'sweetener' of choice for R&B artists, as quoted in "Clare Fischer: The Best Kept Secret in Jazz" http://www.artistinterviews.eu/?page_id=5&parent_id=22/

Thomas Babington Macaulay, 1st Baron Macaulay photo
Ferdinand de Saussure photo
Gloria Estefan photo

“My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beathles song, "Till There was You"… also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be rady for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

Robert Rauschenberg photo
Oswald Spengler photo

“And at that point, too, in Buddhist India as in Babylon, in Rome as in our own cities, a man's choice of the woman who is to be, not mother of his children as amongst peasants and primitives, but his own "companion for life", becomes a problem of mentalities. The Ibsen marriage appears, the "higher spiritual affinity" in which both parties are "free"—free, that is, as intelligences, free from the plantlike urge of the blood to continue itself, and it becomes possible for a Shaw to say "that unless Woman repudiates her womanliness, her duty to her husband, to her children, to society, to the law, and to everyone but herself, she cannot emancipate herself." The primary woman, the peasant woman, is mother. The whole vocation towards which she has yearned from childhood is included in that one word. But now emerges the Ibsen woman, the comrade, the heroine of a whole megalopolitan literature from Northern drama to Parisian novel. Instead of children, she has soul-conflicts; marriage is a craft-art for the achievement of "mutual understanding"….
At this level all Civilizations enter upon a stage, which lasts for centuries, of appalling depopulation. The whole pyramid of cultural man vanishes. It crumbles from the summit, first the world-cities, then the provincial forms, and finally the land itself, whose best blood has incontinently poured into the towns, merely to bolster them up awhile. At the last, only the primitive blood remains, alive, but robbed of its strongest and most promising elements. This residue is the Fellah type.
If anything has demonstrated the fact that Causality has nothing to do with history, it is the familiar "decline" of the Classical, which accomplished itself long before the irruption of Germanic migrants. The Imperium enjoyed the completest peace; it was rich and highly developed; it was well organized; and it possessed in its emperors from Nerva to Marcus Aurelius a series of rulers such as the Caesarism of no other Civilization can show. And yet the population dwindled, quickly and wholesale. The desperate marriage-and-children laws of Augustus—amongst them the Lex de maritandis ordinibus, which dismayed Roman society more than the destruction of Varus's legions—the wholesale adoptions, the incessant plantation of soldiers of barbarian origin to fill the depleted country-side, the immense food-charities of Nerva and Trajan for the children of poor parents—nothing availed to check the process.”

Vol. II, Alfred A. Knopf, 1928, pp. 104–06 https://archive.org/stream/Decline-Of-The-West-Oswald-Spengler/Decline_Of_The_West#page/n573/mode/2up/search/depopulation
The Decline of the West (1918, 1923)

Alastair Reynolds photo
Bernard Lewis photo
Albert Einstein photo

“I am the one to whom you wrote in care of the Belgian Academy… Read no newspapers, try to find a few friends who think as you do, read the wonderful writers of earlier times, Kant, Goethe, Lessing, and the classics of other lands, and enjoy the natural beauties of Munich's surroundings. Make believe all the time that you are living, so to speak, on Mars among alien creatures and blot out any deeper interest in the actions of those creatures. Make friends with a few animals. Then you will become a cheerful man once more and nothing will be able to trouble you.
Bear in mind that those who are finer and nobler are always alone — and necessarily so — and that because of this they can enjoy the purity of their own atmosphere.
I shake your hand in heartfelt comradeship, E.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Response to a letter from an unemployed professional musician (5 April 1933), p. 115
The editors precede this passage thus, "Early in 1933, Einstein received a letter from a professional musician who presumably lived in Munich. The musician was evidently troubled and despondent, and out of a job, yet at the same time, he must have been something of a kindred spirit. His letter is lost, all that survives being Einstein's reply....Note the careful anonymity of the first sentence — the recipient would be safer that way:" Albert Einstein: The Human Side concludes with this passage, followed by the original passages in German.
Attributed in posthumous publications, Albert Einstein: The Human Side (1979)

