Quotes about bit
page 5

Gustave Flaubert photo
Joseph Campbell photo
Aldous Huxley photo

“It's a bit embarrassing… to have been concerned with the human problem all one's life and find at the end that one has no more to offer by way of advice than 'Try to be a little kinder.”

Aldous Huxley (1894–1963) English writer

As quoted in Huston Smith, "Aldous Huxley--A Tribute," The Psychedelic Review, (1964) Vol I, No.3, (Aldous Huxley Memorial Issue), p. 264-5
Source: Moksha: Writings on Psychedelics & the Visionary Experience

Cassandra Clare photo
Kay Redfield Jamison photo
Anne Lamott photo

“Mine was a patchwork God, sewn together from bits of rag and ribbon, Eastern and Western, pagan and Hebrew, everything but the kitchen sink and Jesus.”

Anne Lamott (1954) Novelist, essayist, memoirist, activist

Source: Traveling Mercies: Some Thoughts on Faith

Brandon Sanderson photo
Hunter S. Thompson photo
Jim Butcher photo
Rachel Caine photo
Nassim Nicholas Taleb photo
Laurell K. Hamilton photo
P.G. Wodehouse photo
Charlie Kaufman photo

“Why do I fall in love with every woman I see that shows me the least bit of attention?”

Charlie Kaufman (1958) American screenwriter

Source: Eternal Sunshine of the Spotless Mind: The Shooting Script

Sophie Kinsella photo
P.G. Wodehouse photo

“Into the face of the young man who sat on the terrace of the Hotel Magnifique at Cannes there had crept a look of furtive shame, the shifty, hangdog look which announces that an Englishman is about to talk French. One of the things which Gertrude Butterwick had impressed on Monty Bodkin when he left for his holiday on the Riviera was that he must be sure to practise his French, and Gertrude’s word was law. So now, though he knew that it was going to make his nose tickle, he said:
‘Er, garçon.’
‘M’sieur?’
‘Er, garçon, esker-vous avez un spot de l’encre et une piece de papier—note papier, vous savez—et une envelope et une plume.’
The strain was too great. Monty relapsed into his native tongue.
‘I want to write a letter,’ he said. And having, like all lovers, rather a tendency to share his romance with the world, he would probably have added ‘to the sweetest girl on earth’, had not the waiter already bounded off like a retriever, to return a few moments later with the fixings.
‘V’la, sir! Zere you are, sir,’ said the waiter. He was engaged to a girl in Paris who had told him that when on the Riviera he must be sure to practise his English. ‘Eenk—pin—pipper—enveloppe—and a liddle bit of bloddin-pipper.’
‘Oh, merci,’ said Monty, well pleased at this efficiency. ‘Thanks. Right-ho.’
‘Right-ho, m’sieur,’ said the waiter.”

Source: The Luck of the Bodkins (1935)

Jim Morrison photo
Rick Riordan photo
Sarah Dessen photo
Gabrielle Zevin photo

“I don’t want to die,” A. J. says after a bit. “I just find it difficult to be here all the time.”

Gabrielle Zevin (1977) American writer

Source: The Storied Life of A.J. Fikry

Brian K. Vaughan photo
Julia Quinn photo
Walt Whitman photo

“I too am not a bit tamed, I too am untranslatable.”

Source: Song of Myself

Sigmund Freud photo
Derek Landy photo
Gabrielle Zevin photo
Scott Lynch photo

“It was strange, how readily authority could be conjured with nothing but a bit of strutting jackassery.”

Source: The Lies of Locke Lamora (2006), Chapter 13 “Orchids and Assassins” section 4 (p. 567)

“There's nothing more prized to a man than something he had to wait for, work for, or strugle a little bit to get.”

Sherry Argov (1977) American writer

Source: Why Men Marry Bitches: A Woman's Guide to Winning Her Man's Heart

Brandon Sanderson photo
Kazuo Ishiguro photo
Robert Anton Wilson photo
Jeffrey Eugenides photo
Karl Pilkington photo
Jodi Picoult photo
David Foster Wallace photo
Bette Davis photo
Warren Ellis photo
Ann Brashares photo

“Nice plan. Take the gullible outsiders, walk them around for a bit, then feed them to the giant tortoise.”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Burns

Holly Black photo
John Steinbeck photo

“In every bit of honest writing in the world … there is a base theme. Try to understand men, if you understand each other you will be kind to each other. Knowing a man well never leads to hate and nearly always leads to love.”

