“It's so ironical. When you finally achieve recognition, you hide behind dark glasses.”
Madhuri Dixit (1967) Indian actress
Quote, When personality comes first.....
Quote, 1921: in Nasha predstoiashchaia rabota,, V. Tatlin, T Shapiro, I. Meerzon, and P. Vinogradov, 'VIII s"ezd sovetov. Ezhednevnyi biulleten' s"ezda 13 (January 1, 1921), p. 11; as cited by Vasilii Rakitin, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 30
Quotes, 1910 - 1925
“It's so ironical. When you finally achieve recognition, you hide behind dark glasses.”
Madhuri Dixit (1967) Indian actress
Quote, When personality comes first.....
“The creator of the new composition in the arts is an outlaw until he is a classic.”
Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays
Composition as Explanation (1926)
Fritz Wotruba (1907–1975) Austrian sculptor (23 April 1907, Vienna – 28 August 1975, Vienna)
Source: 'Sculpture of Rotterdam', ed. Jan van Adrichem / Jelle Bouwhuis / Mariëtte Dulle, Center for the Art, 010 Publishers, Rotterdam, 2002, p. 198.
Tomasz Vetulani (1965) Polish artist
Fred Gijbels, Curatorial text accompanying exhibition Multi-Kulti http://dom-norymberski.com/multi-kulti-wystawa/, 2018
Ellen Willis (1941–2006) writer, activist
"Classical and Baroque Sex in Everyday Life" (1979), Beginning To See the Light: Pieces of a Decade (1981)
Context: There are two kinds of sex, classical and baroque. Classical sex is romantic, profound, serious, emotional, moral, mysterious, spontaneous, abandoned, focused on a particular person, and stereotypically feminine. Baroque sex is pop, playful, funny, experimental, conscious, deliberate, amoral, anonymous, focused on sensation for sensation's sake, and stereotypically masculine. The classical mentality taken to an extreme is sentimental and finally puritanical; the baroque mentality taken to an extreme is pornographic and finally obscene. Ideally, a sexual relation ought to create a satisfying tension between the two modes (a baroque idea, particularly if the tension is ironic) or else blend them so well that the distinction disappears (a classical aspiration).
David Smith (1906–1965) American visual artist (1906-1965)
quote, early 1950's
Source: 1950s, from 'Abstract Expressionism' (1990), p. 41
Michel Foucault book Discipline and Punish
Source: Discipline and Punish (1977), Chapter Three, The Gentle Way in Punishment