Quotes about toy

A collection of quotes on the topic of toy, likeness, thing, people.

Quotes about toy

William Shakespeare photo
Stefan Zweig photo
Adam Mickiewicz photo

“For mum we're fly. What mum you don't know who am I? I am Józio. And this is my sister Rózia. Now we're fly in sky! There is better than mum. See how heads in ray. Clothes with lucifer light. And on my hand as butterfly airfoil in sky we have all what we want, every day other toy, where we go here is grass, where we touch here is a flower. But we have what we want, torture us boring and trepidation. Oh mum for Your children road to heaven has been closed! On Always!”

Do mamy lecim do mamy! Cóż to, mamo nie znasz Józia? Ja to Józio ja ten samy. A to moja siostra Rózia. My teraz w raju latamy, Tam nam lepiej niż u mamy. Patrz jakie główki w promieniu, Ubiór z jutrzenki światełka, A na oboim ramieniu Jak u motylków skrzydełka, w raju wszystkiego dostatek, Co dzień to inna zabawka, gdzie stąpim wypływa trawka, gdzie dotkniem rozkwita kwiatek. Lecz choć wszystkiego dostatek dręczy nad nuda i trwoga. Ach mamo dla twoich dziatek zamknięta do nieba droga!
Part two.
Dziady (Forefathers' Eve) http://www.ap.krakow.pl/nkja/literature/polpoet/mic_fore.htm

P.G. Wodehouse photo
Jerome K. Jerome photo
Brian W. Aldiss photo
Jerome K. Jerome photo
Bhakti Tirtha Swami photo
Stevie Wonder photo
Kurt Vonnegut photo

“They are being treated, as I never was, like toys a rich kid got for Christmas.”

Kurt Vonnegut (1922–2007) American writer

Cold Turkey (2004)
Context: Human beings are chimpanzees who get crazy drunk on power. By saying that our leaders are power-drunk chimpanzees, am I in danger of wrecking the morale of our soldiers fighting and dying in the Middle East? Their morale, like so many bodies, is already shot to pieces. They are being treated, as I never was, like toys a rich kid got for Christmas.

W.B. Yeats photo

“The woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Grey Truth is now her painted toy;
Yet still she turns her restless head.”

W.B. Yeats (1865–1939) Irish poet and playwright

Source: Crossways (1889), The Song Of The Happy Shepherd, l. 1–5.

Cassandra Clare photo
Hermann Hesse photo

“Property, possessions and riches had also finally trapped him. They were no longer a game and a toy. They had become a chain and a burden.”

Hermann Hesse (1877–1962) German writer

H. Rosner, trans. (Bantam: 1971), pp. 76-79
Siddhartha (1922)
Context: The world had caught him; pleasure, covetousness, idleness, and finally also that vice he had always despised and scorned as the most foolish—acquisitiveness. Property, possessions and riches had also finally trapped him. They were no longer a game and a toy. They had become a chain and a burden.

Friedrich Nietzsche photo

“That immense framework and planking of concepts to which the needy man clings his whole life long in order to preserve himself is nothing but a scaffolding and toy for the most audacious feats of the liberated intellect.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

On Truth and Lie in an Extra-Moral Sense (1873)
Context: That immense framework and planking of concepts to which the needy man clings his whole life long in order to preserve himself is nothing but a scaffolding and toy for the most audacious feats of the liberated intellect. And when it smashes this framework to pieces, throws it into confusion, and puts it back together in an ironic fashion, pairing the most alien things and separating the closest, it is demonstrating that it has no need of these makeshifts of indigence and that it will now be guided by intuitions rather than by concepts. There is no regular path which leads from these intuitions into the land of ghostly schemata, the land of abstractions. There exists no word for these intuitions; when man sees them he grows dumb, or else he speaks only in forbidden metaphors and in unheard — of combinations of concepts. He does this so that by shattering and mocking the old conceptual barriers he may at least correspond creatively to the impression of the powerful present intuition.

