“To shoot a grouse exacts something from the thinking man. It requires principle, which like good manners is not old-fashioned and never has been. It is something in your heart and in your head. The perceptive gunner is immersed in the style and charm of his dog’s work and in the shot, but with it all, he is one with what happens to the bird. His shooting is not vindictive, a getting-even because the grouse is so hard to hit. To regret a miss is normal animal response to temporary failure, not to be confused with sentient “the bastard got away.” Emotions are drawn to such thin threads they reach the breaking point, but when finely-honed tensions balance, shooting becomes a spiritual thing between you and the grouse.”

An Affair with Grouse (1982)

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George Bird Evans30

American writer 1906–1998

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“Quality grouse shooting cannot be evaluated by numbers any more than diamonds can be measured by the pound. It is not a process but a reflection – a reflection in the gunner from the dog he shoots over and the gun he carries, and above all a feedback from the grouse. When these things happen well, looking back at end of day is to be as content as it is given a man to feel. It has been my past, it is my life and my hereafter, like these mountains endless in their splendor.”

George Bird Evans (1906–1998) American writer

An Affair with Grouse (1982)

“The gunner tends to live with Death without giving thought to dying, the shot heard so deeply it is not heard at all. The gunner is the grouse while the grouse is living; he dies a little when the grouse is dead. They have that in common, the bird and he, and he had better know if he is worthy to terminate that glorious life. It is a responsibility not easy to face, yet he doesn't dare not face it.”

George Bird Evans (1906–1998) American writer

Grouse Along the Tramroad (1986)

“The man must learn to know his dog as a personality, not a formula. I have no objection to a grouse dog swinging on his cast and coming in from behind me – a misdemeanor by trial standards. Grouse terrain is such that if it can best be covered by the dog’s working in an unorthodox manner, I consider him intelligent if he does so.”

George Bird Evans (1906–1998) American writer

Troubles with Bird Dogs (1975)

“Grouse shooting is what it is for you, not for someone in some fabulous faraway place. Grouse gunning can be either a game of numbers or identification with a live bird somewhere ahead. It can be a mindless urge to wipe out a string of birds, or it can be the instant when one bird and the dog and the gun exist in unity.”

George Bird Evans (1906–1998) American writer

An Affair with Grouse (1982)

“My gun diary indicates how many grouse were moved each day these dogs hunted, each productive point they made. For me, this is what gunning for grouse is about, not dead birds to tally up – to gun for grouse with a dog, not just over him, and once that has been savored, anything less seems watered down.”

George Bird Evans (1906–1998) American writer

Troubles with Bird Dogs (1975)

“I have not written this book as something that is over. When you have lived like that, it will be present always, like the gun I shot and the dogs and those grouse living in the subcellars of my brain.”

George Bird Evans (1906–1998) American writer

Grouse on the Mountain (1994)

“A gunner owes consideration to the birds and to the land itself. He usually does not own the deed, but in a strange way he possesses a grouse covert as he is possessed by it, holding special title to that particular corner of this earth, a carry-over from the age when man discovered wild land and made it his.”

George Bird Evans (1906–1998) American writer

An Affair with Grouse (1982)

“If I could shoot a game bird and still not hurt it, the way I can take a trout on a fly and release it, I doubt if I would kill another one. This is a strange statement coming from a man whose life is dedicated to shooting and gun dogs. For me, there is almost no moment more sublime than when I pull the trigger and see a grouse fall. Yet, as the bird is retrieved I feel a sense of remorse for taking a courageous life. About the time I passed fifty I noticed this conflict becoming more pronounced…”

George Bird Evans (1906–1998) American writer

The Upland Shooting Life (1971)

“A grouse deserves better than to be shot on the ground.”

George Bird Evans (1906–1998) American writer

An Affair with Grouse (1982)

“One of the few graces of getting old — and God knows there are few graces — is that if you’ve worked hard and kept your nose to the grindstone, something happens: The body gets old but the creative mechanism is refreshed, smoothed and oiled and honed. That is the grace. That is the splendid grace. And I think that is what’s happening to me.”

Maurice Sendak (1928–2012) American illustrator and writer of children's books

As quoted in "Interview: Why Is Maurice Sendak So Incredibly Angry?" by Leonard S. Marcus in Parenting (October 1993); also in Ways of Telling : Conversations on the Art of the Picture Book (2002) by Leonard S. Marcus, p. 181

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George Bird Evans30

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