Quotes about artist
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Source: The Art Spirit: Notes, Articles, Fragments of Letters and Talks to Students, Bearing on the Concept and Technique of Picture Making, the Study of Art
Source: To Bless the Space Between Us: A Book of Blessings

“Hurry ruins saints as well as artists.”
Source: Seeds of Contemplation
Source: Principia Discordia ● Or ● How I Found Goddess and What I Did to Her When I Found Her: The Magnum Opiate of Malaclypse the Younger

“Myth must be kept alive. The people who can keep it alive are the artists of one kind or another.”

"The Precarious Vogue of Ingmar Bergman" in Esquire (April 1960); republished as "The Northern Protestant" in Nobody Knows My Name: More Notes of a Native Son (1961) and in The Price of the Ticket (1985)

“An original artist is unable to copy. So he has only to copy in order to be original.”
Le Coq et l’Arlequin (1918)


“To be an artist is to enter into competition with god.”

“An artist is someone who can hold two opposing viewpoints and still remain fully functional.”
Source: Bird by Bird: Some Instructions on Writing and Life

“No artist is ahead of his time. He is the time. It is just that others are behind the time.”

1941 - 1967
Source: 'Statements by Four artists', Edward Hopper, in 'Reality' 1., Spring 1953, p. 8

“I am not a businessman, I am an artist”

“The job of the artist is always to deepen the mystery.”
"Modernism's Patriarch (Cezanne)", Time Magazine, June 10, 1996
Time Magazine (1996)

Kéramos http://www.worldwideschool.org/library/books/lit/poetry/TheCompletePoeticalWorksofHenryWadsworthLongfellow/chap22.html, st. 29.

“Lots of men are like that, their artistic leanings never go beyond a weakness for shapely thighs.”
Source: Journey to the End of the Night


1963, Speech at Amherst College
Context: If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him. We must never forget that art is not a form of propaganda; it is a form of truth.
Context: If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him. We must never forget that art is not a form of propaganda; it is a form of truth. And as Mr. MacLeish once remarked of poets, there is nothing worse for our trade than to be in style. In free society art is not a weapon and it does not belong to the spheres of polemic and ideology. Artists are not engineers of the soul. It may be different elsewhere. But democratic society — in it, the highest duty of the writer, the composer, the artist is to remain true to himself and to let the chips fall where they may. In serving his vision of the truth, the artist best serves his nation. And the nation which disdains the mission of art invites the fate of Robert Frost's hired man, the fate of having "nothing to look backward to with pride, and nothing to look forward to with hope."

“What I mean is sometimes, for an artist, chronic pain can be a gift.”


Source: The Yellow Wall-Paper

“An artist is somebody who produces things that people don't need to have.”
Source: Andy Warhol, Thirty Are Better Than One
“He had been standing still; for an artist, one of the more painful forms of death.”

Skinny Legs and All (1990)
Context: ... she recreated the mountains not as she had originally seen them but as she eventually chose to perceive them, not only a capacity to observe the world but a capacity to alter his or her observation of it — which, in the end, is the capacity to alter the world, itself. Those people who recognise that imagination is reality's master, we call "sages," and those who act upon it, we call "artists."

“An artist's concern is to capture beauty wherever he finds it.”
Source: An Artist of the Floating World

Non-Fiction, English Literature: A Survey for Students (1958, revised 1974)

Quote c. 1902, in Racontars d'un Rapin, Paul Gauguin; as quoted in 'Introduction' of Camille Pissarro - Letters to His Son Lucien, ed. John Rewald, with assistance of Lucien Pissarro – (translated from the unpublished French letters by Lionel Abel); Pantheon Books Inc. New York, second edition, 1943, p. 15
After Paul Cezanne it was Gauguin who came to ask advice and painted landscape at the side of the much elder Pissarro. The traces of this apprenticeship as an impressionist were soon to disappear from Gauguin's works, but shortly before he died, he wrote these sentences about his former teacher
1890s - 1910s
As quoted in Hans Hofmann (1963) by William Chapin Seitz, p. 15
1960s

“Society must let the artist go, to wander off into their nebula.”
Lyrics, S.C.I.E.N.C.E. (1997)

In a 1960 interview; as quoted in Giorgio Morandi, 1890–1964, eds. Renato Miracco and Maria Christina Bandera, Exh. cat. Milan: Skira, 2008
Morandi claimed in the interview this position
1945 - 1964
Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 40.