John Steinbeck (1902–1968) American writer

Journal entry (1938), quoted in the Introduction to a 1994 edition of Of Mice and Men by Susan Shillinglaw, p. vii
Context: In every bit of honest writing in the world … there is a base theme. Try to understand men, if you understand each other you will be kind to each other. Knowing a man well never leads to hate and nearly always leads to love. There are shorter means, many of them. There is writing promoting social change, writing punishing injustice, writing in celebration of heroism, but always that base theme. Try to understand each other.

Kelley Armstrong photo
Jasper Fforde photo
Jack Kerouac photo
Eoin Colfer photo
Cassandra Clare photo

“Yes, you bit me, yes, I kind of liked it, yes, let's not talk about it again, said Jace. You're not a vampire anymore. Focus.”

Simon Lewis and Jace Herondale, pg. 716
Source: The Mortal Instruments, City of Heavenly Fire (2014)
Context: Simon was looking at Jace as if he were both fascinating and also a little alarming. 'Did I-- did we ever-- did I bite you?'
Jace touched the scar on his throat. 'I can't believe you remember that.'
'Did we... roll around on the bottom of a boat?'
'Yes, you bit me, yes, I kind of liked it, yes, let's not talk about it again,' said Jace.

Noam Chomsky photo
Henry Miller photo
F. Scott Fitzgerald photo
Cassandra Clare photo
Joyce Meyer photo
Silvia Colloca photo

“Stuart Wheeler says women are no good at poker?! If he fancies playing a bit of Heads Up, he knows where to find me.”

Victoria Coren (1972) British writer, presenter and poker player

Responding to Stuart Wheeler's suggestion that women are not good at chess, bridge or poker.
Evening Standard Quote of the Day, Friday 16 Aug 2013, p. 16

Tim O'Brien photo
Harry Chapin photo

“But high up on the mountain
When the wind is hitting it
If you're watching very closely
The rock slips a little bit…”

Harry Chapin (1942–1981) American musician

The Rock
Song lyrics, Portrait Gallery (1975)

Bill Bryson photo
Thomas Hughes photo
Colin Wilson photo
Andrew S. Grove photo

“In various bits and pieces, we have steered Intel from a start-up to one of the central companies of the information economy.”

Andrew S. Grove (1936–2016) Hungarian-born American businessman, engineer, and author

Andrew Grove, in: " 1997 Technology Leader of the Year http://www.industryweek.com/companies-amp-executives/1997-technology-leader-yearandy-grove-building-information-age-legacy", IndustryWeek.com, December 15, 1997
1980s - 1990s

Olivier Giroud photo

“I had a look at the keeper and I was thinking that he was a bit too much forward from his line. I tried instinctively to shoot and to hit the target. I was a bit lucky but that's what I wanted to do.”

Olivier Giroud (1986) French footballer

About his spectacular goal in the 2014 Community Shield http://www.arsenal.com/news/news-archive/20140810/giroud-on-his-community-shield-goal

Owen Wilson photo
David Lynch photo

“In film, life-and-death struggles make you sit up, lean forward a little bit. They amplify things happening, in smaller ways, in all of us. These things show up in relationships. They show up in struggles and bring them to a critical point.”

David Lynch (1946) American filmmaker, television director, visual artist, musician and occasional actor

As quoted in "Lost Highway" interview by Mikal Gilmore in Rolling Stone (6 March 1997)

Christopher Gérard photo
Peter Wentz photo
Tom Clancy photo
H.L. Mencken photo

“Compared with the elegant inventions of the theorists, nature's code seemed a bit of a kludge.”

Brian Hayes (scientist) (1900) American scientist, columnist and author

Source: Group Theory in the Bedroom (2008), Chapter 4, Inventing The Genetic Code, p. 66

Amir Taheri photo

“When I asked Bhutto what he thought of Assad, he described the Syrian leader as “The Levanter.” Knowing that, like himself, I was a keen reader of thrillers, the Pakistani Prime Minister knew that I would get the message. However, it was only months later when, having read Eric Ambler’s 1972 novel The Levanter that I understood Bhutto’s one-word pen portrayal of Hafez Al-Assad. In The Levanter the hero, or anti-hero if you prefer, is a British businessman who, having lived in Syria for years, has almost “gone native” and become a man of uncertain identity. He is a bit of this and a bit of that, and a bit of everything else, in a region that is a mosaic of minorities. He doesn’t believe in anything and is loyal to no one. He could be your friend in the morning but betray you in the evening. He has only two goals in life: to survive and to make money… Today, Bashar Al-Assad is playing the role of the son of the Levanter, offering his services to any would-be buyer through interviews with whoever passes through the corner of Damascus where he is hiding. At first glance, the Levanter may appear attractive to those engaged in sordid games. In the end, however, the Levanter must betray his existing paymaster in order to begin serving a new one. Four years ago, Bashar switched to the Tehran-Moscow axis and is now trying to switch back to the Tel-Aviv-Washington one that he and his father served for decades. However, if the story has one lesson to teach, it is that the Levanter is always the source of the problem, rather than part of the solution. ISIS is there because almost half a century of repression by the Assads produced the conditions for its emergence. What is needed is a policy based on the truth of the situation in which both Assad and ISIS are parts of the same problem.”

