Quotes about light
page 3

Abraham Lincoln photo
Abraham Lincoln photo

“No personal significance or insignificance can spare one or another of us. The fiery trial through which we pass will light us down in honor or dishonor to the latest generation.”

Abraham Lincoln (1809–1865) 16th President of the United States

1860s, Second State of the Union address (1862)
Context: Fellow-citizens, we can not escape history. We of this Congress and this Administration will be remembered in spite of ourselves. No personal significance or insignificance can spare one or another of us. The fiery trial through which we pass will light us down in honor or dishonor to the latest generation.

Abraham Lincoln photo

“I am not bound to win, but I am bound to be true. I am not bound to succeed, but I am bound to live up to the light I have. I must stand with anybody that stands right — stand with him while he is right and part with him when he goes wrong.”

Abraham Lincoln (1809–1865) 16th President of the United States

Reported as an inscription quoting Lincoln in an English college in The Baptist Teacher for Sunday-school Workers : Vol. 36 (August 1905), p. 483. The portion beginning with "stand with anybody..." is from the 16 October 1854 Peoria speech..
Posthumous attributions

Martin Luther photo

“Faith, like light, should ever be simple and unbending; while love, like warmth, should beam forth on every side, and bend to every necessity of our brethren.”

Martin Luther (1483–1546) seminal figure in Protestant Reformation

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 220

Arthur Miller photo
Anthony de Mello photo

“The sun and its light, the ocean and the wave, the singer and his song — not one. Not two.”

Anthony de Mello (1931–1987) Indian writer

Identity
One Minute Wisdom (1989)

Thomas Mann photo

“I have read your book and its terrible documentation with deepest emotion. I cannot describe the mixed feeling of abhorrence and loathing which has filled my heart while perusing these records of human degradation and abominable cruelty.. . . To keep quiet would serve only the moral indifference of the world. . . You have done your duty in publishing this book and bringing these facts to light.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Cited in Awake! magazine, 1995, 8/22; article: The Evils of Nazism Exposed.
In 1933, The Golden Age carried the first of many reports of the existence of concentration camps in Germany. In 1938, Jehovah’s Witnesses published the book Crusade Against Christianity, in French, German, and Polish. It carefully documented the vicious Nazi attacks on the Witnesses and included diagrams of the Sachsenhausen and Esterwegen concentration camps.

Thomas Mann photo
Bob Marley photo

“Excuse me while I light my spliff (spliff)
Good God I gotta' take a lift (lift)
From reality I just can't drift (drift)
That's why I am staying with this riff (riff)

Take it easy, easy skanking
Got to take it easy, easy skanking.”

Bob Marley (1945–1981) Jamaican singer, songwriter, musician

Easy Skanking, from the album Kaya (1978) · Video on YouTube https://www.youtube.com/watch?v=wlqB13iJu2o
Song lyrics

Bob Marley photo

“Excuse me while I light my spliff, good God I gotta take a lift.”

Bob Marley (1945–1981) Jamaican singer, songwriter, musician

Easy Skanking, from the album Kaya (1978)
Song lyrics

Bob Marley photo

“Truth is the light
So you never give up the fight.”

Bob Marley (1945–1981) Jamaican singer, songwriter, musician

Final jamming of Live at the Roxy (recorded 1976)
Song lyrics

Bob Marley photo

“Light up the darkness.”

Bob Marley (1945–1981) Jamaican singer, songwriter, musician
Isaac Newton photo
Isaac Newton photo
Isaac Newton photo
Isaac Newton photo
Isaac Newton photo
Isaac Newton photo
Isaac Newton photo
Isaac Newton photo
Isaac Newton photo
Isaac Newton photo

“I keep the subject constantly before me, and wait 'till the first dawnings open slowly, by little and little, into a full and clear light.”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

Reply upon being asked how he made his discoveries, as quoted in " Biographia Britannica: Or the Lives of the Most Eminent Persons who Have Flourished in Great Britain from the Earliest Ages Down to the Present Times, Volume 5 http://books.google.es/books?id=rYhDAAAAcAAJ&pg=PA3241&dq=I+keep+the+subject+constantly+before+me+and+wait+till+the+first+dawnings+open+little+by+little+into+the+full+light.&hl=es&sa=X&ei=ZBsMUpiLDpPU8wTEkYGAAQ&ved=0CEMQ6AEwAg#v=onepage&q=I%20keep%20the%20subject%20constantly%20before%20me%20and%20wait%20till%20the%20first%20dawnings%20open%20little%20by%20little%20into%20the%20full%20light.&f=false", by W. Innys, (1760), p. 3241.

