Quotes about window

A collection of quotes on the topic of window, likeness, look, opening.

Quotes about window

Marek Żukow-Karczewski photo

“The Krzyżtopór castle which was built in the 17th century belongs to the most splendid Polish buildings of the defensive and palatial character. The castle was famous for its design which accounted for the principles of the division of time (4 towers, 12 large halls, 52 rooms and 365 windows).”

Marek Żukow-Karczewski (1961) Polish historian, journalist and opinion journalist

Krzyżtopór - lordly fortress belonging to the Ossoliński family at Ujazd, "Aura" 7, 1989-07, p. 20-22. http://yadda.icm.edu.pl/yadda/element/bwmeta1.element.agro-10431a86-d55f-41c2-a32b-a56f6d26570e?q=fb98c219-0d8f-4b9e-88ea-9c0f94821cd5$5&qt=IN_PAGE

Bob Marley photo
Amit Ray photo

“Open the window of your mind. Allow the fresh air, new lights and new truths to enter.”

Amit Ray (1960) Indian author

Walking the Path of Compassion (2015)

Angelina Jolie photo
Anthony Hopkins photo
Arthur Rimbaud photo

“I could never throw Love out of the window.”

Arthur Rimbaud (1854–1891) French Decadent and Symbolist poet
Sadhguru photo

“Sunlight comes into your house not because you want it. It happens because you open the windows.”

Sadhguru (1957) Yogi, mystic, visionary and humanitarian

Source: Of Mystics & Mistakes

Alice Munro photo
Stephen King photo
Steve Wozniak photo

“Never trust a computer you can't throw out a window”

Steve Wozniak (1950) American inventor, computer engineer and programmer
George Orwell photo
Tennessee Williams photo

“People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets in, their true beauty is revealed only if there is a light from within.”

Elisabeth Kübler-Ross (1926–2004) American psychiatrist

As quoted in The Leader's Digest : Timeless Principles for Team and Organization (2003) by Jim Clemmer, p. 84

William Shakespeare photo

“But, soft! what light through yonder window breaks?
It is the east, and Juliet is the sun.”

Romeo, Act II, scene ii.
Variant: What light through yonder window breaks?
Source: Romeo and Juliet (1595)

George Orwell photo
Sylvia Plath photo
Chi­ma­man­da Ngo­zi Adi­chie photo
Michael Jackson photo
Jerome David Salinger photo
Taylor Swift photo
Stefan Zweig photo
Francesco Balilla Pratella photo

“All innovators, logically speaking, have been Futurists in relation to their time. Palestrina would have thought that Bach was crazy, and Bach would have thought Beethoven the same, and Beethoven would have thought Wagner equally so.
Rossini liked to boast that he had finally understood the music of Wagner—by reading it backward; Verdi, after listening to the overture to Tannhäuser, wrote to a friend that Wagner was mad.
So we stand at the window of a glorious mental hospital, even while we unhesitatingly declare that counterpoint and the fugue, which even today are still considered the most important branches of musical instruction…”

Francesco Balilla Pratella (1880–1955) Italian composer

Original text:
Tutti gli innovatori sono stati logicamente futuristi, in relazione ai loro tempi. Palestrina avrebbe giudicato pazzo Bach, e così Bach avrebbe giudicato Beethoven, e così Beethoven avrebbe giudicato Wagner.
Rossini si vantava di aver finalmente capito la musica di Wagner leggendola a rovescio! Verdi, dopo un’audizione dell’ouverture del Tannhäuser, in una lettera a un suo amico chiamava Wagner matto.
Siamo dunque alla finestra di un manicomio glorioso, mentre dichiariamo, senza esitare, che il contrappunto e la fuga, ancor oggi considerati come il ramo più importante dell’insegnamento musicale...
Source: Technical Manifesto of Futurist Music (1911), p. 80

Yves Klein photo

“I am against the line and all its consequences: contours, forms, composition. All paintings of whatever sort, figuratives or abstract, seem to me like prison windows in which the lines, precisely are the bars.”

