Quotes about window
page 4

Richard Stallman photo

“It is unfortunate that he still has nonfree software in his computer. He needs to defenestrate it (which means, either throw Windows out of the computer or throw the computer out of the window).”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

On hearing someone owns a GNU+Linŭ/Windows dual boot machine, quoted in "Richard Stallman’s Opinion On Dual Booting – “Defenestrate It”" in digitizor (31 May 2011) http://digitizor.com/2011/05/31/richard-stallmans-opinion-on-dual-booting-defenestrate-it/
2010s

Emma Lazarus photo

“I seem to have always one little window looking but into life.”

Emma Lazarus (1849–1887) American poet

From her obituary in Century Magazine

Letitia Elizabeth Landon photo
Angela Merkel photo

“I am thinking of airtight windows! No other country can build such airtight and beautiful windows.”

Angela Merkel (1954) Chancellor of Germany

Ich denke an dichte Fenster! Kein anderes Land kann so dichte und so schöne Fenster bauen.
Answering the question what emotions Germany arouses in her, Interview in the BILD-Zeitung on November 29, 2004
2004

Siddharth Katragadda photo
Marcus Brigstocke photo
Anna Sui photo

“…all the formulas have flown out of the window.”

Anna Sui (1964) American fashion designer

Financial Times Interview (July 14, 2017)

Jonathan Miller photo
Bruce Springsteen photo
Sara Teasdale photo

“The window-lights, myriads and myriads,
Bloom from the walls like climbing flowers.”

Sara Teasdale (1884–1933) American writer and poet

"Evening: New York"
Flame and Shadow (1920)

James Dickey photo

“I have just come down from my father.
Higher and higher he lies
Above me in a blue light
Shed by a tinted window.”

James Dickey (1923–1997) American writer

The Hospital Window (l. 1–4).
The Whole Motion; Collected Poems, 1945-1992 (1992)

Jef Raskin photo
Mary Cassatt photo

“I used to go and flatten my nose against that window and absorb all I could of his [Degas'] art. It changed my life. I saw art then as I wanted to see it.”

Mary Cassatt (1844–1926) American painter and printmaker

Quote, c. 1875; as cited by Nancy Mowll Mathews, in Mary Cassatt: A Life, Yale University Press, New Haven, 1998, p. 114 - ISBN 978-0-585-36794-1
Cassatt admired Edgar Degas, whose pastels had made a powerful impression on her when she encountered them in an art dealer's window in Paris, 1875

Bob Dylan photo
Richard Salter Storrs photo
Willem Roelofs photo

“Ships, houses, mills… in one word everything that is made by people must stand upright and be painted with care. This is actually a good presentation compared to other, less symmetrical things, like the trees, skies, etc. It doesn't create the painting, but it certainly strengthen the illusion. It's just like somebody who is neatly dressed, but whose tie is coming off. The windows of a house must be straight, a mill in a pure construction, the blades well-positioned in perspective.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Schepen, huizen, molens eb in één woord alles, wat door menschen gemaakt is, moet recht staan en met zorg geschilderd worden. Dit staat juist zeer goed tegenover andere, minder symmetrische dingen, als boomen, luchten enz. Het maakt het schilderij wel niet, maar draagt toch bij tot de illusie. 't Is er net mee, als met iemand, die keurig gekleed is, maar wiens das los zit. De ramen van een huis moeten recht, een molen zuiver van constructie zijn, de wieken in het perspectief staan.
Quote of Roelofs; as cited by H.F.W. Jeltes, in Willem Roelofs : bizonderheden betreffende zijn leven en zijn werk, met brieven en andere bijlagen, Van Kampen, Amsterdam, 1911, pp. 86-87
undated quotes

Ryan C. Gordon photo

“The simple fact is that code quality tends to improve as you move between platforms… non-obvious bugs on Windows become VERY obvious in the Linux port and vice versa, and thus get fixed. So even the Windows gamers will win in all of this.”

