Quotes about vision

A collection of quotes on the topic of vision, world, use, other.

Quotes about vision

Audre Lorde photo
Kālidāsa photo
Mwanandeke Kindembo photo
C.G. Jung photo
Crazy Horse photo

“A very great vision is needed, and the man who has it must follow it as the eagle seeks the deepest blue of the sky.”

Crazy Horse (1840–1877) Oglala Sioux chief

As quoted in To Be Just Is to Love : Homilies for a Church Renewing‎ (2001) by Walter J. Burghardt, p. 214

Arthur Schopenhauer photo

“Every man takes the limits of his own field of vision for the limits of the world.”

"Psychological Observations"
Parerga and Paralipomena (1851), Studies in Pessimism
Variant: Everyone takes the limits of his own vision for the limits of the world.
Source: Studies in Pessimism: The Essays

Bob Marley photo

“Flee from hate, mischief and jealousy. Don't bury your thoughts; put your vision to reality.”

Bob Marley (1945–1981) Jamaican singer, songwriter, musician

Song lyrics
Context: Life is one big road with lots of signs,
So when you riding through the ruts,
Don't you complicate your mind
Flee from hate, mischief and jealousy
Don't bury your thoughts; put your vision to reality

"Wake Up and Live!” on Survival (1979)

Ghani Khan photo
Antoine de Saint-Exupéry photo

“I had a vision of the face of destiny.”

Antoine de Saint-Exupéry (1900–1944) French writer and aviator

Source: Terre des Hommes (1939), Ch. I : The Craft
Context: I had a vision of the face of destiny.
Old bureaucrat, my comrade, it is not you who are to blame. No one ever helped you to escape. You, like a termite, built your peace by blocking up with cement every chink and cranny through which the light might pierce. You rolled yourself up into a ball in your genteel security, in routine, in the stifling conventions of provincial life, raising a modest rampart against the winds and the tides and the stars. You have chosen not to be perturbed by great problems, having trouble enough to forget your own fate as man. You are not the dweller upon an errant planet and do not ask yourself questions to which there are no answers. You are a petty bourgeois of Toulouse. Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning.
The squall has ceased to be a cause of my complaint. The magic of the craft has opened for me a world in which I shall confront, within two hours, the black dragons and the crowned crests of a coma of blue lightnings, and when night has fallen I, delivered, shall read my course in the stars.

Federico Fellini photo
Georgia O'Keeffe photo
Andrew Carnegie photo
Lemmy Kilmister photo
Jeff Bezos photo

“Be stubborn on the vision, but flexible on the details.”

Jeff Bezos (1964) American entrepreneur, founder and CEO of Amazon.com, Inc.
Bertolt Brecht photo
Thucydides photo

“The bravest are surely those who have the clearest vision of what is before them, glory and danger alike, and yet notwithstanding, go out to meet it.”

Variant translations:<p>But the palm of courage will surely be adjudged most justly to those, who best know the difference between hardship and pleasure and yet are never tempted to shrink from danger. http://www.perseus.tufts.edu/cgi-bin/ptext?lookup=Thuc.+2.40.3<p>And they are most rightly reputed valiant, who though they perfectly apprehend both what is dangerous and what is easy, are never the more thereby diverted from adventuring. (translation by Thomas Hobbes http://oll.libertyfund.org/?option=com_staticxt&staticfile=show.php%3Ftitle=771&chapter=90127&layout=html&Itemid=27)<p>
Book II, 2.40-[3]
History of the Peloponnesian War, Book II

Pierre Teilhard De Chardin photo
Percy Bysshe Shelley photo
George Orwell photo

“If you want a vision of the future, imagine a boot stamping on a human face--forever.”

Variant: If you want a picture of the future, imagine a boot stamping on a human face—for ever.
Source: 1984

J.M.W. Turner photo
William Shakespeare photo
Alain de Botton photo
Aleksandr Solzhenitsyn photo
Tamora Pierce photo
Dante Alighieri photo

“Now who art thou, that on the bench wouldst sit
In judgment at a thousand miles away,
With the short vision of a single span?”

