Quotes about awe

A collection of quotes on the topic of awe, thing, people, likeness.

Quotes about awe

Carl R. Rogers photo
Smith Wigglesworth photo
Freddie Mercury photo
Jane Goodall photo
Dr. Seuss photo
N.T. Wright photo
Leonard Cohen photo
Carl Sagan photo

“If we are alone in the Universe, it sure seems like an awful waste of space.”

This is a paraphrase of Sagan quoting Thomas Carlyle: "A sad spectacle. If they be inhabited, what a scope for misery and folly. If they be not inhabited, what a waste of space."
Sagan delivered this quote during the symposium on "Life Beyond Earth and the Mind of Man", held at Boston University (20 November 1972), published in Life Beyond Earth and the Mind of Man (1973) edited by Richard Berendzen; Life Beyond Earth and the Mind of Man (1975) National Archives video http://www.youtube.com/watch?v=cQeOp7a8QMI
Misattributed
Source: Contact

Epicurus photo
Wayne W. Dyer photo
Sylvia Plath photo

“It is awful to want to go away and to want to go nowhere.”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

Source: The Unabridged Journals of Sylvia Plath

Haruki Murakami photo
Christopher Paolini photo
Stig Dagerman photo
Morrissey photo
Muhammad photo
Douglas Adams photo
Anne Rice photo
Mark Nepo photo
Stephen King photo

“Alone. Yes, that's the key word, the most awful word in the English tongue. Murder doesn't hold a candle to it and hell is only a poor synonym.”

Variant: Alone. Yes, that’s the key word, the most awful word in the English tongue. Murder doesn’t hold a candle to it and hell is only a poor synonym…
Source: 'Salem's Lot

Patrick Rothfuss photo
Joe Hill photo

“I want you to remember what was good in me, not what was most awful. The people you love should be allowed to keep their worst to themselves.”

Joe Hill (1879–1915) Swedish-American labor activist, songwriter, and member of the Industrial Workers of the World

Source: Horns

Anne Frank photo

“It must be awful to feel you're not needed.”

Anne Frank (1929–1945) victim of the Holocaust and author of a diary

Source: The Diary of a Young Girl

Terry Pratchett photo
Karl Rahner photo

“When man is with God in awe and love, then he is praying.”

Karl Rahner (1904–1984) German Catholic theologian

Source: The Need and the Blessing of Prayer

John Milton photo
Thomas Paine photo
Dorothy Parker photo

“Razors pain you,
Rivers are damp,
Acids stain you,
And drugs cause cramp.
Guns aren't lawful,
Nooses give,
Gas smells awful.
You might as well live.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Source: Enough Rope

Dr. Seuss photo
William Shakespeare photo
Rebecca Stead photo
William Shakespeare photo
Robert Penn Warren photo
Antonio Moreno photo
Jane Goodall photo
Theodore Roosevelt photo
Alejandro Jodorowsky photo
Jimmy Durante photo

“Be awful nice to 'em goin' up, because you're gonna meet 'em all comin' down.”

Jimmy Durante (1893–1980) American jazz singer, pianist, comedian and actor

As quoted in The New Speaker's Treasury of Wit and Wisdom (1958) by Herbert Victor Prochnow, p. 409
Variants:
Be nice to people on your way up, because you're going to meet them all on your way down.
As quoted in A Quote for Every Day (2011) edited by Peter A. LaPorta, p. 41
Be nice to people goin' up, because you're going to meet them all comin' down.
Be nice to 'em goin' up, because you're going to meet them all comin' down.

Nikola Tesla photo
Abraham Lincoln photo
Claude Monet photo

“This is my life. No one has the right to tell me how to live it or to question what I do. When you grow up, you will make your own choices. It will be your life and you it your way. I will never interfere. It must be awful for these people to have such boring lives that all they can do make them interesting is to talk about somebody else’s life. I am glad I provided with them with timepass conversation.”

