
National Integrity
National Integrity
Source: Mark Hudson. "Cornelia Parker Interview." in: Telegraph. June 24, 2010
Source: Loving and Leaving the Good Life (1992), pp. 193-194
Source: The Sex Sphere (1983), p. 108
“Anyone who can handle a needle convincingly can make us see a thread which is not there.”
Quoted in: Willie Maartens (2006). Mapping Reality, p. 185.
Art and Illusion (1960)
Quote in Boudin's letter to family-friend Ferdinand Martin, from Paris, 12 February 1863; as cited by Colin B. Bailey in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publisher, Metropolitan Museum of Art, New York, 2009, p. 11
1850s - 1870s
In a Copy of Omar Khayyam.
Bartlett's Familiar Quotations, 10th ed. (1919)
Variant: These pearls of thought in Persian gulfs were bred,
Each softly lucent as a rounded moon;
The diver Omar plucked them from their bed,
FitzGerald strung them on an English thread.
The Paris Review interview (1982)
Context: I never wrote my books especially for children. … When I sat down to write Mary Poppins or any of the other books, I did not know children would read them. I’m sure there must be a field of “children’s literature” — I hear about it so often — but sometimes I wonder if it isn’t a label created by publishers and booksellers who also have the impossible presumption to put on books such notes as “from five to seven” or “from nine to twelve.” How can they know when a book will appeal to such and such an age?
If you look at other so-called children’s authors, you’ll see they never wrote directly for children. Though Lewis Carroll dedicated his book to Alice, I feel it was an afterthought once the whole was already committed to paper. Beatrix Potter declared, “I write to please myself!” And I think the same can be said of Milne or Tolkien or Laura Ingalls Wilder.
I certainly had no specific child in mind when I wrote Mary Poppins. How could I? If I were writing for the Japanese child who reads it in a land without staircases, how could I have written of a nanny who slides up the banister? If I were writing for the African child who reads the book in Swahili, how could I have written of umbrellas for a child who has never seen or used one?
But I suppose if there is something in my books that appeals to children, it is the result of my not having to go back to my childhood; I can, as it were, turn aside and consult it (James Joyce once wrote, “My childhood bends beside me”). If we’re completely honest, not sentimental or nostalgic, we have no idea where childhood ends and maturity begins. It is one unending thread, not a life chopped up into sections out of touch with one another.
Once, when Maurice Sendak was being interviewed on television a little after the success of Where the Wild Things Are, he was asked the usual questions: Do you have children? Do you like children? After a pause, he said with simple dignity: “I was a child.” That says it all.<!--
But don’t let me leave you with the impression that I am ungrateful to children. They have stolen much of the world’s treasure and magic in the literature they have appropriated for themselves. Think, for example, of the myths or Grimm’s fairy tales — none of which were written especially for them — this ancestral literature handed down by the folk. And so despite publishers’ labels and my own protestations about not writing especially for them, I am grateful that children have included my books in their treasure trove.
Mind Vampires http://gregegan.customer.netspace.net.au/HORROR/VAMPIRES/Vampires.html, published in Interzone (Winter 1986)
Fiction
“Habit is a cable; we weave a thread of it each day, and at last we cannot break it.”
As quoted in Graded Selections for Memorizing : Adapted for Use at Home and in School (1880) by John Bradley Peaslee, p. 104
“I have swallowed a secret burning thread.”
The Queen and the Soldier
Suzanne Vega (1985)
For My Legionaries: The Iron Guard (1936), Jewish Problem
standup performance accessible through .WAV files available on the Internet
Standup routines
March 14, 2008 http://littlegreenfootballs.com/weblog/?entry=29285_Should_America_Have_a_President_Who_Associates_with_America-Haters&only
Variant: I stole every nickel, dime and dollar and blew it on fine threads, luxurious lodgings, fantastic foxes and other sensual goodies. I partied in every capital in Europe and bask on all the worlds most famous beaches.
Source: Catch Me if You Can: The True Story of a Real Fake, 2002, Ch.1 Pg.4(a), Ch.1 Pg. 11(b),Back cover(c), Ch.6 Pg.116(d)
Life Without and Life Within (1859), Flaxman
Un Art de Vivre (The Art of Living) (1939), The Art of Loving
Origins Reconsidered: In Search of What Makes Us Human (1992)
Mathematical Circles Squared (1972) by Howard W. Eves
Source: System Engineering (1957), p. 8
Moccasin Flower, reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 519.
Von Foerster (1960) as cited in Peter M. Asaro (2007). "Heinz von Foerster and the Bio-Computing Movements of the 1960s," http://cybersophe.org/writing/Asaro%20HVF%26BCL.pdf
1960s
Quote in 'Biographical Notes. Tissue of truth, Tissue of Lies', 1929; as cited in Max Ernst. A Retrospective, Munich, Prestel, 1991, pp.283/284
1910 - 1935
"Day"
By Still Waters (1906)
http://www.amritavarsham.org/ Frontpage of an official website
Love
Variant: Love is our true essence. This love does not have any limitations of caste, creed, colour or religion. We are all beads strung on the same thread of love. Awaken that unity and spread the message of love and service.
“Only geometry can hand us the thread [which will lead us through] the labyrinth of the continuum’s composition, the maximum and the minimum, the infinitesimal and the infinite; and no one will arrive at a truly solid metaphysic except he who has passed through this [labyrinth].”
Nam filum labyrintho de compositione continui deque maximo et minimo ac indesignabili at que infinito non nisi geometria praebere potest, ad metaphysicam vero solidam nemo veniet, nisi qui illac transiverit.