Canto XIX, lines 79–81 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Paradiso

Aleksandr Solzhenitsyn photo
Jonas Salk photo

“I had day visions — they would take advantage of me.”

Minnie Evans (1892–1987) American artist

Cited in Whitney Museum of American Art (1975 Brochure), "Minnie Evans" Call number ND237.E78 W43 1975

Dante Alighieri photo

“O Sun, that healest all distempered vision,
Thou dost content me so, when thou resolvest,
That doubting pleases me no less than knowing!”

Canto XI, lines 91–93 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Inferno

Aleksandr Solzhenitsyn photo

“One artist sees himself as the creator of an independent spiritual world; he hoists onto his shoulders the task of creating this world, of peopling it and of bearing the all-embracing responsibility for it; but he crumples beneath it, for a mortal genius is not capable of bearing such a burden. Just as man in general, having declared himself the centre of existence, has not succeeded in creating a balanced spiritual system. And if misfortune overtakes him, he casts the blame upon the age-long disharmony of the world, upon the complexity of today's ruptured soul, or upon the stupidity of the public.
Another artist, recognizing a higher power above, gladly works as a humble apprentice beneath God's heaven; then, however, his responsbility for everything that is written or drawn, for the souls which perceive his work, is more exacting than ever. But, in return, it is not he who has created this world, not he who directs it, there is no doubt as to its foundations; the artist has merely to be more keenly aware than others of the harmony of the world, of the beauty and ugliness of the human contribution to it, and to communicate this acutely to his fellow-men. And in misfortune, and even at the depths of existence — in destitution, in prison, in sickness — his sense of stable harmony never deserts him.
But all the irrationality of art, its dazzling turns, its unpredictable discoveries, its shattering influence on human beings — they are too full of magic to be exhausted by this artist's vision of the world, by his artistic conception or by the work of his unworthy fingers.”

Aleksandr Solzhenitsyn (1918–2008) Russian writer

Nobel lecture (1970)

Rabindranath Tagore photo

“Man is not entirely an animal. He aspires to a spiritual vision, which is the vision of the whole truth. This gives him the highest delight, because it reveals to him the deepest harmony that exists between him and his surroundings.”

Rabindranath Tagore (1861–1941) Bengali polymath

Sādhanā : The Realisation of Life http://www.spiritualbee.com/spiritual-book-by-tagore/ (1916)
Context: Man is not entirely an animal. He aspires to a spiritual vision, which is the vision of the whole truth. This gives him the highest delight, because it reveals to him the deepest harmony that exists between him and his surroundings. It is our desires that limit the scope of our self-realisation, hinder our extension of consciousness, and give rise to sin, which is the innermost barrier that keeps us apart from our God, setting up disunion and the arrogance of exclusiveness. For sin is not one mere action, but it is an attitude of life which takes for granted that our goal is finite, that our self is the ultimate truth, and that we are not all essentially one but exist each for his own separate individual existence.

George Orwell photo

“In every country in the world a huge tribe of party-hacks and sleek little professors are busy 'proving' that Socialism means no more than a planned state—capitalism with the grab-motive left intact. But fortunately there also exists a vision of Socialism quite different from this. The thing that attracts ordinary men to Socialism and makes them willing to risk their skins for it, the 'mystique' of Socialism, is the idea of equality; to the vast majority of people Socialism means a classless society, or it means nothing at all.”

