Quotes about death
page 40

Susan Blackmore photo
Samuel Butler photo
Christian Dior photo

“My mother whom I adored, secretly wasted away and died of grief…; her death…marked me for life.”

Christian Dior (1905–1957) French fashion designer

Source: Marie France Pochna "Christian Dior: The Man who Made the World Look New", p. 48

Thiruvalluvar photo
Paul Verlaine photo

“Grip eloquence by the throat and squeeze
It to death. And while you're about it
You might corral that runaway, Rhyme,
Or you'll get Rhyme Without End, Amen.
Who will denounce that criminal, Rhyme?
Tone-deaf children or crazed foreigners
No doubt fashioned its paste jewellery,
Tinplate on top, hollow underneath.”

Paul Verlaine (1844–1896) French poet

Prends l'éloquence et tords-lui son cou!
Tu feras bien, en train d'énergie,
Du rendre un peu la Rime assagie.
Si l'on n’y veille, elle ira jusqu’où?
Ô qui dira les torts de la Rime!
Quel enfant sourd ou quel nègre fou
Nous a forgé ce bijou d'un sou
Qui sonne creux et faux sous la lime?
Source: "Art poétique", from Jadis et naguère (1884), Line 21; Sorrell p. 125

Margaret Cho photo

“They (the government) are unfazed by any amount of travesty, loss, tragedy, death, and destruction.”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, WAR

Mircea Eliade photo
Robert Erskine Childers photo

“…. death stills the bitterest controversy.”

Robert Erskine Childers (1870–1922) Irish nationalist and author

In conversation with Desmond Ryan, cited in "Unique Dictator" by Desmond Ryan, Arthur Barker Limited, London (1936), p. 213.
Literary Years and War (1900-1918), Last Years: Ireland (1919-1922)

Rachel Carson photo
Martial photo

“The mode of death is sadder than death itself.”

XI, 91.
Epigrams (c. 80 – 104 AD)

Christopher Golden photo

“When we feel how God was in our sorrows, we shall trust the more blessedly that He will be in our deaths.”

William Mountford (1816–1885) English Unitarian preacher and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 556.

Peggy Noonan photo
Emil M. Cioran photo
Ted Hughes photo

“But who is stronger than death?
Me, evidently.”

"Examination at the Womb-door"
Crow (1970)

Joseph Smith, Jr. photo
Robert G. Ingersoll photo

“Is there beyond the silent night
An endless day?
Is death a door that leads to light?
We cannot say.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

"The Devil" (1899) http://www.gutenberg.org/files/38804/38804-h/38804-h.htm Section IX, "Conclusion: Declaration of the Free" Compare: "the door of Darkness", The Rubaiyat, stanza 64.

Sören Kierkegaard photo
Thomas Fuller photo
Tony Blair photo

“It is important that those engaged in terrorism realise that our determination to defend our values and our way of life is greater than their determination to cause death and destruction to innocent people in a desire to impose extremism on the world.”

Tony Blair (1953) former Prime Minister of the United Kingdom

Trevor Kavanagh, "We shall prevail .. terrorists shall not", The Sun, 8 July 2005, p. 18
7 July 2005, statement from Scotland's Gleneagles Hotel, in response to the terrorist attack on the London Underground.
2000s

Erica Jong photo

“How could one create life with someone who represented death?”

Erica Jong (1942) Novelist, poet, memoirist, critic

How to Save Your Own Life (1977)

Hermann Samuel Reimarus photo
Wilhelm Keitel photo

“Death by hanging. That, at least, I thought I would be spared.”

Wilhelm Keitel (1882–1946) German general

After receiving the death sentence, quoted in "Nuremberg Diary" by G. M. Gilbert - History - 1995

Leszek Kolakowski photo
Shane Claiborne photo
Agatha Christie photo
Plutarch photo
William J. Brennan photo
William Ellery Channing photo
Thomas Carlyle photo

“I purpose now, while the impression is more pure and clear within me, to mark down the main things I can recollect of my father. To myself, if I live to after-years, it may be instructive and interesting, as the past grows ever holier the farther we leave it. My mind is calm enough to do it deliberately, and to do it truly. The thought of that pale earnest face which even now lies stiffened into death in that bed at Scotsbrig, with the Infinite all of worlds looking down on it, will certainly impel me. It is good to know how a true spirit will vindicate itself with truth and freedom through what obstructions soever; how the acorn cast carelessly into the wilder-ness will make room for itself and grow to be an oak. This is one of the cases belonging to that class, "the lives of remarkable men," in which it has been said, "paper and ink should least of all be spared." I call a man remarkable who becomes a true workman in this vineyard of the Highest. Be his work that of palace-building and kingdom-founding, or only of delving and ditching, to me it is no matter, or next to none. All human work is transitory, small in itself, contemptible. Only the worker thereof, and the spirit that dwelt in him, is significant. I proceed without order, or almost any forethought, anxious only to save what I have left and mark it as it lies in me.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1880s, Reminiscences (1881)

Poul Anderson photo
Morrissey photo
Georges Clemenceau photo
Francis Thompson photo
Arthur Guirdham photo
Thomas Hood photo

“His death which happened in his berth,
At forty-odd befell:
They went and told the sexton, and
The sexton tolled the bell.”