Source: "Powerful Song, Man" by Jeffrey Tucker, The Rothbard-Rockwell Report, August 1997, UNZ.org, 2016-05-22 http://www.unz.org/Pub/RothbardRockwellReport-1997aug-00009,

“At his best, things do not happen to the artist; he happens to them.”
The Bicycle Rider In Beverly Hills (1952)

John F. Kennedy, address at the dedication of the Robert Frost Library, Amherst College, Amherst, Massachusetts (1963-10-26).
Misattributed

Manet, recorded by Philippe Burty, as cited in Manet by Himself, ed. Juliet Wilson-Bareau, Little Brown 2000, London; p. 52
1850 - 1875

Colin Serjent, "Blake's 08, http://www.catalystmedia.org.uk/issues/nerve9/peter_blake.php Nerve, Autumn 2006
Life

Aaron Copland and His World, ISBN 9780691124704.
1974
1970's, interview, K. Horsfield & L. Blumenthal

Source: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 30.
As heard in "Laura Dern and Sandra Seacat: Hollywood Mentors," https://www.youtube.com/watch?v=XpqQwfq5tqg The Hollywood Reporter (February 18, 2015)

(translation from German, Fons Heijnsbroek, 2018, original version, written by Jacoba in German:) Als Künstler kann man es nicht lange in Holland aushalten. Mann muss viel sehen und über alles sprechen..
citaat van Jacoba van Heemskerck (vertaling naar het Nederlands, Fons Heijnsbroek): Als kunstenaar kan je het niet lang uithouden in Nederland. Je moet immers veel [kunnen] zien en over van alles praten..
note on a postcard to Herwarth Walden, 17 May 1915; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 12
1910's
Christian Rhetoric: Scraps for a Manifesto
n.p.
1950 - 1971, Why Have There Been No Great Women Artists' - Rosalyn Drexler with Elaine de Kooning (1971)
Source: Artists talks 1969 – 1977, p. 15

“One must be a living man and a posthumous artist.”
Le Coq et l’Arlequin (1918)

Настоящее произведение искусства делает то, что в сознании воспринимающего уничтожается разделение между ним и художником...
What is Art? (1897)

June 1987[citation needed]
Philosophy

Bengt de Törne Sibelius: A Close-Up (London: Faber and Faber, 1937), p. 94.
Usually quoted as "Musicians talk of nothing but money and jobs. Give me businessmen every time. They really are interested in music and art."

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 98
Source: Growing Up Absurd (1956), p. 176.

In Richter's letters from Düsseldorf, 19 July 1963 - to two artist friends, Helmut and Erika Heinze
1960's

Boccioni's critical art quote to Orphism and simultaneity pictures Orphism, as alternative concept for Cubism as a soft version of Futurist painting; in 'Les futurists plagues en France', Boccioni, in 'Lacerba', Florence 1, no. 7, 1 April 1913
1913
Source: The Nude: A Study in Ideal Form (1951), Ch. V: Energy

Source: Jacques Lipchitz: My life in sculpture, 1972, p. 40

As quoted in Dame Edith Evans, ch. 13, by Bryan Forbes (1977)
Anish kapoor in conversation with Homi K. Bhabha in 1998. Quoted in pdf, Anish Kapoor, 18 December 2013, Royal Academy Organization http://static.royalacademy.org.uk/files/anish-kapoor-education-guide-558.pdf,
Source: Civilisation (1969), Ch. 5: The Hero as Artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands):
GRONINGEN, BERLIJN, MOSKAU, PARIJS 1923
Aanvang van het violette jaargetijde
Lezer..
..Aangezien wij dus overtuigd zijn dat het nog niet TE LAAT is, zullen wij spreken.
Het wordt tijd, waarachtig.. ..meer dan tijd dat er iets gedaan wordt.
Er MOET getuigd en gesproken worden.
….Kunst is overal. Zij wordt den mensch als het ware door de vogels op de jas geworpen. In elke zuigeling met zwakke ingewanden wordt de latente kiem gelegd voor een kunstenaar..
Ons eerste geschrift verschijnt binnenkort. Wij nodigen u dringend uit medelezer te worden.. [van het komende kunsttijdschrift ‘The Next Call'].. ..Wij rekenen op uwe DADEN in het witte jaargetijde met de zwarte schaduwen..
Quote from Werkman's Manifesto: ' Aanvang van het violette jaargetijde / Start of the violet season' - also known as 'Roze Pamflet / Pink Pamphlet', Sept. 1923; in the collection of Stedelijk Museum, Amsterdam (transl: Fons Heijnsbroek)
1920's