Quotes about thread
page 3

Ray Bradbury photo
Clive Staples Lewis photo
Percival Lowell photo
Pope Benedict XVI photo
Eric Hobsbawm photo
Winston S. Churchill photo
Sri Chinmoy photo
Nikki SooHoo photo
Nina Kiriki Hoffman photo
Voltairine de Cleyre photo
Charles Babbage photo

“In the making both of lace and of statues, the remuneration to the artists can only be reduced by producing a larger number of them through more extended education. The expense of the raw material is small in both. The expense of labour in lacemaking is very large, and it is perhaps considerable also in sculpture. The discovery of more convenient localities yielding marble, may make some diminution in its cost; and the improved manufacture of thread may slightly reduce the price of lace. A reduction in the price of labour may to a very moderate extent reduce the cost of the raw material of both. But it is evident that any very great reduction is not to be expected.
Let us now contrast this possible reduction with the past history of some industrial art. The plain lace made at Nottingham, called patent net, will supply us with a good example. In the year 1813 that lace was sold in the piece at the rate of 218. a-yard. At the present time lace of the same kind, but of a better quality, is sold under the same circumstances at 3d. per yard. Thus, in less than forty years the price of the industrial produce has diminished to one eighty-fourth part of its original price.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 51-52

James Braid photo
Neal Stephenson photo
Carl Friedrich Gauss photo
Semyon Timoshenko photo

“We'll spin them out like a bobbin thread.”

Semyon Timoshenko (1895–1970) Soviet military commander

To Ralph Parker, about the Nazis. Quoted in "Timoshenko: Marshal of the Red Army" - Page 91 - by Walter Mehring - 1942

Thomas Hood photo

“Sewing at once a double thread,
A shroud as well as a shirt.”

Thomas Hood (1799–1845) British writer

1840s, The Song of the Shirt (1843)

Helen Hunt Jackson photo
Robert Burton photo

“No cord nor cable can so forcibly draw, or hold so fast, as love can do with a twined thread.”

Section 2, member 1, subsection 2, How Love tyranniseth over men. Love, or Heroical Melancholy, his definition, part affected.
The Anatomy of Melancholy (1621), Part III

Robert G. Ingersoll photo

“Religion can never reform mankind because religion is slavery. It is far better to be free, to leave the forts and barricades of fear, to stand erect and face the future with a smile. It is far better to give yourself sometimes to negligence, to drift with wave and tide, with the blind force of the world, to think and dream, to forget the chains and limitations of the breathing life, to forget purpose and object, to lounge in the picture gallery of the brain, to feel once more the clasps and kisses of the past, to bring life's morning back, to see again the forms and faces of the dead, to paint fair pictures for the coming years, to forget all Gods, their promises and threats, to feel within your veins life's joyous stream and hear the martial music, the rhythmic beating of your fearless heart. And then to rouse yourself to do all useful things, to reach with thought and deed the ideal in your brain, to give your fancies wing, that they, like chemist bees, may find art's nectar in the weeds of common things, to look with trained and steady eyes for facts, to find the subtle threads that join the distant with the now, to increase knowledge, to take burdens from the weak, to develop the brain, to defend the right, to make a palace for the soul. This is real religion. This is real worship.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

What Is Religion? (1899) is Ingersoll's last public address, delivered before the American Free Religious association, Boston, June 2, 1899. Source: The Works of Robert G. Ingersoll, Dresden Memorial Edition Volume IV, pages 477-508, edited by Cliff Walker. http://www.positiveatheism.org/hist/ingwhatrel.htm

Mao Zedong photo

“Wide, wide flow the nine streams through the land, Dark, dark threads the line from south to north. Blurred in the thick haze of the misty rain Tortoise and Snake hold the great river locked. The yellow crane is gone, who knows whither? Only this tower remains a haunt for visitors. I pledge my wine to the surging torrent, The tide of my heart swells with the waves.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

Changsha (1925), Yellow Crane Tower (1927)
Original: (zh-CN) 茫茫九派流中国,沉沉一线穿南北。烟雨莽苍苍,龟蛇锁大江。黄鹤知何去?剩有游人处。把酒酹滔滔,心潮逐浪高!