Thomas Hood (1799–1845) British writer

Faithless Sally Brown, st. 17 (1826).
1820s

Ray Bradbury photo
William H. Gass photo
Warren Farrell photo
Harold Monro photo

“Nothing endures, not a tree, not love, not even a death by violence.”

Gene
Source: A Separate Peace (1959), P. 14

“Every breath you take is a step towards death.”

Nahj al-Balagha

“Don't try to sell me on death, Odysseus.
I'd rather be a hired hand back up on earth,
Slaving away for some poor dirt farmer,
Than lord it over all these withered dead.”

Stanley Lombardo (1943) Philosopher, Classicist

Book XI, lines 510–513; spoken by the ghost of Achilles.
Translations, Odyssey (2000)

Kurien Kunnumpuram photo

“Uniformity is the death of life. Wherever there is life, there is diversity.”

Kurien Kunnumpuram (1931–2018) Indian theologian

Kunnumpuram, K. (2009) Towards the Fullness of Life: Reflections on the Daily Living of the Faith. Mumbai: St Pauls
On the Church

Ron Wyden photo
George W. Bush photo
Thomas Carlyle photo

“To this man life is already as earnest and awful, and beautiful and terrible, as death.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Past and Present (1843)

Bill Maher photo
Hemu photo
Firuz Shah Tughlaq photo

“Muslim power again suffered a setback after the death of Alauddin Khalji in 1316 AD. But it was soon revived by the Tughlaqs. By now most of the famous temples over the length and breadth of the Islamic empire in India had been demolished, except in Orissa and Rajasthan which had retained their independence. By now most of the rich treasuries had been plundered and shared between the Islamic state and its swordsmen. Firuz Shah Tughlaq led an expedition to Orissa in 1360 AD. He destroyed the temple of Jagannath at Puri, and desecrated many other Hindu shrines….
After the sack of the temples in Orissa, Firuz Shah Tughlaq attacked an island on the sea-coast where 'nearly 100,000 men of Jajnagar had taken refuge with their women, children, kinsmen and relations'. The swordsmen of Islam turned 'the island into a basin of blood by the massacre of the unbelievers'. A worse fate overtook the Hindu women. Sirat-i-Firuz Shahi records: 'Women with babies and pregnant ladies were haltered, manacled, fettered and enchained, and pressed as slaves into service in the house of every soldier.' Still more horrible scenes were enacted by Firuz Shah Tughlaq at Nagarkot (Kangra) where he sacked the shrine of Jvalamukhi. Firishta records that the Sultan 'broke the idols of Jvalamukhi, mixed their fragments with the flesh of cows and hung them in nosebags round the necks of Brahmins. He sent the principal idol as trophy to Medina.”

Firuz Shah Tughlaq (1309–1388) Tughluq sultan

S.R. Goel, The Story of Islamic Imperialism in India

Nick Cave photo
Robert G. Ingersoll photo
Gilbert Ryle photo
Paul Karl Feyerabend photo
Michael Chabon photo
Albrecht Thaer photo

“After his death I did not attend any more lectures, although I paid for them. Schroeder was succeeded by Ernst Gottfried Baldinger, born in Gross Vargula, near Erfurt, 1738; and descended in a direct line, on his mother's side, from Doctor Martin Luther. He established a dispensary for poor patients, and gave medicine gratia, on condition of his being attended by about thirty pupils. Here it was that I first began to display the knowledge I had gained from my friend, the late Doctor Schroeder; and Baldinger, not seeing me attend his lectures, naturally supposing I was lazy and dull of comprehension, exclaimed, with astonishment, "What will become of this boy?" Whereupon, considering myself insulted by the Doctor, I wished to retire; when he embraced me, and said, good-humouredly, "No, no such a clever young fellow never came under my observation." From this time I became his best friend and daily visitor; I passed whole days and weeks in his valuable and extensive library, and almost in the constant society of his amiable, highly gifted, and accomplished wife; his confidence was so great, that he left the entire direction of his dispensary to me, and even entrusted me with the care of his own family when unwell. Having given up all connexion with my former friends, the students, I selected one Leisewitz, the author of "Julius de Tarent." We sympathised in each other's feelings, and became inseparable. His amiable qualities and inoffensive wit drew around us the best society; but, to our great regret, many of them belonged to a new school of freethinkers, whose principles we endeavoured, by the assistance of the pious Madame Baldinger, to eradicate from their minds; and thus it was thnt Providence brought me over again to the firm belief of the truth of our Divine religion.”