Amir Taheri (1942) Iranian journalist

Opinion: Like Father, Like Son http://www.aawsat.net/2015/02/article55341622/opinion-like-father-like-son, Ashraq Al-Awsat (February 20, 2015).

John Steinbeck photo

“For the first time I am working on a book that is not limited and that will take every bit of experience and thought and feeling that I have.”

John Steinbeck (1902–1968) American writer

Journal entry (11 June 1938), published in Working Days : The Journals of The Grapes of Wrath, 1938-1941 (1990) edited by Robert DeMott

Glenn Beck photo

“It is really — one of the things in it that I heard yesterday in his testimony that I thought was disturbing was this — what did he call it? — a massive persuasion campaign. That sounded a little bit like Goebbels or Gore-bels.”

Glenn Beck (1964) U.S. talk radio and television host

on Al Gore's March 21 testimony before the Senate Committee on Environment and Public Works
2000s

Pete Doherty photo

“After years of entrenched drug abuse, you have a mourning period. I know it’s a bit sad, but I’m in mourning. I’m in mourning for an armful.”

Pete Doherty (1979) English musician, writer, actor, poet and artist

NME (New Music Express), November 5, 2007 (days before heroin relapse)
Drugs

“Love is just a little bit of death in the heart,
For how often can one love in certainty that love will be returned?
Giving so much love, and receiving so little of it;
Because people are fickle, or indifferent? Who knows?
During moments together as in hours apart,
I'm mindful that the moon fades, flowers wither, souls pass away…
They wander lost in the somber darkness of sorrow,
Those fools who follow the footprints of love.
Because life is an endless desert,
And love is an entangling web.
Love is just a little bit of death in the heart.”

Xuân Diệu (1916–1985) Vietnamese poet

"Love" [Yêu], as quoted in "Shattered Identities and Contested Images: Reflections of Poetry and History in 20th-Century Vietnam" by Neil Jamieson, in Crossroads: An Interdisciplinary Journal of Southeast Asian Studies, Vol. 7, No. 2, 1992, pp. 86–87, and in Understanding Vietnam by Neil Jamieson (University of California Press, 1995), p. 162
Variant translation by Huỳnh Sanh Thông:
To love is to die a little in the heart,
for when you love can you be sure you're loved?
You give so much, so little you get back—
the other lets you down or looks away.
Together or apart, it's still the same.
The moon turns pale, blooms fade, the soul's bereaved...
They'll lose their way amidst dark sorrowland,
those passionate fools who go in search of love.
And life will be a desert bare of joy,
and love will tie the knot that binds to grief.
To love is to die a little in the heart.

Thomas Gainsborough photo

“[I] Pray do you remember carrying me to a picture-dealer's somewhere by Hanover Square, [London], and my being struck with the leaving and touch of a little bit of tree[? ]; the whole picture was not above 8 or 10 inches high and about a foot long. I wish if you had time that you'd inquire what it might be purchased for..”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote from Gainsborough's letter to his friend William Jackson of Exeter, from Bath, 11 May 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 383 (Appendix A - Letter VI)
1755 - 1769

Burt Ward photo
Karl Pilkington photo

“Yeh I know but, I remember one on our estate, right. And she was a bit… what's the word that you can use cos I don't want to offend anyone? I'd say mental… but sort of mental homeless, is that a term?”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 1 Episode 2
On People

Alan Moore photo
Omar Khayyám photo
Emil Nolde photo

“I want so much for my work to grow forth out of the material, just as in nature the plants grow forth out of the earth, which corresponds to their character. In the print 'Lebensfreude' [Joy of living] I worked for the most part with my finger, and the effect I hoped for was achieved. There is hidden in the print a bit of wantonness, in the representation as well as in the boldness of the technique. If I were to make the "ragged and moving" contours "correctly" in the academic sense, this effect would not nearly be achieved.”

Emil Nolde (1867–1956) German artist

in a letter to his friend Gustav Schiefler, 1906, in 'Gustav Schiefler and Christel Mosel', Emil Nolde: Das graphische Werk, vol. 2.; M. DuMont Schauberg, Cologne, 1966-67, p. 8; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p.50
Nolde described how the exhilarating new sense of collaboration with the medium had freed him from the constraints of traditional etching techniques and encouraged a bolder, freer expression
1900 - 1920