"This Is a Story about My Friend George, the Toy Inventor"
Quotes about thread
page 3

Source: Mars as the Abode of Life (1908), Chapter IV, p. 125

2006, Faith, Reason and the University — Memories and Reflections (2006)

Speech to his last Cabinet (5 April 1955), quoted in Henry Pelling, Churchill’s Peacetime Ministry, 1951–55 (London: Macmillan, 1997), p. 175
Post-war years (1945–1955)

"Between Nothingness and Eternity", p. 14
My Flute (1972)

Persistently Consistent http://nikkisoohoo.com/blog/2017/10/22/persistently-consistent (October 22, 2017)

Source: The Thread That Binds the Bones (1993), Chapter 21 (p. 297)

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 51-52
Conversation between Wentworth and Timothy Carrier
Chapter 63, p. 368
The Good Guy (2007)

Hypnotising for improvement of eyesight, in “Neurypnology; or, The rationale of nervous sleep, considered in relation ...”, p. 68.

As quoted in Carl Friedrich Gauss: Titan of Science (1955) by Guy Waldo Dunnington. p. 360
Source: Metasystems Methodology, (1989), p. 191

“We'll spin them out like a bobbin thread.”
To Ralph Parker, about the Nazis. Quoted in "Timoshenko: Marshal of the Red Army" - Page 91 - by Walter Mehring - 1942

“Sewing at once a double thread,
A shroud as well as a shirt.”
1840s, The Song of the Shirt (1843)

“No cord nor cable can so forcibly draw, or hold so fast, as love can do with a twined thread.”
Section 2, member 1, subsection 2, How Love tyranniseth over men. Love, or Heroical Melancholy, his definition, part affected.
The Anatomy of Melancholy (1621), Part III

What Is Religion? (1899) is Ingersoll's last public address, delivered before the American Free Religious association, Boston, June 2, 1899. Source: The Works of Robert G. Ingersoll, Dresden Memorial Edition Volume IV, pages 477-508, edited by Cliff Walker. http://www.positiveatheism.org/hist/ingwhatrel.htm

Changsha (1925), Yellow Crane Tower (1927)
Original: (zh-CN) 茫茫九派流中国,沉沉一线穿南北。烟雨莽苍苍,龟蛇锁大江。黄鹤知何去?剩有游人处。把酒酹滔滔,心潮逐浪高!
“He who holds me by a thread is not strong; the thread is strong.”
Quien me tiene de un hilo no es fuerte; lo fuerte es el hilo.
Voces (1943)

Speech to the City Carlton Club (26 September 1935), quoted in Martin Gilbert, The Churchill Documents, Volume 12: The Wilderness Years, 1929–1935 (Michigan: Hillsdale Press, 2012), p. 1268
The 1930s

Original Italian text:
Noi canteremo le grandi folle agitate dal lavoro, dal piacere o dalla sommossa: canteremo le maree multicolori e polifoniche delle rivoluzioni nelle capitali moderne; canteremo il vibrante fervore notturno degli arsenali e dei cantieri incendiati da violente lune elettriche; le stazioni ingorde, divoratrici di serpi che fumano; le officine appese alle nuvole pei contorti fili dei loro fumi; i ponti simili a ginnasti giganti che scavalcano i fiumi, balenanti al sole con un luccichio di coltelli; i piroscafi avventurosi che fiutano l'orizzonte, le locomotive dall'ampio petto, che scalpitano sulle rotaie, come enormi cavalli d'acciaio imbrigliati di tubi, e il volo scivolante degli aereoplani, la cui elica garrisce al vento come una bandiera e sembra applaudire come una folla entusiasta.
Source: 1900's, The Founding and Manifesto of Futurism' 1909, p. 52 : Last bullet-item in THE MANIFESTO OF FUTURISM

“Lo — a black line of birds in wavering thread
Bore him the greetings of the deathless dead!”
The Cranes of Ibicus http://www.poemhunter.com/poem/the-cranes-of-ibicus/
Source: The Chronicles of Prydain (1964–1968), Book V : The High King (1968), Chapter 9 (Dwyvach to Eilonwy)
Source: The Bone House (2011), p. 130

Braitenberg (1948), quoted in: Elke Maier (2012) " Spying on God http://www.mpg.de/6348834/S005_Flashback_086-087.pdf" in Max Planck Research, March 2012
Description of Braitenberg's first experience observing brain tissue under a microscope as medical student in Rome.

