Quotes about thread
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“No, George said, you don’t understand. The pinball machine--any pinball machine you play in any penny arcade--is so remarkable, so fine, so shrewdly threaded. It is already beautiful in necessity and sufficiency of wire, connection, possibility.”

Grace Paley (1922–2007) American writer and activist

"This Is a Story about My Friend George, the Toy Inventor"

Beauty, Understanding

“For some, autumn comes early, stays late through life where October follows September and November touches October and then instead of December and Christ's birth, there is no Bethlehem star, no rejoicing, but September comes again and old October and so on down the years, with no winter, spring, or revivifying summer. For these beings, fall is the ever normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth. In gusts they beetle-scurry, creep, thread, filter, motion, make all moons sullen, and surely cloud all clear-run waters. The spider-web hears them, trembles -- breaks. Such are the autumn people. Beware of them.”

Ray Bradbury book Something Wicked This Way Comes

Source: Something Wicked This Way Comes (1962), Chapter 38

Life, People, Soul, Star

“The Guide sang: Nearly they stood who fall; Themselves as they look back See always in the track The one false step, where all Even yet, by lightest swerve Of foot not yet enslaved, By smallest tremor of the smallest nerve, Might have been saved. Nearly they fell who stand, And with cold after fear Look back to mark how near They grazed the Siren’s land, Wondering that subtle fate, By threads so spidery fine, The choice of ways so small, the event so great, Should thus entwine. Therefore oh, man, have fear Lest oldest fears be true, Lest thou too far pursue The road that seems so clear, And step, secure, a hair-breadth bourne, Which, being once crossed forever unawares, Denies return.”

Clive Staples Lewis book The Pilgrim's Regress

Pilgrim’s Regress 181
The Pilgrim's Regress (1933)

Fate, Fear, Way, Falseness

“In the great desert of northern Arizona the traveller, threading his way across a sage-brush and cacti plain shut in by abrupt-sided shelves of land rising here and there some hundreds of feet higher, suddenly comes upon a petrified forest.”

Percival Lowell (1855–1916) American astronomer

Source: Mars as the Abode of Life (1908), Chapter IV, p. 125

Way, Travel

“Is the conviction that acting unreasonably contradicts God's nature merely a Greek idea, or is it always and intrinsically true? I believe that here we can see the profound harmony between what is Greek in the best sense of the word and the biblical understanding of faith in God. Modifying the first verse of the Book of Genesis, the first verse of the whole Bible, John began the prologue of his Gospel with the words: "In the beginning was the λόγος". This is the very word used by the emperor: God acts, σὺν λόγω, with logos. Logos means both reason and word - a reason which is creative and capable of self-communication, precisely as reason. John thus spoke the final word on the biblical concept of God, and in this word all the often toilsome and tortuous threads of biblical faith find their culmination and synthesis. In the beginning was the logos, and the logos is God, says the Evangelist. The encounter between the Biblical message and Greek thought did not happen by chance.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

2006, Faith, Reason and the University — Memories and Reflections (2006)

God, Books, Faith, Communication

“The cultural revolution of the later twentieth century can thus best be understood as the triumph of the individual over society, or rather, the breaking of the threads which in the past had woven human beings into social textures. For such textures had consisted not only of the actual relations between human beings and their forms of organization but also of the general models of such relations and the texted patterns of people's behaviour towards each other; their roles were prescribed, though not always written. Hence the often traumatic insecurity when older conventions of behaviour were either overturned or lost their rationale, or the incomprehension between those who felt this loss and those too young to have known anything but anomic society.”

Eric Hobsbawm book The Age of Extremes

Source: The Age of Extremes (1992), Chapter Eleven, Cultural Revolution, p. 335

People, Loss, Past

“It remains for me to wish my colleagues all good fortune in the difficult, but hopeful, situation which you have to face. I trust that you will be enabled to further the progress already made in rebuilding the domestic stability and economic strength of the United Kingdom and in weaving still more closely the threads which bind together the countries of the Commonwealth or, as I still prefer to call it, the Empire.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Speech to his last Cabinet (5 April 1955), quoted in Henry Pelling, Churchill’s Peacetime Ministry, 1951–55 (London: Macmillan, 1997), p. 175
Post-war years (1945–1955)

Hope, Country

“Barren of events, rich in pretensions my earthly life. Obscurity my real name. Wholly unto myself I exist. I wrap no soul in my embrace. No mentor worthy of my calibre have I. I am all alone between failure and frustration. I am the red thread between nothingness and Eternity.”