Albrecht Thaer (1752–1828) German agronomist and an avid supporter of the humus theory for plant nutrition

My Life and Confessions, for Philippine, 1786

Adolfo Bioy Casares photo

“Everything is sad and ridiculous in old age. Even the fear of death.”

Adolfo Bioy Casares (1914–1999) Argentine novelist

"En la vejez todo es triste y ridículo: hasta el miedo a la muerte."
Diario de la Guerra del Cerdo, 1969.

Paul R. Ehrlich photo
William Saroyan photo
John Gray photo
Sören Kierkegaard photo
Robert N. Proctor photo
George William Russell photo
Henry Van Dyke photo

“Death comes in its own time, in its own way.
Death is as unique as the individual experiencing it.”

Henry Van Dyke (1852–1933) American diplomat

Gone From My Sight http://www.theribbon.com/poetry/gonefrommysight.asp
Undated

Francesco Petrarca photo

“With Death at my side I seek new counsel for my life, and I see the better but I lay hold on the worse.”

Co la morte a lato
cerco del viver mio novo consiglio,
et veggio 'l meglio, et al peggior m'appiglio.
Canzone 264, st. 8
Il Canzoniere (c. 1351–1353), To Laura in Death

Burkard Schliessmann photo

“To approach Bach, one has to realize that 100 years after Bach’s death, Bach and his music totally had been forgotten. Even while he was still alive, Bach himself believed in the polyphonic power and the resulting symmetric architectures of well-proportioned music. But this had been an artificial truth - even for him. Other composers, including his sons, already composed in another style, where they found other ideals and brought them to new solutions. The spirit of the time already had changed while Bach was still alive. A hundred years later, it was Mendelssohn who about 1850 discovered Bach anew with the performance of the St. Matthew Passion. Now a new renaissance began, and the world learned to know the greatness of Bach. To become acquainted with Bach, many transcriptions were done. But the endeavors in rediscovering Bach had been - stylistically - in a wrong direction. Among these were the orchestral transcriptions of Leopold Stokowski, and the organ interpretations of the multitalented Albert Schweitzer, who, one has to confess, had a decisive effect on the rediscovery of Bach. All performances had gone in the wrong direction: much too romantic, with a false knowledge of historic style, the wrong sound, the wrong rubato, and so on. The necessity of artists like Rosalyn Tureck and Glenn Gould - again 100 years later - has been understandable: The radicalism of Glenn Gould pointed out the real clarity and the internal explosions of the power-filled polyphony in the best way. This extreme style, called by many of his critics refrigerator interpretations, however really had been necessary to demonstrate the right strength to bring out the architecture in the right manner, which had been lost so much before. I’m convinced that the style Glenn Gould played has been the right answer. But there has been another giant: it was no less than Helmut Walcha who, also beginning in the 1950, started his legendary interpretations for the DG-Archive productions of the complete organ-work cycle on historic organs (Silbermann, Arp Schnitger). Also very classical in strength of speed and architectural proportions, he pointed out the polyphonic structures in an enlightened but moreover especially humanistic way, in a much more smooth and elegant way than Glenn Gould on the piano. Some years later it was Virgil Fox who acquainted the U. S. with tours of the complete Bach cycle, which certainly was effective in its own way, but much more modern than Walcha. The ranges of Bach interpretations had become wide, and there were the defenders of the historical style and those of the much more modern romantic style. Also the performances of the orchestral and cantata Bach had become extreme: on one side, for example, Karl Richter, who used a big and rich-toned orchestra; on the other side Helmut Rilling, whose Bach was much more historically oriented.”

Burkard Schliessmann classical pianist

Talkings on Bach

Roger Ebert photo

“Hitchcock said a movie should play the audience like a piano. Death Race played me like a drum. It is an assault on all senses, including common. Walking out, I had the impression I had just seen the video game and was still waiting for the movie.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/death-race-2008 of Death Race (22 August 2008)
Reviews, Half-star reviews

Adi Da Samraj photo
Louis-ferdinand Céline photo

“Personally I wish the police had truncheoned the English fans to death, but I can’t really say that on the record.”

