Quotes about strand

A collection of quotes on the topic of strand, likeness, life, man.

Quotes about strand

Leo Tolstoy photo

“No longer able to believe in the Church religion, whose falsehood they had detected, and incapable of accepting true Christian teaching, which denounced their whole manner of life, these rich and powerful people, stranded without any religious conception of life, involuntarily returned to that pagan view of things which places life's meaning in personal enjoyment.”

Leo Tolstoy (1828–1910) Russian writer

What is Art? (1897)
Context: No longer able to believe in the Church religion, whose falsehood they had detected, and incapable of accepting true Christian teaching, which denounced their whole manner of life, these rich and powerful people, stranded without any religious conception of life, involuntarily returned to that pagan view of things which places life's meaning in personal enjoyment. And then among the upper classes what is called the "Renaissance of science and art" took place, which was really not only a denial of every religion, but also an assertion that religion was unnecessary.

Jonathan Safran Foer photo
Katherine Paterson photo
Wangari Maathai photo
José Saramago photo
C.G. Jung photo
Patricia A. McKillip photo
Han Yong-un photo
Antonio Gramsci photo
Peter Hitchens photo
Charles Darwin photo
John of the Cross photo

“In search of my Love
I will go over mountains and strands;
I will gather no flowers,
I will fear no wild beasts;
And pass by the mighty and the frontiers. ~ 3”

John of the Cross (1542–1591) Spanish mystic and Roman Catholic saint

Spiritual Canticle of The Soul and The Bridegroom

Millie Bobby Brown photo
Scott Westerfeld photo
Douglas Adams photo
Brian K. Vaughan photo
Walter Dean Myers photo
Cassandra Clare photo
Jonathan Safran Foer photo
Cinda Williams Chima photo
Edwidge Danticat photo
Bob Dylan photo

“We sit here stranded, though we're all doin' our best to deny it.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Blonde on Blonde (1966), Visions of Johanna

David Levithan photo
Ann Brashares photo
Rachel Cohn photo

“But I know the difference. Everyone else is a ghost. I exist here alone, stranded by choice. Deserted.”

Rachel Cohn (1968) American writer

Source: Naomi and Ely's No Kiss List

Suzanne Collins photo

“I remember everything about you," says Peeta, tucking a loose strand of hair behind my ear. "You're the one who wasn't paying attention.”

Variant: You have a... remarkable memory."
"I remember everything about you. You're the one who wasn't paying attention.
Source: The Hunger Games

Ralph Ellison photo
Bruce Springsteen photo
Gerard Manley Hopkins photo
David Fleming photo
Noam Chomsky photo

“Mass non-violent protest is predicated on the humanity of the oppressor. Quite often it doesn't work. Sometimes it does, in unexpected ways. But judgements about that would have to be based on intimate knowledge of the society and its various strands.”

Noam Chomsky (1928) american linguist, philosopher and activist

'Resonant and unwavering', Interview with Stuart Alan Becker, Bangkok Post http://www.chomsky.info/interviews/20080714.htm.
Quotes 2000s, 2007-09

Aldous Huxley photo

“There was a time when I should have felt terribly ashamed of not being up-to-date. I lived in a chronic apprehension lest I might, so to speak, miss the last bus, and so find myself stranded and benighted, in a desert of demodedness, while others, more nimble than myself, had already climbed on board, taken their tickets and set out toward those bright but, alas, ever receding goals of Modernity and Sophistication. Now, however, I have grown shameless, I have lost my fears. I can watch unmoved the departure of the last social-cultural bus—the innumerable last buses, which are starting at every instant in all the world’s capitals. I make no effort to board them, and when the noise of each departure has died down, “Thank goodness!” is what I say to myself in the solitude. I find nowadays that I simply don’t want to be up-to-date. I have lost all desire to see and do the things, the seeing and doing of which entitle a man to regard himself as superiorly knowing, sophisticated, unprovincial; I have lost all desire to frequent the places and people that a man simply must frequent, if he is not to be regarded as a poor creature hopelessly out of the swim. “Be up-to-date!” is the categorical imperative of those who scramble for the last bus. But it is an imperative whose cogency I refuse to admit. When it is a question of doing something which I regard as a duty I am as ready as anyone else to put up with discomfort. But being up-to-date and in the swim has ceased, so far as I am concerned, to be a duty. Why should I have my feelings outraged, why should I submit to being bored and disgusted for the sake of somebody else’s categorical imperative? Why? There is no reason. So I simply avoid most of the manifestations of that so-called “life” which my contemporaries seem to be so unaccountably anxious to “see”; I keep out of range of the “art” they think is so vitally necessary to “keep up with”; I flee from those “good times” in the “having” of which they are prepared to spend so lavishly of their energy and cash.”