Isaac Newton photo

“The changing of bodies into light, and light into bodies, is very conformable to the course of Nature, which seems delighted with transmutations.”

Query 30 : Are not gross bodies and light convertible into one another, and may not bodies receive much of their activity from the particles of light which enter into their composition?
Opticks (1704)

Isaac Newton photo
Isaac Newton photo

“Atheism is so senseless. When I look at the solar system, I see the earth at the right distance from the sun to receive the proper amounts of heat and light. This did not happen by chance.”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

As quoted in Isaac Newton: Inventor, Scientist, and Teacher (1975) by John Hudson Tiner. "Atheism is so senseless" is a statement Newton made indeed in "A short Schem of the true Religion", but no source for the rest of this statement has been located prior to 1975. Part of this statement might originate as a summation of observations by Colin Maclaurin in his An Account of Sir Isaac Newton's Philosophical Discoveries (1750), Book III, Ch. 5 http://books.google.com.au/books?id=yS1PAAAAcAAJ&pg=PA307#q=%22wisdom%20of%20the%20author%22: "On the quantity of watter and density of the sun and planets" : "… the earth … those planets which are nearer the sun are found to be more dense, by which they are enabled to bear the greater heat of the sun. This is the result of our most subtle enquiries into nature, that all things are in the best situations, and disposed by perfect wisdom. If our earth was carried down into the orb of Mercury, our ocean would boil and soon be dissipated into vapour, and dry land would become uninhabitable. If the earth was carried to the orb of Saturn, the ocean would freeze at so great a distance from the sun, and the cold would soon put a period to the life of plants and animals. A much less variation of the earth's distance from the sun than this would depopulate the torrid zone if the earth came nearer the sun, and the temperate zones, if it was carried from the sun. A less heat at Jupiter's distance … might be as fatal … proves on every occasion, the wisdom of the author."
Disputed

Isaac Newton photo

“Are not the Rays of Light in passing by the edges and sides of Bodies, bent several times backwards and forwards, with a motion like that of an Eel?”

Query 3
Opticks (1704)
Context: Are not the Rays of Light in passing by the edges and sides of Bodies, bent several times backwards and forwards, with a motion like that of an Eel? And do not the three Fringes of colour'd Light... arise from three such bendings?

Friedrich Nietzsche photo

“But what changes come upon the weary desert of our culture, so darkly described, when it is touched by the magic of Dionysus! A storm seizes everything decrepit, rotten, broken, stunted; shrouds it in a whirling red cloud of dust and carries it into the air like a vulture. In vain confusion we seek for all that has vanished; for what we see has risen as if from beneath he earth into the gold light, so full and green, so luxuriantly alive, immeasurable and filled with yearning. Tragedy sits in sublime rapture amidst this abundance of life, suffering and delight, listening to a far-off, melancholy song which tells of the Mothers of Being, whose names are Delusion, Will, Woe. -
Yes, my friends, join me in my faith in this Dionysiac life and the rebirth of tragedy. The age of Socratic man is past: crown yourselves with ivy, grasp the thyrsus and do not be amazed if tigers and panthers lie down fawning at your feet. Now dare to be tragic men, for you will be redeemed. You shall join the Dionysiac procession from India to Greece! Gird yourselves for a hard battle, but have faith in the miracles of your god!”

