Quotes about toy
page 2

Source: The von Bek family, The City in the Autumn Stars (1986), Chapter 2 (pp. 197-198; ellipsis represents a minor elision of description)

From the Bull Ritual, Book VI, line 197
The Odyssey : A Modern Sequel (1938)
Response on LUSENET http://www.greenspun.com/bboard/q-and-a-fetch-msg.tcl?msg_id=003FAq

Source: Seth, Dreams & Projections of Consciousness, (1986), p. 305-306, quoting from Session 235

Letter 8 (1837).
Letters on the Equality of the Sexes and the Condition of Woman (1837)

Book V.
Aurora Leigh http://digital.library.upenn.edu/women/barrett/aurora/aurora.html (1857)

Thérèse's account of the papal audience, November 20,1887
General Correspondence

Source: My Early Life: A Roving Commission (1930), Chapter 3 (Examinations).

Source: Sayings of Sri Ramakrishna (1960), p. 325
“What is success? It is a toy balloon among children armed with pins.”
Skyline: A Reporter's Reminiscence of the 1920s (1961); as cited by Jonathon Green (1988) Says who?: a guide to the quotations of the century. p. 308
The Diary of Samuel Marchbanks (1947)

Source: The Gospel of Sri Ramakrishna (1942), p. 149

comment to USA Today newspaper (September 15, 2005) explaining why she, Emilio and other prominent Hispanic entertainers personally delivered a planeload of toys and other aid to three shelters with Hurricane Katrina victims
2007, 2008

Cadigan (1993) in: " Interview with Pat Cadigan, May 1993 http://tamaranth.blogspot.nl/1993/05/interview-pat-cadigan-may-1993.html" in The Hardcore, 1993

Pride and Joy, co-written with William "Mickey" Stevenson and Norman Whitfield.
Song lyrics, That Stubborn Kinda Fellow (1962)

"Obama: Love Means Never Having to Say You’re Sorry" http://www.wnd.com/2013/11/obama-love-means-never-having-to-say-youre-sorry, WorldNetDaily.com, November 15, 2013.
2010s, 2013

"Unix and Beyond: An Interview with Ken Thompson," 1999

Quoted in The Hidden Face, by Ida Gorres, p. 52

Writing in Reason and Passion: Justice Brennan's Enduring Influence (1997).
“A child shows his toy, a man hides his.”
El niño muestra su juguete, el hombre lo esconde.
Voces (1943)

Of Agesilaus the Great
Laconic Apophthegms

Mont Saint Michel and Chartres (1904)

On gun control in the wake of the Virginia Tech shootings
Blasting the myths http://www.rachelmarsden.com/columns/vtech.htm By Rachel Marsden. Published Toronto Sun, April 23, 2007

Someone held me up as I began to fall.
Nobel Lecture (2015)

“Old friends become bitter enemies on a sudden for toys and small offenses.”
The Anatomy of Melancholy (1621), Democritus Junior to the Reader

For My Legionaries: The Iron Guard (1936), Jewish Problem

February 1985, in William Breit and Roger W. Spencer (ed.) Lives of the laureates
1980s–1990s

1988 interview with Animage, Animage, vol. 125, November 1988. Retrieved June 8, 2007.

The Golden Violet - The Eastern King
The Golden Violet (1827)
Source: Last Men in London (1932), Chapter IX: On Earth and On Neptune.

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 23
"Wind-Up Toys"
Lyrics, Real Men (1991)

From interview with Robert Block, 1995
Interviews (1993 – 1995)

“The Hill and the Hole” (p. 165); originally published in Unknown Worlds, August 1942
Short Fiction, Night's Black Agents (1947)

In a letter to his sister, describing his observations from a trip to Germany of the cult-like status given the Kaiser.

From The Observer, March 13 2005 issue, asserting for the first time the appeal to her of feminist ideology
Other quotes

The Novel: What It Is (1893)

“Ō xein', angellein Lakedaimoniois hoti tē(i)de
keimetha tois keinōn rhēmasi peithomenoi.”
"The War/La Ilaha Il Allah"
Out Seeing The Fields (2007)
Source: Last Men in London (1932), Chapter II: Exploring the Past.

Undated letter to Joseph Johnson (October? 1792), published in The Collected Letters of Mary Wollstonecraft (2004), edited by Janet Todd, p. 206.

On the Death of Mr. William Harvey; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Out of the Dark (1913), To a Woman-Suffragist

“I count religion but a childish toy,
And hold there is no sin but ignorance.”
Machiavel, Prologue
The Jew of Malta (c. 1589)

Source: Memory, Sorrow, and Thorn, The Dragonbone Chair (1988), Chapter 28, “Drums of Ice” (p. 447).