Sri Chinmoy (1931–2007) Indian writer and guru

"Between Nothingness and Eternity", p. 14
My Flute (1972)

Life, Soul, Failure

“So often, people ask me what is the key to success in this industry… or what would be my best advice to give to new comers… and though there are many things I could tell you from my personal experience, persistence and consistency seems to be a common thread to everything I have to say.”

Nikki SooHoo (1988) American actress

Persistently Consistent http://nikkisoohoo.com/blog/2017/10/22/persistently-consistent (October 22, 2017)

People, Success, Personality

“He thought about spiders, twisting thread into beautiful symmetry, taming chaos with ordered nets that greeted the dawn, hung with globes of dew that caught and held cores of sunlight, and tiny images of the world.”

Nina Kiriki Hoffman (1955) American writer

Source: The Thread That Binds the Bones (1993), Chapter 21 (p. 297)

World, Beauty

“Though a crucified life or an agonized death,
Though long, or quick and sharp,
I am firmly wrought in the endless thread
Of Destiny's woof and warp.
And I do not shrink, though a wave of pain
Sobs over me now and then,
As I think of those "saddest of all sad words,"
The pitiful "might have been."”

Voltairine de Cleyre (1866–1912) American anarchist writer and feminist

And Thou Too (1888)

Life, Death, Pain, Sadness

“In the making both of lace and of statues, the remuneration to the artists can only be reduced by producing a larger number of them through more extended education. The expense of the raw material is small in both. The expense of labour in lacemaking is very large, and it is perhaps considerable also in sculpture. The discovery of more convenient localities yielding marble, may make some diminution in its cost; and the improved manufacture of thread may slightly reduce the price of lace. A reduction in the price of labour may to a very moderate extent reduce the cost of the raw material of both. But it is evident that any very great reduction is not to be expected.
Let us now contrast this possible reduction with the past history of some industrial art. The plain lace made at Nottingham, called patent net, will supply us with a good example. In the year 1813 that lace was sold in the piece at the rate of 218. a-yard. At the present time lace of the same kind, but of a better quality, is sold under the same circumstances at 3d. per yard. Thus, in less than forty years the price of the industrial produce has diminished to one eighty-fourth part of its original price.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 51-52

Education, Art, History, Time

“"Fear is a hammer, and when the people are beaten finally to the conviction that their existence hangs by a frayed thread, they will be led where they need to go."
"Which is where?"
"To a responsible future in a properly managed world."”

Dean Koontz book The Good Guy

Conversation between Wentworth and Timothy Carrier
Chapter 63, p. 368
The Good Guy (2007)

People, World, Fear, Future

“.. before being hypnotized, she could not distinguish the capitals in the advertising columns of a newspaper. After being hypnotized, however, she could, in a few minutes, see to read the large and second heading of the newspaper, and next day, to make herself a blond cap, threading her needle WITHOUT the aid of glasses.”

James Braid (1795–1860) Scottish surgeon, hypnotist, and hypnotherapist

Hypnotising for improvement of eyesight, in “Neurypnology; or, The rationale of nervous sleep, considered in relation ...”, p. 68.

Reading

“Hypotheses pinned me down, as Gulliver was pinned by the countless threads of the Lilliputians…”

John Fowles book Daniel Martin

Daniel Martin (1977)

“I can hardly believe we are talking about a possibility so inconceivable as that other universes exist—and that the Geometers originate there!"
In this, Zh'vaern seemed to speak for the entire table.
Except for Jad. "The words fail. There is one universe, by the definition of universe. It is not the cosmos we see through our eyes and our telescopes—that is but a single Narrative, a thread winding through a Hemn space shared by many other Narratives besides ours. Each Narrative looks like a cosmos alone, to any consciousness that partakes of it. The Geometers came from other Narratives—until they came here, and joined ours."
Having dropped this bomb, Fraa Jad excused himself, and went to the toilet.
"What on earth is he going on about?" Fraa Lodoghir demanded. "It sounded like literary criticism!”