Sappho photo
John Locke photo

“And if you help them where they are at a stand, it will more endear you to them than any chargeable toys that you shall buy for them.”

Sec. 130
Some Thoughts Concerning Education (1693)
Context: "How then shall they have the play-games you allow them, if none must be bought for them?" I answer, they should make them themselves, or at least endeavour it, and set themselves about it.... And if you help them where they are at a stand, it will more endear you to them than any chargeable toys that you shall buy for them.

Marquis de Sade photo
Ambrose Bierce photo
Robert Greene photo
Stephen King photo
Rick Riordan photo
Fannie Flagg photo

“By the way, is there anything sadder than toys on a grave?”

Source: Fried Green Tomatoes at the Whistle Stop Cafe

“Look at your body—
A painted puppet, a poor toy
Of jointed parts ready to collapse,
A diseased and suffering thing
With a head full of false imaginings.”

Thomas Ligotti (1953) American horror author

Description: from the The Dhammapada
Source: The Conspiracy Against the Human Race: A Contrivance of Horror (2010)

Rick Riordan photo
Stephen Crane photo

“Tell her this
And more,—
That the king of the seas
Weeps too, old, helpless man.
The bustling fates
Heap his hands with corpses
Until he stands like a child
With surplus of toys.”

Stephen Crane (1871–1900) American novelist, short story writer, poet, and journalist

Source: Complete Poems of Stephen Crane

Anthony Burgess photo
E.E. Cummings photo
Laurell K. Hamilton photo

“My eyes were running because there were pieces of zombie all over my toys, Jesus.”

Anita after a zombie attack
Source: Anita Blake: Vampire Hunter series, The Laughing Corpse (1994)

Rodney Dangerfield photo
Jeannette Walls photo
Rick Riordan photo

“If Aphrodite is angry, she might make you fall in love with a toy poodle, or a telephone pole.”

Rick Riordan (1964) American writer

Source: Percy Jackson's Greek Gods

Sherrilyn Kenyon photo
Laurell K. Hamilton photo
Stephen Chbosky photo

“Welcome to the island of misfit toys”

Source: The Perks of Being a Wallflower

Richelle Mead photo
Neil Innes photo

“How sweet to be an idiot
At my back
With no fear of attack
As much retaliation as a toy.”

Neil Innes (1944–2019) British comic songwriter

How sweet to be an idiot (1973).

Ray Comfort photo
Thomas Carlyle photo
Italo Svevo photo

“Wine is a great danger, especially because it doesn't bring truth to the surface. Anything but the truth, indeed: it reveals especially the past and forgotten history of the individual rather than his present wish; it capriciously flings into the light also all the half-baked ideas with which in a more or less recent period one has toyed and then forgotten.”

Il vino è un grande pericolo specie perché non porta a galla la verità. Tutt'altro che la verità anzi: rivela dell'individuo specialmente la storia passata e dimenticata e non la sua attuale volontà; getta capricciosamente alla luce anche tutte le ideucce con le quali in epoca più o meno recente ci si baloccò e che si è dimenticate.
Source: La coscienza di Zeno (1923), P. 194; p. 232.

Auguste Rodin photo
Viktor Orbán photo

“By 2050 Egypt’s population will increase from 90 million to 138 million. The population of Nigeria will increase from 186 million to 390 million. Uganda’s population will rise from 38 million to 93 million, and Ethiopia’s from 102 to 228 million. It is János Martonyi who usually warns us – and how right he is – that projecting current trends into the future requires caution, because in history there are always events which can change their course. But as we cannot prepare for unforeseeable events in the future, common sense tells us that we must project these figures into the future, and we must prepare for them. They clearly show that the real pressure on our continent will come from Africa. Today we are talking about Syria, today we are talking about Libya; but in fact we must prepare for the population pressure coming from the region beyond Libya – and its magnitude will be far greater than anything we have experienced so far. This warns us that we must be steely in our determination. Border protection – particularly when we need to build a fence and detain people – is something which is difficult to justify in aesthetic terms, but believe me, you cannot protect the borders – and thus ourselves – with flowers and cuddly toys. We must face this fact.”

