Quotes about artist
page 5

“Every artist is linked to a mistake with which he has a particular intimacy. All art draws its origin from an exceptional fault, each work is the implementation of this original fault, from which comes a risky plenitude and new light.”

Maurice Blanchot (1907–2003) French writer, philosopher, and literary theorist

Art, Light, Drawing

“I am no longer afraid of becoming lost, because the journey back always reveals something new, and that is ultimately good for the artist.”

Billy Joel (1949) American singer-songwriter and pianist

“What's any artist, but the dregs of his work? the human shambles that follows it around. What's left of the man when the work's done but a shambles of apology.”

William Gaddis book The Recognitions

Source: The Recognitions

“The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life.”

William Faulkner (1897–1962) American writer

Life

“Do whatever you do intensely. The artist is the man who leaves the crowd and goes pioneering. With him there is an idea which is his life.”

Robert Henri (1865–1929) American painter

Source: The Art Spirit: Notes, Articles, Fragments of Letters and Talks to Students, Bearing on the Concept and Technique of Picture Making, the Study of Art

Life, Idea

“Each of us is an artist of our days; the greater our integrity and awareness, the more original and creative our time will become.”

John O'Donohue (1956–2008) Irish writer, priest and philosopher

Source: To Bless the Space Between Us: A Book of Blessings

Time

“Hurry ruins saints as well as artists.”

Thomas Merton (1915–1968) Priest and author

Source: Seeds of Contemplation

“The real reality is there, but everything you KNOW about “it” is in your mind and your
to do with as you like. Conceptualization is art, and YOU ARE THE ARTIST”

Gregory Hill (1941–2000) American writer and founder of Discordianism

Source: Principia Discordia ● Or ● How I Found Goddess and What I Did to Her When I Found Her: The Magnum Opiate of Malaclypse the Younger

Art, Reality

“A woman told me her child was autistic, and I thought she said artistic. So I said, 'Oh great. I'd like to see some of the things he's done.”

George Carlin book Brain Droppings

Source: Brain Droppings

“I’ve always felt that a lot of modern art is a con, and that the most successful painters are often better salesmen and promoters than they are artists.”

Donald J. Trump book Trump: The Art of the Deal

Source: Trump: The Art of the Deal

Art, Success

“Myth must be kept alive. The people who can keep it alive are the artists of one kind or another.”

Joseph Campbell (1904–1987) American mythologist, writer and lecturer

People

“Artists use lies to tell the truth. Yes, I created a lie. But because you believed it, you found something true about yourself.”

Alan Moore V for Vendetta

Source: V for Vendetta

Truth, Lie

“Added to the moral solitude of the murderer comes the solitude of the artist, which can acknowledge no authority, save that of another artist.”

Jean Genet book Querelle of Brest

Source: Querelle of Brest

Solitude

“But the downside of being con artist is that it very hard to con. Even if the lies you tell are to yourself.”

Ally Carter book Heist Society

Source: Heist Society

“All art is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story, to vomit the anguish up.”

James Baldwin (1924–1987) (1924-1987) writer from the United States

"The Precarious Vogue of Ingmar Bergman" in Esquire (April 1960); republished as "The Northern Protestant" in Nobody Knows My Name: More Notes of a Native Son (1961) and in The Price of the Ticket (1985)

Art

“An original artist is unable to copy. So he has only to copy in order to be original.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Le Coq et l’Arlequin (1918)

“In a world of disorder and disaster and fraud, sometimes only beauty can be trusted. Only artistic excellence is incorruptible. Pleasure cannot be bargained down. And sometimes the meal is the only currency that is real.”

Elizabeth Gilbert book Eat, Pray, Love

Source: Eat, Pray, Love

Pleasure, World, Beauty, Fraud

“The heart is an artist that paints over what profoundly disturbs it, leaving on the canvas a less dark, less sharp version of the truth.”

Dean Koontz book Forever Odd

Source: Forever Odd

Truth, Heart, Painting

“The artist brings something into the world that didn't exist before, and he does it without destroying something else.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

World

“To be an artist is to enter into competition with god.”

Patti Smith (1946) American singer-songwriter, poet and visual artist

God

“You might as well ask an artist to explain his art, or ask a poet to explain his poem. It defeats the purpose. The meaning is only clear thorough the search.”