Neal Stephenson book Anathem

Part 10, "Messal"
Anathem (2008)

Universe

“The austere sides of life, at least of mine, which move through it like a red thread, and which one faces more and more defenselessly in old age, are not balanced to the hundredth part by the pleasurable. I will gladly admit that the same fates which have been so hard for me to bear, and still are, would have been much easier for many another person, but the mental constitution belongs to our ego, which the Creator of our existence has given us, and we can change little in it.”

Carl Friedrich Gauss (1777–1855) German mathematician and physical scientist

As quoted in Carl Friedrich Gauss: Titan of Science (1955) by Guy Waldo Dunnington. p. 360

Life, Fate, Pleasure, Age

“The basic functional elements of any automatic control system: sensing, converting, storing, communicating, computing, programming, regulating, actuating, and display (Chestnut, 1967). Many kinds of systems in being, speculated about, or even intuited, ranging from computers, most factory processes, communication systems, road networks, automatic farms, etc., have structures which can be invoked as zero-order matches to proposed sets of throughputs, especially for single- thread designs. This method of structuring is related closely to analogical design, of which a special form is called synectics.”

Arthur D. Hall (1925–2006) American electrical engineer

Source: Metasystems Methodology, (1989), p. 191

Communication, Sense

“We'll spin them out like a bobbin thread.”

Semyon Timoshenko (1895–1970) Soviet military commander

To Ralph Parker, about the Nazis. Quoted in "Timoshenko: Marshal of the Red Army" - Page 91 - by Walter Mehring - 1942

“Sewing at once a double thread,
A shroud as well as a shirt.”

Thomas Hood (1799–1845) British writer

1840s, The Song of the Shirt (1843)

“Like a blind spinner in the sun,
I tread my days:
I know that all the threads will run
Appointed ways.
I know each day will bring its task,
And being blind no more I ask.”

Helen Hunt Jackson (1830–1885) Novelist, poet, writer, activist

Spinning.

Way, Sun

“No cord nor cable can so forcibly draw, or hold so fast, as love can do with a twined thread.”

Robert Burton book The Anatomy of Melancholy

Section 2, member 1, subsection 2, How Love tyranniseth over men. Love, or Heroical Melancholy, his definition, part affected.
The Anatomy of Melancholy (1621), Part III

Love, Drawing

“Religion can never reform mankind because religion is slavery. It is far better to be free, to leave the forts and barricades of fear, to stand erect and face the future with a smile. It is far better to give yourself sometimes to negligence, to drift with wave and tide, with the blind force of the world, to think and dream, to forget the chains and limitations of the breathing life, to forget purpose and object, to lounge in the picture gallery of the brain, to feel once more the clasps and kisses of the past, to bring life's morning back, to see again the forms and faces of the dead, to paint fair pictures for the coming years, to forget all Gods, their promises and threats, to feel within your veins life's joyous stream and hear the martial music, the rhythmic beating of your fearless heart. And then to rouse yourself to do all useful things, to reach with thought and deed the ideal in your brain, to give your fancies wing, that they, like chemist bees, may find art's nectar in the weeds of common things, to look with trained and steady eyes for facts, to find the subtle threads that join the distant with the now, to increase knowledge, to take burdens from the weak, to develop the brain, to defend the right, to make a palace for the soul. This is real religion. This is real worship.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

What Is Religion? (1899) is Ingersoll's last public address, delivered before the American Free Religious association, Boston, June 2, 1899. Source: The Works of Robert G. Ingersoll, Dresden Memorial Edition Volume IV, pages 477-508, edited by Cliff Walker. http://www.positiveatheism.org/hist/ingwhatrel.htm

Life, God, World, Fear

“Wide, wide flow the nine streams through the land, Dark, dark threads the line from south to north. Blurred in the thick haze of the misty rain Tortoise and Snake hold the great river locked. The yellow crane is gone, who knows whither? Only this tower remains a haunt for visitors. I pledge my wine to the surging torrent, The tide of my heart swells with the waves.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

Changsha (1925), Yellow Crane Tower (1927)
Original: (zh-CN) 茫茫九派流中国，沉沉一线穿南北。烟雨莽苍苍，龟蛇锁大江。黄鹤知何去？剩有游人处。把酒酹滔滔，心潮逐浪高！