Homage to Catalonia (1938)
Context: The workers' militias, based on the trade unions and each composed of people of approximately the same political opinions, had the effect of canalizing into one place all the most revolutionary sentiment in the country. I had dropped more or less by chance into the only community of any size in Western Europe where political consciousness and disbelief in capitalism were more normal than their opposites. Up here in Aragón one was among tens of thousands of people, mainly though not entirely of working-class origin, all living at the same level and mingling on terms of equality. In theory it was perfect equality, and even in practice it was not far from it. There is a sense in which it would be true to say that one was experiencing a foretaste of Socialism, by which I mean that the prevailing mental atmosphere was that of Socialism. Many of the normal motives of civilized life--snobbishness, money-grubbing, fear of the boss, etc.--had simply ceased to exist. The ordinary class-division of society had disappeared to an extent that is almost unthinkable in the money-tainted air of England; there was no one there except the peasants and ourselves, and no one owned anyone else as his master. Of course such a state of affairs could not last. It was simply a temporary and local phase in an enormous game that is being played over the whole surface of the earth. But it lasted long enough to have its effect upon anyone who experienced it. However much one cursed at the time, one realized afterwards that one had been in contact with something strange and valuable. One had been in a community where hope was more normal than apathy or cynicism, where the word 'comrade' stood for comradeship and not, as in most countries, for humbug. One had breathed the air of equality. I am well aware that it is now the fashion to deny that Socialism has anything to do with equality. In every country in the world a huge tribe of party-hacks and sleek little professors are busy 'proving' that Socialism means no more than a planned state—capitalism with the grab-motive left intact. But fortunately there also exists a vision of Socialism quite different from this. The thing that attracts ordinary men to Socialism and makes them willing to risk their skins for it, the 'mystique' of Socialism, is the idea of equality; to the vast majority of people Socialism means a classless society, or it means nothing at all. And it was here that those few months in the militia were valuable to me.

Keanu Reeves photo
Alexis Karpouzos photo
Harrison Ford photo
James Allen photo

“Dream lofty dreams, and as you dream, so shall you become. Your Vision is the promise of what you shall one day be; your Ideal is the prophecy of what you shall at last unveil.”

James Allen (1864–1912) British philosophical writer

As A Man Thinketh (1902), Visions and Ideals
Context: To desire is to obtain; to aspire is to, achieve. Shall man's basest desires receive the fullest measure of gratification, and his purest aspirations starve for lack of sustenance? Such is not the Law: such a condition of things can never obtain: "ask and receive."
Dream lofty dreams, and as you dream, so shall you become. Your Vision is the promise of what you shall one day be; your Ideal is the prophecy of what you shall at last unveil.

Terry Brooks photo
V.S. Naipaul photo
Katherine Paterson photo
Carol Gilligan photo
Chögyam Trungpa photo
C.G. Jung photo

“We have forgotten the age-old fact that God speaks chiefly through dreams and visions.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology
Virginia Woolf photo
William Shakespeare photo
Adrienne Rich photo
Salvador Dalí photo
John Lennon photo
James Allen photo

“The visions you glorify in your mind,
The ideals you enthrone in your heart..
This you will build your life by…
This you will become.”

James Allen (1864–1912) British philosophical writer

As A Man Thinketh (1902), Visions and Ideals
Context: In all human affairs there are efforts, and there are results, and the strength of the effort is the measure of the result. Chance is not. Gifts, powers, material, intellectual, and spiritual possessions are the fruits of effort; they are thoughts completed, objects accomplished, visions realized.
The Vision that you glorify in your mind, the Ideal that you enthrone in your heart — this you will build your life by, this you will become.

Helen Keller photo

“No doubt the reason is that character cannot be developed in ease and quiet. Only through experience of trial and suffering can the soul be strengthened, vision cleared, ambition inspired, and success achieved.”

Helen Keller (1880–1968) American author and political activist

Helen Adams Keller (p. 60. Helen Keller's Journal: 1936-1937, Doubleday, Doran & company, inc., 1938)

William Shakespeare photo
Isaac Bashevis Singer photo
Jimmy Carter photo

“Republicans are men of narrow vision, who are afraid of the future.”

Jimmy Carter (1924) American politician, 39th president of the United States (in office from 1977 to 1981)
W.B. Yeats photo
Mike Resnick photo
Muhammad Ali photo
Sylvia Plath photo

“I felt dull and flat and full of shattered visions.”

Source: The Bell Jar

George Eliot photo
Jack Welch photo
Barack Obama photo

“Ideologies are not defeated with guns, they’re defeated by better ideas -- a more attractive and compelling vision.”