Aber wie verändert sich plötzlich jene eben so düster geschilderte Wildniss unserer ermüdeten Cultur, wenn sie der dionysische Zauber berührt! Ein Sturmwind packt alles Abgelebte, Morsche, Zerbrochne, Verkümmerte, hüllt es wirbelnd in eine rothe Staubwolke und trägt es wie ein Geier in die Lüfte. Verwirrt suchen unsere Blicke nach dem Entschwundenen: denn was sie sehen, ist wie aus einer Versenkung an's goldne Licht gestiegen, so voll und grün, so üppig lebendig, so sehnsuchtsvoll unermesslich. Die Tragödie sitzt inmitten dieses Ueberflusses an Leben, Leid und Lust, in erhabener Entzückung, sie horcht einem fernen schwermüthigen Gesange - er erzählt von den Müttern des Seins, deren Namen lauten: Wahn, Wille, Wehe.
Ja, meine Freunde, glaubt mit mir an das dionysische Leben und an die Wiedergeburt der Tragödie. Die Zeit des sokratischen Menschen ist vorüber: kränzt euch mit Epheu, nehmt den Thyrsusstab zur Hand und wundert euch nicht, wenn Tiger und Panther sich schmeichelnd zu euren Knien niederlegen. Jetzt wagt es nur, tragische Menschen zu sein: denn ihr sollt erlöst werden. Ihr sollt den dionysischen Festzug von Indien nach Griechenland geleiten! Rüstet euch zu hartem Streite, aber glaubt an die Wunder eures Gottes!
Source: The Birth of Tragedy (1872), p. 98

Friedrich Nietzsche photo
Friedrich Nietzsche photo
Friedrich Nietzsche photo
Friedrich Nietzsche photo
Friedrich Nietzsche photo

“When someone hides something behind a bush and looks for it again in the same place and finds it there as well, there is not much to praise in such seeking and finding. Yet this is how matters stand regarding seeking and finding "truth" within the realm of reason. If I make up the definition of a mammal, and then, after inspecting a camel, declare "look, a mammal' I have indeed brought a truth to light in this way, but it is a truth of limited value.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

On Truth and Lie in an Extra-Moral Sense (1873)
Context: When someone hides something behind a bush and looks for it again in the same place and finds it there as well, there is not much to praise in such seeking and finding. Yet this is how matters stand regarding seeking and finding "truth" within the realm of reason. If I make up the definition of a mammal, and then, after inspecting a camel, declare "look, a mammal' I have indeed brought a truth to light in this way, but it is a truth of limited value. That is to say, it is a thoroughly anthropomorphic truth which contains not a single point which would be "true in itself" or really and universally valid apart from man. At bottom, what the investigator of such truths is seeking is only the metamorphosis of the world into man.

Napoleon I of France photo

“Well then, I will tell you. Alexander, Caesar, Charlemagne and I myself have founded great empires; but upon what did these creations of our genius depend? Upon force. Jesus alone founded His empire upon love, and to this very day millions will die for Him. I think I understand something of human nature; and I tell you, all these were men, and I am a man: none else is like Him; Jesus Christ was more than a man. I have inspired multitudes with such an enthusiastic devotion that they would have died for me but to do this it was necessary that I should be visibly present with the electric influence of my looks, my words, of my voice. When I saw men and spoke to them, I lighted up the flame of self-devotion in their hearts. Christ alone has succeeded in so raising the mind of man toward the unseen, that it becomes insensible to the barriers of time and space. Across a chasm of eighteen hundred years, Jesus Christ makes a demand which is beyond all others difficult to satisfy; He asks for that which a philosopher may often seek in vain at the hands of his friends, or a father of his children, or a bride of her spouse, or a man of his brother. He asks for the human heart; He will have it entirely to Himself. He demands it unconditionally; and forthwith His demand is granted. Wonderful! In defiance of time and space, the soul of man, with all its powers and faculties, becomes an annexation to the empire of Christ. All who sincerely believe in Him, experience that remarkable, supernatural love toward Him. This phenomenon is unaccountable; it is altogether beyond the scope of man's creative powers. Time, the great destroyer, is powerless to extinguish this sacred flame; time can neither exhaust its strength nor put a limit to its range. This is it, which strikes me most; I have often thought of it. This it is which proves to me quite convincingly the Divinity of Jesus Christ.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