Wine, Heart

“He who holds me by a thread is not strong; the thread is strong.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Quien me tiene de un hilo no es fuerte; lo fuerte es el hilo.
Voces (1943)

Strong

“[In air power] so far from being half as strong again as Germany, so far from making up lee-way, we are already greatly inferior in numbers and falling further and further behind every month. … No doubt it is not popular to say these things, but I am accustomed to abuse and I expect to have a great deal more of it before I have finished. Somebody has to state the truth. There ought to be a few members of the House of Commons who are in a sufficiently independent position to confront both Ministers and electors with unpalatable truths. We do not wish our ancient freedom and the decent tolerant civilisation we have preserved in this island to hang upon a rotten thread.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Speech to the City Carlton Club (26 September 1935), quoted in Martin Gilbert, The Churchill Documents, Volume 12: The Wilderness Years, 1929–1935 (Michigan: Hillsdale Press, 2012), p. 1268
The 1930s

Truth, Way, Freedom, Strong

“11. We shall sing the great masses shaken with work, pleasure, or rebellion: we shall sing the multicolored and polyphonic tidal waves of revolution in the modern metropolis; shall sing the vibrating nocturnal fervor of factories and shipyards burning under violent electrical moons; bloated railroad stations that devour smoking serpents; factories hanging from the sky by the twisting threads of spiraling smoke; bridges like gigantic gymnasts who span rivers, flashing at the sun with the gleam of a knife; adventurous steamships that scent the horizon, locomotives with their swollen chest, pawing the tracks like massive steel horses bridled with pipes, and the oscillating flight of airplanes, whose propeller flaps at the wind like a flag and seems to applaud like a delirious crowd.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

Original Italian text:
Noi canteremo le grandi folle agitate dal lavoro, dal piacere o dalla sommossa: canteremo le maree multicolori e polifoniche delle rivoluzioni nelle capitali moderne; canteremo il vibrante fervore notturno degli arsenali e dei cantieri incendiati da violente lune elettriche; le stazioni ingorde, divoratrici di serpi che fumano; le officine appese alle nuvole pei contorti fili dei loro fumi; i ponti simili a ginnasti giganti che scavalcano i fiumi, balenanti al sole con un luccichio di coltelli; i piroscafi avventurosi che fiutano l'orizzonte, le locomotive dall'ampio petto, che scalpitano sulle rotaie, come enormi cavalli d'acciaio imbrigliati di tubi, e il volo scivolante degli aereoplani, la cui elica garrisce al vento come una bandiera e sembra applaudire come una folla entusiasta.
Source: 1900's, The Founding and Manifesto of Futurism' 1909, p. 52 : Last bullet-item in THE MANIFESTO OF FUTURISM

Pleasure, Singing, Sun, Horse

“Lo — a black line of birds in wavering thread
Bore him the greetings of the deathless dead!”

Emma Lazarus (1849–1887) American poet

The Cranes of Ibicus http://www.poemhunter.com/poem/the-cranes-of-ibicus/

Bird, Dead

“It didn’t happen that way,” Roger Stone cut in, “so there is no use talking about other possibilities. They probably aren’t really possibilities at all, if only we understood it.”
Pollux: “Predestination.”
Castor: “Very shaky theory.”
Roger grinned. “I’m not a determinist and you can’t get my goat. I believe in free will.”
Pollux: “Another very shaky theory.”
“Make up your minds,” their father told them. “You can’t have it both ways.”
“Why not?” asked Hazel. “Free will is a golden thread running through the frozen matrix of fixed events.”
“Not mathematical,” objected Pollux.
Castor nodded. “Just poetry.”

Robert A. Heinlein book The Rolling Stones

“And not very good poetry.”
Source: The Rolling Stones (1952), Chapter 14, “Flat Cats Factorial” (p. 182)

Way, Mathematics

“Take this as a gift from a crone to a maiden, and know there is not so much difference between the two. For even a tottering granddam keeps a portion of girlish heart, and the youngest maiden a thread of old woman’s wisdom.”

Lloyd Alexander The Chronicles of Prydain

Source: The Chronicles of Prydain (1964–1968), Book V : The High King (1968), Chapter 9 (Dwyvach to Eilonwy)

Wisdom, Heart

“A favourite saying in China—which she had heard on occasion from her own grandmother—was that the threads of life are easy to weave, but difficult to untangle.”