Adlai Stevenson photo

“Do you remember that in classical times when Cicero had finished speaking, the people said, "How well he spoke"; but when Demosthenes had finished speaking, they said, "Let us march."”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Introducing John F. Kennedy in 1960, as quoted in Adlai Stevenson and The World: The Life of Adlai E. Stevenson‎ (1977) by John Bartlow Martin, p. 549

A. James Gregor photo

“Mussolini was a well-informed and convinced Marxist. His ultimate political convictions represent a reform of classical Marxism in the direction of a restoration of its Hegelian elements.”

A. James Gregor (1929–2019) American political scientist

Source: The Ideology of Fascism: The Rationale of Totalitarianism, (1969), p. 333

Richard Strauss photo

“Melody as revealed in the greatest works of our classics is one of the most noble gifts which an invisible deity has bestowed on mankind.”

Richard Strauss (1864–1949) German composer and orchestra director

Recollections and Reflections

Harriet Beecher Stowe photo
Burkard Schliessmann photo

“The pre-World War I works of Schoenberg, Berg, and Webern, "give a glimpse of a new universe of emancipated discourse, unfortunately quickly abandoned when Schoenberg returned to the classical musical shapes upon adopting the twelve-tone system."”

Elliott Carter (1908–2012) American composer

Elliott Carter (1977). The Writings of Elliott Carter, p.186. Bloomington: Indiana University Press.
Cited in Albright, Daniel (2004). Modernism and Music: An Anthology of Sources. University of Chicago Press. ISBN 0226012670.

Jane Roberts photo
Maurice Denis photo

“.. the classical aesthetic offers us at the same time a method of thinking and a method of wanting to be, a moral and at the same time a psychology... The classical tradition as a whole, by the logic of the effort and the greatness of results, is in some way parallel with the religious tradition of humanity.”

Maurice Denis (1870–1943) French painter

Quote from Denis's essay 'Les Arts a Rome', 1898; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [22]
Denis made Jan. 1895 his first visit to Rome, where the works of Raphael and Michaelangelo in the Vatican made a strong impression upon him.
1890 - 1920

“The creation of a classical style was not so much the achievement of an ideal as the reconciliation of conflicting ideals-the striking of an optimum balance between them.”

Charles Rosen (1927–2012) American pianist and writer on music

Part I. Introduction. 3. The Origins of the Style
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)

Rudolf E. Kálmán photo

“I have been aware from the outset (end of January 1959, the birthdate of the second paper in the citation) that the deep analysis of something which is now called Kalman filtering were of major importance. But even with this immodesty I did not quite anticipate all the reactions to this work. Up to now there have been some 1000 related publications, at least two Citation Classics, etc. There is something to be explained.
To look for an explanation, let me suggest a historical analogy, at the risk of further immodesty. I am thinking of Newton, and specifically his most spectacular achievement, the law of Gravitation. Newton received very ample "recognition" (as it is called today) for this work. it astounded - really floored - all his contemporaries. But I am quite sure, having studied the matter and having added something to it, that nobody then (1700) really understood what Newton's contribution was. Indeed, it seemed an absolute miracle to his contemporaries that someone, an Englishman, actually a human being, in some magic and un-understandable way, could harness mathematics, an impractical and eternal something, and so use mathematics as to discover with it something fundamental about the universe.”

Rudolf E. Kálmán (1930–2016) Hungarian-born American electrical engineer

Kalman (1986) " Steele Prizes Awarded at the Annual Meeting in San Antonio http://www-history.mcs.st-and.ac.uk/Extras/Kalman_response.html", Notices Amer. Math. Soc. 34 (2) (1987), 228-229.