Ryan C. Gordon (1978) Computer programmer

Quoted in, "Chat with Ryan Gordon" http://web.archive.org/web/20010502182109/http://www.descent-3.com/pad/news/16.html Chrono's Pad (2001-02-11)

Hunter S. Thompson photo
Huston Smith photo
Jean-François Revel photo
William Cowper photo

“The dogs did bark, the children screamed,
Up flew the windows all;
And every soul cried out, "Well done!"
As loud as he could bawl.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

St. 28.
The Diverting History of John Gilpin (1785)

Samuel Beckett photo
Thomas Gray photo

“Rich windows that exclude the light,
And passages that lead to nothing.”

Thomas Gray (1716–1771) English poet, historian

A Long Story; reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Ted Hughes photo

“Style should be like window-glass, perfectly transparent, and with very little sash.”

Nathaniel Emmons (1745–1840) American clergy

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 481.

Daniel Handler photo
Vincent Van Gogh photo
Orson Welles photo
Anthony Burgess photo
Donald Barthelme photo
Willy Russell photo
Andy Partridge photo
Rufus Wainwright photo

“Who will be at Sanssouci tonight?
It's only when you're outside that you notice
Only through the window you can see them
Once the door is open, all will vanish.”

Rufus Wainwright (1973) American-Canadian singer-songwriter and composer

Sanssouci
Song lyrics, Release the Stars (2007)

Paul Simon photo
Bruce Cockburn photo
Toby Keith photo

“Lately I've been lookin' through the windows of my soul
And I can see there's not much left to hold
Just an empty space surrounded by the pieces of
A badly broken heart that's forgotten how to love.”

Toby Keith (1961) American country music singer and actor

A Woman's Touch, written with Wayne Perry.
Song lyrics, Blue Moon (1996)

Alastair Reynolds photo
Ani DiFranco photo
Richard Matheson photo

“It is a secret but I have pulled the chain out of the wall. I can see out the little window all I like.”

Richard Matheson (1926–2013) American fiction writer

Born of Man and Woman (1950)

Vitruvius photo
Pierre Trudeau photo

“Harvard was an extraordinary window on the world.”

Pierre Trudeau (1919–2000) 15th Prime Minister of Canada

Part 1, 1919 - 1968 The Road to 24 Sussex Drive, p. 39
Memoirs (1993)

Marc Chagall photo
Richard Rumelt photo
Steve Kilbey photo
Chris Cornell photo

“Something I've done since I was a kid – of opening windows and imagining what it would be like to jump. But I never take it seriously.”

Chris Cornell (1964–2017) American singer-songwriter, musician

1999 interview with Rolling Stone quoted in ** Chris Cornell: Inside Soundgarden, Audioslave Singer's Final Days, Rolling Stone, 29 May 2017 http://www.rollingstone.com/music/features/chris-cornell-david-fricke-on-soundgarden-singer-final-days-w484560,
On depression and suicide

P.G. Wodehouse photo
Wahbi Al-Hariri photo

“I caught a glimpse of sun rays filtering through a window, thus lighting up a portion of this magnificent building. I was racing against the sun, desperately trying to finish my sketch before the light disappeared. I knew I had only an hour and a half before sunset.”

Wahbi Al-Hariri (1914–1994) Artist, architect, author

Source: Lisa Kaaki (2002-01-25). Wahbi Al-Hariri - the last of the classicists http://www.webcitation.org/6HcrXOzJ5. Arab News. Saudi Research & Publishing Company.

Van Morrison photo

“What's my line?
I'm happy cleaning windows
Take my time
I'll see you when my love grows
Baby don't let it slide
I'm a working man in my prime
Cleaning windows…”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Cleaning Windows
Song lyrics, Beautiful Vision (1982)

Lee Child photo

“The dynamics of the city. His mother had been scared of cities. It had been part of his education. She had told him cities are dangerous places. They're full of tough, scary guys. He was a tough boy himself but he had walked around as a teenager ready and willing to believe her. And he had seen that she was right. People on city streets were fearful and furtive and defensive. They kept their distance and crossed to the opposite sidewalk to avoid coming near him. They made it so obvious he became convinced the scary guys were always right behind him, at his shoulder. Then he suddenly realized no, I'm the scary guy. They're scared of me. It was a revelation. He saw himself reflected in store windows and understood how it could happen. He had stopped growing at fifteen when he was already six feet five and two hundred and twenty pounds. A giant. Like most teenagers in those days he was dressed like a bum. The caution his mother had drummed into him was showing up in his face as a blank-eyed, impassive stare. They're scared of me. It amused him and he smiled and then people stayed even farther away. From that point onward he knew cities were just the same as every other place, and for every city person he needed to be scared of there were nine hundred and ninety-nine others a lot more scared of him. He used the knowledge like a tactic, and the calm confidence it put in his walk and his gaze redoubled the effect he had on people. The dynamics of the city.”