Yves Klein (1928–1962) French artist

Gilbert Perlein and Bruno Cora, Yves Klein: Long live the Immaterial, Delano Greenidge Edition, New York, 2001. p. 74
from posthumous publications

Han Yong-un photo
Leonard Cohen photo

“The light came through the window,
Straight from the sun above,
And so inside my little room
There plunged the rays of Love.”

Leonard Cohen (1934–2016) Canadian poet and singer-songwriter

"Love Itself"
Ten New Songs (2001)
Context: p>The light came through the window,
Straight from the sun above,
And so inside my little room
There plunged the rays of Love.In streams of light I clearly saw
The dust you seldom see,
Out of which the Nameless makes
A Name for one like me.</p

Franz Kafka photo
Nora Roberts photo
Virginia Woolf photo
Pablo Neruda photo
Vladimir Nabokov photo
Michael Connelly photo
Michael Crichton photo
Brooke Shields photo
Cassandra Clare photo
Mark Twain photo

“Habit is habit, and not to be flung out of the window by any man, but coaxed down-stairs one step at a time.”

Mark Twain (1835–1910) American author and humorist

Variant: Habit is habit, and not to be flung out of the window by any man, but coaxed downstairs one step at a time.

Etty Hillesum photo
Margaret Atwood photo
Henry James photo

“He is outside of everything, and an alien everywhere. He is an aesthetic solitary. His beautiful, light imagination is the wing that on the autumn evening just brushes the dusky window.”

Henry James (1843–1916) American novelist, short story author, and literary critic

"Nathaniel Hawthorne" in Library of the World's Best Literature, vol. XII (1897), ed. Charles Dudley Warner.

T.S. Eliot photo
Arthur Rimbaud photo

“I have stretched ropes from steeple to steeple; Garlands from window to window; Golden chains from star to star… And I dance.”

Arthur Rimbaud (1854–1891) French Decadent and Symbolist poet

Source: Complete Works

Terry Pratchett photo
Douglas Adams photo
Sylvia Plath photo
Rabindranath Tagore photo
Orhan Pamuk photo
George Bernard Shaw photo
Rainer Maria Rilke photo
Carlos Ruiz Zafón photo
Henry James photo
Bertrand Russell photo
Douglas Adams photo
H.P. Lovecraft photo

“The end is near. I hear a noise at the door, as of some immense slippery body lumbering against it. It shall not find me. God, that hand! The window! The window!”

Fiction
Source: "Dagon" - Written Jul 1917; First published in The Vagrant, No. 11 (November 1919)

Stewart Brand photo

“A library doesn't need windows. A library is a window.”

Stewart Brand (1938) American writer

Source: How Buildings Learn: What Happens After They're Built

Cassandra Clare photo

“Is standing by the window muttering about blood something he does all the time?"
"No, sometimes he sits on the couch and does it.”

Simon and Jace. pg. 139
Source: The Mortal Instruments, City of Ashes (2008)

Rick Riordan photo
Vladimir Nabokov photo
Aleksandr Pushkin photo
Gabriel Iglesias photo