Rick Riordan (1964) American writer

Art, Search

“The only important elements in any society are the artistic and the criminal, because they alone, by questioning the society’s values, can force it to change.”

Samuel R. Delany book Empire Star

Source: Empire Star (1966), p. 190

Question, Change

“An artist is someone who can hold two opposing viewpoints and still remain fully functional.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

“This is what separates artists from ordinary people: the belief, deep in our hearts, that if we build our castles well enough, somehow the ocean won't wash them away. I think this is a wonderful kind of person to be.”

Anne Lamott (1954) Novelist, essayist, memoirist, activist

Source: Bird by Bird: Some Instructions on Writing and Life

People, Thinking, Heart, Personality

“Those who love life do not read. Nor do they go to the movies, actually. No matter what might be said, access to the artistic universe is more or less entirely the preserve of those who are a little fed up with the world.”

Michel Houellebecq (1956) writer

Source: H.P. Lovecraft: Against the World, Against Life

Love, Life, World, Universe

“No artist is ahead of his time. He is the time. It is just that others are behind the time.”

Martha Graham (1894–1991) American dancer and choreographer

Time

“Artists are those who can evade the verbose.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore

“Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world... The inner life of a human being is a vast and varied realm.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

1941 - 1967
Source: 'Statements by Four artists', Edward Hopper, in 'Reality' 1., Spring 1953, p. 8

Life, World, Art, Personality

“I am not a businessman, I am an artist”

Warren Buffett (1930) American business magnate, investor, and philanthropist

“The job of the artist is always to deepen the mystery.”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

“No artist is pleased. There is no satisfaction whatever at any time. There is only a queer, divine dissastifaction; a blessed unrest that keeps us marching and makes us more alive than the others.”

Martha Graham (1894–1991) American dancer and choreographer

Time

“Every artist joins a conversation that's been going on for generations, even millennia, before he or she joins the scene.”

John Barth (1930) American writer

“The artist is always beginning. Any work of art which is not a beginning, an invention, a discovery is of little worth.”

Ezra Pound (1885–1972) American Imagist poet and critic

Art

“The greater the artist, the greater the doubt; perfect confidence is granted to the less talented as a consolation prize.”

Robert Hughes (1938–2012) Australian critic, historian, writer

"Modernism's Patriarch (Cezanne)", Time Magazine, June 10, 1996
Time Magazine (1996)

Confidence, Perfection

“There are only two kinds of freedom in the world; the freedom of the rich and powerful, and the freedom of the artist and the monk who renounces possessions.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

World, Freedom

“Art is the child of Nature; yes,
Her darling child, in whom we trace
The features of the mother's face,
Her aspect and her attitude,
All her majestic loveliness
Chastened and softened and subdued
Into a more attractive grace,
And with a human sense imbued.
He is the greatest artist, then,
Whether of pencil or of pen,
Who follows Nature.”

Henry Wadsworth Longfellow (1807–1882) American poet

Kéramos http://www.worldwideschool.org/library/books/lit/poetry/TheCompletePoeticalWorksofHenryWadsworthLongfellow/chap22.html, st. 29.

Art, Nature, Sense

“Lots of men are like that, their artistic leanings never go beyond a weakness for shapely thighs.”

Louis-ferdinand Céline book Journey to the End of the Night

Source: Journey to the End of the Night

Men

“The only thing one can give an artist is leisure in which to work. To give an artist leisure is actually to take part in his creation.”

Ezra Pound (1885–1972) American Imagist poet and critic

Parting

“The artist's job is not to succumb to despair but to find an antidote for the emptiness of existence.”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

Despair

“If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Speech at Amherst College
Context: If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him. We must never forget that art is not a form of propaganda; it is a form of truth.
Context: If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him. We must never forget that art is not a form of propaganda; it is a form of truth. And as Mr. MacLeish once remarked of poets, there is nothing worse for our trade than to be in style. In free society art is not a weapon and it does not belong to the spheres of polemic and ideology. Artists are not engineers of the soul. It may be different elsewhere. But democratic society — in it, the highest duty of the writer, the composer, the artist is to remain true to himself and to let the chips fall where they may. In serving his vision of the truth, the artist best serves his nation. And the nation which disdains the mission of art invites the fate of Robert Frost's hired man, the fate of having "nothing to look backward to with pride, and nothing to look forward to with hope."