Source: Running Blind (2000), Ch. 1.

Cesare Pavese photo
Freeman Dyson photo
Richard Rodríguez photo

“Thud. My eyes are open. It is four-thirty in the morning, one morning, and my dry eyes click in their sockets, awake before the birds. There is no light. The eye strains for logic, some play of form. I have been dreaming of wind. The tree outside my window stands silent. I listen to the breathing of the man lying beside me. I know where I am. I am awake. I am alive. Am I tethered to earth only by this fragile breath? A strawful of breath at best. Yet this is the breath that patients beg, their hands gripping the edges of mattresses; this is the breath that wrestles trees, that brings down all the leaves in the Third Act. We know where the car is parked. We know, word-for-word, the texts of plays. We have spoken, in proximity to one another, over years, sentences, hundreds of thousands of sentences—bright, grave, fallible, comic, perishable—perhaps eternal? I don’t know. Where does the wind go? When will the light come? We will have hotcakes for breakfast. How can I protect this...? My church teaches me I cannot. And I believe it. I turn the pillow to its cool side. Then rage fills me, against the cubist necessity of having to arrange myself comically against orthodoxy, against having to wonder if I will offend, against theology that devises that my feeling for him, more than for myself, is a vanity. My brown paradox: The church that taught me to understand love, the church that taught me well to believe love breathes—also tells me it is not love I feel, at four in the morning, in the dark, even before the birds cry. Of every hue and caste am I.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Nick Drake photo

“And what will happen in the morning when the world it gets
So crowded that you can't look out the window in the morning?”

Nick Drake (1948–1974) British singer-songwriter

Hazey Jane II
Song lyrics, Bryter Later (1970)

Daniel Handler photo
Sören Kierkegaard photo

“But it never occurred to him to want to be a philosopher, or dedicate himself to Speculation; he was still too fickle for that. True, he was not drawn now to one thing and now to another – thinking was and remained his passion – but he still lacked the self-discipline required for acquiring a deeper coherence. Both the significant and the insignificant attracted him equally as points of departure for his pursuits; the result was not of great consequence – only the movements of thought as such interested him. Sometimes he noticed that he reached one and the same conclusion from quite different starting points, but this did not in any deeper sense engage his attention. His delight was always just to be pressing on; wherever he suspected a labyrinth, he had to find the way. Once he had started, nothing could bring him to a halt. If he found the going difficult and became tired of it before he ought, he would adopt a very simple remedy – he would shut himself up in his room, make everything as festive as possible, and then say loudly and clearly: I will do it. He had learned from his father that one can do what one wills, and his father’s life had not discredited this theory. Experiencing this had given Johannes indescribable pride; that there could be something one could not do when one willed it was unbearable to him. But his pride did not in the least indicate weakness of will, for when he had uttered these energetic words he was ready for anything; he then had a still higher goal – to penetrate the intricacies of the problem by force of will. This again was an adventure that inspired him. Indeed his life was in this way always adventurous. He needed no woods and wanderings for his adventures, but only what he possessed – a little room with one window.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Johannes Climacus p. 22-23
1840s, Johannes Climacus (1841)

John Fante photo
Nick Cave photo
Bill Engvall photo
Pope Benedict XVI photo
Alain de Botton photo
Neal Stephenson photo
Hans Christian Andersen photo
Antoni Tàpies photo
Isa Genzken photo

“She [Isa's mother] called up Lufthansa and said, 'I have this daughter, you see, and she needs airplane windows,' she said. That's how she did it.”