“Women are but the toys which amuse our lighter hours-ambition is the serious business of life.”
Source: Ivanhoe (1819), Ch. 36, Malvoisin speaking to De Bois-Guilbert.

Yahtzee's Christmas Wishlist http://www.fullyramblomatic.com/essays/wishlist.htm
Fully Ramblomatic, Essays

Speech at the University of Kansas at Lawrence http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/RFK-Speeches/Remarks-of-Robert-F-Kennedy-at-the-University-of-Kansas-March-18-1968.aspx (18 March 1968)

Interview by Michal Szyksznian http://www.gottfried-helnwein-interviews.com/interviews/celebritarian.html, celebritarian.pl, 2009

In Montparnasse, I became known as the 'King of Wire'.
Quote of Alexander Calder (1952), looking back, from Permanence Du Cirque, in 'Revue Neuf', Calder Foundation, 1952; as quoted in Calder and Mondrian: An Unlikely Kinship, senior-thesis by Eva Yonas http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.517.581&rep=rep1&type=pdf, Ohio State University August 2006, Department of Art History, p.19 – note 26
Calder first began using wire extensively in 1926, creating mechanical toys that would be the precursors to the Paris' 'Cirque Calder'
1950s - 1960s

"Verses", line 1, from Groatsworth of Wit (1592); Dyce p. 310.
Groatsworth of Wit was published posthumously under Greene's name, but it was heavily revised by Henry Chettle, and may have been partially or even totally written by him.

to me, that's what punk is. An idealistic attitude.
watt bio (2005)
The Diary of Samuel Marchbanks (1947)

royalcorrespondent.com interview http://royalcorrespondent.com/2013/07/15/we-really-are-a-team-says-princess-madeleine-in-a-new-interview/

“Love, Fear and Hate and Childish Toys
Are here discreetly blent”
Country Sentiment (1920)
Context: Love, Fear and Hate and Childish Toys
Are here discreetly blent;
Admire, you ladies, read, you boys,
My Country Sentiment.
"A First Review".

Disturbing the Universe (1979)
Context: If we had a reliable way to label our toys good and bad, it would be easy to regulate technology wisely. But we can rarely see far enough ahead to know which road leads to damnation. Whoever concerns himself with big technology, either to push it forward or to stop it, is gambling in human lives. <!-- Pt. 1, Ch. 1

On the work of the metal-smith Tubal-Cain
The Legend of Jubal (1869)
Context: Each day he wrought and better than he planned,
Shape breeding shape beneath his restless hand.
(The soul without still helps the soul within,
And its deft magic ends what we begin.)
Nay, in his dreams his hammer he would wield
And seem to see a myriad types revealed,
Then spring with wondering triumphant cry,
And, lest the inspiring vision should go by,
Would rush to labor with that plastic zeal
Which all the passion of our life can steal
For force to work with. Each day saw the birth
Of various forms, which, flung upon the earth,
Seemed harmless toys to cheat the exacting hour,
But were as seeds instinct with hidden power.

“Why should we defer our joys?
Fame and rumour are but toys.”
Song, To Celia, lines 1-10.
Compare Catullus, Carmina V
The Works of Ben Jonson, First Folio (1616), The Forest
Context: Come my Celia, let us prove,
While we can, the sports of love;
Time will not be ours forever,
He at length our good will sever.
Spend not then his gifts in vain;
Suns that set may rise again,
But if once we lose this light,
'Tis with us perpetual night.
Why should we defer our joys?
Fame and rumour are but toys.

A New Testament (1927)
Context: We have not approached the time when we may speak to each other, but in the mornings sometimes I have heard, echoing far off, the sound of a trumpet. It is apparent that nations cannot exist for us. They are the playthings of children, such toys as children break from boredom and weariness. The branch of a tree is my country. My freedom sleeps in a mulberry bush. My country is in the shivering legs of a little lost dog.

Source: Space Chantey (1968), Ch. 6
Context: The witch has been playing a semantic trick on us. We were already pretty salty animals when we came here! It is toy animals she has turned us into. We have been working against ourselves, trying to be men again, but to be her idea of men, since we live in her context. But she does not know real animals, or men. … Be you not toys any longer! Stir up the wild business in you. You have to be real animals before you can be men.
Source: Generation of Vipers (1942), p. 20
Context: The blame for Armageddon lies on man. And the millennium will come only when the average man exhibits a scientific integrity about all he is and does — instead of half of it. Many a psychological Archimedes has put signposts on the hard road man must follow if he is to avoid self-destruction and come into his own. A few very great modern scientists have added to the lore. Indications of what man may expect of himself are everywhere at hand. But most men must first be persuaded that the task lies ahead and not behind — that we are infants still, with loaded guns for toys.