In a statement about Jesus Christ. While exiled on the rock of St. Helena, Napoleon called Count Montholon to his side and asked him, "Can you tell me who Jesus Christ was?" Upon the Count declining to respond Napoleon countered. Ravi Zacharias, Jesus Among Other Gods http://books.google.com/books?id=jSI9HnMHdPsC&pg=PA149&lpg=PA149&dq=napoleon+jesus+among+gods&source=bl&ots=CdsDSjamnm&sig=K3l7Ek972r7pyEFT681lbf3PVSQ&hl=en&sa=X&ei=nBqhUf3RL4au9AS37ICwCQ&ved=0CBYQ6AEwAA, p. 149, in Henry Parry Liddon (1868) The Divinity of Our Lord and Saviour Jesus Christ; Eight Lectures. New edition. https://books.google.com/books?id=IcINAAAAYAAJ&pg=PA148&dq#v=onepage&q&f=false pp. 147-148, and in Henry Parry Liddon (1869) The Divinity of Our Lord and Saviour Jesus Christ; Eight Lectures. Fourth edition. https://ia800203.us.archive.org/15/items/divinityofourlord00libbrich/divinityofourlord00libbrich.pdf pp. 147-148.
Attributed

Vladimir Nabokov photo

“The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness.”

Vladimir Nabokov (1899–1977) Russian-American novelist, lepidopterist, professor

Speak, Memory: A Memoir (1951)
Context: The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness. Although the two are identical twins, man, as a rule, views the prenatal abyss with more calm than the one he is heading for (at some forty-five hundred heartbeats an hour).

Vladimir Nabokov photo
Vladimir Nabokov photo
John Henry Newman photo
Jawaharlal Nehru photo
Jawaharlal Nehru photo

“The light has gone out, I said, and yet I was wrong. For the light that shone in this country was no ordinary light.”

Jawaharlal Nehru (1889–1964) Indian lawyer, statesman, and writer, first Prime Minister of India

The Light Has Gone Out (1948)
Context: The light has gone out, I said, and yet I was wrong. For the light that shone in this country was no ordinary light. The light that has illumined this country for these many years will illumine this country for many more years, and a thousand years later, that light will be seen in this country and the world will see it and it will give solace to innumerable hearts. For that light represented something more than the immediate past, it represented the living, the eternal truths, reminding us of the right path, drawing us from error, taking this ancient country to freedom.

Novalis photo

“The spirit of Poesy is the morning light, which makes the Statue of Memnon sound.”

Novalis (1772–1801) German poet and writer

Novalis (1829)

Novalis photo
Novalis photo
Novalis photo

“Men travel in manifold paths: whoso traces and compares these, will find strange Figures come to light; Figures which seem as if they belonged to that great Cipher-writing which one meets with everywhere”

Novalis (1772–1801) German poet and writer

Pupils at Sais (1799)
Context: I. The Pupil. — Men travel in manifold paths: whoso traces and compares these, will find strange Figures come to light; Figures which seem as if they belonged to that great Cipher-writing which one meets with everywhere, on wings of birds, shells of eggs, in clouds, in the snow, in crystals, in forms of rocks, in freezing waters, in the interior and exterior of mountains, of plants, animals, men, in the lights of the sky, in plates of glass and pitch when touched and struck on, in the filings round the magnet, and the singular conjunctures of Chance. In such Figures one anticipates the key to that wondrous Writing, the grammar of it; but this Anticipation will not fix itself into shape, and appears as if, after all, it would not become such a key for us. An Alcahest seems poured out over the senses of men. Only for a moment will their wishes, their thoughts thicken into form. Thus do their Anticipations arise; but after short whiles, all is again swimming vaguely before them, even as it did.

Azar Nafisi photo
George Orwell photo
Barack Obama photo
Barack Obama photo
Barack Obama photo
Barack Obama photo
Barack Obama photo
Barack Obama photo
Barack Obama photo

“It is that spirit, that innate longing for justice and equality, for freedom and solidarity -- that’s the spirit that can light the way forward. It's in you.”

Barack Obama (1961) 44th President of the United States of America

2013, Cape Town University Address (June 2013)
Context: We always have the opportunity to choose our better history. We can always understand that most important decision -- the decision we make when we find our common humanity in one another. That’s always available to us, that choice. [... ] it can be heard in the confident voices of young people like you. It is that spirit, that innate longing for justice and equality, for freedom and solidarity -- that’s the spirit that can light the way forward. It's in you.

Barack Obama photo

“No society is immune from the darkest impulses of man. And too often religion has been used to tap into those darker impulses as opposed to the light of God.”