Viktor Orbán (1963) Hungarian politician, chairman of Fidesz

Tusnádfürdő speech http://www.kormany.hu/en/the-prime-minister/the-prime-minister-s-speeches/viktor-orban-s-presentation-at-the-27h-balvanyos-summer-open-university-and-student-camp, 26 July 2016

Muammar Gaddafi photo

“Women must be trained to fight in houses, prepare explosive belts and blow themselves up alongside enemy soldiers. Anyone with a car must prepare it and know how to install explosives and turn it into a car-bomb. We must train women to place explosives in cars and blow them up in the midst of enemies, and blow up houses so that they can collapse on enemy soldiers. Traps must be prepared. You have seen how the enemy checks baggage: we must fix these suitcases in order for them to explode when they open them. Women must be taught to place mines in cupboards, bags, shoes, children's toys so that they explode on enemy soldiers.”

Muammar Gaddafi (1942–2011) Libyan revolutionary, politician and political theorist

Speech to the women of Sabha, October 4 2003; cited in ilfoglio.it http://www.ilfoglio.it/zakor/82
Speeches
Variant: The woman must be trained to fight inside the houses, to prepare an explosive belt and to blow herself up with the enemy soldiers. Anyone with a car has to prepare it and know how to fix the explosive and turn it into a car bomb. We have to train women to dispose of explosives in cars and make them explode in the midst of the enemy, to blow up the houses to make them collapse on enemy soldiers. You have to prepare traps. You have seen how the enemy controls the baggage: you have to manipulate these suitcases to make them explode when they open them. Women must be taught to undermine the cabinets, bags, shoes, children's toys, so that they burst on enemy soldiers.

Eric Hoffer photo
Marc Chagall photo
Letitia Elizabeth Landon photo
Robert Louis Stevenson photo
Richard K. Morgan photo
Clarence Thomas photo
Robert Benchley photo
Bob Dylan photo

“Disillusioned words like bullets bark
As human gods aim for their mark
Make everything from toy guns that spark
To flesh-colored Christs that glow in the dark
It's easy to see without looking too far
That not much is really sacred”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Bringing It All Back Home (1965), It's Alright, Ma (I'm Only Bleeding)

Roger Manganelli photo
Martina Navrátilová photo
Clive Barker photo
Stephen King photo

“The foolish big boys who fight with their toys are so sadly silly.”

Dawud Wharnsby (1972) Canadian musician

"Dear Mr. Crow "
A Picnic of Poems in Allah's Green Garden (2011)

James Thomson (poet) photo
Sidney Lee photo

“He had a splendid appetite at all times, and never toyed with his food”

Sidney Lee (1859–1926) English biographer and critic

Of King Edward VII; "King Edward VII: a Biography", vol.2 (1927) p. 408

Amit Chaudhuri photo
David Oistrakh photo
Emma Goldman photo
Ferdinand Foch photo

“Airplanes are interesting toys, but of no military value.”

Ferdinand Foch (1851–1929) French soldier and military theorist

Les avions sont des jouets intéressants mais n'ont aucune utilité militaire
Said in 1911 as quoted Time : A Traveler's Guide (1998) by Clifford A. Pickover, p. 249

Amrita Sher-Gil photo
Mohammad Reza Pahlavi photo

“As far as we are concerned, we are not the toys of any country, including the United States.”

Mohammad Reza Pahlavi (1919–1980) Shah of Iran

From an appearance on Meet the Press in 1973, ‘Meet the Press’ transcript for Nov. 18, 2007 http://www.msnbc.msn.com/id/21869109/page/6/,
Interviews

Larry Niven photo

“Tell them the universe is too complicated a toy for a sensibly cautious being to play with.”