Protima Bedi (1948–1998) Indian model and dancer

In reply to her daughter when she had streaked and her daughter who was five years old was upset knowing about to in the school when she was told that her mother :’All the children in my school say that their mummies said that you ran nanga’ (‘nanga’ in Hindi means “naked”) in "Timepass" pp. viii-ix

Mark Twain photo

“Why, it was like reading about France and the French, before the ever memorable and blessed Revolution, which swept a thousand years of such villany away in one swift tidal-wave of blood -- one: a settlement of that hoary debt in the proportion of half a drop of blood for each hogshead of it that had been pressed by slow tortures out of that people in the weary stretch of ten centuries of wrong and shame and misery the like of which was not to be mated but in hell. There were two "Reigns of Terror," if we would but remember it and consider it; the one wrought murder in hot passion, the other in heartless cold blood; the one lasted mere months, the other had lasted a thousand years; the one inflicted death upon ten thousand persons, the other upon a hundred millions; but our shudders are all for the "horrors" of the minor Terror, the momentary Terror, so to speak; whereas, what is the horror of swift death by the axe, compared with lifelong death from hunger, cold, insult, cruelty, and heart-break? What is swift death by lightning compared with death by slow fire at the stake? A city cemetery could contain the coffins filled by that brief Terror which we have all been so diligently taught to shiver at and mourn over; but all France could hardly contain the coffins filled by that older and real Terror -- that unspeakably bitter and awful Terror which none of us has been taught to see in its vastness or pity as it deserves.”

Ch. 13 http://www.literature.org/authors/twain-mark/connecticut/chapter-13.html
A Connecticut Yankee in King Arthur's Court (1889)

Stephen Hawking photo

“I regard [the many worlds interpretation] as self-evidently correct. [T. F.: Yet some don't find it evident to themselves. ] Yeah, well, there are some people who spend an awful lot of time talking about the interpretation of quantum mechanics. My attitude — I would paraphrase Goering—is that when I hear of Schrödinger's cat, I reach for my gun.”

Stephen Hawking (1942–2018) British theoretical physicist, cosmologist, and author

Heard in person by this contributor when Hawking showed-up in a Caltech physics class taught by Robert Christy in 1980 or '81; when asked about collapse of the state-vector he whispered to his assistant Chris (surname unknown) something at which point Chris stood up and said 'Stephen is paraphrasing Herman Göring by saying "When I hear the words 'Schrödinger's Cat' I reach for my gun."'.
Source: In a conversation with Timothy Ferris (4 April 1983), as quoted in The Whole Shebang (1998) by Timothy Ferris, p. 345 http://books.google.com/books?id=qjYbQ7EBAKwC&lpg=PA345&ots=F6VWymjiPx&dq=%22reach%20for%20my%20revolver%22%20hawking%20-%22oft-made%22&pg=PA345#v=onepage&q=%22reach%20for%20my%20revolver%22%20hawking%20-%22oft-made%22&f=false

John Howard photo
James Macpherson photo
Fyodor Dostoyevsky photo
Ben Affleck photo

“We've killed more Muslims than they've killed us by an awful lot, and we've invaded more Islamic nations. But we're exempted from these things?”

Ben Affleck (1972) American film actor, director and screenwriter

October 2016 http://www.ibtimes.co.uk/ben-affleck-slams-bill-maher-over-his-islamophobia-remark-fans-come-out-support-batman-v-1468551, In an argument with TV show host Bill Maher

Richard Francis Burton photo
Theodore Roosevelt photo
Fyodor Dostoyevsky photo
James Baldwin photo
Jordan Peterson photo