Art

“You must want to enough. Enough to take all the rejections, enough to pay the price of disappointment and discouragement while you are learning. Like any other artist you must learn your craft—then you can add all the genius you like.”

Phyllis A. Whitney (1903–2008) American writer

Disappointment, Learning

“Do not leave your reputation to chance or gossip; it is your life's artwork, and you must craft it, hone it, and display it with the care of an artist.”

Robert Greene book The 48 Laws of Power

Source: The 48 Laws of Power

Life, Chance

“He was very much a man of moods, possibly owing to what is styled the artistic temperment. I have never seen, myself, why the possession of artistic ability should be supposed to excuse a man from a decent exercise of self-control.”

Agatha Christie (1890–1976) English mystery and detective writer

Exercises, Mood

“What I mean is sometimes, for an artist, chronic pain can be a gift.”

Chuck Palahniuk (1962) American novelist, essayist

Pain

“[…] I've come to the conclusion that the artist can not justify life or come up with a cogent reason as to why life is meaningful, but the artist can provide you with a cold glass of water on a hot day.”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

Life, Water

“An artist is like a woman who can do nothing but love, and who succumbs to every stray male jackass.”

Heinrich Böll book The Clown

Source: The Clown

Love

“I had no proof that I had the stuff to be an artist, though I hungered to be one.”

Patti Smith Just Kids

Source: Just Kids

Hunger

“The artistic image is not intended to represent the thing itself, but, rather, the reality of the force the thing contains.”

James Baldwin book Nobody Knows My Name

Source: Nobody Knows My Name

Reality

“I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin.”

Charlotte Perkins Gilman (1860–1935) American feminist, writer, commercial artist, lecturer and social reformer

Source: The Yellow Wall-Paper

Life

“Sometimes artist like to catch themselves looking out, let the world see them for once. It's a signature. This one is a very bold one. But this is also a witnessing. We want to remember, and we want to be remembered. That's why we paint.”

Maureen Johnson book 13 Little Blue Envelopes

Source: 13 Little Blue Envelopes

World, Painting

“I am a person before I am anything else. I never say I am a writer. I never say I am an artist… I am a person who does those things.”

Edward Gorey (1925–2000) American writer, artist, and illustrator

Personality

“An artist is somebody who produces things that people don't need to have.”

Andy Warhol (1928–1987) American artist

Source: Andy Warhol, Thirty Are Better Than One

People

“He had been standing still; for an artist, one of the more painful forms of death.”

Irving Stone (1903–1989) American writer

Death, Pain

“Those people who recognise that imagination is reality's master, we call sages, and those who act upon it, we call artists.”

Tom Robbins Skinny Legs and All

Skinny Legs and All (1990)
Context: ... she recreated the mountains not as she had originally seen them but as she eventually chose to perceive them, not only a capacity to observe the world but a capacity to alter his or her observation of it — which, in the end, is the capacity to alter the world, itself. Those people who recognise that imagination is reality's master, we call "sages," and those who act upon it, we call "artists."

People, Imagination, Reality

“To be an artist means never to avert one's eyes.”

Akira Kurosawa (1910–1998) Japanese film maker

“An artist needn't be a clergyman or a church warden, but he must have a warm heart for his fellow men”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Men, Heart

“The good artist believes that nobody is good enough to give him advice. He has supreme vanity. No matter how much he admires the old writer, he wants to beat him.”

William Faulkner (1897–1962) American writer

“An artist's concern is to capture beauty wherever he finds it.”

Kazuo Ishiguro book An Artist of the Floating World

Source: An Artist of the Floating World

Beauty

“Is this really true? If we take an average day in the life of the average man we seem to see very little evidence of concern with the sciences and the arts. The average man gets up, goes to work, eats his meals, reads the newspapers, watches television, goes to the cinema, goes to bed, sleeps, wakes up, starts all over again. Unless we happen to be professional scientists, laboratory experiments and formulae have ceased to have any meaning for most of us; unless we happen to be poets or painters or musicians—or teachers of literature, painting, and music—the arts seem to us to be only the concern of schoolchildren. And yet people have said, and people still say, that the great glories of our civilisation are the scientists and artists. Ancient Greece is remembered because of mathematicians like Euclid and Pythagoras, because of poets like Homer and dramatists like Sophocles. In two thousand years all our generals and politicians may be forgotten, but Einstein and Madame Curie and Bernard Shaw and Stravinsky will keep the memory of our age alive.”