Barack Obama (1961) 44th President of the United States of America

2015, Address to the People of India (January 2015)
Context: No society is immune from the darkest impulses of man. And too often religion has been used to tap into those darker impulses as opposed to the light of God. Three years ago in our state of Wisconsin, back in the United States, a man went to a Sikh temple and, in a terrible act of violence, killed six innocent people -- Americans and Indians. And in that moment of shared grief, our two countries reaffirmed a basic truth, as we must again today -- that every person has the right to practice their faith how they choose, or to practice no faith at all, and to do so free of persecution and fear and discrimination.

Barack Obama photo

“For generations, we have done the hard work of protecting our own people, as well as millions around the globe. We have done so because we know that our own future is safer, our own future is brighter, if more of mankind can live with the bright light of freedom and dignity.”

Barack Obama (1961) 44th President of the United States of America

2011, Address on interventions in Libya (March 2011)
Context: For generations, we have done the hard work of protecting our own people, as well as millions around the globe. We have done so because we know that our own future is safer, our own future is brighter, if more of mankind can live with the bright light of freedom and dignity. 
Tonight, let us give thanks for the Americans who are serving through these trying times, and the coalition that is carrying our effort forward. And let us look to the future with confidence and hope not only for our own country, but for all those yearning for freedom around the world.

Marcel Proust photo
Fernando Pessoa photo

“By the painful light of the factory’s huge electric lamps
I write in a fever.
I write gnashing my teeth, rabid for the beauty of all this,
For this beauty completely unknown to the ancients.

O wheels, O gears, eternal r-r-r-r-r-r-r!
Bridled convulsiveness of raging mechanisms!
Raging in me and outside me,
Through all my dissected nerves,
Through all the papillae of everything I feel with!
My lips are parched, O great modern noises,
From hearing you at too close a range,
And my head burns with the desire to proclaim you
In an explosive song telling my every sensation,
An explosiveness contemporaneous with you, O machines!”

Fernando Pessoa (1888–1935) Portuguese poet, writer, literary critic, translator, publisher and philosopher

<p>À dolorosa luz das grandes lâmpadas eléctricas da fábrica
Tenho febre e escrevo.
Escrevo rangendo os dentes, fera para a beleza disto,
Para a beleza disto totalmente desconhecida dos antigos.</p><p>Ó rodas, ó engrenagens, r-r-r-r-r-r-r eterno!
Forte espasmo retido dos maquinismos em fúria!
Em fúria fora e dentro de mim,
Por todos os meus nervos dissecados fora,
Por todas as papilas fora de tudo com que eu sinto!
Tenho os lábios secos, ó grandes ruídos modernos,
De vos ouvir demasiadamente de perto,
E arde-me a cabeça de vos querer cantar com um excesso
De expressão de todas as minhas sensações,
Com um excesso contemporâneo de vós, ó máquinas!</p>
Álvaro de Campos (heteronym), Ode Triunfal ["Triumphal Ode"] (1914), in A Little Larger Than the Entire Universe, trans. Richard Zenith (Penguin, 2006)

Fernando Pessoa photo

“Ah, the freshness in the face of leaving a task undone!
To be remiss is to be positively out in the country!
What a refuge it is to be completely unreliable!
I can breathe easier now that the appointments are behind me.
I missed them all, through deliberate negligence,
Having waited for the urge to go, which I knew wouldn't come.
I'm free, and against organised, clothed society.
I'm naked and plunge into the water of my imagination.
It's too late to be at either of the two meetings where I should have been at the same time,
Deliberately at the same time…
No matter, I'll stay here dreaming verses and smiling in italics.
This spectator aspect of life is so amusing!
I can't even light the next cigarette… If it's an action,
It can wait for me, along with the others, in the non-meeting called life.”