Aldous Huxley (1894–1963) English writer

“Silence is Golden,” p. 55
Do What You Will (1928)

Reginald Heber photo
Tad Williams photo
Patrick Rothfuss photo
Bhakti Tirtha Swami photo
A. P. Herbert photo

“How proud upon your quarterdeck you stand,
Conductor, Captain of the mighty bus!
Like some Columbus you survey the Strand,
A calm newcomer in a sea of fuss.”

A. P. Herbert (1890–1971) British politician

"Seeing It Through", London Transport poster by Eric Kennington (1944).

Tjalling Koopmans photo
Amit Chaudhuri photo
Menachem Elon photo
John Gray photo
Bret Easton Ellis photo
Charles Symmons photo
Henry Alford photo

“My bark is wafted to the strand
By breath Divine;
And on the helm there rests a hand
Other than mine.”

Henry Alford (1810–1871) English churchman, theologian, textual critic, scholar, poet, hymnodist, and writer

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 280.

Robert Bloomfield photo
Bill Bryson photo
Carl Friedrich Gauss photo

“What's not devoured by Time’s devouring hand?
Where's Troy, and where's the Maypole in the Strand?”

James Bramston (1694–1744) British writer

Art of Politics (1729).

Bernard Harcourt photo

“The different strands of radical thought seek to lift a veil from our eyes in order to emancipate us from domination, cowardice, or repression. They unmask in order to liberate.”

Bernard Harcourt (1963) American academic

“Radical Thought from Marx, Nietzsche, and Freud, through Foucault, to the Present: Comments on Steven Lukes's ‘In Defense of False Consciousness,’” The University Of Chicago Legal Forum, 2011, p. 34

Charles Taze Russell photo
Joseph Conrad photo

“This stretch of the Thames from London Bridge to the Albert Docks is to other watersides of river ports what a virgin forest would be to a garden. It is a thing grown up, not made. It recalls a jungle by the confused, varied, and impenetrable aspect of the buildings that line the shore, not according to a planned purpose, but as if sprung up by accident from scattered seeds. Like the matted growth of bushes and creepers veiling the silent depths of an unexplored wilderness, they hide the depths of London’s infinitely varied, vigorous, seething life. In other river ports it is not so. They lie open to their stream, with quays like broad clearings, with streets like avenues cut through thick timber for the convenience of trade… But London, the oldest and greatest of river ports, does not possess as much as a hundred yards of open quays upon its river front. Dark and impenetrable at night, like the face of a forest, is the London waterside. It is the waterside of watersides, where only one aspect of the world’s life can be seen, and only one kind of men toils on the edge of the stream. The lightless walls seem to spring from the very mud upon which the stranded barges lie; and the narrow lanes coming down to the foreshore resemble the paths of smashed bushes and crumbled earth where big game comes to drink on the banks of tropical streams.Behind the growth of the London waterside the docks of London spread out unsuspected, smooth, and placid, lost amongst the buildings like dark lagoons hidden in a thick forest. They lie concealed in the intricate growth of houses with a few stalks of mastheads here and there overtopping the roof of some four-story warehouse.”

London Bridge to the Royal Albert Dock
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Charles Dickens photo
Terence V. Powderly photo

“Individually, workingmen are weak, and, when separated, each one follows a different course, without accomplishing anything for himself or his fellow man; but when combined in one common bond of brotherhood, they become as the cable, each strand of which, though weak and insignificant enough in itself, is assisted and strengthened by being joined with others, and the work that one could not perform alone is easily accomplished by a combination of strands.”