Anthony Burgess (1917–1993) English writer

Non-Fiction, English Literature: A Survey for Students (1958, revised 1974)

Life, People, Age, Art

“If we observe the totality of Camille Pissarro's works, we find there, despite the fluctuations, not only an extreme artistic will which never lies, but what is more, an essentially intuitive pure-bred art... He looked at everybody, you say! Why not? Everyone looked at him, too, but denied him. He was one of my masters and I do not deny him.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Quote c. 1902, in Racontars d'un Rapin, Paul Gauguin; as quoted in 'Introduction' of Camille Pissarro - Letters to His Son Lucien, ed. John Rewald, with assistance of Lucien Pissarro – (translated from the unpublished French letters by Lionel Abel); Pantheon Books Inc. New York, second edition, 1943, p. 15
After Paul Cezanne it was Gauguin who came to ask advice and painted landscape at the side of the much elder Pissarro. The traces of this apprenticeship as an impressionist were soon to disappear from Gauguin's works, but shortly before he died, he wrote these sentences about his former teacher
1890s - 1910s

Art

“Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws; second, the artist, who creates a spiritual contact with nature and his materials; third, the medium of expression through which the artist translates his inner world. Of those three components only one, the medium, is material.”

Hans Hofmann (1880–1966) American artist

As quoted in Hans Hofmann (1963) by William Chapin Seitz, p. 15
1960s

World, Law, Nature

“Society must let the artist go, to wander off into their nebula.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, S.C.I.E.N.C.E. (1997)

“When most Italian artists of my own generation were afraid to be too 'modern,' too 'international' in their style, not 'national' or 'imperial' enough, I was still left in peace, perhaps because I demanded so little recognition. My privacy was thus my protection and, in the eyes of the Grand Inquisitors of Italian art, I remained a provincial professor of etching, at the Fine Art Academy in Bologna.”

Giorgio Morandi (1890–1964) Italian painter

In a 1960 interview; as quoted in Giorgio Morandi, 1890–1964, eds. Renato Miracco and Maria Christina Bandera, Exh. cat. Milan: Skira, 2008
Morandi claimed in the interview this position
1945 - 1964

Peace, Art

“Mathematics because of its nature and structure is peculiarly fitted for high school instruction [Gymnasiallehrfach]. Especially the higher mathematics, even if presented only in its elements, combines within itself all those qualities which are demanded of a secondary subject. It engages, it fructifies, it quickens, compels attention, is as circumspect as inventive, induces courage and self-confidence as well as modesty and submission to truth. It yields the essence and kernel of all things, is brief in form and overflows with its wealth of content. It discloses the depth and breadth of the law and spiritual element behind the surface of phenomena; it impels from point to point and carries within itself the incentive toward progress; it stimulates the artistic perception, good taste in judgment and execution, as well as the scientific comprehension of things. Mathematics, therefore, above all other subjects, makes the student lust after knowledge, fills him, as it were, with a longing to fathom the cause of things and to employ his own powers independently; it collects his mental forces and concentrates them on a single point and thus awakens the spirit of individual inquiry, self-confidence and the joy of doing; it fascinates because of the view-points which it offers and creates certainty and assurance, owing to the universal validity of its methods. Thus, both what he receives and what he himself contributes toward the proper conception and solution of a problem, combine to mature the student and to make him skillful, to lead him away from the surface of things and to exercise him in the perception of their essence. A student thus prepared thirsts after knowledge and is ready for the university and its sciences. Thus it appears, that higher mathematics is the best guide to philosophy and to the philosophic conception of the world (considered as a self-contained whole) and of one’s own being.”

Christian Heinrich von Dillmann (1829–1899) German educationist

Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 40.

Truth, World, School, Law

“Here we go again,’ he thought. ‘Drink and reminiscence. Another day of wasted time. They’re right when they say we drink too much out here. And we slobber too much over ourselves…. We’re all sorry for ourselves because we’re not big executives or artists or happily married men in a civilized temperate climate.”

Anthony Burgess (1917–1993) English writer

Fiction, Beds in the East (1959)

Men, Drink, Time

“That experiment prefigured today’s rap “artists,” who are entirely dependent on promoters, arrangers, and sound technicians, and create no music themselves.”