Tony Banks (1942–2006) British politician

"Hopes fade for Tony Banks after holiday stroke" http://www.timesonline.co.uk/article/0,,2087-1975281,00.html, The Times Online, 8 January 2006.
comment on football hooliganism abroad after allegations of police brutality against rioting English fans.

Hans Fritzsche photo
Joan Slonczewski photo

“Guilt is perhaps the most painful companion of death.”

Elisabeth Kübler-Ross (1926–2004) American psychiatrist

Source: On Death and Dying (1969), Ch. 9

Van Morrison photo
Thomas Robert Malthus photo

“The power of population is so superior to the power in the earth to produce subsistence for man, that premature death must in some shape or other vist the human race.”

Thomas Robert Malthus (1766–1834) British political economist

Source: An Essay on The Principle of Population (First Edition 1798, unrevised), Chapter VII, paragraph 20, lines 2-4

Elias Canetti photo

“I repulse death with all my strength. If I accepted it, I would be a murderer.”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 142
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

Kent Hovind photo
William Randolph Hearst photo
Robert Jordan photo
Francis Parkman photo
Elizabeth Rowe photo
John Green photo

“People die. That’s true in novels, and it’s true in life. Dying is one of the very few things we all do. To deny or ignore the omnipresent reality of death seems to me a disservice to human beings. That said, acknowledging in my novels that death exists does not make me a murderer any more than acknowledging that cancer can be treated makes me an oncologist.”

John Green (1977) American author and vlogger

Hey, some people on tumblr are wondering if writers feel upset or get a thrill when they kill their characters. Care to enlighten us?, John Green's tumblr, Tumblr, January 1, 2013, July 15, 2014 http://fishingboatproceeds.tumblr.com/post/39363824562/hey-some-people-on-tumblr-are-wondering-if-writers,

Felicia Hemans photo
Homér photo
Ernest Becker photo
Hunter S. Thompson photo
Hideki Tōjō photo

“It is natural that I should bear entire responsibility for the war in general, and, needless to say, I am prepared to do so. Consequently, now that the war has been lost, it is presumably necessary that I be judged so that the circumstances of the time can be clarified and the future peace of the world be assured. Therefore, with respect to my trial, it is my intention to speak frankly, according to my recollection, even though when the vanquished stands before the victor, who has over him the power of life and death, he may be apt to toady and flatter. I mean to pay considerable attention to this in my actions, and say to the end that what is true is true and what is false is false. To shade one's words in flattery to the point of untruthfulness would falsify the trial and do incalculable harm to the nation, and great care must be taken to avoid this.”

Hideki Tōjō (1884–1948) former Prime Minister of Japan and Minister of War executed in 1948

Written in his prison diary https://books.google.com/books?id=aynFAgAAQBAJ&pg=PA217&lpg=PA217&dq=%22I+should+bear+entire+responsibility+for+the+war+in+general%22&source=bl&ots=ov6_NlNuJx&sig=W_gAxNsPYqUMqh-FE1WF4CbCQ-8&hl=en&sa=X&ei=QZHsVMKlLsKiNrnDg6AP&ved=0CDIQ6AEwAw#v=onepage&q=%22I%20should%20bear%20entire%20responsibility%20for%20the%20war%20in%20general%22&f=false, as quoted in The Imperial Japanese Army: The Invincible Years 1941–42 https://books.google.com/books?id=LTZfBAAAQBAJ&pg=PA337&lpg=PA337&dq=%22I+should+bear+entire+responsibility+for+the+war+in+general%22&source=bl&ots=wiF4ARAlht&sig=EjofLr6zBGo9YG4b0dBGjL91VB0&hl=en&sa=X&ei=QZHsVMKlLsKiNrnDg6AP&ved=0CEIQ6AEwBw#v=onepage&q=%22I%20should%20bear%20entire%20responsibility%20for%20the%20war%20in%20general%22&f=false (2014), by Bill Yenne, Oxford, United Kingdom: Oxford Publishing, p. 337.
1940s

William Gibson photo
John Banville photo

“Doing what you do well is death. Your duty is to keep trying to do things that you don't do well, in the hope of learning.”

John Banville (1945) Irish writer

John Banville, The Art of Fiction No. 200 (2009)

Richard Francis Burton photo

“Cease, Man, to mourn, to weep, to wail; enjoy thy shining hour of sun;
We dance along Death's icy brink, but is the dance less full of fun?”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)

Martin Farquhar Tupper photo
Farrokh Tamimi photo
Francis Parkman photo
Philip Pullman photo