“Imagine that each of these layers of existence are like patterns. They're patterns within patterns within patterns within patterns, and there's a way of making all that harmonious. That's what music models. That's why music is so meaningful. You take a beautiful orchestral composition, and they're doing different things are different levels. But they all flow together harmoniously, and you're right in the middle of that as a listener. And it fills you almost with a sense of religious awe, even if you're a punk rock nihilist. The reason for that is because the music is modeling the manner of Being that's harmonious. It's the proper way to exist. Religious writings, in the deepest sense, are guidelines to that mode of Being. They're not true like scientific knowledge is true. They're hyper true, or meta-true. It's like this: if you take the most true things about your life, and then you take the most true things about ten other people's lives, and then we amalgamate them into a single figure. That would be like a literary hero. And then we take a thousands literary heroes and we extract out from them what makes the most heroic person - that's a religious deity. That's what Christ is. He's a meta-hero. And that sits at the bottom of Western Civilization. Christ's archetypal mode of Being is True Speech. That's the fundamental idea of Western Civilization, and it's right.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Khalil Gibran photo

“He was gentle, like a man mindful of his own strength.
In my dreams I beheld the kings of the earth standing in awe in His presence.”

Mary Magdalen: His Mouth Was Like the Heart of a Pomegranate
Jesus, The Son of Man (1928)

Laozi photo

“When men lack a sense of awe, there will be disaster.”

Source: Tao Te Ching, Chapter 72, translated by Gia Fu Feng

Nathaniel Hawthorne photo
Friedrich Nietzsche photo
Henri Barbusse photo
H.P. Lovecraft photo

“Inconceivable events and conditions form a class apart from all other story elements, and cannot be made convincing by any mere process of casual narration. They have the handicap of incredibility to overcome; and this can be accomplished only through a careful realism in every other phase of the story, plus a gradual atmospheric or emotional build-up of the utmost subtlety. The emphasis, too, must be kept right—hovering always over the wonder of the central abnormality itself. It must be remembered that any violation of what we know as natural law is in itself a far more tremendous thing than any other event or feeling which could possibly affect a human being. Therefore in a story dealing with such a thing we cannot expect to create any sense of life or illusion of reality if we treat the wonder casually and have the characters moving about under ordinary motivations. The characters, though they must be natural, should be subordinated to the central marvel around which they are grouped. The true "hero" of a marvel tale is not any human being, but simply a set of phenomena. Over and above everything else should tower the stark, outrageous monstrousness of the one chosen departure from Nature. The characters should react to it as real people would react to such a thing if it were suddenly to confront them in daily life; displaying the almost soul-shattering amazement which anyone would naturally display instead of the mild, tame, quickly-passed-over emotions prescribed by cheap popular convention. Even when the wonder is one to which the characters are assumed to be used, the sense of awe, marvel, and strangeness which the reader would feel in the presence of such a thing must somehow be suggested by the author.... Atmosphere, not action, is the thing to cultivate in the wonder story. We cannot put stress on the bare events, since the unnatural extravagance of these events makes them sound hollow and absurd when thrown into too high relief. Such events, even when theoretically possible or conceivable in the future, have no counterpart or basis in existing life and human experience, hence can never form the groundwork of an adult tale. All that a marvel story can ever be, in a serious way, is a vivid picture of a certain type of human mood. The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Therefore a fantastic author should see that his prime emphasis goes into subtle suggestion—the imperceptible hints and touches of selective and associative detail which express shadings of moods and build up a vague illusion of the strange reality of the unreal—instead of into bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and mood-symbolism. A serious adult story must be true to something in life. Since marvel tales cannot be true to the events of life, they must shift their emphasis toward something to which they can be true; namely, certain wistful or restless moods of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural laws.”

H.P. Lovecraft (1890–1937) American author

"Some Notes on Interplanetary Fiction", Californian 3, No. 3 (Winter 1935): 39-42. Published in Collected Essays, Volume 2: Literary Criticism edited by S. T. Joshi, p. 178
Non-Fiction

Edgar Allan Poe photo
Herman Melville photo

“.. sculpture as a process of recognition.... in the great quiet of stopped machines -- the awe, the pull... Part is personal heritage... Since I've had identity, the desire to create excels over the desire to visit”

David Smith (1906–1965) American visual artist (1906-1965)

the ancient sites and museums in Italy
from his notes 'Report on Voltri', shortly after 1962, about making his huge sculptures in Voltri, 1962
1960s, The Fields of David Smith,' (1999)

Richard Harris Barham photo

“And the priests, with awe,
As such freaks they saw,
Said, “The Devil must be in that little Jackdaw!””