Barack Obama (1961) 44th President of the United States of America

2015, Leaders' Summit on Countering ISIL and Violent Extremism speech (September 2015)

Henri Barbusse photo
Sri Sri Ravi Shankar photo
H.P. Lovecraft photo

“However—the crucial thing is my lack of interest in ordinary life. No one ever wrote a story yet without some real emotional drive behind it—and I have not that drive except where violations of the natural order… defiances and evasions of time, space, and cosmic law… are concerned. Just why this is so I haven't the slightest idea—it simply is so. I am interested only in broad pageants—historic streams—orders of biological, chemical, physical, and astronomical organisation—and the only conflict which has any deep emotional significance to me is that of the principle of freedom or irregularity or adventurous opportunity against the eternal and maddening rigidity of cosmic law… especially the laws of time…. Hence the type of thing I try to write. Naturally, I am aware that this forms a very limited special field so far as mankind en masse is concerned; but I believe (as pointed out in that Recluse article) that the field is an authentic one despite its subordinate nature. This protest against natural law, and tendency to weave visions of escape from orderly nature, are characteristic and eternal factors in human psychology, even though very small ones. They exist as permanent realities, and have always expressed themselves in a typical form of art from the earliest fireside folk tales and ballads to the latest achievements of Blackwood and Machen or de la Mare or Dunsany. That art exists—whether the majority like it or not. It is small and limited, but real—and there is no reason why its practitioners should be ashamed of it. Naturally one would rather be a broad artist with power to evoke beauty from every phase of experience—but when one unmistakably isn't such an artist, there's no sense in bluffing and faking and pretending that one is.”

H.P. Lovecraft (1890–1937) American author

Letter to E. Hoffmann Price (15 August 1934) , quoted in Lord of a Visible World: An Autobiography in Letters edited by S.T. Joshi, p. 268
Non-Fiction, Letters, to E. Hoffmann Price

Barack Obama photo
Barack Obama photo
C.G. Jung photo

“We are so captivated by and entangled in our subjective consciousness that we have forgotten the age-old fact that God speaks chiefly through dreams and visions.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

The Symbolic Life (1953); also in Man and His Symbols (1964)

Barack Obama photo
Bertrand Russell photo
James Tobin photo
Henri Matisse photo

“For me all is in the conception. I must therefore have a clear vision of the whole from the beginning.”

Henri Matisse (1869–1954) French artist

1905 - 1910, Notes of a Painter' (1908)

Max Planck photo
Friedrich Nietzsche photo
H.P. Lovecraft photo

“I do differ from you radically in respect to familiar things & scenes; for I always demand close correlation with the landscape & historic stream to which I belong, & would feel completely lost in infinity without a system of reference-points based on known & accustomed objects. I take complete relativity so much for granted, that I cannot conceive of anything as existing in itself in any recognisable form. What gives things an aspect & quasi-significance to us is the fact that we view things consistently from a certain artificial & fortuitous angle. Without the preservation of that angle, coherent consciousness & entity itself becomes inconceivable. Thus my wish for freedom is not so much a wish to put all terrestrial things behind me & plunge forever into abysses beyond light, matter, & energy. That, indeed, would mean annihilation as a personality rather than liberation. My wish is perhaps best defined as a wish for infinite visioning & voyaging power, yet without loss of the familiar background which gives all things significance. I want to know what stretches Outside, & be able to visit all the gulfs & dimensions beyond Space & Time. I want, too, to juggle the calendar at will; bringing things from the immemorial past down into the present, & making long journeys into the forgotten years. But I want the familiar Old Providence of my childhood as a perpetual base for these necromancies & excursions—& in a good part of these necromancies & excursions I want certain transmuted features of Old Providence to form part of the alien voids I visit or conjure up. I am as geographic-minded as a cat—places are everything to me. Long observation has shewn me that no other objective experience can give me even a quarter of the kick I can extract from the sight of a fresh landscape or urban vista whose antiquity & historic linkages are such as to correspond with certain fixed childhood dream-patterns of mine. Of course my twilight cosmos of half-familiar, fleetingly remembered marvels is just as unattainable as your Ultimate Abysses—this being the real secret of its fascination. Nothing really known can continue to be acutely fascinating—the charm of many familiar things being mainly resident in their power to symbolise or suggest unknown extensions & overtones.”