Laisenia Qarase photo
David Orrell photo
Ragnar Frisch photo

“An important object of the Journal should be the publication of papers dealing with attempts at statistical verification of the laws of economic theory, and further the publication of papers dealing with the purely abstract problems of quantitative economics, such as problems in the quantitative definition of the fundamental concepts of economics and problems in the theory of economic equilibrium.
The term equilibrium theory is here interpreted as including both the classical equilibrium theory proceeding on the lines of Walras, Pareto, and Marshall, and the more general equilibrium theory which is now beginning to grow out of the classical equilibrium theory, partly through the influence of the modern study of economic statistics. Taken in this broad sense the equilibrium problems include virtually all those fundamental problems of production, circulation, distribution and consumption, which can be made the object of a quantitative study. More precisely: The equilibrium theory in the sense here used is a body of doctrines that treats all these problems from a certain point of view, which is contrasted on one side with the verbal treatment of economic problems and on the other side with the purely empirical-statistical approach to economic problems”

Ragnar Frisch (1895–1973) Norwegian economist

Frisch (1927). as quoted in: Bjerkholt, Olav, and Duo Qin. A Dynamic Approach to Economic Theory: The Yale Lectures of Ragnar Frisch. Routledge, 2010: About "Oekonometrika"
1920

C. N. R. Rao photo

“Since there was no infrared spectrometer, I managed to record routine infrared spectra of certain compounds here and there, in order to categorize group frequencies. One of these papers became a citation classic.”

C. N. R. Rao (1934) Indian chemist

About his initial years of his work in Indian Institute of science after his return from USA, p. 40
Climbing the Limitless Ladder: A Life in Chemistry (2010)

“Sraffa’s criticisms of the concept of capital also amount – at least in principle –to a deadly blow to the foundations of the so-called ‘neo-classical synthesis’. Combining Keynes’ thesis on the possibility of fighting unemployment by adopting adequate fiscal and monetary policies with the marginalist tradition of simultaneous determination of equilibrium quantities and prices as a method to study any economic problem, this approach has in the last few decades come to constitute the dominant doctrine in textbooks the whole world over. It is only thanks to increasing specialisation in the various fields of economics, often invoked as the inevitable response to otherwise insoluble difficulties, that the theoreticians of general equilibrium are able to construct their models without considering the problem of relations with the real world that economists are supposed to be interpreting, and that the macroeconomists can pretend that their ‘one commodity models’ constitute an acceptable tool for analysis. For those who believe that the true task facing economists, hard as it may be, is to seek to interpret the world they live in, Sraffa’s ‘cultural revolution’ still marks out a path for research that may not (as yet) have yielded all it was hoped to, but is certainly worth pursuing.”

Alessandro Roncaglia (1947) Italian economist

Source: Piero Sraffa: His life, thought and cultural heritage (2000), Ch. 1. Piero Sraffa

Herbert Marcuse photo
Charles Stross photo
Lee Smolin photo
Raymond Chandler photo
James Jeans photo
Freeman Dyson photo

“The two great conceptual revolutions of twentieth-century science, the overturning of classical physics by Werner Heisenberg and the overturning of the foundations of mathematics by Kurt Gödel, occurred within six years of each other within the narrow boundaries of German-speaking Europe. … A study of the historical background of German intellectual life in the 1920s reveals strong links between them. Physicists and mathematicians were exposed simultaneously to external influences that pushed them along parallel paths. … Two people who came early and strongly under the influence of Spengler's philosophy were the mathematician Hermann Weyl and the physicist Erwin Schrödinger. … Weyl and Schrödinger agreed with Spengler that the coming revolution would sweep away the principle of physical causality. The erstwhile revolutionaries David Hilbert and Albert Einstein found themselves in the unaccustomed role of defenders of the status quo, Hilbert defending the primacy of formal logic in the foundations of mathematics, Einstein defending the primacy of causality in physics. In the short run, Hilbert and Einstein were defeated and the Spenglerian ideology of revolution triumphed, both in physics and in mathematics. Heisenberg discovered the true limits of causality in atomic processes, and Gödel discovered the limits of formal deduction and proof in mathematics. And, as often happens in the history of intellectual revolutions, the achievement of revolutionary goals destroyed the revolutionary ideology that gave them birth. The visions of Spengler, having served their purpose, rapidly became irrelevant.”

