
1920s, Second State of the Union Address (1924)
1920s, Second State of the Union Address (1924)
Uncuff the FBI: Congress Must Undo the Church Committe's Damage (2002)
Anatol Rapoport, as quoted in: Gerald McKnight (1973) Computer crime, p. 203
1970s and later
The Republican Party is dead, May 8, 2016, latimes.com, Los Angeles Times http://www.latimes.com/opinion/op-ed/la-oe-boot-republicans-in-exile-20160508-story.html,
As quoted in The Cambridge Companion to Frederick Douglass (2009), by Maurice S. Lee, Cambridge University Press, pp. 68-69
What Made America Famous?
Song lyrics, Verities & Balderdash (1974)
As quoted in The Works of the Rev. John Newton... to which are Prefixed Memoirs of His Life (1839), Vol. 2, U. Hunt, pages 429-230.
Travis McGee series, (1969)
1930s, State of the Union address (1935)
The Wind Cries Mary
Song lyrics, Are You Experienced? (1967)
Address to the United Nations (1964)
“Marriage was something I thought happened only to other people, like fatal traffic accidents.”
Source: A Fire in the Sun (1989), Chapter 20 (p. 289).
Cesare's publication on the corrupt practices of Ramiro de Lorqua (December, 1502) as quoted by Rafael Sabatini, 'The Life of Cesare Borgia', Chapter XVI: Ramiro De Lorqua
2009, Speech: The Socio-Economic Peace Program of Senator Francis Escudero
1920s, The Reign of Law (1925)
Speech in the House of Lords (18 November, 1777), responding to a speech by Henry Howard, 12th Earl of Suffolk, who spoke in favour of the war against the American colonists. Suffolk was a descendant of Howard of Effingham, who led the English navy against the Spanish Armada. Effingham had commissioned a series of tapestries on the defeat of the Armada, and sold them to King James I. Since 1650 they were hung in the House of Lords, where they remained until destroyed by fire in 1834.
William Pitt, The Speeches of the Right Honourable the Earl of Chatham in the Houses of Lords and Commons: With a Biographical Memoir and Introductions and Explanatory Notes to the Speeches (London: Aylott & Jones, 1848), pp. 150-6.
The Paranoid Style in American Politics (1964)
2010s, Update on Investigations in Ferguson (2015)
On internet anonymity, as quoted in The govt does not understand social media nor does it know how to deal with it, says Kapil Sibal http://indiatoday.intoday.in/story/it-minister-kapil-sibal-crackdowns-on-social-media-rth-campaign/1/247667.html, India Today (26 January 2013)
Attributed
Strategic Grill Locations
Federalist No. 42 http://econfaculty.gmu.edu/wew/quotes/slavery.html
1780s, Federalist Papers (1787–1788)
Source: 1950s-1960s, Behavior in Public Places, 1963, p. 23; Cited in: Philip Manning, Erving Goffman and Modern Sociology (Stanford University Press, 1992), p. 88.
"Keep Your Filthy Hands Off The Internet" http://www.ncc-1776.org/tle2010/tle575-20100620-02.html 20 June 2010.
(from vol 2, letter 1: some time in 1778, to Mr J___ W___e [actually Jack Wingrave, a young man recently gone to work in India, who was distressed by the corruption he found there]).
St. 5.
The Kingdom of God http://www.bartleby.com/236/245.html (1913)
The Marginal Safari: Scouting the Edge of South Africa (2010)
Source: The Wisdom of W.E.B. Du Bois (2003), p. 104
New York Times magazine op-ed piece, May 2, 2004
"Manhattan Twilight, Hoboken Night", p. 98
The Journey Home (1977)
On legislation against drug use, driving without a seatbelt, and motorcycling without a helmet. Doug Stanhope interview http://markprindle.com/stanhope-i.htm, MarkPrindle.com, 2007
Miscellaneous
“Honey? Traffic's kinda busy and you're naked. Honey!?”
Radio From Hell (April 14, 2006)
Speech before the House of Commons (18 April 1791).
WRAL-TV commentary, 1963 cited in Media Downplay Bigotry of Jesse Helms http://fair.org/press-release/media-downplay-bigotry-of-jesse-helms/
1960s
Presidential campaign (April 12, 2015 – 2016), Speech in Reno, Nevada (August 25, 2016)
Source: The Ethics of Competition, 1935, p. 211
1870s, Second State of the Union Address (1870)
Quote from Degas' Notebook entry c. 1860's; as quoted in Artists on Art: From the XIV to the XX Century, ed. Robert Goldwater (Pantheon, 1945)
1855 - 1875
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 44.
Short Fiction, Catch that Zeppelin! (1975)
Letter to the Clarence Day (June 10, 1926)
Describing her stop on a remote Russian plateau while with the Red Cross after WWI.
