
Interviewed by David Ewen in The Etude, 1941; cited from Josiah Fisk and Jeff Nichols (eds.) Composers on Music (Boston, MA: Northeastern Universities Press, 1997) pp. 235-6
A collection of quotes on the topic of classic, time, timing, use.
Interviewed by David Ewen in The Etude, 1941; cited from Josiah Fisk and Jeff Nichols (eds.) Composers on Music (Boston, MA: Northeastern Universities Press, 1997) pp. 235-6
Source: https://www.goodreads.com/author/quotes/14108295.alexis_karpouzos?page=2
“I love classic beauty. It’s an idea of beauty with no standard.”
“A classic is a book that has never finished saying what it has to say.”
Source: The Uses of Literature
“"Classic." A book which people praise and don't read.”
Pudd'nhead Wilson's New Calendar, Ch. XXV
Following the Equator (1897)
Interview at quebecoislibre.org (7 December 2002) http://www.quebecoislibre.org/021207-8.htm.
His reply to a shoe manufacturer who had asked why Miller's job should be subsidized when his was not, as recounted at a London press conference. The Guardian (25 January 1990)
Um aber unsere Klassiker so falsch beurteilen und so beschimpfend ehren zu können, muß man sie gar nicht mehr kennen: und dies ist die allgemeine Tatsache. Denn sonst müßte man wissen, daß es nur eine Art gibt, sie zu ehren, nämlich dadurch, daß man fortfährt, in ihrem Geiste und mit ihrem Mute zu suchen, und dabei nicht müde wird.
(A. Ludovici trans.), § 1.2
Untimely Meditations (1876)
As quoted in "A Newcomer to the Business of Politics has Seen Enough to Reach Some Conclusions About Restoring Voters' Trust", by Joe Frolik, inThe Plain Dealer (3 August 1996)
1990s
Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters
Letter to August Derleth (1929), quoted in "H.P. Lovecraft, a Life" by S.T. Joshi, p. 307
Non-Fiction, Letters, to August Derleth
Article written as guest columnist for Arlene Dahl, headlined "Rita Hayworth Sees Simplicity As Part Of Beauty" in The Toledo Blade (11 March 1964)
As quoted Nazi Conspiracy and Aggression (1946) by the United States Department of State, Vol. 2, p. 746.
PGA Tour, Inc. v. Martin, 532 U.S. 661 http://caselaw.lp.findlaw.com/scripts/getcase.pl?court=us&vol=000&invol=00-24 (2001) (dissenting).
2000s
the conclusion of the historical Stern-Gerlach experiment, in The Method of Molecular Rays http://nobelprize.org/nobel_prizes/physics/laureates/1943/stern-lecture.html, Nobel Lecture, December 12, 1946.
Zadeh (1995) in Foreword of George J. Klir Fuzzy sets and fuzzy logic: theory and applications.
1990s
Expositions and Developments (1959), pp. 113-114
1950s
“Classical musicians go to the conservatories, rock´n roll musicians go to the garages.”
Interview at Swedish Radio, programme Nightflite (circus 1980) http://home.swipnet.se/bengt-jonsson/zappaint.htm#Bobby
[Martha C. Nussbaum, Cultivating Humanity, https://books.google.com/books?id=V7QrAwAAQBAJ&pg=PA6, 1 October 1998, Harvard University Press, 978-0-674-73546-0, 6–7]
On the problem of hidden variables in quantum mechanics (1966)
“People who read only the classics are sure to remain up-to-date.”
Wenn man nur die Alten liest, ist man sicher, immer neu zu bleiben.
Source: Aphorisms (1880/1893), p. 24.
1967, p. xxiii
The Modern Corporation and Private Property. 1932/1967
“My fans really love me, so they want to understand classical music and I want to help them.”
telegraph.co.uk http://www.telegraph.co.uk/culture/music/classicalmusic/10863146/Lang-Lang-Weve-never-met.html
This quotation is useful for explanations of the period of art nouveau, and the causes of the art movement.