“He who holds me by a thread is not strong; the thread is strong.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Quien me tiene de un hilo no es fuerte; lo fuerte es el hilo.
Voces (1943)

Winston S. Churchill photo
Filippo Tommaso Marinetti photo

“11. We shall sing the great masses shaken with work, pleasure, or rebellion: we shall sing the multicolored and polyphonic tidal waves of revolution in the modern metropolis; shall sing the vibrating nocturnal fervor of factories and shipyards burning under violent electrical moons; bloated railroad stations that devour smoking serpents; factories hanging from the sky by the twisting threads of spiraling smoke; bridges like gigantic gymnasts who span rivers, flashing at the sun with the gleam of a knife; adventurous steamships that scent the horizon, locomotives with their swollen chest, pawing the tracks like massive steel horses bridled with pipes, and the oscillating flight of airplanes, whose propeller flaps at the wind like a flag and seems to applaud like a delirious crowd.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

Original Italian text:
Noi canteremo le grandi folle agitate dal lavoro, dal piacere o dalla sommossa: canteremo le maree multicolori e polifoniche delle rivoluzioni nelle capitali moderne; canteremo il vibrante fervore notturno degli arsenali e dei cantieri incendiati da violente lune elettriche; le stazioni ingorde, divoratrici di serpi che fumano; le officine appese alle nuvole pei contorti fili dei loro fumi; i ponti simili a ginnasti giganti che scavalcano i fiumi, balenanti al sole con un luccichio di coltelli; i piroscafi avventurosi che fiutano l'orizzonte, le locomotive dall'ampio petto, che scalpitano sulle rotaie, come enormi cavalli d'acciaio imbrigliati di tubi, e il volo scivolante degli aereoplani, la cui elica garrisce al vento come una bandiera e sembra applaudire come una folla entusiasta.
Source: 1900's, The Founding and Manifesto of Futurism' 1909, p. 52 : Last bullet-item in THE MANIFESTO OF FUTURISM

Emma Lazarus photo

“Lo — a black line of birds in wavering thread
Bore him the greetings of the deathless dead!”

Emma Lazarus (1849–1887) American poet

The Cranes of Ibicus http://www.poemhunter.com/poem/the-cranes-of-ibicus/

Robert A. Heinlein photo
Valentino Braitenberg photo

“A structure made up of fine threads, so many and so fine that even the strongest magnification of the microscope was hardly sufficient to allow all of them to be seen clearly. Some of the threads ran together in bundles and in layers in specific directions; others lay seemingly randomly distributed every which way through the tissue. Embedded in this felted mass of fibers, it was possible to discern spherical structures, the nuclei of the nerve cells…”

Valentino Braitenberg (1926–2011) Italian-Austrian neuroscientist

Braitenberg (1948), quoted in: Elke Maier (2012) " Spying on God http://www.mpg.de/6348834/S005_Flashback_086-087.pdf" in Max Planck Research, March 2012
Description of Braitenberg's first experience observing brain tissue under a microscope as medical student in Rome.

Imre Kertész photo

“Logos, the invisible spider’s thread that holds our lives together.”

Imre Kertész (1929–2016) Hungarian writer

Liquidation (2003)
Context: But I believe in writing — nothing else; just writing. Man may live like a worm, but he writes like a god. There was a time when that secret was known, but now it has been forgotten; the world is composed of disintegrating fragments, an incoherent dark chaos, sustained by writing alone. If you have a concept of the world, if you have not yet forgotten all that has happened, that you have a world at all, it is writing that has created that for you, and ceaselessly goes on creating it; Logos, the invisible spider’s thread that holds our lives together.

Don McLean photo

“Every thread of creation is held in position
By still other strands of things living.”

Don McLean (1945) American Singer and songwriter

"Tapestry"
Song lyrics, Tapestry (1970)
Context: Every thread of creation is held in position
By still other strands of things living.
In an earthly tapestry hung from the skyline
Of smouldering cities so gray and so vulgar,
As not to be satisfied with their own negativity
But needing to touch all the living as well.

Albert Pike photo

“An unseen and infinite presence is here; a sense of something greater than we possess; a seeking, through all the void wastes of life, for a good beyond it; a crying out of the heart for interpretation; a memory of the dead, touching continually some vibrating thread in this great tissue of mystery.”

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXII : Grand Master Architect, p. 191
Context: Life is no negative, or superficial or worldly existence. Our steps are evermore haunted with thoughts, far beyond their own range, which some have regarded as the reminiscences of a preesistent state. So it is with us all, in the beaten and worn track of this worldly pilgrimage. There is more here, than the world we live in. It is not all of life to live. An unseen and infinite presence is here; a sense of something greater than we possess; a seeking, through all the void wastes of life, for a good beyond it; a crying out of the heart for interpretation; a memory of the dead, touching continually some vibrating thread in this great tissue of mystery.