Larry Niven (1938) American writer

Source: Ringworld (1970), p. 314

Wisława Szymborska photo

“Toy balloon
once kidnapped by the wind —
come home, and I will say:
There are no children here.”

Wisława Szymborska (1923–2012) Polish writer

"Still Life with a Balloon"
Poems New and Collected (1998), Calling Out to Yeti (1957)

Willa Cather photo
Fulke Greville, 1st Baron Brooke photo

“The Etch a Sketch is the toy for drawing that makes drawing almost impossible. It simulates what drawing would be like if you had crippling arthritis.”

The Wall Street Journal, "Comedy Comes Clean," December 1, 2006, page W12, column 1

Dave Eggers photo
Wilt Chamberlain photo
Elliott Smith photo
Cyril Connolly photo
Agatha Christie photo
Letitia Elizabeth Landon photo

“… oh! love will last
When all that made it happiness is past,—
When all its hopes are as the glittering toys
Time present offers, time to come destroys”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Juliet after the Masquerade. By Thompson
The Troubadour (1825)

Carl Barus photo
Grant Morrison photo

“Most human lives are forgotten after four generations. We build our splendid houses on the edge of the abyss then distract and dazzle ourselves with entertainers and sex while we slowly at first, then more rapidly, spin around the ever-thirsty plughole in the middle. My treasured possessions -- all the silly little mementoes and toys and special books I’ve carried with me for decades -- will wind up on flea market tables or rot on garbage heaps. Someone else will inhabit the rooms that were mine. Everything that was important to me will mean nothing to the countless generations that follow our own. In the grand sprawl of it all, I have no significance at all. I don’t believe a giant gaseous pensioner will reward or censure me when my body stops working and I don’t believe individual consciousness survives for long after brain death so I lack the consolations of religion. I wanted Annihilator to peek into that implacable moment where everything we are comes to an end so I had to follow the Black Brick Road all the way down and seriously consider the abject pointlessness of all human endeavours. I found these contemplations thrilling and I was drawn to research pure nihilism, which led me to Ray Brassier’s Nihil Unbound and back to Ligotti. I have a fundamentally optimistic and positive view of human existence and the future and I think it’s important to face intelligent, well-argued challenges to that view on a regular basis. While I agree with Ligotti that the universe is, on the face of it, a blind emergent process, driven by chance over billions of years of trial and error to ultimately produce creatures capable of little more than flamboyant expressions of the agonizing awareness of their own imminent deaths, I don’t share his slightly huffy disappointment at this state of affairs. If the universe is intrinsically meaningless, if the mindless re-arrangement of atomic debris into temporarily arising then dissipating forms has no point, I can only ask, why do I see meaning everywhere, why can I find a point in everything? Why do other human beings like me seem to see meaning in everything too? If the sun is only an apocalyptic series of hydrogen fusion reactions, why does it look like an angel and inspire poetry? Why does the flesh and fur-covered bone and jelly of my cat’s face melt my heart? Is all that surging, roaring incandescent meaning inside me, or is it out there? “Meaning” to me is equivalent to “Magic.” The more significance we bring to things, even to the smallest and least important things, the more special, the more “magical” they seem to become. For all that materialistic science and existential philosophy tells us we live in a chaotic, meaningless universe, the evidence of my senses and the accounts of other human beings seem to indicate that, in fact, the whole universe and everything in it explodes second-to-second with beauty, horror, grandeur and significance when and wherever it comes into contact with consciousness. Therefore, it’s completely down to us to revel in our ability to make meaning, or not. Ligotti, like many extreme Buddhist philosophers, starts from the position that life is an agonizing, heartbreaking grave-bound veil of tears. This seems to be a somewhat hyperbolic view of human life; as far as I can see most of us round here muddle through ignoring death until it comes in close and life’s mostly all right with just enough significant episodes of sheer joy and connection and just enough sh-tty episodes of pain or fear. The notion that the whole span of our lives is no more than some dreadful rehearsal for hell may resonate with the deeply sensitive among us but by and large life is pretty okay generally for most of us. And for some, especially in the developed countries, “okay” equals luxurious. To focus on the moments of pain and fear we all experience and then to pretend they represent the totality of our conscious experience seems to me a little effete and indulgent. Most people don’t get to be born at all, ever. To see in that radiant impossibility only pointlessness, to see our experience as malignantly useless, as Ligotti does, seems to me a bit camp.”