Terence V. Powderly (1849–1924) American mayor

"The Organization of Labor," http://ebooks.library.cornell.edu/cgi/t/text/pageviewer-idx?c=nora;cc=nora;g=moagrp;xc=1;q1=The%20Organization%20of%20Labor;rgn=full%20text;cite1=Powderly;cite1restrict=author;view=image;seq=0122;idno=nora0135-2;node=nora0135-2%3A2 North American Review, vol. 135, no. 2, whole no. 309 (Aug. 1882), pp. 119.

Colin Wilson photo
William Cullen Bryant photo

“Wild was the day; the wintry sea
Moaned sadly on New England's strand,
When first the thoughtful and the free,
Our fathers, trod the desert land.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

The Twenty-Second of December http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page154, st. 1

Ervin László photo
Francis Escudero photo
Walter Scott photo

“Come as the winds come, when
Forests are rended,
Come as the waves come, when
Navies are stranded.”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Pibroch of Donald Dhu (1816), St. 4.

Yasunari Kawabata photo
Chief Seattle photo
Devendra Banhart photo

“Each strand of her hair
Is really insect eyes
And each hole in her tongue
Is always occupied
By the milk of the sun”

Devendra Banhart (1981) American folk singer

-Insect Eyes
From Rejoicing in the Hands

Frederick York Powell photo

“Poor playthings of the man that's gone,
Surely we would not have them thrown,
Like wreckage on a barren strand,
The prey of every greedy hand.”

Frederick York Powell (1850–1904) British historian

"On a Certain Auction in 1897"
Actually 1898, of the personal effects of Lewis Carroll
Frederick York Powell, a life and a selection from his letters and occasional writings http://www.archive.org/stream/frederickyorkpow02eltouoft/frederickyorkpow02eltouoft_djvu.txt

Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Will Cuppy photo
Bill Mollison photo
Samuel Taylor Coleridge photo

“Be that blind bard who on the Chian strand,
By those deep sounds possessed with inward light,
Beheld the Iliad and the Odyssey
Rise to the swelling of the voiceful sea.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

Fancy in Nubibus
Bartlett's Familiar Quotations, 10th ed. (1919)

Greg Egan photo

“I'll have this on you for the rest of my life," the maid said, smiling and dangling the strand of hair before him. "Everything will be all right if all goes well between us. Otherwise I'll drag this out and show it to her."
"Put it away carefully and don't ever let her find it," Chia Lien importuned. Then catching Patience off guard, he snatched the hair from her, saying, "It's safest out of your hands and destroyed."
"Ungrateful brute," Patience said with a pretty pout. […] In his tussle with Patience Chia Lien began to feel the fire of passion burn within him. Patience now looked prettier than ever with her pouted lips and her provocative scolding. He tried again to put his arms around her and make love to her, but Patience wriggled free and fled from the room. "You shameless little wanton," Chia Lien said. "You get one all excited and then run away."
Standing outside the window, Patience retorted, "Who's trying to get you excited? You only think of your pleasure. What's going to happen to me when she finds out?"
"Don't be afraid of her," Chia Lien said. "One of these days I'll get good and mad and give that jealous vinegar jar a good and proper beating and teach her who is master. She spies on me as if I were a thief. It's all right for her to talk and laugh with the men of the family, but she grows suspicious if she sees me so much as look at another woman.”

Wang Chi-chen (1899–2001)

Source: Dream of the Red Chamber (1958), pp. 131–132

Bruce Springsteen photo
Lyndon B. Johnson photo

“A fourth enduring strand of policy has been to help improve the life of man. From the Marshall Plan to this very moment tonight, that policy has rested on the claims of compassion, and the certain knowledge that only a people advancing in expectation will build secure and peaceful lands. This year I propose major new directions in our program of foreign assistance to help those countries who will help themselves. We will conduct a worldwide attack on the problems of hunger and disease and ignorance. We will place the matchless skill and the resources of our own great America, in farming and in fertilizers, at the service of those countries committed to develop a modern agriculture. We will aid those who educate the young in other lands, and we will give children in other continents the same head start that we are trying to give our own children. To advance these ends I will propose the International Education Act of 1966. I will also propose the International Health Act of 1966 to strike at disease by a new effort to bring modern skills and knowledge to the uncared—for, those suffering in the world, and by trying to wipe out smallpox and malaria and control yellow fever over most of the world during this next decade; to help countries trying to control population growth, by increasing our research—and we will earmark funds to help their efforts. In the next year, from our foreign aid sources, we propose to dedicate $1 billion to these efforts, and we call on all who have the means to join us in this work in the world.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, State of the Union Address (1966)