Freeman Dyson (1923) theoretical physicist and mathematician

The Scientist As Rebel (2006)

Waheeda Rehman photo
Jim Baggott photo
Honoré de Balzac photo

“Tyranny produces two results, exactly opposite in character, and which are symbolized in those two great types of the slave in classical times — Epictetus and Spartacus. The one is hatred with its evil train, the other meekness with its Christian graces.”

La tyrannie produit deux effets contraires dont les symboles existent dans deux grandes figures de l'esclavage antique: Epictète et Spartacus, la haine et ses sentiments mauvais, la résignation et ses tendresses chrétiennes.
Source: A Daughter of Eve (1839), Ch. 3: The Story of a Happy Woman.

Ernest Bramah photo

“He is capable of any crime, from reviling the Classics to diverting water courses.”

The Story of Lin Ho and the Treasure of Fang-Tso
Kai Lung Unrolls His Mat (1928)

David Mumford photo
Ignatius Sancho photo

“"The Letters of the Late Ignatius Sancho, an African", Penguin Classics (1998) ISBN 0140436375.”

Ignatius Sancho (1729–1780) British composer, writer and grocer

References

Theo van Doesburg photo

“The new architecture has 'opened' the walls so that the separateness of interior and exterior is suppressed. Walls no longer sustain since the system of construction is based upon the use of columns. This results in a new type of ground plan, an open ground plan, which is totally different from classical ones, since interior space and exterior space are interrelated.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's unpublished writing, 'Fundamental principles', 1930; as cited in Theo van Doesburg, Joost Baljeu, Studio Vista, London 1974, p. 203
1926 – 1931

Henri de Toulouse-Lautrec photo
Lee Smolin photo

“We show that some known classical results have particularly simple derivations within the Ashtekar formalism. These include Witten's positive energy theorem…”

Lee Smolin (1955) American cosmologist

"Positive energy in quantum gravity" arXiv (Jun 10, 2014)

Willem de Kooning photo
Herbert Marcuse photo

“If the progressing rationality of advanced industrial society tends to liquidate, as an “irrational rest,” the disturbing elements of Time and Memory, it also tends to liquidate the disturbing rationality contained in this irrational rest. Recognition and relation to the past as present counteracts the functionalization of thought by and in the established reality. It militates against the closing of the universe of discourse and behavior it renders possible the development of concepts which destabilize and transcend the closed universe by comprehending it as historical universe. Confronted with the given society as object of its reflection, critical thought becomes historical consciousness as such, it is essentially judgment. Far from necessitating an indifferent relativism, it searches in the real history of man for the criteria of truth and falsehood, progress and regression. The mediation of the past with the present discovers the factors which made the facts, which determined the war of life, which established the masters and the servants; it projects the limits and the alternatives. When this critical consciousness speaks, it speaks “le langage de la connaissance” (Roland Barthes) which breaks open a closed universe of discourse and its petrified structure. The key terms of this language are not hypnotic nouns which evoke endlessly the same frozen predicates. They rather allow of an open development; they even unfold their content in contradictory predicates. The Communist Manifesto provides a classical example. Here the two key terms, Bourgeoisie and Proletariat, each “govern” contrary predicates. The “bourgeoisie” is the subject of technical progress, liberation, conquest of nature, creation of social wealth, and of the perversion and destruction of these achievements. Similarly, the "proletariat” carries the attributes of total oppression and of the total defeat of oppression. Such dialectical relation of opposites in and by the proposition is rendered possible by the recognition of the subject as an historical agent whose identity constitutes itself in and against its historical practice, in and against its social reality. The discourse develops and states the conflict between the thing and its function, and this conflict finds linguistic expression in sentences which join contradictory predicates in a logical unit—conceptual counterpart of the objective reality. In contrast to all Orwellian language, the contradiction is demonstrated, made explicit, explained, and denounced.”