Vincent Van Gogh photo

“A weaver who has to direct and to interweave a great many little threads has no time to philosophize about it, but rather he is so absorbed in his work that he doesn’t think but acts, and he feels how things must go more than he can explain it.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to Theo, The Hague, 11 March 1883, http://www.webexhibits.org/vangogh/letter/12/274.htm?qp=art.material,as translated by Johanna van Gogh-Bonger, edited by Robert Harrison, in The Complete Letters of Vincent van Gogh (1991)
1880s, 1883
Context: It constantly remains a source of disappointment to me that my drawings are not yet what I want them to be. The difficulties are indeed numerous and great, and cannot be overcome at once. To make progress is a kind of miner’s work; it doesn’t advance as quickly as one would like, and as others also expect, but as one stands before such a task, the basic necessities are patience and faithfulness. In fact, I do not think much about the difficulties, because if one thought of them too much one would get stunned or disturbed.
A weaver who has to direct and to interweave a great many little threads has no time to philosophize about it, but rather he is so absorbed in his work that he doesn’t think but acts, and he feels how things must go more than he can explain it. Even though neither you nor I, in talking together, would come to any definite plans, etc., perhaps we might mutually strengthen that feeling that something is ripening within us. And that is what I should like.

“The spider gets his thread right out of his own guts, and that is where the author gets his writing.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

From a letter published in The Merry Heart : Reflections on Reading Writing, and the World of Books (1996).
Context: To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.

Katie Melua photo
George MacDonald photo

“Trust to God to weave your little thread into the great web, though the pattern shows it not yet.”

George MacDonald (1824–1905) Scottish journalist, novelist

As quoted in The Way To Win : Showing How To Succeed In Life (1887) by John Thomas Dale, p. 89
Context: I record the conviction that in one way or another, special individual help is given to every creature to endure to the end. It has been my own experience, that always when suffering, whether mental or bodily, approached the point where further endurance appeared impossible, the pulse of it began to ebb and a lull ensued.
You are tender-hearted, and you want to be true, and are trying to be; learn these two things: Never be discouraged because good things get on so slowly here; and never fail daily to do that good which lies next to your hand. Do not be in a hurry, but be diligent. Enter into the sublime patience of the Lord. Trust to God to weave your little thread into the great web, though the pattern shows it not yet. When God's people are able and willing thus to labor and wait, remember that one day is with the Lord as a thousand years, and a thousand years as one day; the grand harvest of the ages shall come to its reaping, and the day shall broaden itself to a thousand years, and the thousand years shall show themselves as a perfect and finished day.

“When our familiar world falls apart, especially through the pain of death — of losing someone we love — we are shaken at our very core. We realize, perhaps for the first time, that there is no easy or quick way out. We must go through the process, which will be a little different for each of us — the common thread being pain.”

Richard Carlson (1961–2006) Author, psychotherapist and motivational speaker

Finding Life after Death http://richardcarlson.com/RC_Words/life_after_death.html
What About the Big Stuff (2002)
Context: When our familiar world falls apart, especially through the pain of death — of losing someone we love — we are shaken at our very core. We realize, perhaps for the first time, that there is no easy or quick way out. We must go through the process, which will be a little different for each of us — the common thread being pain.
In the midst of that inner struggle, however, something begins to happen. There are the moments that are most resisted — and there is extreme pain. Simultaneously, however, there are voluntary or involuntary bursts of letting go. Perhaps the pain is too much for the moment — the mind takes a break, shuts down, or wakes up, I’m not really sure. But in those moments, there is a release from the pain; an acknowledgment that although we don’t understand it, and it hurts like hell, the universe somehow knows what it’s doing.

Roger Ebert photo

“All of these threads converge, in one way or another, upon an event there is no way for the audience to anticipate.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review of Magnolia in Chicago Sun-Times (7 January 2000) http://www.rogerebert.com/reviews/magnolia-2000
Reviews, Four star reviews
Context: Magnolia is operatic in its ambition, a great, joyous leap into melodrama and coincidence, with ragged emotions, crimes and punishments, deathbed scenes, romantic dreams, generational turmoil and celestial intervention, all scored to insistent music. It is not a timid film. … The movie is an interlocking series of episodes that take place during one day in Los Angeles, sometimes even at the same moment. Its characters are linked by blood, coincidence and by the way their lives seem parallel. Themes emerge: the deaths of fathers, the resentments of children, the failure of early promise, the way all plans and ambitions can be undermined by sudden and astonishing events. … All of these threads converge, in one way or another, upon an event there is no way for the audience to anticipate. This event is not "cheating," as some critics have argued, because the prologue fully prepares the way for it, as do some subtle references to Exodus. It works like the hand of God, reminding us of the absurdity of daring to plan. And yet plan we must, because we are human, and because sometimes our plans work out.
Magnolia is the kind of film I instinctively respond to. Leave logic at the door. Do not expect subdued taste and restraint, but instead a kind of operatic ecstasy. At three hours it is even operatic in length, as its themes unfold, its characters strive against the dying of the light, and the great wheel of chance rolls on toward them.

John Crowley photo

“Diane felt the thread of connection between her and Danny drawn out infinitely thin, until it broke with a hurt to her heart she'd known she'd have to feel, but worse than she thought it would be.”