Richard Harris Barham (1788–1845) British writer and priest

Poem: The Jackdaw of Rheims http://www.bartleby.com/246/108.html

Ludwig Wittgenstein photo

“Why in the world shouldn't they have regarded with awe and reverence that act by which the human race is perpetuated. Not every religion has to have St. Augustine's attitude to sex. Why even in our culture marriages are celebrated in a church, everyone present knows what is going to happen that night, but that doesn't prevent it being a religious ceremony.”

Ludwig Wittgenstein (1889–1951) Austrian-British philosopher

In reaction to statements by Maurice O'Connor Drury who expressed disapproval of depictions of an ancient Egyptian god with an erect phallus, in "Conversations with Wittgenstein" as quoted in Leading a Human Life: Wittgenstein, Intentionality, and Romanticism (1997) by Richard Thomas Eldridge, p. 130
Attributed from posthumous publications

Nikola Tesla photo

“What has the future in store for this strange being, born of a breath, of perishable tissue, yet Immortal, with his powers fearful and Divine? What magic will be wrought by him in the end? What is to be his greatest deed, his crowning achievement?
Long ago he recognized that all perceptible matter comes from a primary substance, or a tenuity beyond conception, filling all space, the Akasha or luminiferous ether, which is acted upon by the life-giving Prana or Creative Force, calling into existence, in never ending cycles, all things and phenomena. The primary substance, thrown into infinitesimal whirls of prodigious velocity, becomes gross matter; the force subsiding, the motion ceases and matter disappears, reverting to the primary substance.
Can man control this grandest, most awe-inspiring of all processes in nature? Can he harness her inexhaustible energies to perform all their functions at his bidding? more still cause them to operate simply by the force of his will?
If he could do this, he would have powers almost unlimited and supernatural. At his command, with but a slight effort on his part, old worlds would disappear and new ones of his planning would spring into being. He could fix, solidify and preserve the ethereal shapes of his imagining, the fleeting visions of his dreams. He could express all the creations of his mind on any scale, in forms concrete and imperishable. He could alter the size of this planet, control its seasons, guide it along any path he might choose through the depths of the Universe. He could cause planets to collide and produce his suns and stars, his heat and light. He could originate and develop life in all its infinite forms.”

Nikola Tesla (1856–1943) Serbian American inventor

Man's Greatest Achievement (1908; 1930)

Imre Kertész photo
Barack Obama photo
Charles Spurgeon photo

“If religion be false, it is the basest imposition under heaven; but if the religion of Christ be true, it is the most solemn truth that ever was known! It is not a thing that a man dares to trifle with if it be true, for it is at his soul's peril to make a jest of it. If it be not true it is detestable, but if it be true it deserves all a man's faculties to consider it, and all his powers to obey it. It is not a trifle. Briefly consider why it is not. It deals with your soul. If it dealt with your body it were no trifle, for it is well to have the limbs of the body sound, but it has to do with your soul. As much as a man is better than the garments that he wears, so much is the soul better than the body. It is your immortal soul it deals with. Your soul has to live for ever, and the religion of Christ deals with its destiny. Can you laugh at such words as heaven and hell, at glory and at damnation? If you can, if you think these trifles, then is the faith of Christ to be trifled with. Consider also with whom it connects you—with God; before whom angels bow themselves and veil their faces. Is HE to be trifled with? Trifle with your monarch if you will, but not with the King of kings, the Lord of lords. Recollect that those who have ever known anything of it tell you it is no child's play. The saints will tell you it is no trifle to be converted. They will never forget the pangs of conviction, nor the joys of faith. They tell you it is no trifle to have religion, for it carries them through all their conflicts, bears them up under all distresses, cheers them under every gloom, and sustains them in all labour. They find it no mockery. The Christian life to them is something so solemn, that when they think of it they fall down before God, and say, "Hold thou me up and I shall be safe." And sinners, too, when they are in their senses, find it no trifle. When they come to die they find it no little thing to die without Christ. When conscience gets the grip of them, and shakes them, they find it no small thing to be without a hope of pardon—with guilt upon the conscience, and no means of getting rid of it. And, sirs, true ministers of God feel it to be no trifle. I do myself feel it to be such an awful thing to preach God's gospel, that if it were not "Woe unto me if I do not preach the gospel," I would resign my charge this moment. I would not for the proudest consideration under heaven know the agony of mind I felt but this one morning before I ventured upon this platform! Nothing but the hope of winning souls from death and hell, and a stern conviction that we have to deal with the grandest of all realities, would bring me here.”