“The first time I came here, I got the chance to meet some people, and they said, "You know what, Gabriel, have you ever been here, have you ever been to Chicago?" I'm like, "No, it's my first time." They said, "Well, you know, we'd like to take you out eat if you're down." And I'm like, "Well, hello!" [Audience laughs] "I'm very down!" They took me to a restaurant called Portillo's." [Audience cheers] You've heard of it? So, we get there, and it was, it was very, very good. The hot dogs were delicious, I had a chicken chopped salad, it was amazing. I had a beef dip, really really good. But it wasn't until the meal was almost over that these new friends of mine said, "We'd like for you to try something you've might not have ever had before." And I'm like, "That's not likely." I said, "So, what is it you want me to try?" And they said, "Well, they sell a thing here at Portillo's called a Chocolate Cake Shake." [Audience cheers] I said, "You had me at 'Chocolate'." They said, "Well, you gotta go to the special window and you gotta order it from the lady." I go, "Okay, cool." So, I get up and walk to the lady, and she's like, "Can I help you?" I said, "Yes, my friends are telling me that I need to try this thing, called a 'Chocolate Cake Shake'." "Okay, what size would you like?" "How good is it?" "You'll want a large." [Audience laughs] "Alright, can I please have a large Chocolate Cake Shake?" "No problem." [Imitates her entering the order in on the cash register] And I pay, and she turns around and walks over to this little refrigerator that's on the counter, and she opens it up, and she pulls out a piece of chocolate cake. And I'm thinking to myself, "She must have misunderstood what I said. I didn't ask for a piece of chocolate cake, I asked for a Chocolate Cake Shake." She must've heard what I was thinking, because she's walking by and she's like, "It's gonna happen." She walks over to the blender, she takes the freaking lid off, she just looks at me and does this. [Mimes the cashier turning her hand over, dropping the chocolate cake in the blender] And I was like, "NO!" And she's like, "Oh, yeah." [Mimes the lady pushing the button and the blender blending the cake] And she pours it, and she hands me this, like, 44-ounce chocolate shake, which is WAY more than anybody should be drinking. The straw was so thick, you could almost put your thumb in it, okay? So, I grab this shake, and I begin to attempt to drink it. So, I'm [Mimics him trying to suck the shake through the straw, making heavy "MMM" sounds], and I can see the shake coming up. [Still makes the "MMM" sounds, while using his finger to show how show the shake's coming up the straw] And it hit, and then, all of a sudden, [Mimics his nipples getting hard] "WOOOOO!"”

Gabriel Iglesias (1976) American actor

I'm Sorry For What I Said When I Was Hungry (2016)

Richard Henry Stoddard photo

“A face at the window,
A tap on the pane;
Who is it that wants me
To-night in the rain?”

Richard Henry Stoddard (1825–1903) American poet

The Messenger at Night.
Bartlett's Familiar Quotations, 10th ed. (1919)

Pablo Picasso photo

“I treat paintings as I treat objects. If a window in a picture looks wrong, I close it and draw the curtains, just as I would do in my own room.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Quote in "Picasso", Hans L. C. Jaffe, Thames and Hudson Ltd
Attributed from posthumous publications

José Saramago photo
Claude Monet photo
Lewis Carroll photo

“That narrow window, I expect,
Serves but to let the dusk in - "
"But please," said I, "to recollect
'Twas fashioned by an architect
Who pinned his faith on Ruskin!”

Lewis Carroll (1832–1898) English writer, logician, Anglican deacon and photographer

Canto 3
Phantasmagoria (1869)

Plato photo
Claude Monet photo
Paul Celan photo
Ozzy Osbourne photo

“We have taller buildings but shorter tempers; wider freeways but narrower viewpoints; we spend more but have less; we buy more but enjoy it less; we have bigger houses and smaller families; more conveniences, yet less time; we have more degrees but less sense; more knowledge but less judgment; more experts, yet more problems; we have more gadgets but less satisfaction; more medicine, yet less wellness; we take more vitamins but see fewer results. We drink too much; smoke too much; spend too recklessly; laugh too little; drive too fast; get too angry; stay up too late; get up too tired; read too seldom; watch TV too much and pray too seldom.
We have multiplied our possessions, but reduced our values; we fly in faster planes to arrive there quicker, to do less and return sooner; we sign more contracts only to realize fewer profits; we talk too much; love too seldom and lie too often. We've learned how to make a living, but not a life; we've added years to life, not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet the new neighbor. We've conquered outer space, but not inner space; we've done larger things, but not better things; we've cleaned up the air, but polluted the soul; we've split the atom, but not our prejudice; we write more, but learn less; plan more, but accomplish less; we make faster planes, but longer lines; we learned to rush, but not to wait; we have more weapons, but less peace; higher incomes, but lower morals; more parties, but less fun; more food, but less appeasement; more acquaintances, but fewer friends; more effort, but less success. We build more computers to hold more information, to produce more copies than ever, but have less communication; drive smaller cars that have bigger problems; build larger factories that produce less. We've become long on quantity, but short on quality.
These are the times of fast foods and slow digestion; tall men, but short character; steep in profits, but shallow relationships. These are the times of world peace, but domestic warfare; more leisure and less fun; higher postage, but slower mail; more kinds of food, but less nutrition. These are the days of two incomes, but more divorces; these quick trips, disposable diapers, cartridge living, throw-away morality, one-night stands, overweight bodies and pills that do everything from cheer, to prevent, quiet or kill. It is a time when there is much in the show window and nothing in the stock room.”