Stephen R. Lawhead (1950) American writer

Source: The Bone House (2011), p. 130

Life

“A structure made up of fine threads, so many and so fine that even the strongest magnification of the microscope was hardly sufficient to allow all of them to be seen clearly. Some of the threads ran together in bundles and in layers in specific directions; others lay seemingly randomly distributed every which way through the tissue. Embedded in this felted mass of fibers, it was possible to discern spherical structures, the nuclei of the nerve cells…”

Valentino Braitenberg (1926–2011) Italian-Austrian neuroscientist

Braitenberg (1948), quoted in: Elke Maier (2012) " Spying on God http://www.mpg.de/6348834/S005_Flashback_086-087.pdf" in Max Planck Research, March 2012 Description of Braitenberg's first experience observing brain tissue under a microscope as medical student in Rome.

Way

“Logos, the invisible spider’s thread that holds our lives together.”

Imre Kertész (1929–2016) Hungarian writer

Liquidation (2003)
Context: But I believe in writing — nothing else; just writing. Man may live like a worm, but he writes like a god. There was a time when that secret was known, but now it has been forgotten; the world is composed of disintegrating fragments, an incoherent dark chaos, sustained by writing alone. If you have a concept of the world, if you have not yet forgotten all that has happened, that you have a world at all, it is writing that has created that for you, and ceaselessly goes on creating it; Logos, the invisible spider’s thread that holds our lives together.

“Every thread of creation is held in position
By still other strands of things living.”

Don McLean (1945) American Singer and songwriter

"Tapestry"
Song lyrics, Tapestry (1970)
Context: Every thread of creation is held in position
By still other strands of things living.
In an earthly tapestry hung from the skyline
Of smouldering cities so gray and so vulgar,
As not to be satisfied with their own negativity
But needing to touch all the living as well.

“An unseen and infinite presence is here; a sense of something greater than we possess; a seeking, through all the void wastes of life, for a good beyond it; a crying out of the heart for interpretation; a memory of the dead, touching continually some vibrating thread in this great tissue of mystery.”

Albert Pike book Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXII : Grand Master Architect, p. 191
Context: Life is no negative, or superficial or worldly existence. Our steps are evermore haunted with thoughts, far beyond their own range, which some have regarded as the reminiscences of a preesistent state. So it is with us all, in the beaten and worn track of this worldly pilgrimage. There is more here, than the world we live in. It is not all of life to live. An unseen and infinite presence is here; a sense of something greater than we possess; a seeking, through all the void wastes of life, for a good beyond it; a crying out of the heart for interpretation; a memory of the dead, touching continually some vibrating thread in this great tissue of mystery.

Life, Sense, Memory, Heart

“A weaver who has to direct and to interweave a great many little threads has no time to philosophize about it, but rather he is so absorbed in his work that he doesn’t think but acts, and he feels how things must go more than he can explain it.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to Theo, The Hague, 11 March 1883, http://www.webexhibits.org/vangogh/letter/12/274.htm?qp=art.material,as translated by Johanna van Gogh-Bonger, edited by Robert Harrison, in The Complete Letters of Vincent van Gogh (1991) 1880s, 1883 Context: It constantly remains a source of disappointment to me that my drawings are not yet what I want them to be. The difficulties are indeed numerous and great, and cannot be overcome at once. To make progress is a kind of miner’s work; it doesn’t advance as quickly as one would like, and as others also expect, but as one stands before such a task, the basic necessities are patience and faithfulness. In fact, I do not think much about the difficulties, because if one thought of them too much one would get stunned or disturbed. A weaver who has to direct and to interweave a great many little threads has no time to philosophize about it, but rather he is so absorbed in his work that he doesn’t think but acts, and he feels how things must go more than he can explain it. Even though neither you nor I, in talking together, would come to any definite plans, etc., perhaps we might mutually strengthen that feeling that something is ripening within us. And that is what I should like.

Feeling, Thinking, Time

“The spider gets his thread right out of his own guts, and that is where the author gets his writing.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

From a letter published in The Merry Heart : Reflections on Reading Writing, and the World of Books (1996).
Context: To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.