Charles Spurgeon (1834–1892) British preacher, author, pastor and evangelist

Religion—a Reality part II. Secondly, "It is not a vain thing"—that is, IT IS NO TRIFLE. (June 22nd, 1862) http://www.biblebb.com/files/spurgeon/0457.HTM

Mark Twain photo
Karl Polanyi photo
Stig Dagerman photo
Friedrich Schiller photo
Cate Blanchett photo
Tennessee Williams photo
Pope Francis photo
Lucy Lawless photo
Theodore Roosevelt photo
Lewis Carroll photo
Thomas Bradwardine photo

“O great and wonderful Lord our God, thou only light of the eyes, open, I implore thee, the eyes of my heart, and of others my fellow-creatures, that we may truly understand and contemplate thy wondrous works. And the more thoroughly we comprehend them, the more may our minds be affected in the contemplation with pious reverence and profound devotion. Who is not struck with awe in beholding thy all-powerful will completely efficacious throughout every part of the creation? It is by this same sovereign and irresistible will, that whom and when thou pleasest thou bringest low and liftest up, killest and makest alive. How intense and how unbounded is thy love to me, O Lord! whereas my love, how feeble and remiss! my gratitude, how cold and inconstant! Far be it from thee that thy love should even resemble mine; for in every kind of excellence thou art consummate. O thou who fillest heaven and earth, why fillest thou not this narrow heart? O human soul, low, abject, and miserable, whoever thou art, if thou be not fully replenished with the love of so great a good, why dost thou not open all thy doors, expand all thy folds, extend all thy capacity, that, by the sweetness of love so great, thou mayest be wholly occupied, satiated, and ravished; especially since, little as thou art, thou canst not be satisfied with the love of any good inferior to the One supreme? Speak the word, that thou mayest become my God and most enviable in mine eyes, and it shall instantly be so, without the possibility of failure. What can be more efficacious to engage the affection than preventing love? Most gracious Lord, by thy love thou hast prevented me, wretch that I am, who had no love for thee, but was at enmity with my Maker and Redeemer. I see, Lord, that it is easy to say and to write these things, but very difficult to execute them. Do thou, therefore, to whom nothing is difficult, grant that I may more easily practise these things with my heart than utter them with my lips. Open thy liberal hand, that nothing may be easier, sweeter, or more delightful to me, than to be employed in these things. Thou, who preventest thy servants with thy gracious love, whom dost thou not elevate with the hope of finding thee?”

Thomas Bradwardine (1300–1349) Theologian; Archbishop of Canterbury

Sample of Bradwardine devotional writing quoted by James Burnes, The Church of England Magazine under the superintendence of clergymen of the United Church of England and Ireland Vol. IV (January to June 1838)

Nikola Tesla photo
Bobby Fischer photo

“Morphy and Capablanca had enormous talent, they are two of my favorites. Steinitz was very great too. Alekhine was great, but I am not a big fan of his. Maybe it’s just my taste. I’ve studied his games a lot, but I much prefer Capablanca and Morphy. Alekhine had a rather heavy style, Capablanca was much more brilliant and talented, he had a real light touch. Everyone I’ve spoken to who saw Capablanca play still speak of him with awe. If you showed him any position he would instantly tell you the right move. When I used to go to the Manhattan Chess Club back in the fifties, I met a lot of old-timers there who knew Capablanca, because he used to come around to the Manhattan club in the forties – before he died in the early forties. They spoke about Capablanca with awe. I have never seen people speak about any chess player like that, before or since. Capablanca really was fantastic. But even he had his weaknesses, especially when you play over his games with his notes he would make idiotic statements like 'I played the rest of the game perfectly.”