Confession d'un Enfant du Siécle (1836)(translation)
Letter to "The Keicomolo"—Kleiner, Cole, and Moe (October 1916), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, p. 27
Non-Fiction, Letters
Heifetz official web site http://www.jaschaheifetz.com/about/quotes.html
The Practice of Psychotherapy, p. 364 (1953)
“Definition of a classic — something that everybody wants to have read and nobody wants to read.”
Quoting or paraphrasing a Professor Winchester in "Disappearance of Literature" http://etext.lib.virginia.edu/etcbin/toccer-new2?id=TwaSpee.sgm&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=52&division=div1, speech at the Nineteenth Century Club, New York, 20 November 1900, in Mark Twain's Speeches (1910), ed. William Dean Howells, p. 194 http://books.google.com/books?id=7etXZ5Q17ngC&pg=PA194
Variant: A classic – something that everybody wants to have read and nobody wants to read.
Niels Bohr, "Discussions with Einstein on Epistemological Problems in Atomic Physics," in Paul Arthur Schilpp, Albert Einstein: Philosopher Scientist (1949) pp. 199-241.
Interview, Jewish Chronicle, 6 July 2007 http://thejc.com/home.aspx?AId=44797&ATypeId=1&search=true2&srchstr=Natalie%20Portman&srchtxt=1&srchhead=1&srchauthor=1&srchsandp=1&scsrch=0
Except for Fabre's investigation of the behavior of insects, I do not know any equally striking example of inability to learn from experience.
Part II: Man and Man, Ch. 14: Economic Co-operation and Competition, pp. 132–3
1950s, New Hopes for a Changing World (1951)
So ist langsam an Stelle einer tiefsinnigen Ausdeutung der ewig gleichen Probleme ein historisches, ja selbst ein philologisches Abwägen und Fragen getreten: was der und jener Philosoph gedacht habe oder nicht, oder ob die und jene Schrift ihm mit Recht zuzuschreiben sei oder gar ob diese oder jene Lesart den Vorzug verdiene. Zu einem derartigen neutralen Sichbefassen mit Philosophie werden jetzt unsere Studenten in den philosophischen Seminarien unserer Universitäten angereizt: weshalb ich mich längst gewöhnt habe, eine solche Wissenschaft als Abzweigung der Philologie zu betrachten und ihre Vertreter danach abzuschätzen, ob sie gute Philologen sind oder nicht. Demnach ist nun freilich die Philosophie selbst von der Universität verbannt: womit unsre erste Frage nach dem Bildungswert der Universitäten beantwortet ist.
Anti-Education (1872)
Disputed
Cocaine Decisions (1983) http://youtube.com/watch?v=RDEwJ2xlSXk
Context: I'll tell you what classical music is, for those of you who don't know. Classical music is this music that was written by a bunch of dead people a long time ago. And it's formula music, the same as top forty music is formula music. In order to have a piece be classical, it has to conform to academic standards that were the current norms of that day and age … I think that people are entitled to be amused, and entertained. If they see deviations from this classical norm, it's probably good for their mental health.
The Glass Bead Game (1943)
Context: Under the shifting hegemony of now this, now that science or art, the Game of games had developed into a kind of universal language through which the players could express values and set these in relation to one another. Throughout its history the Game was closely allied with music, and usually proceeded according to musical and mathematical rules. One theme, two themes, or three themes were stated, elaborated, varied, and underwent a development quite similar to that of the theme in a Bach fugue or a concerto movement. A Game, for example, might start from a given astronomical configuration, or from the actual theme of a Bach fugue, or from a sentence out of Leibniz or the Upanishads, and from this theme, depending on the intentions and talents of the player, it could either further explore and elaborate the initial motif or else enrich its expressiveness by allusions to kindred concepts. Beginners learned how to establish parallels, by means of the Game's symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.