Jeffrey Tucker (1963) American writer

Source: "Powerful Song, Man" by Jeffrey Tucker, The Rothbard-Rockwell Report, August 1997, UNZ.org, 2016-05-22 http://www.unz.org/Pub/RothbardRockwellReport-1997aug-00009,

Music, Dependency

“In my paintings, the question on whether figures are similar or not is not of any importance, the slightest change of figure or color can create a new painting and it doesn't really matter if a subject is revisited by an artist repeatedly. With enough time in between paintings, an artist can always bring to it something new.”

Guity Novin (1944) artist

Source: Ayandegan (1973), p. 4

Color, Question, Change, Time

“At his best, things do not happen to the artist; he happens to them.”

William Saroyan (1908–1981) American writer

The Bicycle Rider In Beverly Hills (1952)

“I see little of more importance to the future of our country and of civilization than full recognition of the place of the artist. If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.”

Pauline Kael (1919–2001) American film critic

John F. Kennedy, address at the dedication of the Robert Frost Library, Amherst College, Amherst, Massachusetts (1963-10-26).
Misattributed

Art, Future, Country

“This is precisely what is decisive in Nietzsche’s conception of art, that he sees it in its essential entirety in terms of the artist; this he does consciously and in explicit opposition to that conception of art which represents it in terms of those who “enjoy” and “experience” it.
That is a guiding principle of Nietzsche’s teaching on art: art must be grasped in terms of creators and producers, not recipients. Nietzsche expresses it unequivocally in the following words (WM, 811): “Our aesthetics heretofore has been a woman’s aesthetics, inasmuch as only the recipients of art have formulated their experiences of ‘what is beautiful.’ In all philosophy to date the artist is missing.” Philosophy of art means “aesthetics” for Nietzsche too—but masculine aesthetics, not feminine aesthetics. The question of art is the question of the artist as the productive, creative one; his experiences of what is beautiful must provide the standard.”

Martin Heidegger (1889–1976) German philosopher

Source: Nietzsche (1961), p. 70

Beauty, Art, Question, Decision

“Get it down quickly, don't worry about the background. Just go for the tonal values. You see? When you look at it, and above all when you see how to render it as you see it, thats is, in such a way that its make the same impression on the viewer as it does on you, you don't look for, you don't see the lines on the paper over there, do you? And then, when you look at the whole thing you don't try to count the scales on the salmon, of course you don't. You see them as little silver pearls against grey and pink – isn't thats right? – look at the pink of the salmon, with the bone appearing white in the centre and then grays, like the shades of mother of pearl. And the grapes, now do you count each? No, of course not. What strikes you is their clear, amber colour and the bloom which models the form by softening it. What you have to decide with the cloth is where the highlights come and then the planes which are not in the direct light. Halftones are for the magasin pittoresque engravers. The folds will come by themselves if you put them in the proper place. Ah! M. Ingres, there's the man! We're all just children. There's the one who knew how to paint materials! Ask Bracquemond [Paris' artist and print-maker]. Above all, keep your colours fresh. [instructing his new protegee, the Spanish young woman-painter Eva Gonzales, circa 1869]”

Edouard Manet (1832–1883) French painter

Manet, recorded by Philippe Burty, as cited in Manet by Himself, ed. Juliet Wilson-Bareau, Little Brown 2000, London; p. 52
1850 - 1875

Children, Way, Light, Appearance

“I don’t think artists should be sponsored. You should not rely on grants. You either make a success of your art or you don’t. I worked as an artist for a number of years without making much money – I have never had any financial backing in that way. Things are now very good for me but for a lot of the time things were not.”

Peter Blake (1932) British artist

Colin Serjent, "Blake's 08, http://www.catalystmedia.org.uk/issues/nerve9/peter_blake.php Nerve, Autumn 2006 <br class="br">Life

Money, Art, Way, Thinking

“The composer who is frightened of losing his artistic integrity through contact with a mass audience is no longer aware of the meaning of the word art.”

Aaron Copland (1900–1990) American composer, composition teacher, writer, and conductor

Aaron Copland and His World, ISBN 9780691124704.

Art

“I shrink it down by myself, actually. It's up to the schedule, so… If the artists or programmers say "no", then that's the answer. So it's kind of a mix. I always try to push a can-do attitude with them, you know?”