Bobby Fischer (1943–2008) American chess prodigy, chess player, and chess writer

But then you play through the moves and it is not true at all. But the thing that was great about Capablanca was that he really spoke his mind, he said what he believed was true, he said what he felt.
Radio Interview, October 16 2006 http://www.geocities.jp/bobbby_b/mp3/F_35_3.MP3

H.P. Lovecraft photo
John Lennon photo
Bjarne Stroustrup photo

“There are more useful systems developed in languages deemed awful than in languages praised for being beautiful--many more.”

Bjarne Stroustrup (1950) Danish computer scientist, creator of C++

The Problem with Programming (Interview with Bjarne Stroustrup), MIT Technology Review, November 28, 2006, Jason Pontin, 2007-11-15 http://technologyreview.com/Infotech/17831/page3/,

Vanna Bonta photo

“A spaceship rhymes with all the dreams, nascent wonder, and hope of a humanity looking up in awe at an excruciatingly beautiful Cosmos, with”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Cosmos as a Poem (2010)

Epictetus photo

“And in what wise treat I those to whom you stand in fear and awe? Is it not as slaves? Who when he seeth me doth not think that he beholdeth his Master and his King?”

Epictetus (50–138) philosopher from Ancient Greece

Golden Sayings of Epictetus
Context: How can it be that one who hath nothing, neither raiment, nor house, nor home, nor bodily tendance, nor servant, nor city, should live tranquil and contented? Behold God hath sent you a man to show you in act and deed that it may be so. Behold me! I have neither city nor house nor possessions nor servants: the ground is my couch; I have no wife, no children, no shelter—nothing but earth and sky, and one poor cloak. And what lack I yet? am I not untouched by sorrow, by fear? am I not free?... when have I laid anything to the charge of God or Man? when have I accused any? hath any of you seen me with a sorrowful countenance? And in what wise treat I those to whom you stand in fear and awe? Is it not as slaves? Who when he seeth me doth not think that he beholdeth his Master and his King? (114).

Abraham Lincoln photo

“Presence will minish awe.”
Minuit praesentia famam.

Claudian (370–404) Roman Latin poet

De Bello Gildonico, line 387 http://penelope.uchicago.edu/Thayer/L/Roman/Texts/Claudian/De_Bello_Gildonico*.html#385.
Variant translation: Presence diminishes fame.

Kenneth Grahame photo

“Lest the awe should dwell — And turn your frolic to fret — You shall look on my power at the helping hour — But then you shall forget!”

Rat telling Mole of the words he hears in the reeds, Ch. 7
The Wind in the Willows (1908)
Context: Now it is turning into words again — faint but clear — Lest the awe should dwell — And turn your frolic to fret — You shall look on my power at the helping hour — But then you shall forget! Now the reeds take it up — forget, forget, they sigh, and it dies away in a rustle and a whisper. Then the voice returns —
'Lest limbs be reddened and rent — I spring the trap that is set — As I loose the snare you may glimpse me there — For surely you shall forget! Row nearer, Mole, nearer to the reeds! It is hard to catch, and grows each minute fainter.
'Helper and healer, I cheer — Small waifs in the woodland wet — Strays I find in it, wounds I bind in it — Bidding them all forget!

George Washington photo

“The blessed Religion revealed in the word of God will remain an eternal and awful monument to prove that the best Institutions may be abused by human depravity; and that they may even, in some instances be made subservient to the vilest of purposes.”