“Our ultimate task is to find interpretative procedures that will uncover each bias and discredit its claims to universality. When this is done the eighteenth century can be formally closed and a new era that has been here a long time can be officially recognised. The individual human being, stripped of his humanity, is of no use as a conceptual base from which to make a picture of human society. No human exists except steeped in the culture of his time and place. The falsely abstracted individual has been sadly misleading to Western political thought. But now we can start again at a point where major streams of thought converge, at the other end, at the making of culture. Cultural analysis sees the whole tapestry as a whole, the picture and the weaving process, before attending to the individual threads.”

Mary Douglas (1921–2007) British anthropologist

Mary Douglas and B. Isherwood (1979). The World of Goods: Towards an Anthropology of Consumption. London, Allen Lane, page 63.

Universe, Time, Falseness

“Because the line between,
Wrong and right,
Is the width of a thread,
From a spider's web.
The piano keys are black and white,
But they sound like a million colours in your mind.”

Katie Melua (1984) British singer-songwriter

Spider's Web, from Piece By Piece (2005)
Lyrics

“Trust to God to weave your little thread into the great web, though the pattern shows it not yet.”

George MacDonald (1824–1905) Scottish journalist, novelist

As quoted in The Way To Win : Showing How To Succeed In Life (1887) by John Thomas Dale, p. 89
Context: I record the conviction that in one way or another, special individual help is given to every creature to endure to the end. It has been my own experience, that always when suffering, whether mental or bodily, approached the point where further endurance appeared impossible, the pulse of it began to ebb and a lull ensued.
You are tender-hearted, and you want to be true, and are trying to be; learn these two things: Never be discouraged because good things get on so slowly here; and never fail daily to do that good which lies next to your hand. Do not be in a hurry, but be diligent. Enter into the sublime patience of the Lord. Trust to God to weave your little thread into the great web, though the pattern shows it not yet. When God's people are able and willing thus to labor and wait, remember that one day is with the Lord as a thousand years, and a thousand years as one day; the grand harvest of the ages shall come to its reaping, and the day shall broaden itself to a thousand years, and the thousand years shall show themselves as a perfect and finished day.

God

“When our familiar world falls apart, especially through the pain of death — of losing someone we love — we are shaken at our very core. We realize, perhaps for the first time, that there is no easy or quick way out. We must go through the process, which will be a little different for each of us — the common thread being pain.”

Richard Carlson (1961–2006) Author, psychotherapist and motivational speaker

Finding Life after Death http://richardcarlson.com/RC_Words/life_after_death.html What About the Big Stuff (2002) Context: When our familiar world falls apart, especially through the pain of death — of losing someone we love — we are shaken at our very core. We realize, perhaps for the first time, that there is no easy or quick way out. We must go through the process, which will be a little different for each of us — the common thread being pain. In the midst of that inner struggle, however, something begins to happen. There are the moments that are most resisted — and there is extreme pain. Simultaneously, however, there are voluntary or involuntary bursts of letting go. Perhaps the pain is too much for the moment — the mind takes a break, shuts down, or wakes up, I’m not really sure. But in those moments, there is a release from the pain; an acknowledgment that although we don’t understand it, and it hurts like hell, the universe somehow knows what it’s doing.

Love, Death, Pain, World

“All of these threads converge, in one way or another, upon an event there is no way for the audience to anticipate.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review of Magnolia in Chicago Sun-Times (7 January 2000) http://www.rogerebert.com/reviews/magnolia-2000 Reviews, Four star reviews Context: Magnolia is operatic in its ambition, a great, joyous leap into melodrama and coincidence, with ragged emotions, crimes and punishments, deathbed scenes, romantic dreams, generational turmoil and celestial intervention, all scored to insistent music. It is not a timid film. … The movie is an interlocking series of episodes that take place during one day in Los Angeles, sometimes even at the same moment. Its characters are linked by blood, coincidence and by the way their lives seem parallel. Themes emerge: the deaths of fathers, the resentments of children, the failure of early promise, the way all plans and ambitions can be undermined by sudden and astonishing events. … All of these threads converge, in one way or another, upon an event there is no way for the audience to anticipate. This event is not "cheating," as some critics have argued, because the prologue fully prepares the way for it, as do some subtle references to Exodus. It works like the hand of God, reminding us of the absurdity of daring to plan. And yet plan we must, because we are human, and because sometimes our plans work out. Magnolia is the kind of film I instinctively respond to. Leave logic at the door. Do not expect subdued taste and restraint, but instead a kind of operatic ecstasy. At three hours it is even operatic in length, as its themes unfold, its characters strive against the dying of the light, and the great wheel of chance rolls on toward them.