The History of Gutta Percha Willie, the Working Genius (1873)
Context: !-- After a few days, Willie got tired of [the water-wheel] — and no blame to him, for it was no earthly use beyond amusement, and that which can only amuse can never amuse long. --> I think the reason children get tired of their toys so soon is just that it is against human nature to be really interested in what is of no use. If you say that a beautiful thing is always interesting, I answer, that a beautiful thing is of the highest use. Is not the diamond that flashes all its colours into the heart of a poet as useful as the diamond with which the glazier divides the sheets of glass into panes for our windows?

Jupiter to Electra, Act 3
The Flies (1943)
Context: You are a tiny little girl, Electra. Other little girls dreamed of being the richest or the most beautiful women of all. And you, fascinated by the horrid destiny of your people, you wished to become the most pained and the most criminal … At your age, children still play with dolls and they play hopscotch. You, poor child, without toys or playmates, you played murder, because it is a game that one can play alone.

"Does Religion Poison Everything?", Festival of Dangerous Ideas, October 2009.
2000s, 2009
Context: If this was the plan - was it made by someone who likes us? And if so, why have 99.9% of all the other species that have ever been created already died out? And part of what plan was that?; If it is a plan or a design, the planner must be either very capricious - really toying with his creation; and/or very clumsy, very tinkering and fantastically wasteful - throw away 99.9% of what you've made; or very cruel and very callous; or just perhaps very indifferent; or some combination of all the above. And so it's no good saying that He moves in mysterious ways, or that He has purposes that are opaque to us, because even that kind of evasion has to make itself predicate on the assumption that the person saying this knows more than I do about the supernatural, and I haven't yet met anyone who does have a private line to the creator, of the sort that would be required even to speculate about it. In other words, I haven't met anyone, in holy orders or out of it, who isn't also a primate. And neither have you. http://www.youtube.com/watch?v=IVvJf9wTQXo

“A mind that's afraid to toy with the ridiculous will never come up with the brilliantly original”
Source: Brightness Reef (1995), Ch. 25
Context: It's how creativity works. Especially in humans. For every good idea, ten thousand idiotic ones must first be posed, sifted, tried out, and discarded. A mind that's afraid to toy with the ridiculous will never come up with the brilliantly original.
"Fall of a City"
Selected Poems (1941)
Context: All the lessons learned, unlearned;
The young, who learned to read, now blind
Their eyes with an archaic film;
The peasant relapses to a stumbling tune
Following the donkey`s bray;
These only remember to forget. But somewhere some word presses
On the high door of a skull and in some corner
Of an irrefrangible eye
Some old man memory jumps to a child
— Spark from the days of energy.
And the child hoards it like a bitter toy.

Bewilderness (DVD, 2001)

(3 January 2005)
Unfit for Mass Consumption (blog entries), 2005
Context: I want to build vast machines of light and darkness, intricate mechanisms within mechanisms, a progression of gears and cogs and pistons each working to its own end as well as that of the Greater Device. That's what I see in my head. But, too often, I sense that many readers want nothing more complex or challenging than wind-up toys. It's dispiriting.

"Soft Matter" Nobel lecture (9 December 1991) - full text in PDF format http://nobelprize.org/nobel_prizes/physics/laureates/1991/gennes-lecture.html
Context: Benjamin Franklin performed a beautiful experiment using surfactants; on a pond at Clapham Common, he poured a small amount of oleic acid, a natural surfactant which tends to form a dense film at the water-air interface. He measured the volume required to cover all the pond. Knowing the area, he then knew the height of the film, something like three nanometers in our current units. This was to my knowledge the first measurement of the size of molecules. In our days, when we are spoilt with exceedingly complex toys, such as nuclear reactors or synchrotron sources, I particularly like to describe experiments of this Franklin style to my students.
Surfactants allow us to protect a water surface, and to generate these beautiful soap bubbles, which are the delight of our children.

The She-Ancient, in Pt. V
1920s, Back to Methuselah (1921)
Context: Art is the magic mirror you make to reflect your invisible dreams in visible pictures. You use a glass mirror to see your face: you use works of art to see your soul. But we who are older use neither glass mirrors nor works of art. We have a direct sense of life. When you gain that you will put aside your mirrors and statues, your toys and your dolls.