George Washington (1732–1799) first President of the United States

Source: 1780s, p. 34 of a draft of a discarded and undelivered version of his first inaugural address (30 April 1789)
Context: The blessed Religion revealed in the word of God will remain an eternal and awful monument to prove that the best Institutions may be abused by human depravity; and that they may even, in some instances be made subservient to the vilest of purposes. Should, hereafter, those who are intrusted with the management of this government, incited by the lust of power & prompted by the supineness or venality of their Constituents, overleap the known barriers of this Constitution and violate the unalienable rights of humanity: it will only serve to shew, that no compact among men (however provident in its construction & sacred in its ratification) can be pronounced everlasting and inviolable—and if I may so express myself, that no wall of words—that no mound of parchmt can be so formed as to stand against the sweeping torrent of boundless ambition on the one side, aided by the sapping current of corrupted morals on the other.

H.P. Lovecraft photo

“The true function of phantasy is to give the imagination a ground for limitless expansion, and to satisfy aesthetically the sincere and burning curiosity and sense of awe which a sensitive minority of mankind feel toward the alluring and provocative abysses of unplumbed space and unguessed entity which press in upon the known world from unknown infinities and in unknown relationships of time, space, matter, force, dimensionality, and consciousness.”

H.P. Lovecraft (1890–1937) American author

Letter to Clark Ashton Smith (17 October 1930), quoted in Lord of a Visible World: An Autobiography in Letters edited by S.T. Joshi, p. 213
Non-Fiction, Letters
Context: My conception of phantasy, as a genuine art-form, is an extension rather than a negation of reality. Ordinary tales about a castle ghost or old-fashioned werewolf are merely so much junk. The true function of phantasy is to give the imagination a ground for limitless expansion, and to satisfy aesthetically the sincere and burning curiosity and sense of awe which a sensitive minority of mankind feel toward the alluring and provocative abysses of unplumbed space and unguessed entity which press in upon the known world from unknown infinities and in unknown relationships of time, space, matter, force, dimensionality, and consciousness. This curiosity and sense of awe, I believe, are quite basic among the sensitive minority in question; and I see no reason to think that they will decline in the future—for as you point out, the frontier of the unknown can never do more than scratch the surface of eternally unknowable infinity. But the truly sensitive will never be more than a minority, because most persons—even those of the keenest possible intellect and aesthetic ability—simply have not the psychological equipment or adjustment to feel that way. I have taken pains to sound various persons as to their capacity to feel profoundly regarding the cosmos and the disturbing and fascinating quality of the extra-terrestrial and perpetually unknown; and my results reveal a surprisingly small quota. In literature we can easily see the cosmic quality in Poe, Maturin, Dunsany, de la Mare, and Blackwood, but I profoundly suspect the cosmicism of Bierce, James, and even Machen. It is not every macabre writer who feels poignantly and almost intolerably the pressure of cryptic and unbounded outer space.

Saul Bellow photo

“The principles of Western liberalism seem no longer to lend themselves to effective action. Deprived of the expressive power, we are awed by it, have a hunger for it, and are afraid of it.”

Saul Bellow (1915–2005) Canadian-born American writer

"Literary Notes on Khrushchev" (1961), p. 36
It All Adds Up (1994)
Context: The principles of Western liberalism seem no longer to lend themselves to effective action. Deprived of the expressive power, we are awed by it, have a hunger for it, and are afraid of it. Thus we praise the gray dignity of our soft-spoken leaders, but in our hearts we are suckers for passionate outbursts, even when those passionate outbursts are hypocritical and falsely motivated.

Zendaya photo
Natalie Wynn photo

“The measure of fame that I have is kind of like micro fame, relative to a certain kind of community of people. It’s awful. It’s horrible. I wouldn’t wish fame on my worst enemy.”

Natalie Wynn (1988) YouTube personality

ContraPoints Talks Twitter, TERFs, and Tasting the 'Ideal Beer' https://oct.co/essays/natalie-wynn-contrapoints-interview, Interview for October, November 11, 2020
Interviews

Karl Marx photo