Dissertatio Exoterica De Statu Praesenti et Incrementis Novissimis Deque Usu Geometriae (Spring 1676)
Source: Leibniz, Leibnizens Mathematische Schriften, Herausgegeben Von C.I. Gerhardt. Bd. 1-7. 1850-1863. Halle. The quotation is found in vol. 7. on page 326 in ”Dissertatio Exoterica De Statu Praesenti et Incrementis Novissimis Deque Usu Geometriae”. Link https://archive.org/stream/leibnizensmathe12leibgoog
Source: Geometry and Monadology: Leibniz's Analysis Situs and Philosophy of Space by Vincenzo de Risi. Page 123. Link https://books.google.no/books?id=2ptGkzsKyOQC&lpg=PA123&ots=qz2aKxAYtp&dq=Dissertatio%20Exoterica%20De%20Statu%20Praesenti%20et%20Incrementis%20Novissimis%20Deque%20Usu%20Geometriae%E2%80%9D&hl=no&pg=PA123#v=onepage&q&f=false
Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, P.x-xi
“Maybe. We’re all equals at the dark gate, no? The sands run for us all. Life is but a flicker shouting into the jaws of eternity. But it seems so damned unfair!”
Source: The White Rose (1985), Chapter 39, “A Guest at Charm” (p. 625)
Review http://www.rogerebert.com/reviews/o-brother-where-art-thou-2000 of O Brother, Where Art Thou? (29 December 2000)
Reviews, Two-and-a-half star reviews
Introduction
Postmodernism: Or, The Cultural Logic of Late Capitalism (1991)
"The Proof of Lavoisier's Plates", p. 114
The Lying Stones of Marrakech (2001)
Duchamp's stated premise for his art-work: '3 Standard stoppages' he made during 1913 -1914; ; as quoted in Looking at Dada, eds. Sarah Ganz Blythe & Edward D. Powers - The Museum of Modern Art New York, ISBN: 087070-705-1; p. 50
1915 - 1925
Preface
The Age of Revolution (1962)
In, p. 5-6
Gulzarilal Nanda: A Life in the Service of the People
It will be so.
Journal of Discourses 7:15 (July 4, 1854)
1850s
The Art of Fiction http://public.wsu.edu/~campbelld/amlit/artfiction.html (1884)
“My tears must stop, for every drop
Hinders needle and thread.”
1840s, The Song of the Shirt (1843)
It's An Interconnected World (2002)
Source: Gormenghast (1950), Chapter 4, section 1 (p. 408)
“A death was more than an ending; it was like pulling a thread from a richly patterned cloth.”
First measure “The Lady Margaret” (p. 17)
Pavane (1968)
Edward Ruscha in: " Me, you, us: Anthony d'Offay and others on ARTIST ROOMS http://www.tate.org.uk/context-comment/articles/me-you-us," at tate.org.uk. 1 May 2009
Source: Anti-Tech Revolution: Why and How (2016), p. 1
Cricket on the Brain (1970)
Source: The Chronicles of Prydain (1964–1968), Book II: The Black Cauldron (1965), Chapter 20
The Way of the Wyrd : Tales of an Anglo-Saxon Sorcerer (1983)
Context: The threads of wyrd are a dimension of ourselves that we cannot grasp with words. We spin webs of words, yet wyrd slips through like the wind. The secrets of wyrd do not lie in our word-hoards, but are locked in the soul. We can only discern the shadows of reality with our words, whereas our souls are capable of encountering the realities of wyrd directly. This is why wyrd is accessible to the sorcerer: the sorcerer sees with his soul, not with eyes blinkered by the shape of words.
Do not live your life searching around for answers in your word-hoard. You will find only words to rationalize your experience. Allow yourself to open to wyrd and it will cleanse, renew, change, and develop your casket of reason. Your word-hoard should serve your experience, not the reverse.
“A Computer is a state machine. Threads are for people who can't program state machines.”
Re: Alan Cox quote? (was: Re: accounting for threads) http://www.uwsg.indiana.edu/hypermail/linux/kernel/0106.2/0405.html.
"The Psychology Behind Morality" (12 June 2014) http://www.onbeing.org/program/jonathan-haidt-the-psychology-behind-morality/transcript/6347#main_content
Section 1
100%: the Story of a Patriot (1920)
Eminent Historians: Their Technology, Their Line, Their Fraud
“True concentration is an unbroken thread of awareness.”
Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p. 13
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 201.
Source: Mathematical Lectures (1734), p. 31: Prefatory Oration
Once Upon a Time There Was an Ocean
Song lyrics, Surprise (2006)
Quote from 'On the Possibilities of Painting,' lecture, Sorbonne (1924-05-15)
Quoted in J.W. Burton, The Fiji Of To-Day, (Charles H. Kelly, London, 1910).
Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 85-89
Quotes from The History of India as told by its own Historians
Broken Lights p. 41-42 Diaries 1951.
Source: Translations, The Aeneid of Virgil (1866), Book VIII, p. 295
And Yet I Don't Know!
Section VIII: “Monopoly, Or Opportunity?”, p. 186 http://books.google.com/books?id=MW8SAAAAIAAJ&pg=PA186&dq=%22Let+me+say+again%22
1910s, The New Freedom (1913)
"Essay on the Biological Sciences" in Good Reading (1958)
The Thread of Truth http://whitewolf.newcastle.edu.au/words/authors/C/CloughArthurHugh/verse/misc/threadtruth.html (1839).
Cambridge History of India, III, p.281
excerpt of her Journal, 1899; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 198
1899
Venus Invisible and Other Poems (1928), The Wings of Lead
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 269.
Source: The Chocolate War (1974), p. 35
Source: Sea Without a Shore (1996), Chapter 37 (p. 526)