Isa Genzken (1948) German sculptor

Isa Genzken's mother, who was in her 90s, helped her in obtaining a section of jetliner window panels for an artwork Isa wanted to make: a series of cut-out airplane windows
after 2010, No, It Isn't Supposed to Be Easy' (2013)

Henry Hazlitt photo

“Let us begin with the simplest illustration possible: let us, emulating Bastiat, choose a broken pane of glass.A young hoodlum, say, heaves a brick through the window of a baker’s shop. The shopkeeper runs out furious, but the boy is gone. A crowd gathers, and begins to stare with quiet satisfaction at the gaping hole in the window and the shattered glass over the bread and pies. After a while the crowd feels the need for philosophic reflection. And several of its members are almost certain to remind each other or the baker that, after all, the misfortune has its bright side. It will make business for some glazier. As they begin to think of this they elaborate upon it. How much does a new plate glass window cost? Fifty dollars? That will be quite a sum. After all, if windows were never broken, what would happen to the glass business? Then, of course, the thing is endless. The glazier will have $50 more to spend with other merchants, and these in turn will have $50 more to spend with still other merchants, and so ad infinitum. The smashed window will go on providing money and employment in ever-widening circles. The logical conclusion from all this would be, if the crowd drew it, that the little hoodlum who threw the brick, far from being a public menace, was a public benefactor.Now let us take another look. The crowd is at least right in its first conclusion. This little act of vandalism will in the first instance mean more business for some glazier. The glazier will be no more unhappy to learn of the incident than an undertaker to learn of a death. But the shopkeeper will be out $50 that he was planning to spend for a new suit. Because he has had to replace a window, he will have to go without the suit (or some equivalent need or luxury). Instead of having a window and $50 he now has merely a window. Or, as he was planning to buy the suit that very afternoon, instead of having both a window and a suit he must be content with the window and no suit. If we think of him as a part of the community, the community has lost a new suit that might otherwise have come into being, and is just that much poorer.The glazier’s gain of business, in short, is merely the tailor’s loss of business. No new “employment” has been added. The people in the crowd were thinking only of two parties to the transaction, the baker and the glazier. They had forgotten the potential third party involved, the tailor. They forgot him precisely because he will not now enter the scene. They will see the new window in the next day or two. They will never see the extra suit, precisely because it will never be made. They see only what is immediately visible to the eye.”

Economics in One Lesson (1946), The Broken Window (ch. 2)

Peter Cook photo
Gabrielle Roy photo
Aldo Capitini photo

“And you mother still close to me,
you know that it is not enough to live an ordered and honest life.
You have been faithful for years to bring order into our house.
As soon as the dawn appeared in the night sky,
you rose towards the tasks awaiting you –
in the silence of a mental prayer.
Perhaps it is not enough even the overwhelming love,
to which you gave the sober expression of concrete acts.
The sacred wool, the steaming milk and the bed
composed with inimitable care by your hands.
Going back in time you recounted to your children their births,
and the birthdays have slowly vanished.
The beginning is now found from a thousand beginnings,
with the ancient, with the unknown, with Christ.
A present act includes them all,
opening after the events have passed.
And there is a severe duty for struggle,
something in our own life could be wrenched away by it.
The guards will soon appear,
and they will take me to my cell with the high window.
You will still be with me,
as mother and inexhaustible human presence.
Giving freely of your love, you still knew that your son is freedom.
You were a nearness, that always found something to do.
I have watched you unflinching under hardness and spite,
always moving, and acting,
holding back your inner rebellion you had pity on rage.
Now we are together to work and open all around.
In the loving gift to the world which ever crucifies us
is our fulfilment.
Seeing its limitations, still to treasure everything
is the gesture of infinite miracle,
and you were right: order comes from this principle,
the earthly goods, as our brothers the prophets tell us,
will be given unto us.”

Aldo Capitini (1899–1968) Italian philosopher and political activist
Lee Child photo
Eric Holder photo
John Keats photo
Lisa Wilcox photo
Thomas De Witt Talmage photo

“At the beginning God said: “Let there be light,” and light was, and light is, and light shall be. So Christianity is rolling on, and it is going to warm all nations, and all nations are to bask in its light. Men may shut the window-blinds so they cannot see it, or they may smoke the pipe of speculation until they are shadowed under their own vaporing; but the Lord God is a sun!”