Fernando Pessoa (1888–1935) Portuguese poet, writer, literary critic, translator, publisher and philosopher

Ah a frescura na face de não cumprir um dever!
Faltar é positivamente estar no campo!
Que refúgio o não se poder ter confiança em nós!
Respiro melhor agora que passaram as horas dos encontros,
Faltei a todos, com uma deliberação do desleixo,
Fiquei esperando a vontade de ir para lá, que'eu saberia que não vinha.
Sou livre, contra a sociedade organizada e vestida.
Estou nu, e mergulho na água da minha imaginação.
E tarde para eu estar em qualquer dos dois pontos onde estaria à mesma hora,
Deliberadamente à mesma hora...
Está bem, ficarei aqui sonhando versos e sorrindo em itálico.
É tão engraçada esta parte assistente da vida!
Até não consigo acender o cigarro seguinte... Se é um gesto,
Fique com os outros, que me esperam, no desencontro que é a vida.
Álvaro de Campos (heteronym), "A Frescura" (1929), in Fernando Pessoa & Co: Selected Poems, trans. Richard Zenith (Grove Press, 1998)

Plato photo

“We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.”

Plato (-427–-347 BC) Classical Greek philosopher

This quotation, often attributed on the Internet to Plato, cannot be found in any of Plato's writings, nor can it be found in any published work anywhere until recent years. If it really were a quotation by Plato, then some author in the recorded literature of the last several centuries would have mentioned that quote, but they did not. The sentiment isn't new, however. The ancient Roman Seneca, in his work on "Morals," quoted an earlier Roman writer, Lucretius (who wrote about the year 50 B.C.), as saying "we are as much afraid in the light as children in the dark." (Seneca was paraphrasing a longer passage by Lucretius from De Rerum Natura (On the Nature of Things), Book II, lines 56 et seq.)
Misattributed

Plato photo

“Neither family, nor privilege, nor wealth, nor anything but Love can light that beacon which a man must steer by when he sets out to live the better life.”

Plato (-427–-347 BC) Classical Greek philosopher

178c, M. Joyce, trans, Collected Dialogues of Plato (1961), p. 533
The Symposium

Pablo Picasso photo
Terry Pratchett photo
Terry Pratchett photo
Terry Pratchett photo

“There was no light at the end of the tunnel--or if there was, it was an oncoming train.”

Terry Pratchett (1948–2015) English author

Variant: He'd been wrong, there was a light at the end of the tunnel, and it was a flamethrower.
Source: Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

Terry Pratchett photo
Terry Pratchett photo

“Sometimes it's better to light a flamethrower than curse the darkness.”

Terry Pratchett (1948–2015) English author

Variant: It's better to light a candle than curse the darkness.
Source: Men at Arms: The Play

Blaise Pascal photo
Quintilian photo

“To say the truth, whatever improvement private study may produce, there is still a peculiar advantage attendant on our appearance in the forum, where the light is different and there is an appearance of real responsibility quite different from the fictitious cases of the schools. If we estimate the two separately, practice without learning will be of more avail than learning without practice.”
Et hercule quantumlibet secreta studia contulerint, est tamen proprius quidam fori profectus, alia lux, alia veri discriminis facies, plusque, si separes, usus sine doctrina quam citra usum doctrina valeat.

Quintilian (35–96) ancient Roman rhetor

Book XII, Chapter VI, 4; translation by Rev. John Selby Watson
De Institutione Oratoria (c. 95 AD)

Erich Maria Remarque photo
Bertrand Russell photo
Bertrand Russell photo

“The facts of science, as they appeared to him [Heraclitus], fed the flame in his soul, and in its light, he saw into the depths of the world.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1910s, Mysticism and Logic and Other Essays http://archive.org/stream/mysticism00russuoft/mysticism00russuoft_djvu.txt (1918), Ch. 1: Mysticism and Logic

Rainer Maria Rilke photo

“First a childhood, limitless and without
renunciation or goals. O unselfconscious joy.
Then suddenly terror, barriers, schools, drudgery,
and collapse into temptation and loss.Defiance. The one bent becomes the bender,
and thrusts upon others that which it suffered.
Loved, feared, rescuer, fighter, winner
and conqueror, blow by blow.And then alone in cold, light, open space,
yet still deep within the mature erected form,
a gasping for the clear air of the first one, the old one…Then God leaps out from behind his hiding place.”