Source: One-Dimensional Man (1964), p. 99-100

Perry Anderson photo
M. Balamuralikrishna photo

“It is only rigorous training and in depth study that make music mature into the realm of the classical.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Staff Reporter, Mangalampalli can't wait to come home http://www.hindu.com/thehindu/2003/03/01/stories/2003030108610300.htm, The Hindu, 1 March 2003.

“The classical concept of 'physical entity', be it particle, wave, field or system, has become a problematic concept since the advent of relativity theory and quantum mechanics. The recent developments in modern quantum mechanics, with the performance of delicate and precise experiments involving single quantum entities, manifesting explicit non-local behavior for these entities, brings essential new information about the nature of the concept of entity.”

Diederik Aerts (1953) Belgian theoretical physicist

Aerts, D. (1998). " The entity and modern physics: the creation-discovery view of reality. http://www.vub.ac.be/CLEA/aerts/publications/1998EntModPhys.pdf" In E. Castellani (Ed.), Interpreting Bodies: Classical and Quantum Objects in Modern Physics (pp. 223-257). Princeton: Princeton University Press.

“The classical theory of probability was devoted mainly to a study of the gamble's gain, which is again a random variable; in fact, every random variable can be interpreted as the gain of a real or imaginary gambler in a suitable game.”

William Feller (1906–1970) Croatian-American mathematician

Source: An Introduction To Probability Theory And Its Applications (Third Edition), Chapter IX, Random Variables; Expectation, p. 212.

Burkard Schliessmann photo
Ramachandra Guha photo

“In the generation (or two generations) before mine, the leading Indian historians (judged in terms of scholarly books and papers written and read) included Irfan Habib, R. S. Sharma, Ranajit Guha, Romila Thapar, Bipan Chandra, Amalendu Guha, Sumit Sarkar, and Sabyasachi Bhattacharya, all of whom were influenced to a lesser or greater degree by Marxism; and Ashin Dasgupta, Dharma Kumar, Parthasarathy Gupta, Amales Tripathi, Rajat Kanta Rai, Mushirul Hasan, and Tapan Roychowdhury, all of whom were liberals. The leading political scientists included the liberals Rajni Kothari, Basheeruddin Ahmed and Ramashray Ray; the Marxists Javed Alam and Partha Chatterjee; and Ashis Nandy, an admirer of Tagore and Gandhi who like them stoutly resists being classified in conventional terms. The pre-eminent sociologists of that generation were M. N. Srinivas and André Béteille, both of whom would own the label ‘liberal’; and T. N. Madan, who while working on classically conservative themes such as family, kinship and religion would most likely see himself as a liberal too. Even the best-known or most influential economists of the 1960s and 1970 tended to be on the left of the spectrum, as the names of K. N. Raj, Amartya Sen, V. M. Dandekar, Amit Bhaduri, Krishna Bharadwaj, Pranab Bardhan, Prabhat and Utsa Patnaik, and Ashok Rudra (among others) signify.”

Ramachandra Guha (1958) historian and writer from India

[Guha, Ramachandra, Where Are The Conservative Intellectuals in India?, http://ramachandraguha.in/archives/where-are-the-conservative-intellectuals-in-india-caravan.html, Caravan, March 2015]

Leon Fleisher photo
Richard von Mises photo

“Apart from this older generation, there is scarcely a modern mathematician who still adheres without reservation to the classical theory of probability. The majority have more or less accepted the frequency definition.”

Richard von Mises (1883–1953) Austrian physicist and mathematician

Third Lecture, Critical Discussion of the Foundations of Probability, p. 81
Probability, Statistics And Truth - Second Revised English Edition - (1957)

Lucio Russo photo