"The Paradox of Our Age"; these statements were used in World Wide Web hoaxes which attributed them to various authors including George Carlin, a teen who had witnessed the Columbine High School massacre, the Dalai Lama and Anonymous; they are quoted in "The Paradox of Our Time" at Snopes.com http://www.snopes.com/politics/soapbox/paradox.asp
Words Aptly Spoken (1995)

W.B. Yeats photo
Fernand Léger photo
Frances Farmer photo
Pablo Picasso photo

“I deal with painting as I deal with things, I paint a window just as I look out of a window. If an open window looks wrong in a picture, I draw the curtain and shut it, just as I would in my own room. In painting, as in life, you must act directly.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Herschel Browning Chip (1968, p. 271).
1930s, "Conversations avec Picasso," 1934–35

Buster Keaton photo

“If one more person tells me this is just like old times, I swear I'll jump out the window.”

Buster Keaton (1895–1966) American actor and filmmaker

As "Calvero's Partner" in Limelight (1952)

Raymond Chandler photo
Sally Ride photo
Jeff Foxworthy photo
Virginia Woolf photo
Origen photo

“As for the apostolic epistles, what person who is skilled in literary interpretation would think them to be plain and easily understood, when even in them there are thousands of passages that provide, as it through a window, a narrow opening leading to multitudes of the deepest thoughts?”

Origen (185–254) Christian scholar in Alexandria

“How divine scripture should be interpreted,” On First Principles, book 4, chapter 2, § 2, Readings in World Christian History (2013), p. 69
On First Principles

Naguib Mahfouz photo

“Voices were blended and intermingled in a tumultuous swirl around which eddied laughter, shouts, the squeaking of doors and windows, piano and accordion music, rollicking handclaps, a policeman's bark, braying, grunts, coughs of hashish addicts and screams of drunkards, anonymous calls for help, raps of a stick, and singing by individuals and groups.”

Naguib Mahfouz (1911–2006) Egyptian writer

Mahfouz (1957) Palace of Desire Part II; Cited in Matt Schudel " Leading Arab Novelist Gave Streets a Voice http://www.washingtonpost.com/wp-dyn/content/article/2006/08/30/AR2006083000475.html" in: Washington Post, August 31, 2006

Eminem photo
John Glenn photo

“I pray every day and I think everybody should. I don't think you can be up here and look out the window as I did the first day and look out at the Earth from this vantage point. We're not so high compared to people who went to the moon and back. But to look out at this kind of creation out here and not believe in God is, to me, impossible. It just strengthens my faith.”

John Glenn (1921–2016) American astronaut and politician

As quoted in Roger D. Launius. 2004. Frontiers of Space Exploration. Greenwood Publishing Group, p. 181. Interview: An American hero returns to space: John Glenn and the Sts-95 Shuttle Mission News Conference on Orbit (5 November 1998).

Li Qingzhao photo

“Who sits alone by the bright window?
My shadow and I, only we two.
But the lamp burns out, there is darkness.
Even my shadow forsakes me.
Alas, alas!
I am forlorn!”

Li Qingzhao (1084–1155) Chinese writer

"To the Tune of ‘Like a Dream’", in The White Pony: An Anthology Of Chinese Poetry (G. Allen & Unwin, 1949), ed. Robert Payne, p. 300

Kurt Vonnegut photo
Honoré de Balzac photo

“Between the daylight gambler and the player at night there is the same difference that lies between a careless husband and the lover swooning under his lady’s window.”