Source: The Warrior Within : The Philosophies of Bruce Lee (1996), p. 108-109
Context: The Three Stages of Cultivation — The first is the primitive stage. It is a stage of original ignorance in which a person knows nothing about the art of combat. In a fight, he simply blocks and strikes instinctively without a concern for what is right and wrong. Of course, he may not be so-called scientific, but, nevertheless, being himself, his attacks or defenses are fluid. The second stage — the stage of sophistication, or mechanical stage — begins when a person starts his training. He is taught the different ways of blocking, striking, kicking, standing, breathing, and thinking — unquestionably, he has gained the scientific knowledge of combat, but unfortunately his original self and sense of freedom are lost, and his action no longer flows by itself. His mind tends to freeze at different movements for calculations and analysis, and even worse, he might be called “intellectually bound” and maintain himself outside of the actual reality. The third stage — the stage of artlessness, or spontaneous stage — occurs when, after years of serious and hard practice, the student realizes that after all, gung fu is nothing special. And instead of trying to impose on his mind, he adjusts himself to his opponent like water pressing on an earthen wall. It flows through the slightest crack. There is nothing to try to do but try to be purposeless and formless, like water. All of his classical techniques and standard styles are minimized, if not wiped out, and nothingness prevails. He is no longer confined.
Source: Lectures on Quantum Mechanics (2012, 2nd ed. 2015), Ch. 1: Historical Introduction
Source: Lectures on Quantum Mechanics (2012, 2nd ed. 2015), Ch. 2: Particle States in a Central Potential
Source: On Tulsidas’s epic Ramacharritamanas, P.E.Keay in "A Garden of Deeds: Ramacharitmanas, a Message of Human Ethics", p. 35
http://www.flixster.com/actor/leonardo-di-caprio/leonardo-dicaprio-quotes
Letter to Robert W. Wood (October 7, 1931) in Archive for the History of Quantum Physics, Microfilm 66, 5, as cited in Thomas S. Kuhn, Black-Body Theory and the Quantum Discontinuity, 1894–1912 (1978) pp. 132, 288. Translation of the entire letter, which is follow above is in Armin Hermann, Frühgeschiche der Quantentheorie (1899–1913) Mosbach/Baden: Physik Verlag (1969), transl. Claude W. Nash, p. 23 of the translation; and also in M. S. Longair,Theoretical Concepts in Physics(Cambridge and NewYork: Cambridge University Press, 1984), ch. 6–12, p. 222. All as quoted/cited by Clayton A. Gearhart, "Planck, the Quantum, and the Historians" http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.613.4262&rep=rep1&type=pdf, Physics in Perspective, 4 (2002) 170-215.
Ezra Pound, ABC of Reading (1934): "Warning"
Misattributed
“Definition of a classic: a book everyone is assumed to have read and often thinks they have.”
Source: Gunn's Golden Rules: Life's Little Lessons for Making It Work
“Every man with a bellyful of the classics is an enemy to the human race”
"Niall Ferguson: 'Westerners don't understand how vulnerable freedom is'" https://www.theguardian.com/books/2011/feb/20/niall-ferguson-interview-civilization, The Guardian, February 20, 2011.
Source: "Any Number Can Play," 1957
Source: The 13½ Lives of Captain Bluebear
“As Proust once said, classically beautiful women should be left to men without imagination.”
Source: Essays In Love
The Tigers Eye 1, Mark Tobey, 1952; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 103
1950's
An Interview with Dracula and his Brides (2004)
The Zero Marginal Cost Society: The Internet of Things, the Collaborative Commons, and the Eclipse of Capitalism (2014)
Source: The Nature of Geography (1939), p. 35
Source: "Institutional Economics," 1931, p. 648
Abhinaya and Netrābhinaya
Source: Kapila Vatsyayan, Gurupuja, Mathrubhumi weekly, February (11-17) 1990, p. 7.
2010s, The Deflation of the Academic Brand (2018)