Hirokazu Yasuhara (1965) Japanese video game designer

Gamasutra interview (2008)

“To be an artist, you look, you perceive, you recognize what is going through your mind. And it is not ideas. Everything you feel and everything you see and everything that your whole life goes through your mind, you know. But you have to recognize it and go with it and really feel it.”

Agnes Martin (1912–2004) American artist

1974
1970's, interview, K. Horsfield & L. Blumenthal

Life, Feeling, Idea

“The artist may rightly venture the opinion that he does not convey ideas, does not preach, nor that he intents to convert people by using mass communication techniques... Better than handing out all kinds of wise advice, he could show life itself; he could awake forces lying dormant in everybody, he could launch an invitation to create direct and personal experiences.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

Source: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 30.

Life, People, Communication, Lying

“Laura was born an authentic artist, and, coming together, my job was to help her bring all of it forward and out. […] The artist is a shaman; a wounded healer. We have wounds that we want to bring forth through the material. It's joyful, it's painful, but not painful in a bad way. And when you do that, you also heal people in the audience.”

Sandra Seacat (1936) American acting teacher and actress

As heard in "Laura Dern and Sandra Seacat: Hollywood Mentors," https://www.youtube.com/watch?v=XpqQwfq5tqg The Hollywood Reporter (February 18, 2015)

Pain, People, Way, Help

“Composition allows the artist the greatest possible freedom, so that his subjectivity can express itself, to a certain degree, for as long as needed.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

Freedom

“As an artist you can not stand for long in The Netherlands. You must see a lot and talk a lot about everything..”

Jacoba van Heemskerck (1876–1923) Dutch painter

(translation from German, Fons Heijnsbroek, 2018, original version, written by Jacoba in German:) Als Künstler kann man es nicht lange in Holland aushalten. Mann muss viel sehen und über alles sprechen..
citaat van Jacoba van Heemskerck (vertaling naar het Nederlands, Fons Heijnsbroek): Als kunstenaar kan je het niet lang uithouden in Nederland. Je moet immers veel [kunnen] zien en over van alles praten..
note on a postcard to Herwarth Walden, 17 May 1915; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 12
1910's

“One reason that Christian theology is so detached from larger intellectual or artistic movements is that it has not suffered consciously a crisis of its expressive forms. At a cultural moment when most humanistic disciplines—not to say, literature and all of the fine arts—have passed through several generations of radical formal innovation, theology is still written as if the conventional forms posed no problems.”

Mark D. Jordan (1953)

Christian Rhetoric: Scraps for a Manifesto

Art, Literature, Problem, Suffering

“I was overjoyed when I was taken to a show of the American Abstract Artists Group in '37. They were all alive and they were American! My escort further interested me when he told me the two best abstract artists in America were not in the show — Arshile Gorky and Willem de Kooning, whom I met a couple of months later — when I began to study with him [with Willem de Kooning]. When Miss Nochlin says, 'What is important is that women face up to the reality of their history,' well, the point is, artists are always choosing their history from day to day and their history follows them as much as it precedes them. Were American artists 'facing up to the reality of their history' when they turned to the School of Paris or to German Expressionism or Dada or Surrealism or de Stijl or the Bauhaus instead of to Copley, Peale, Eakins, Blake or Ryder; was Picasso facing up to the reality of his history when he was snooping around African art for inspiration?”

Elaine de Kooning (1918–1989) American painter

n.p.
1950 - 1971, Why Have There Been No Great Women Artists' - Rosalyn Drexler with Elaine de Kooning (1971)

Women, School, Art, History

“That is the artist's job: take mineral rock from dark silent earth, transform it into shining light-reflecting form from sky.”

Philip K. Dick book The Man in the High Castle

The Man in the High Castle (1962)

Light

“The basic story line (in my new work) is about art leaving the realm of the artist, when the artist loses control of the work. It’s defined basically by two ends. One would be Louis XIV — that if you put art in the hands of an aristocracy or monarch, art will become reflective of ego and decorative — and on the other end of the scale would be Bob Hope — that if you give art to the masses, art will become reflective of mass ego and also decorative.”

Jeff Koons (1955) American artist

Constance Lewellen interview, 1986

Hope, Art

“You might say that a creative person is a person who simply has a desire to have something, to add something to the world that's not there yet, and goes about arranging fort that to happen.... when you desire a work of art and make it, you've added to the stock of art in the world. Artists are one of the people who can do that: add to the stock of things.”