Grant Morrison (1960) writer

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

Richard Stallman photo
Adam Smith photo
Aung San Suu Kyi photo
Robert Graves photo
Joan Rivers photo

“I knew I was an unwanted baby when I saw that my bath toys were a toaster and a radio.”

Joan Rivers (1933–2014) American comedian, actress, and television host

As quoted in The 2,548 Best Things Anybody Ever Said (2003), by R. Byrne, 94

Theo van Doesburg photo

“In all these products, whether iron bridges, locomotives, automobiles, telescopes, cottages, airport-hangars, funicular railways, skyscrapers, or children's toys, the will towards a new style expresses itself. The similarity of these examples to the new creations in art consists in the same striving for clear, pure form which expresses truth in the objects.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from 'The will to Style', in Dutch art-magazine De Stijl February-March 1922; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, p. 123
1920 – 1926

Eugene Field photo

“Every toy has the right to break.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Todo juguete tiene derecho a romperse.
Voces (1943)

Octavio Paz photo
John Gay photo

“O Polly, you might have toyed and kissed,
By keeping men off, you keep them on.”

John Gay (1685–1732) English poet and playwright

Act I, sc. viii, air 9
The Beggar's Opera (1728)

Ringo Starr photo
Mark Akenside photo

“Seeks painted trifles and fantastic toys,
And eagerly pursues imaginary joys.”

Mark Akenside (1721–1770) English poet and physician

The Virtuoso (1737), stanza x, lines 89–90

Philip K. Dick photo
James Branch Cabell photo
Arthur Cecil Pigou photo
Doron Zeilberger photo
Roger Ebert photo

“The movie stars six teenage characters who have been marketed on TV and in toy stores. They have names, but no discernible personalities. None of them ever says anything more interesting than "You guys!" As teenagers, they are skilled in-line skaters and karate fighters, but they don't get their real powers until they turn into faceless clones in Power Rangers uniforms with plastic masks and helmets. Is that the message? Faceless conformity is the way to success? Certainly the Rangers are not individuals in or out of uniform, but I wonder if they don't represent a triumph of merchandising over creativity. Children's heroes have traditionally been individualistic and eccentric. The Rangers are not, properly speaking, even characters. They are color-coded products… Paging through the movie's press kit, I came across this quote attributed to Amy Jo Johnson, who plays Kimberly, the Pink Power Ranger: " `Mighty Morphin Power Rangers™: The Movie' is a mix between Star Wars and The Wizard of Oz. " I wonder if Amy Jo actually said "TM" when she was delivering that wonderfully fresh and spontaneous quote, which is so much more involved than anything she says in the movie. More to the point, I wonder if she has ever seen "Star Wars" or "The Wizard of Oz."”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/mighty-morphin-power-rangers-the-movie-1995 of Mighty Morphin' Power Rangers: The Movie (30 June 1995)
Reviews, Half-star reviews

“Everything about Pee-Wee's Big Adventure, from its toy-box colors to its superb, hyper-animated Danny Elfman score to the butch-waxed hairdo and wooden-puppet walk of its star and mastermind is pure pleasure.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/dvd/review/2000/10/10/peewees_big_adventure/index.html of Pee-Wee's Big Adventure (1985)

William Gibson photo