Way

“Diane felt the thread of connection between her and Danny drawn out infinitely thin, until it broke with a hurt to her heart she'd known she'd have to feel, but worse than she thought it would be.”

John Crowley book Four Freedoms

Part Four, Chapter 2
Four Freedoms (2009)
Context: She couldn't see that, though, because the haze out at sea erased the ship long before it could beyond the horizon, drawing after it the other ships. Diane felt the thread of connection between her and Danny drawn out infinitely thin, until it broke with a hurt to her heart she'd known she'd have to feel, but worse than she thought it would be.

Feeling, Heart, Hurt

“Our intention in making Threads was to step aside from the politics and – I hope convincingly – show the actual effects on either side should our best endeavours to prevent nuclear war fail.”

Barry Hines (1939–2016) British author

Kibble-White, J., "Let's All Hide in the Linen Cupboard" http://www.offthetelly.co.uk/oldott/www.offthetelly.co.uk/index126a.html?page_id=1835, Off The Telly, September 2001

War, Making love, Hope

“The king seizes the Brahmanas, pollutes their caste and even takes their lives. If a conch-shell is heard to blow in any house, its owner is made to forfeit his wealth, caste and even life. The king plunders the houses of those who wear sacred threads on the shoulder and put scared marks on the forehead, and then binds them. He breaks the temples and uproots tulsi plants… The bathing in Ganga is prohibited and hundreds of scared asvattha and jack trees have been cut down.”

Chaitanya Mahaprabhu (1486–1534) Indian saint

Jayananda: Chaitanya-mañgala, (a biography of the great Vaishnava saint), about the Navadvipa region on the eve of the saint’s birth in 1484 AD. Quoted from Goel, S. R. (2001). The story of Islamic imperialism in India.

Life, Tree, Housing, Wealth

“We must now try to sum up, to draw together the threads of what has been said above on the subject of imperialism. Imperialism emerged as the development and direct continuation of the fundamental characteristics of capitalism in general. But capitalism only became capitalist imperialism at a definite and very high stage of its development, when certain of its fundamental characteristics began to change into their opposites, when the features of the epoch of transition from capitalism to a higher social and economic system had taken shape and revealed themselves in all spheres. Economically, the main thing in this process is the displacement of capitalist free competition by capitalist monopoly.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Source: Imperialism, The Highest Stage of Capitalism (1917), Chapter Seven

Change, Drawing

“Destiny can contain a few extra threads in her design and still accomplish her original aims.”

Michael Moorcock (1939) English writer, editor, critic

Book 3, Chapter 4 “Two Black Swords” (p. 114)
The Elric Cycle, Elric of Melniboné (1972)

“America is not like a blanket -- one piece of unbroken cloth, the same color, the same texture, the same size. America is more like a quilt: many patches, many pieces, many colors, many sizes, all woven and held together by a common thread. The white, the Hispanic, the black, the Arab, the Jew, the woman, the native American, the small farmer, the businessperson, the environmentalist, the peace activist, the young, the old, the lesbian, the gay, and the disabled make up the American quilt.”

Jesse Jackson (1941) African-American civil rights activist and politician

Address to the Democratic National Convention, 1984

Making love, Peace, Color, Clothes

“The movement of modern philosophy is back towards the position of the old Ionian philosophers, but strengthened and clarified by sound scientific ideas. If I publish my criticism on Comte, I should have to re-write it as a summary of philosophical ideas from the earliest times. The thread of philosophical development is not on the lines usually laid down for it. It goes from Democritus and the rest to the Epicureans, and then the Stoics, who tried to reconcile it with popular theological ideas, just as was done by the Christian Fathers. In the Middle Ages it was entirely lost under the theological theories of the time; but reappeared with Spinoza, who, however, muddled it up with a lot of metaphysics which made him almost unintelligible.”

Baruch Spinoza (1632–1677) Dutch philosopher

Thomas Henry Huxley, in Life and Letters of Thomas Henry Huxley (London: Macmillan & Co., 1913)
G - L

Age, Idea, Time

“My whole life is woven of threads which are in blatant contrast to my principles. … I love self-chosen poverty, and live among rich people; I avoid all honours, and yet some have come to me. … I believe that illusions are necessary to man, yet live without illusion; I believe that the passions are more profitable than reason, and yet no longer know what passion is.”