Rainer Maria Rilke (1875–1926) Austrian poet and writer

Erst eine Kindheit, grenzenlos und ohne
Verzicht und Ziel. O unbewußte Lust.
Auf einmal Schrecken, Schranke, Schule, Frohne
und Absturtz in Versuchung und Verlust.</p><p>Trotz. Der Gebogene wird selber Bieger
und rächt an anderen, daß er erlag.
Geliebt, gefürchtet, Retter, Ringer, Sieger
und Überwinder, Schlag auf Schlag.<p>Und dann allein im Weiten, Leichten, Kalten.
Doch tief in der errichteten Gestalt
ein Atemholen nach dem Ersten, Alten...</p><p>Da stürzte Gott aus seinem Hinterhalt.</p>
As translated by Cliff Crego
Imaginärer Lebenslauf (Imaginary Life Journey) (September 13, 1923)

Romain Rolland photo

“Epic shouts passed, and trumpet calls, and tempestuous sounds borne upon sovereign rhythms. For in that sonorous soul everything took shape in sound. It sang of light. It sang of darkness, sang of life and death. It sang for those who were victorious in battle. It sang for himself who was conquered and laid low. It sang. All was song. It was nothing but song.”

Romain Rolland (1866–1944) French author

Jean-Christophe (1904 - 1912), Journey's End: The Burning Bush (1911)
Context: God was not to him the impassive Creator, a Nero from his tower of brass watching the burning of the City to which he himself has set fire. God was fighting. God was suffering. Fighting and suffering with all who fight and for all who suffer. For God was Life, the drop of light fallen into the darkness, spreading out, reaching out, drinking up the night. But the night is limitless, and the Divine struggle will never cease: and none can know how it will end. It was a heroic symphony wherein the very discords clashed together and mingled and grew into a serene whole! Just as the beech-forest in silence furiously wages war, so Life carries war into the eternal peace.
The wars and the peace rang echoing through Christophe. He was like a shell wherein the ocean roars. Epic shouts passed, and trumpet calls, and tempestuous sounds borne upon sovereign rhythms. For in that sonorous soul everything took shape in sound. It sang of light. It sang of darkness, sang of life and death. It sang for those who were victorious in battle. It sang for himself who was conquered and laid low. It sang. All was song. It was nothing but song.

Romain Rolland photo

“I am not all that is. I am Life fighting Nothingness. I am not Nothingness, I am the Fire which burns in the Night. I am not the Night. I am the eternal Light; I am not an eternal destiny soaring above the fight. I am free Will which struggles eternally. Struggle and burn with Me.”

Romain Rolland (1866–1944) French author

Jean-Christophe (1904 - 1912), Journey's End: The Burning Bush (1911)
Context: "Thou art come back to me, Thou art come back to me! O Thou, whom I had lost!... Why didst Thou abandon me?"
"To fulfil My task, that thou didst abandon."
"What task?"
"My fight."
"What need hast Thou to fight? Art Thou not master of all?"
"I am not the master."
"Art Thou not All that Is?"
"I am not all that is. I am Life fighting Nothingness. I am not Nothingness, I am the Fire which burns in the Night. I am not the Night. I am the eternal Light; I am not an eternal destiny soaring above the fight. I am free Will which struggles eternally. Struggle and burn with Me."

Romain Rolland photo

“God was not to him the impassive Creator, a Nero from his tower of brass watching the burning of the City to which he himself has set fire. God was fighting. God was suffering. Fighting and suffering with all who fight and for all who suffer. For God was Life, the drop of light fallen into the darkness, spreading out, reaching out, drinking up the night.”

Romain Rolland (1866–1944) French author

Jean-Christophe (1904 - 1912), Journey's End: The Burning Bush (1911)
Context: God was not to him the impassive Creator, a Nero from his tower of brass watching the burning of the City to which he himself has set fire. God was fighting. God was suffering. Fighting and suffering with all who fight and for all who suffer. For God was Life, the drop of light fallen into the darkness, spreading out, reaching out, drinking up the night. But the night is limitless, and the Divine struggle will never cease: and none can know how it will end. It was a heroic symphony wherein the very discords clashed together and mingled and grew into a serene whole! Just as the beech-forest in silence furiously wages war, so Life carries war into the eternal peace.
The wars and the peace rang echoing through Christophe. He was like a shell wherein the ocean roars. Epic shouts passed, and trumpet calls, and tempestuous sounds borne upon sovereign rhythms. For in that sonorous soul everything took shape in sound. It sang of light. It sang of darkness, sang of life and death. It sang for those who were victorious in battle. It sang for himself who was conquered and laid low. It sang. All was song. It was nothing but song.