Thomas De Witt Talmage (1832–1902) American Presbyterian preacher, clergyman and reformer during the mid-to late 19th century.

Thomas De Witt Talmage (1832-1902), The Pathway of Life, New York: The Christian Herald, 1894 p 254.
The Pathway of Life, New York: The Christian Herald, 1894

Frida Kahlo photo
Bel Kaufmanová photo
John Fante photo

“I went up to my room, up the dusty stairs of Bunker Hill, past the soot-covered frame buildings along that dark street, sand and oil and grease choking the futile palm trees standing like dying prisoners, chained to a little plot of ground with black pavement hiding their feet. Dust and old buildings and old people sitting at windows, old people tottering out of doors, old people moving painfully along the dark street. The old folk from Indiana and Iowa and Illinois, from Boston and Kansas City and Des Moines, they sold their homes and their stores, and they came here by train and by automobile to the land of sunshine, to die in the sun, with just enough money to live until the sun killed them, tore themselves out by the roots in their last days, deserted the smug prosperity of Kansas City and Chicago and Peoria to find a place in the sun. And when they got here they found that other and greater thieves had already taken possession, that even the sun belonged to the others; Smith and Jones and Parker, druggist, banker, baker, dust of Chicago and Cincinnati and Cleveland on their shoes, doomed to die in the sun, a few dollars in the bank, enough to subscribe to the Los Angeles Times, enough to keep alive the illusion that this was paradise, that their little papier-mâché homes were castles. The uprooted ones, the empty sad folks, the old and the young folks, the folks from back home. These were my countrymen, these were the new Californians. With their bright polo shirts and sunglasses, they were in paradise, they belonged.”

Ask the Dust (1939)

Camille Pissarro photo

“I brought Durand eight pictures, among them my 'Sunset' and the motif done from my window. They have been praised, but I find them poor, - tame, grey, monotonous, - I am not at all satisfied. - I am working with fury and I have finally discovered the right execution, the search for which has tormented me for a year. I am pretty sure I have it now, all I need is to spend this coming autumn in Rouen or in some other place where I can find striking motifs.”

Camille Pissarro (1830–1903) French painter

Quote of Pissarro, from Osny, February 1884, in a letter to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 61
1880's

Brian Mulroney photo

“Go bang the window and see what happens -- just test it. See that? Trudeau had the office bulletproofed. I always contended that the reason he did it was because the American embassy is right outside. They probably wanted to shoot him.”

Brian Mulroney (1939) 18th Prime Minister of Canada

[Newman, Peter, The Secret Mulroney Tapes: Unguarded Confessions of a Prime Minister, 2005, Random House Canada, Toronto, 0-679-31351-6], p. 331.

James Thomson (poet) photo
Christopher Titus photo
Jean Paul Sartre photo
Lu Xun photo
Tom Petty photo
Ryan C. Gordon photo
Willem de Kooning photo
Anthony Burgess photo
Justin D. Fox photo

“The window I'm proudest of is at the Granby courthouse. … When the building was inaugurated …the Bishop of Saint-Hyacinthe… told me something that still warms my heart.
"Why is the third story so beautiful? Isn't that where people wait to be taken to prison?"
"Everyone has the right to see a flower before dying, Your Grace. The flowers shouldn't be grey."”

Marcelle Ferron (1924–2001) Canadian artist

"You speak like the Gospels."
Original in French: La verrière dont je suis la plus fière se trouve au palais de justice de Granby. … À l'inauguration de l'édifice... l'évêque de Saint-Hyacinthe... m'a fait un commentaire qui me rechauffe toujours le coeur.
Pourquoi le troisième étage est-il si beau? N'est-ce pas là ou se trouvent les gens qui attendent leur transfert en prison?
Monseigneur, tout homme a le droit de voir une fleur avant de mourir. Il ne faut pas que les fleurs soient grises.
Vous parlez comme les Évangiles.
L'esquisse d'une mémoire, 1996

Frank Welker photo