Part Four, Chapter 2
Four Freedoms (2009)
Context: She couldn't see that, though, because the haze out at sea erased the ship long before it could beyond the horizon, drawing after it the other ships. Diane felt the thread of connection between her and Danny drawn out infinitely thin, until it broke with a hurt to her heart she'd known she'd have to feel, but worse than she thought it would be.

“Our intention in making Threads was to step aside from the politics and – I hope convincingly – show the actual effects on either side should our best endeavours to prevent nuclear war fail.”

Barry Hines (1939–2016) British author

Kibble-White, J., "Let's All Hide in the Linen Cupboard" http://www.offthetelly.co.uk/oldott/www.offthetelly.co.uk/index126a.html?page_id=1835, Off The Telly, September 2001

Chaitanya Mahaprabhu photo
Vladimir Lenin photo
Michael Moorcock photo

“Destiny can contain a few extra threads in her design and still accomplish her original aims.”

Michael Moorcock (1939) English writer, editor, critic

Book 3, Chapter 4 “Two Black Swords” (p. 114)
The Elric Cycle, Elric of Melniboné (1972)

Jesse Jackson photo
Baruch Spinoza photo
Nicolas Chamfort photo

“My whole life is woven of threads which are in blatant contrast to my principles. … I love self-chosen poverty, and live among rich people; I avoid all honours, and yet some have come to me. … I believe that illusions are necessary to man, yet live without illusion; I believe that the passions are more profitable than reason, and yet no longer know what passion is.”

Nicolas Chamfort (1741–1794) French writer

Ma vie entière est un tissu de contrastes apparents avec mes principes. Je n'aime point les Princes, et je suis attaché à une Princesse et à un Prince. On me connaît des maximes républicaines, et plusieurs de mes amis sont revêtus de décorations monarchiques. J'aime la pauvreté volontaire, et je vis avec des gens riches. Je fuis les honneurs, et quelques-uns sont venus à moi. Les lettres sont presque ma seule consolation, et je ne vois point de beaux esprits, et ne vais point à l'Académie. Ajoutez que je crois les illusions nécessaires à l'homme, et je vis sans illusion; que je crois les passions plus utiles que la raison, et je ne sais plus ce que c'est que les passions, etc.
Maximes et Pensées, #335
Maxims and Considerations, #335

“The major obstacle and most difficult challenge in pursuit of a genuinely loving and caring relationship is to overcome the seductive powers and the addiction to the content approach to entering, creating, and maintaining it. The elusive golden thread of understanding lies in the how, and not the what.”

Herb Goldberg (1937–2019) American psychologist

Specifically, as gender polarization in a relationship decreases, the experience of it improves. Without that rebalancing, even the most perfect content will unravel increasingly. Once the process is balanced, the magic of having ideal content is no longer necessary. The rebalancing process which creates a relationship free of polarizing gender defenses is clearly difficult and threatening initially in the same way that giving up an addiction seems to be. Once achieved however, a relationship free of distortion, false illusions, resentment, and hopelessness truly becomes possible.
What Men Still Don't Know About Transforming Their Relationships, pp. 194–198
What Men Still Don't Know About Women, Relationships, and Love (2007)

Cormac McCarthy photo
Khalil Gibran photo
Joseph Campbell photo

“But it is quite plain that the sum the weaver will be disposed to give for the thread will depend on his view of its utility.”

Thomas Hodgskin (1787–1869) British writer

Source: Labour Defended against the Claims of Capital (1825), p. 84

Deng Feng-Zhou photo

“Destiny connects us all like a thread and that’s how people meet.
Sadness, bliss, separation and reunion are nothing but a natural phenomenon.
As for those uncontrollable, we can only let nature take its course.”

Deng Feng-Zhou (1949) Chinese poet, Local history writer, Taoist Neidan academics and Environmentalist.

(zh-TW) 勢運天成一線牽,人生際遇係因緣;
悲歡散合平常待,事起非能任自旋。

"Destiny" (隨緣)

Source: Deng Feng-Zhou, "Deng Feng-Zhou Classical Chinese Poetry Anthology". Volume 6, Tainan, 2018: 86.

Omar Khayyám photo

“Indeed, indeed, Repentance oft before
I swore — but was I sober when I swore?
And then and then came Spring, and Rose-in-hand
My thread-bare Penitence apieces tore.”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

Source: The Rubaiyat (1120)

Harry Gordon Selfridge photo
Harry Gordon Selfridge photo
Jaswant Singh photo

“We will pick up the threads from the visit of the president of Pakistan. We will increasingly endeavor to revise the vision of the relationship of peace, friendship and cooperation with Pakistan.”

Jaswant Singh (1938–2020) Indian politician and retired army officer

As Minister of External Affairs, His career events [citation needed]

George Foreman photo
Nithyananda photo
Alfred Austin photo