Carl Andre (1935) American artist

Source: Artists talks 1969 – 1977, p. 15

People, World, Art, Personality

“One must be a living man and a posthumous artist.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Le Coq et l’Arlequin (1918)

“A real work of art destroys, in the consciousness of the receiver, the separation between himself and the artist.”

Leo Tolstoy (1828–1910) Russian writer

Настоящее произведение искусства делает то, что в сознании воспринимающего уничтожается разделение между ним и художником...
What is Art? (1897)

Art

“Asked what his artistic purpose was: "There is no purpose. We do whatever we do. You either blow your brains out or get on with something."”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

June 1987[citation needed]
Philosophy

“It is so difficult to mix with artists! You must choose business men to talk to, because artists only talk of money.”

Jean Sibelius (1865–1957) Finnish composer of the late Romantic period

Bengt de Törne Sibelius: A Close-Up (London: Faber and Faber, 1937), p. 94.
Usually quoted as "Musicians talk of nothing but money and jobs. Give me businessmen every time. They really are interested in music and art."

Men, Money, Business

“The artist is the person who invents the means to bridge biological inheritance and the environments created by technological innovation.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 98

Personality

“Let me formulate the artistic disposition as follows: it is reacting with one’s ideal to the flaw in oneself and in the world, and somehow making that reaction formation solid enough in the medium so that it indeed becomes an improved bit of real world for others.”

Paul Goodman book Growing Up Absurd

Source: Growing Up Absurd (1956), p. 176.

World

“I am primarily painting from photographs these days (from illustrated magazines but also from family photos), in a sense this is a stylistic problem, the form is naturalistic, even though the photograph is not nature at all but a prefabricated product (the “second-hand world” in which we live), I do not have to intervene artistically with style, since the stylization (deformation in form and color) contributes only under very particular circumstances toward clarifying and intensifying an object or a subject (generally stylization becomes the central problem which obscures everything else (object, subject), it leads to an unmotivated artificiality, an untouchable formalist taboo.”

Gerhard Richter (1932) German visual artist, born 1932

In Richter's letters from Düsseldorf, 19 July 1963 - to two artist friends, Helmut and Erika Heinze
1960's

World, Family, Color, Photo

“With this new tendency [of Orphism] the Cubists dubbed Impressionism of forms according to Appolinaire, is entering a final and glorious phase:.. Orphism, pure painting, simultaneity. And there you have it, as many obvious plagiarisms of what has formed, from its earliest appearances, the essence of Futurist painting and sculpture…. But we insist on sorting things out. Orphism [initiated by former Cubist artist Robert Delaunay as an colorful alternative for strict Cubism ], let us say it right away, is just an elegant masquerade of the basic principles of Futurist painting. This new trend simply illustrates the profit that our French colleagues managed to driver from our first Futurist exhibition in Paris.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Boccioni's critical art quote to Orphism and simultaneity pictures Orphism, as alternative concept for Cubism as a soft version of Futurist painting; in 'Les futurists plagues en France', Boccioni, in 'Lacerba', Florence 1, no. 7, 1 April 1913
1913

Color, Appearance, Painting

“Early artists considered the human body, that forked radish, that defenseless starfish, a poor vehicle for the expression of energy, compared to the muscle-rippling bull and the streamlined antelope. Once more it was the Greeks, by their idealization of man, who turned the human body into an incarnation of energy, to us the most satisfying of all, for although it can never attain the uninhibited physical flow of the animal, its movements concern us more closely. Through art we can relive them in our own bodies, and achieve thereby that enhanced vitality which all thinkers on art, from Goethe to Berenson, have recognized as one of the chief sources of aesthetic pleasure.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Nude: A Study in Ideal Form (1951), Ch. V: Energy

Pleasure, Art, Animals

“The aspect of the venerable mansion has always affected me like a human countenance, bearing the traces not merely of outward storm and sunshine, but expressive also, of the long lapse of mortal life, and accompanying vicissitudes that have passed within. Were these to be worthily recounted, they would form a narrative of no small interest and instruction, and possessing, moreover, a certain remarkable unity, which might almost seem the result of artistic arrangement.”