Nicolas Chamfort (1741–1794) French writer

Ma vie entière est un tissu de contrastes apparents avec mes principes. Je n'aime point les Princes, et je suis attaché à une Princesse et à un Prince. On me connaît des maximes républicaines, et plusieurs de mes amis sont revêtus de décorations monarchiques. J'aime la pauvreté volontaire, et je vis avec des gens riches. Je fuis les honneurs, et quelques-uns sont venus à moi. Les lettres sont presque ma seule consolation, et je ne vois point de beaux esprits, et ne vais point à l'Académie. Ajoutez que je crois les illusions nécessaires à l'homme, et je vis sans illusion; que je crois les passions plus utiles que la raison, et je ne sais plus ce que c'est que les passions, etc.
Maximes et Pensées, #335
Maxims and Considerations, #335

Love, Life, People, Making love

“The major obstacle and most difficult challenge in pursuit of a genuinely loving and caring relationship is to overcome the seductive powers and the addiction to the content approach to entering, creating, and maintaining it. The elusive golden thread of understanding lies in the how, and not the what.”

Herb Goldberg (1937–2019) American psychologist

Specifically, as gender polarization in a relationship decreases, the experience of it improves. Without that rebalancing, even the most perfect content will unravel increasingly. Once the process is balanced, the magic of having ideal content is no longer necessary. The rebalancing process which creates a relationship free of polarizing gender defenses is clearly difficult and threatening initially in the same way that giving up an addiction seems to be. Once achieved however, a relationship free of distortion, false illusions, resentment, and hopelessness truly becomes possible.
What Men Still Don't Know About Transforming Their Relationships, pp. 194–198
What Men Still Don't Know About Women, Relationships, and Love (2007)

Love, Making love, Understanding

“The judge tilted his great head. The man who believes that the secrets of this world are forever hidden lives in mystery and fear. Superstition will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate.”

Cormac McCarthy book Blood Meridian

Blood Meridian (1985)

Life, Fate, Secret, World

“My Soul gave me good counsel, teaching me to love what the people abhor and to show good will toward the one they hate. It showed me that Love is a property not of the lover but of the beloved. Before my Soul taught me, Love was for me a delicate thread stretched between two adjacent pegs, but now it has been transformed into a halo; its first is its last, and its last is its first. It encompasses every being, slowly expanding to embrace all that ever will be.”

Khalil Gibran (1883–1931) Lebanese artist, poet, and writer

The Vision: Reflections on the Way of the Soul (1994)

Love, Hate, People, Making love

“Centuries of husbandry, decades of diligent culling, the work of numerous hearts and hands, have gone into the hackling, sorting, and spinning of this tightly twisted yarn. Furthermore, we have not even to risk the adventure alone; for the heroes of all time have gone before us; the labyrinth is thoroughly known; we have only to follow the thread of the hero-path. And where we had thought to find an abomination, we shall find a god; where we had thought to slay another, we shall slay ourselves; where we had thought to travel outward, we shall come to the center of our own existence; and where we had thought to be alone, we shall be with all the world.”

Joseph Campbell book The Hero with a Thousand Faces

Source: The Hero with a Thousand Faces (1949), Chapter 1

God, World, Travel, Time

“But it is quite plain that the sum the weaver will be disposed to give for the thread will depend on his view of its utility.”

Thomas Hodgskin (1787–1869) British writer

Source: Labour Defended against the Claims of Capital (1825), p. 84

Dependency

“Destiny connects us all like a thread and that’s how people meet.
Sadness, bliss, separation and reunion are nothing but a natural phenomenon.
As for those uncontrollable, we can only let nature take its course.”

Deng Feng-Zhou (1949) Chinese poet, Local history writer, Taoist Neidan academics and Environmentalist.

(zh-TW) 勢運天成一線牽，人生際遇係因緣；
悲歡散合平常待，事起非能任自旋。

"Destiny" (隨緣)

Source: Deng Feng-Zhou, "Deng Feng-Zhou Classical Chinese Poetry Anthology". Volume 6, Tainan, 2018: 86.

People, Sadness, Nature