Theodore Roosevelt photo

“Please put out the light, James.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

Last words, to his valet, James Amos (6 January 1919), as quoted in Adventures of Theodore Roosevelt (1928) by Edwin Emerson, p. 336
1910s

Theodore Roosevelt photo
Theodore Roosevelt photo

“The light has gone out of my life.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

Entry in Roosevelt's diary, before which he put a large X, on 14 February 1884, the day in which both his mother and wife died within hours of each other.
1880s

Ronald Reagan photo

“When you can't make them see the light, make them feel the heat.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)
Jean Jacques Rousseau photo

“A kind of music far superior, in my opinion, to that of operas, and which in all Italy has not its equal, nor perhaps in the whole world, is that of the 'scuole'. The 'scuole' are houses of charity, established for the education of young girls without fortune, to whom the republic afterwards gives a portion either in marriage or for the cloister. Amongst talents cultivated in these young girls, music is in the first rank. Every Sunday at the church of each of the four 'scuole', during vespers, motettos or anthems with full choruses, accompanied by a great orchestra, and composed and directed by the best masters in Italy, are sung in the galleries by girls only; not one of whom is more than twenty years of age. I have not an idea of anything so voluptuous and affecting as this music; the richness of the art, the exquisite taste of the vocal part, the excellence of the voices, the justness of the execution, everything in these delightful concerts concurs to produce an impression which certainly is not the mode, but from which I am of opinion no heart is secure. Carrio and I never failed being present at these vespers of the 'Mendicanti', and we were not alone. The church was always full of the lovers of the art, and even the actors of the opera came there to form their tastes after these excellent models. What vexed me was the iron grate, which suffered nothing to escape but sounds, and concealed from me the angels of which they were worthy. I talked of nothing else. One day I spoke of it at Le Blond's; "If you are so desirous," said he, "to see those little girls, it will be an easy matter to satisfy your wishes. I am one of the administrators of the house, I will give you a collation [light meal] with them." I did not let him rest until he had fulfilled his promise. In entering the saloon, which contained these beauties I so much sighed to see, I felt a trembling of love which I had never before experienced. M. le Blond presented to me one after the other, these celebrated female singers, of whom the names and voices were all with which I was acquainted. Come, Sophia, — she was horrid. Come, Cattina, — she had but one eye. Come, Bettina, — the small-pox had entirely disfigured her. Scarcely one of them was without some striking defect.
Le Blond laughed at my surprise; however, two or three of them appeared tolerable; these never sung but in the choruses; I was almost in despair. During the collation we endeavored to excite them, and they soon became enlivened; ugliness does not exclude the graces, and I found they possessed them. I said to myself, they cannot sing in this manner without intelligence and sensibility, they must have both; in fine, my manner of seeing them changed to such a degree that I left the house almost in love with each of these ugly faces. I had scarcely courage enough to return to vespers. But after having seen the girls, the danger was lessened. I still found their singing delightful; and their voices so much embellished their persons that, in spite of my eyes, I obstinately continued to think them beautiful.”

Jean Jacques Rousseau (1712–1778) Genevan philosopher

Confessions of Jean-Jacques Rousseau (1765-1770; published 1782), On the musicians of the Ospedale della Pieta (book VII)

Eleanor Roosevelt photo

“It is better to light a single candle than to curse the darkness.”

Eleanor Roosevelt (1884–1962) American politician, diplomat, and activist, and First Lady of the United States

Variant: Light a candle instead of cursing the darkness.
Source: This is My Story

Hildegard of Bingen photo
William Shakespeare photo
William Shakespeare photo
William Shakespeare photo
William Shakespeare photo
William Shakespeare photo
William Shakespeare photo
William Shakespeare photo
William Shakespeare photo
William Shakespeare photo

“But, soft! what light through yonder window breaks?
It is the east, and Juliet is the sun.”

Romeo, Act II, scene ii.
Variant: What light through yonder window breaks?
Source: Romeo and Juliet (1595)

Socrates photo
Socrates photo
Albert Schweitzer photo
Albert Schweitzer photo
Albert Schweitzer photo
Aleksandr Solzhenitsyn photo
Friedrich Schiller photo
Friedrich Schiller photo