Nathaniel Hawthorne book The House of the Seven Gables

Source: The House of the Seven Gables (1851), Ch. I : The Old Pyncheon Family

Life

“As long as poets belonged to a broader class of artists and intellectuals, they centered their lives in urban bohemias, where they maintained a distrustful independence from institutions. Once poets began moving into universities, they abandoned the working-class heterogeneity of Greenwich Village and North Beach for the professional homogeneity of academia.”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991)

Universe

“The period during the First World War was a very exciting time in Paris, with artists, philosophers, and poets continually discussing and arguing about the work with which they were involved. Although I myself am little concerned with abstract theory, I certainly do think of cubism as a form of emancipation essentially different from artistic movements that had preceded it. Thus, impressionism, while it was a revolutionary technique, was still an essentially naturalistic movement concerned with a precise examination of the nature of light and the effect of changing lights on representational scenes and objects. Cubism did add a new dimension to painting and sculpture, a dimension that changed our way of looking at nature and the work of art.”

Jacques Lipchitz (1891–1973) American and French sculptor

Source: Jacques Lipchitz: My life in sculpture, 1972, p. 40

War, World, Art, Way

“A successful artist of any kind has to work so hard that she is justified in refusing to lay down her sceptre until she is placed on the bier.”

Edith Evans (1888–1976) British actress

As quoted in Dame Edith Evans, ch. 13, by Bryan Forbes (1977)

Success

“Is it my role as an artist to say something, to express, to be expressive? I think it’s my role as an artist to bring to expression; it’s not my role to be expressive. I’ve got nothing particular to say, I don’t have any message to give anyone. But it is my role to bring to expression, let’s say, to define means that allow phenomenological and other perceptions, which one might use, one might work with, and then move towards a poetic existence.”

Anish Kapoor (1954) British contemporary artist of Indian birth

Anish kapoor in conversation with Homi K. Bhabha in 1998. Quoted in pdf, Anish Kapoor, 18 December 2013, Royal Academy Organization http://static.royalacademy.org.uk/files/anish-kapoor-education-guide-558.pdf,

Thinking

“The convention by which the great events in biblical or secular history could be enacted only by magnificent physical specimens, handsome and well-groomed, went on for a long time — till the middle of the nineteenth century. Only a very few artists — perhaps only Rembrandt and Caravaggio in the first rank — were independent enough to stand against it. And I think that this convention, which was an element in the so-called grand manner, became a deadening influence on the European mind. It deadened our sense of truth, even our sense of moral responsibility.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: Civilisation (1969), Ch. 5: The Hero as Artist

Truth, History, Thinking, Sense

“GRONINGEN, BERLIN, MOSCOW, PARIS 1923
Start of the violet season
Reader
As we are convinced that it is not too LATE, we will speak.
Time is running, honestly.... it has become necessary now to do something, before it is too late
There must be witnessing and speaking..
.. Art is everywhere. She is thrown us people on our jackets by the birds. In every infant with weak intestines, the latent seed is laid for an artist..
Our first publication will soon be published. We urgently invite you to become a fellow reader [of the upcoming art-magazine 'The Next Call'].... We count on your DEEDS in the white season with the black shadows..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands):
GRONINGEN, BERLIJN, MOSKAU, PARIJS 1923
Aanvang van het violette jaargetijde
Lezer..
..Aangezien wij dus overtuigd zijn dat het nog niet TE LAAT is, zullen wij spreken.
Het wordt tijd, waarachtig.. ..meer dan tijd dat er iets gedaan wordt.
Er MOET getuigd en gesproken worden.
….Kunst is overal. Zij wordt den mensch als het ware door de vogels op de jas geworpen. In elke zuigeling met zwakke ingewanden wordt de latente kiem gelegd voor een kunstenaar..
Ons eerste geschrift verschijnt binnenkort. Wij nodigen u dringend uit medelezer te worden.. [van het komende kunsttijdschrift ‘The Next Call'].. ..Wij rekenen op uwe DADEN in het witte jaargetijde met de zwarte schaduwen..
Quote from Werkman's Manifesto: ' Aanvang van het violette jaargetijde / Start of the violet season' - also known as 'Roze Pamflet / Pink Pamphlet', Sept. 1923; in the collection of Stedelijk Museum, Amsterdam (transl: Fons Heijnsbroek)
1920's

People, Art, Bird, Time

Quotes about artist page 5

Quotes about artist
page 5