“Logos, the invisible spider’s thread that holds our lives together.”
Liquidation (2003)
Context: But I believe in writing — nothing else; just writing. Man may live like a worm, but he writes like a god. There was a time when that secret was known, but now it has been forgotten; the world is composed of disintegrating fragments, an incoherent dark chaos, sustained by writing alone. If you have a concept of the world, if you have not yet forgotten all that has happened, that you have a world at all, it is writing that has created that for you, and ceaselessly goes on creating it; Logos, the invisible spider’s thread that holds our lives together.

“Every thread of creation is held in position
By still other strands of things living.”
"Tapestry"
Song lyrics, Tapestry (1970)
Context: Every thread of creation is held in position
By still other strands of things living.
In an earthly tapestry hung from the skyline
Of smouldering cities so gray and so vulgar,
As not to be satisfied with their own negativity
But needing to touch all the living as well.

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXII : Grand Master Architect, p. 191
Context: Life is no negative, or superficial or worldly existence. Our steps are evermore haunted with thoughts, far beyond their own range, which some have regarded as the reminiscences of a preesistent state. So it is with us all, in the beaten and worn track of this worldly pilgrimage. There is more here, than the world we live in. It is not all of life to live. An unseen and infinite presence is here; a sense of something greater than we possess; a seeking, through all the void wastes of life, for a good beyond it; a crying out of the heart for interpretation; a memory of the dead, touching continually some vibrating thread in this great tissue of mystery.

In his letter to Theo, The Hague, 11 March 1883, http://www.webexhibits.org/vangogh/letter/12/274.htm?qp=art.material,as translated by Johanna van Gogh-Bonger, edited by Robert Harrison, in The Complete Letters of Vincent van Gogh (1991)
1880s, 1883
Context: It constantly remains a source of disappointment to me that my drawings are not yet what I want them to be. The difficulties are indeed numerous and great, and cannot be overcome at once. To make progress is a kind of miner’s work; it doesn’t advance as quickly as one would like, and as others also expect, but as one stands before such a task, the basic necessities are patience and faithfulness. In fact, I do not think much about the difficulties, because if one thought of them too much one would get stunned or disturbed.
A weaver who has to direct and to interweave a great many little threads has no time to philosophize about it, but rather he is so absorbed in his work that he doesn’t think but acts, and he feels how things must go more than he can explain it. Even though neither you nor I, in talking together, would come to any definite plans, etc., perhaps we might mutually strengthen that feeling that something is ripening within us. And that is what I should like.
From a letter published in The Merry Heart : Reflections on Reading Writing, and the World of Books (1996).
Context: To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.
Mary Douglas and B. Isherwood (1979). The World of Goods: Towards an Anthropology of Consumption. London, Allen Lane, page 63.

“Trust to God to weave your little thread into the great web, though the pattern shows it not yet.”
As quoted in The Way To Win : Showing How To Succeed In Life (1887) by John Thomas Dale, p. 89
Context: I record the conviction that in one way or another, special individual help is given to every creature to endure to the end. It has been my own experience, that always when suffering, whether mental or bodily, approached the point where further endurance appeared impossible, the pulse of it began to ebb and a lull ensued.
You are tender-hearted, and you want to be true, and are trying to be; learn these two things: Never be discouraged because good things get on so slowly here; and never fail daily to do that good which lies next to your hand. Do not be in a hurry, but be diligent. Enter into the sublime patience of the Lord. Trust to God to weave your little thread into the great web, though the pattern shows it not yet. When God's people are able and willing thus to labor and wait, remember that one day is with the Lord as a thousand years, and a thousand years as one day; the grand harvest of the ages shall come to its reaping, and the day shall broaden itself to a thousand years, and the thousand years shall show themselves as a perfect and finished day.
Finding Life after Death http://richardcarlson.com/RC_Words/life_after_death.html
What About the Big Stuff (2002)
Context: When our familiar world falls apart, especially through the pain of death — of losing someone we love — we are shaken at our very core. We realize, perhaps for the first time, that there is no easy or quick way out. We must go through the process, which will be a little different for each of us — the common thread being pain.
In the midst of that inner struggle, however, something begins to happen. There are the moments that are most resisted — and there is extreme pain. Simultaneously, however, there are voluntary or involuntary bursts of letting go. Perhaps the pain is too much for the moment — the mind takes a break, shuts down, or wakes up, I’m not really sure. But in those moments, there is a release from the pain; an acknowledgment that although we don’t understand it, and it hurts like hell, the universe somehow knows what it’s doing.