Plunkitt of Tammany Hall, Chapter 21, Concerning Excise
His observations on the "strange events in our solar system" and as to why the sky looked blue and red colour was used in traffic lights to signal to vehicles to stop.
When Prof Jayant Narlikar saw the sun rise in the west
Source: Memoirs, May Week Was in June (1990), p. 144
Asia and Western Dominance: a survey of the Vasco Da Gama epoch of Asian history, 1498–1945
In "Crimes against nature" in Rolling Stone magazine (11 December 2003).
"The Pope & the Market," The New York Review of Books, October 8, 2015
On Saturday Night Live, As Unfrozen Caveman Lawyer
Postscript, p. 241-242
Going Postal: Rage, Murder, and Rebellion, From Reagan's Workplaces to Clinton's Columbine and Beyond (2005)
For My Legionaries: The Iron Guard (1936), Politics
new viruses
"Implosion" https://web.archive.org/web/20121013194328/http://www.thatsmags.com/shanghai/article/414/implosion (2011)
“Rock n roll stops the traffic”
Message spray-painted onto the Vaillancourt fountain during a free concert in San Francisco (11 November 1987)
“Never to allow gradually the traffic to smother
With noise and fog the flowering of the spirit.”
"I Think of Those Who Were Truly Great"
Poems (1933)
Context: What is precious is never to forget
The delight of the blood drawn from ancient springs
Breaking through rocks in worlds before our earth;
Never to deny its pleasure in the simple morning light,
Nor its grave evening demand for love;
Never to allow gradually the traffic to smother
With noise and fog the flowering of the spirit.
"Energy and Equity" (1974).
Context: The habitual passenger cannot grasp the folly of traffic based overwhelmingly on transport. His inherited perceptions of space and time and of personal pace have been industrially deformed. He has lost the power to conceive of himself outside the passenger role. Addicted to being carried along, he has lost control over the physical, social, and psychic powers that reside in man's feet. The passenger has come to identify territory with the untouchable landscape through which he is rushed. He has become impotent to establish his domain, mark it with his imprint, and assert his sovereignty over it. He has lost confidence in his power to admit others into his presence and to share space consciously with them. He can no longer face the remote by himself. Left on his own, he feels immobile.
The habitual passenger must adopt a new set of beliefs and expectations if he is to feel secure in the strange world where both liaisons and loneliness are products of conveyance. To "gather" for him means to be brought together by vehicles. He comes to believe that political power grows out of the capacity of a transportation system, and in its absence is the result of access to the television screen. He takes freedom of movement to be the same as one's claim on propulsion. He believes that the level of democratic process correlates to the power of transportation and communications systems. He has lost faith in the political power of the feet and of the tongue. As a result, what he wants is not more liberty as a citizen but better service as a client. He does not insist on his freedom to move and to speak to people but on his claim to be shipped and to be informed by media. He wants a better product rather than freedom from servitude to it. It is vital that he come to see that the acceleration he demands is self-defeating, and that it must result in a further decline of equity, leisure, and autonomy.
Edie describing a low point in her relationship with Bob Neuwirth
Edie : American Girl (1982)
Context: It was really sad - Bobby's and my affair. The only true, passionate, and lasting love scene, and I practically ended up in the psychopathic ward. I had really learned about sex from him, making love, loving, giving. It just completely blew my mind - it drove me a little insane. I was like a sex slave to this man. I could make love for forty-eight hours, forty-eight hours, without getting tired. But the minute he left me alone, I felt so empty and lost that I would start popping pills. He had more or less quit using drugs... When I first knew him, a friend of his used to come up with him to my apartment and they'd do a number in the bathroom. This guy eventually died of a heroin overdose, and Bobby left drugs alone after that. But if I wasn't practically in the act of lovemaking, I would be thinking of how to get hold of drugs. I really loved this man.... What happened was that Bobby said, "Let's go to a party. They're making an underground movie," and he said that I, the Warhol heiress, queen, star, socialite, blah, should be there. Bobby really wanted to go. I had a bad scene with him. I pulled out a knife and I wasn't going to let him out the door until he made love to me. I always get really dreadful. But we finally went. I went through it all. I was furious - this after about two years of our continuing relationship. Finally I said, "Now I'm going to leave this party. I'm fed up." He said that was all right: he'd met all the people he wanted to meet, and he'd watched the film begin shot. So we got into my limousine and he said, "Where would you like to eat?" I thought I was going to explode. Where would I like to eat? I screeched at him, "Why the hell can't you make up your own mind where we're going to eat? Why do I have to make all the decisions?" I was just livid, out of hand. I got madder and madder as we drove along, and just as we drove by the Chelsea Hotel I did something. I've never done anything to hurt anyone, and yet I was so furious that I pressed the button and rolled down the window screen - the glass plate between the front and back seats - and I told the chauffeur that the man in the back was molesting me; he was a junkie! I was so horrified by what I'd said, so flipped out by that, that I jumped out of the car into the path of the oncoming traffic, certain that my head would be crushed. All that happened was the I got bruised, badly bruised, but no broken bones. I mean, I was conscious, not destroyed at all. But I'd done such a terrible thing! I couldn't reconcile that. I had been about to explode. The hotel people came out, and they and Bobby carried me in. I had to pretend I was unconscious because I couldn't comprehend the fact that I had tried to get him busted, to hurt him seriously. He was the only person I had ever gotten violent about. I take out whatever violence comes into my system much more heavily on myself than on anyone else. But that was a pretty tight squeeze. I really craved making love to him.