H.P. Lovecraft (1890–1937) American author

Letter to Clark Ashton Smith (7 November 1930), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 214
Non-Fiction, Letters

Theodore Roszak photo
José Saramago photo

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

Source: Raised from the Ground (1980), pp. 172–174

H.P. Lovecraft photo
Barack Obama photo

“For decades, this vision stood in sharp contrast to life on the other side of an Iron Curtain. For decades, a contest was waged, and ultimately that contest was won -- not by tanks or missiles, but because our ideals stirred the hearts of Hungarians who sparked a revolution; Poles in their shipyards who stood in Solidarity; Czechs who waged a Velvet Revolution without firing a shot; and East Berliners who marched past the guards and finally tore down that wall. Today, what would have seemed impossible in the trenches of Flanders, the rubble of Berlin, or a dissident’s prison cell -- that reality is taken for granted. A Germany unified. The nations of Central and Eastern Europe welcomed into the family of democracies. Here in this country, once the battleground of Europe, we meet in the hub of a Union that brings together age-old adversaries in peace and cooperation. The people of Europe, hundreds of millions of citizens -- east, west, north, south -- are more secure and more prosperous because we stood together for the ideals we share. And this story of human progress was by no means limited to Europe. Indeed, the ideals that came to define our alliance also inspired movements across the globe among those very people, ironically, who had too often been denied their full rights by Western powers. After the Second World War, people from Africa to India threw off the yoke of colonialism to secure their independence. In the United States, citizens took freedom rides and endured beatings to put an end to segregation and to secure their civil rights. As the Iron Curtain fell here in Europe, the iron fist of apartheid was unclenched, and Nelson Mandela emerged upright, proud, from prison to lead a multiracial democracy. Latin American nations rejected dictatorship and built new democracies, and Asian nations showed that development and democracy could go hand in hand.”

Barack Obama (1961) 44th President of the United States of America

2014, Address to European Youth (March 2014)

Pablo Picasso photo
Lewis Carroll photo

“A sadder vision yet: thine aged sire
Shaming his hoary locks with treacherous wile!
And dost thou now doubt Truth to be a liar?
And wilt thou die, that hast forgot to smile?”

Lewis Carroll (1832–1898) English writer, logician, Anglican deacon and photographer

Four Riddles, no. II
Rhyme? and Reason? (1883)

Barack Obama photo
Omar Khayyám photo
Pericles photo

“But the bravest are surely those who have the clearest vision of what is before them, glory and danger alike, and yet notwithstanding go out to meet it.”

Pericles (-494–-429 BC) Greek statesman, orator, and general of Athens

Pericles' Funeral Oration
History of the Peloponnesian War

Jean Jacques Rousseau photo
Rob Riemen photo
Romain Rolland photo
Françoise Sagan photo
André Maurois photo
Galileo Galilei photo

“About ten months ago a report reached my ears that a certain Fleming had constructed a spyglass by means of which visible objects, though very distant from the eye of the observer, were distinctly seen as if nearby. Of the truly remarkable effect several experiences were related, to which some persons gave credence while others denied them. A few days later a report was confirmed to me in a letter from a noble Frenchman in Paris, Jacques Badovere, which caused me to apply myself wholeheartedly to inquire into means by which I might arrive at the invention of a similar instrument. This I did shortly afterwards, my basis being the theory of refraction. First I prepared a tube of lead, at the ends I fitted two glass lenses, both plane on one side while on the other side one was spherically convex and the other concave. Then placing my eye near the concave lens I perceived objects satisfactorily large and near, for they appeared three times closer and nine times larger than when seen with the naked eye alone. Next I constructed another one, more accurate, which represented objects as enlarged more than sixty times. Finally, sparing neither labor nor expense, I succeeded in constructing for myself so excellent an instrument that objects seen by means of it appeared nearly one thousand times larger and over thirty times closer than when regarded with our natural vision.”

Translation by Stillman Drake in Discoveries and Opinions of Galileo (1957)
Sidereus Nuncius (Venice, 1609)

Aurelius Augustinus photo
Barack Obama photo
Stefan Zweig photo
Geert Wilders photo