Review of Magnolia in Chicago Sun-Times (7 January 2000) http://www.rogerebert.com/reviews/magnolia-2000
Reviews, Four star reviews
Context: Magnolia is operatic in its ambition, a great, joyous leap into melodrama and coincidence, with ragged emotions, crimes and punishments, deathbed scenes, romantic dreams, generational turmoil and celestial intervention, all scored to insistent music. It is not a timid film. … The movie is an interlocking series of episodes that take place during one day in Los Angeles, sometimes even at the same moment. Its characters are linked by blood, coincidence and by the way their lives seem parallel. Themes emerge: the deaths of fathers, the resentments of children, the failure of early promise, the way all plans and ambitions can be undermined by sudden and astonishing events. … All of these threads converge, in one way or another, upon an event there is no way for the audience to anticipate. This event is not "cheating," as some critics have argued, because the prologue fully prepares the way for it, as do some subtle references to Exodus. It works like the hand of God, reminding us of the absurdity of daring to plan. And yet plan we must, because we are human, and because sometimes our plans work out.
Magnolia is the kind of film I instinctively respond to. Leave logic at the door. Do not expect subdued taste and restraint, but instead a kind of operatic ecstasy. At three hours it is even operatic in length, as its themes unfold, its characters strive against the dying of the light, and the great wheel of chance rolls on toward them.

Part Four, Chapter 2
Four Freedoms (2009)
Context: She couldn't see that, though, because the haze out at sea erased the ship long before it could beyond the horizon, drawing after it the other ships. Diane felt the thread of connection between her and Danny drawn out infinitely thin, until it broke with a hurt to her heart she'd known she'd have to feel, but worse than she thought it would be.
Kibble-White, J., "Let's All Hide in the Linen Cupboard" http://www.offthetelly.co.uk/oldott/www.offthetelly.co.uk/index126a.html?page_id=1835, Off The Telly, September 2001

Jayananda: Chaitanya-mañgala, (a biography of the great Vaishnava saint), about the Navadvipa region on the eve of the saint’s birth in 1484 AD. Quoted from Goel, S. R. (2001). The story of Islamic imperialism in India.

Source: Imperialism, The Highest Stage of Capitalism (1917), Chapter Seven

“Destiny can contain a few extra threads in her design and still accomplish her original aims.”
Book 3, Chapter 4 “Two Black Swords” (p. 114)
The Elric Cycle, Elric of Melniboné (1972)

Address to the Democratic National Convention, 1984

Thomas Henry Huxley, in Life and Letters of Thomas Henry Huxley (London: Macmillan & Co., 1913)
G - L

Ma vie entière est un tissu de contrastes apparents avec mes principes. Je n'aime point les Princes, et je suis attaché à une Princesse et à un Prince. On me connaît des maximes républicaines, et plusieurs de mes amis sont revêtus de décorations monarchiques. J'aime la pauvreté volontaire, et je vis avec des gens riches. Je fuis les honneurs, et quelques-uns sont venus à moi. Les lettres sont presque ma seule consolation, et je ne vois point de beaux esprits, et ne vais point à l'Académie. Ajoutez que je crois les illusions nécessaires à l'homme, et je vis sans illusion; que je crois les passions plus utiles que la raison, et je ne sais plus ce que c'est que les passions, etc.
Maximes et Pensées, #335
Maxims and Considerations, #335
Specifically, as gender polarization in a relationship decreases, the experience of it improves. Without that rebalancing, even the most perfect content will unravel increasingly. Once the process is balanced, the magic of having ideal content is no longer necessary. The rebalancing process which creates a relationship free of polarizing gender defenses is clearly difficult and threatening initially in the same way that giving up an addiction seems to be. Once achieved however, a relationship free of distortion, false illusions, resentment, and hopelessness truly becomes possible.
What Men Still Don't Know About Transforming Their Relationships, pp. 194–198
What Men Still Don't Know About Women, Relationships, and Love (2007)

The Vision: Reflections on the Way of the Soul (1994)
Source: Labour Defended against the Claims of Capital (1825), p. 84

(zh-TW) 勢運天成一線牽,人生際遇係因緣;
悲歡散合平常待,事起非能任自旋。
"Destiny" (隨緣)
Source: Deng Feng-Zhou, "Deng Feng-Zhou Classical Chinese Poetry Anthology". Volume 6, Tainan, 2018: 86.

Source: The Rubaiyat (1120)

The Romance of Commerce (1918), A Representative Business of the Twentieth Century

The Romance of Commerce (1918), A Representative Business of the Twentieth Century

As Minister of External Affairs, His career events [citation needed]


Source: The Bridling of Pegasus (1910), "The Essentials of Great Poetry", p. 7.