Honoré de Balzac (1799–1850) French writer

Entre le joueur du matin et le joueur du soir il existe la différence qui distingue le mari nonchalant de l'amant pâmé sous les fenêtres de sa belle.
The Wild Ass’s Skin (1831), Part I: The Talisman

Mark Twain photo
Bob Saget photo

“This woman woke up to see me and John Stamos banging on her windows. She must have thought she died and went to sitcom hell.”

Bob Saget (1956) American stand-up comedian, actor and television host

Bob Saget: That Ain't Right (2007)

Rabindranath Tagore photo

“That which transcends country, which is greater than country, can only reveal itself through one’s country. God has manifested his one eternal nature in just such a variety of forms… I can assure you that through the open sky of India you will be able to see the sun therefore there is no need to cross the ocean and sit at the window of a Christian church. … “I have nothing more to say,” answered Gora, “only this much I would add. You must understand that the Hindu religion takes in its lap, like a mother, people of different ideas and opinions, in other words, the Hindu religion looks upon man as man and does not count him as belonging to a particular party. It honours not only the wise but the foolish also and it shows respect not merely to one form of wisdom but to wisdom in all its aspects. Christians do not want to acknowledge diversity; they say that on one side is Christian religion and on the other eternal destruction, and between these two there is no middle path. And because we have studied under these Christians we have become ashamed of the variety that is there in Hinduism. We fail to see that through this diversity Hinduism is coming to realise the oneness of all. Unless we can free ourselves from this whirlpool of Christian teaching we shall not become fit for the glorious truths of Hindu religion.””

Rabindranath Tagore, Gora, translated into English, Calcutta, 1961. Quoted from Goel, S. R. (2016). History of Hindu-Christian encounters, AD 304 to 1996. Chapter 13 ISBN 9788185990354 https://web.archive.org/web/20120501043412/http://voiceofdharma.org/books/hhce/

Bertrand Russell photo

“My abandonment of former beliefs was, however, never complete. Some things remained with me, and still remain: I still think that truth depends upon a relation to fact, and that facts in general are nonhuman; I still think that man is cosmically unimportant, and that a Being, if there were one, who could view the universe impartially, without the bias of here and now, would hardly mention man, except perhaps in a footnote near the end of the volume; but I no longer have the wish to thrust out human elements from regions where they belong; I have no longer the feeling that intellect is superior to sense, and that only Plato's world of ideas gives access to the 'real' world. I used to think of sense, and of thought which is built on sense, as a prison from which we can be freed by thought which is emancipated from sense. I now have no such feelings. I think of sense, and of thoughts built on sense, as windows, not as prison bars. I think that we can, however imperfectly, mirror the world, like Leibniz's monads; and I think it is the duty of the philosopher to make himself as undistorting a mirror as he can. But it is also his duty to recognize such distortions as are inevitable from our very nature. Of these, the most fundamental is that we view the world from the point of view of the here and now, not with that large impartiality which theists attribute to the Deity. To achieve such impartiality is impossible for us, but we can travel a certain distance towards it. To show the road to this end is the supreme duty of the philosopher.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1950s, My Philosophical Development (1959), p. 213

Alice Munro photo
Evelyn Waugh photo
Robert Hunter photo
Ozzy Osbourne photo

“I've done a lot worse than jump off piers, son. Like throw a television out the window.”

Ozzy Osbourne (1948) English heavy metal vocalist and songwriter

The Osbournes television show

Mumia Abu-Jamal photo

“The role of television is the illusion of company, noise. I call it the fifth wall and the second window: the window of illusion.”

Mumia Abu-Jamal (1954) Prisoner, Journalist, Broadcaster, Author, Activist

"I spend my days preparing for life, not for death" http://www.guardian.co.uk/usa/story/0,,2198557,00.html The Guardian, Laura Smith (2007-10-25)