Section 139
The Passionate State Of Mind, and Other Aphorisms (1955)
Context: Compassion is probably the only antitoxin of the soul. Where there is compassion even the most poisonous impulses remain relatively harmless. One would rather see the world run by men who set their hearts on toys but are accessible to pity, than by men animated by lofty ideals whose dedication makes them ruthless. In the chemistry of man's soul, almost all noble attributes — courage, honor, hope, faith, duty, loyalty, etc. — can be transmuted into ruthlessness. Compassion alone stands apart from the continuous traffic between good and evil proceeding within us.
Source: A Gift From Earth (1968), Ch. 1 : The Ramrobot
Context: The medical revolution that began with the beginning of the twentieth century had warped all human society for five hundred years. America had adjusted to Eli Whitney's cotton gin in less than half that time. As with the gin, the effects would never quite die out. But already society was swinging back to what had once been normal. Slowly; but there was motion. In Brazil a small but growing, alliance agitated for the removal of the death penalty for habitual traffic offenders. They would be opposed, but they would win.
1960s, The American Promise (1965)
Context: We must preserve the right of free speech and the right of free assembly. But the right of free speech does not carry with it, as has been said, the right to holler fire in a crowded theater. We must preserve the right to free assembly, but free assembly does not carry with it the right to block public thoroughfares to traffic. We do have a right to protest, and a right to march under conditions that do not infringe the constitutional rights of our neighbors. And I intend to protect all those rights as long as I am permitted to serve in this office. We will guard against violence, knowing it strikes from our hands the very weapons which we seek — progress, obedience to law, and belief in American values.
"The Art of Fiction No. 11" (1955)
Context: I don't know many writers. [... ] Well, I dunno, but I do have the feeling that other writers can't help you with writing. I've gone to writers' conferences and writers' sessions and writers' clinics, and the more I see of them, the more I'm sure it's the wrong direction. It isn't the place where you learn to write. I've always felt strongly that a writer shouldn't be engaged with other writers, or with people who make books, or even with people who read them. I think the farther away you get from the literary traffic, the closer you are to sources. I mean, a writer doesn't really live, he observes.
They must feel at the same time the greater solicitude to give the fullest efficacy to their own regulations. With that view, the interposition of Congress appears to be required by the violations and evasions which it is suggested are chargeable on unworthy citizens who mingle in the slave trade under foreign flags and with foreign ports, and by collusive importations of slaves into the United States through adjoining ports and territories. I present the subject to Congress with a full assurance of their disposition to apply all the remedy which can be afforded by an amendment of the law. The regulations which were intended to guard against abuses of a kindred character in the trade between the several States ought also to be rendered more effectual for their humane object.
James Madison's Eighth State of the Union Address (3 December 1816)
1810s
"In Railway Halls, on Pavements Near the Traffic"
Context: In railway halls, on pavements near the traffic,
They beg, their eyes made big by empty staring
And only measuring Time, like the blank clock. No, I shall weave no tracery of pen-ornament
To make them birds upon my singing tree:
Time merely drives these lives which do not live
As tides push rotten stuff along the shore.
Source: The Third Reich: A New History (2000), pp. 154-155
Poor negroes! I would have wished to buy them all that I might say to them, "Go! Bless Providence. You are free!"
Third Journal of Travel (1844-1845)
10 February 2019 https://twitter.com/chelseaclinton/status/1094773371823366145 response to Batya Ungar-Sargon telling Ilhan Omar "Please learn how to talk about Jews in a non-anti-Semitic way."
https://newshour.online/2017/06/20/mashrafe-mortaza-says-dont-understand-patriotism-around-cricket/
North Shore News https://www.nsnews.com/local-news/ironworkers-bridge-sees-start-of-two-year-maintenance-project-3462200, Ironworkers bridge sees start of two-year maintenance project, February 26, 2021
“Oncoming traffic appears closer in the rearview mirror.”
Ron English's Fauxlosophy: Volume 2 (2022)