Michael Moore photo
John Boyle O'Reilly photo
Jack Monroe photo
Jonathan Haidt photo
James Taylor photo
Bruno Schulz photo
Silius Italicus photo

“When Hannibal's eyes were sated with the picture of all that valour, he saw next a marvellous sight—the sea suddenly flung upon the land with the mass of the rising deep, and no encircling shores, and the fields inundated by the invading waters. For, where Nereus rolls forth from his blue caverns and churns up the waters of Neptune from the bottom, the sea rushes forward in flood, and Ocean, opening his hidden springs, rushes on with furious waves. Then the water, as if stirred to the depths by the fierce trident, strives to cover the land with the swollen sea. But soon the water turns and glides back with ebbing tide; and then the ships, robbed of the sea, are stranded, and the sailors, lying on their benches, await the waters' return. It is the Moon that stirs this realm of wandering Cymothoe and troubles the deep; the Moon, driving her chariot through the sky, draws the sea this way and that, and Tethys follows with ebb and flow.”
Postquam oculos varia implevit virtutis imago, mira dehinc cernit: surgentis mole profundi injectum terris subitum mare nullaque circa litora et infuso stagnantis aequore campos. nam qua caeruleis Nereus evoluitur antris atque imo freta contorquet Neptunia fundo, proruptum exundat pelagus, caecosque relaxans Oceanus fontis torrentibus ingruit undis. tum uada, ceu saevo penitus permota tridenti, luctantur terris tumefactum imponere pontum. mox remeat gurges tractoque relabitur aestu, ac ratis erepto campis deserta profundo, et fusi transtris expectant aequora nautae. Cymothoes ea regna vagae pelagique labores Luna mouet, Luna, immissis per caerula bigis, fertque refertque fretum, sequiturque reciproca Tethys.

Postquam oculos varia implevit virtutis imago,
mira dehinc cernit: surgentis mole profundi
injectum terris subitum mare nullaque circa
litora et infuso stagnantis aequore campos.
nam qua caeruleis Nereus evoluitur antris
atque imo freta contorquet Neptunia fundo,
proruptum exundat pelagus, caecosque relaxans
Oceanus fontis torrentibus ingruit undis.
tum uada, ceu saevo penitus permota tridenti,
luctantur terris tumefactum imponere pontum.
mox remeat gurges tractoque relabitur aestu,
ac ratis erepto campis deserta profundo,
et fusi transtris expectant aequora nautae.
Cymothoes ea regna vagae pelagique labores
Luna mouet, Luna, immissis per caerula bigis,
fertque refertque fretum, sequiturque reciproca Tethys.
Book III, lines 45–60
Punica

Anthony Kenny photo
William H. McNeill photo
Aron Ra photo

“In their evolution, we see that the earliest pterosaurs were small, and yet still unnecessarily heavy and clumsy, both in the air and on the ground, but 160 million years of refinement has honed their abilities to the limit of incidental engineering. Despite their enormity, they were unbelievably lightweight; even the biggest ones were estimated at less than 500 lbs. They had hollow pneumatic bones of large diameter but only millimeters thick, making a strut-supported tubular frame that's surprisingly strong and highly resistant to the stresses of aeronautics. They also had extraordinarily powerful wing muscles, and this made them capable of vaulting airborne in a single bolt. Once in the air, muscle strands and tendons in the membrane of the wing itself worked with a network of pycnofibres to give them all the data they needed for subtle adjustments to the shape of the wing. The portions of the brain which were dedicated to flight, balance and visual gaze stabilization in birds are all larger and more adapted in pterosaurs. In fact, scientists are now convinced that these animals had such a mastery of flight, that the larger ones could even cross oceans, going 80 mph at 15,000 feet for thousands of miles on a single launch.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Youtube, Other, Pterosaurs are Terrible Lizards https://www.youtube.com/watch?v=3_htQ8HJ1cA (December 3, 2013)

Torquato Tasso photo

“Armida smiles to hear, but keeps her gaze
fixed on herself, love's labours to behold.
Her locks she braided and their wanton ways
in lovely order marshalled and controlled.
She wound the curls of her fine strands with sprays
of flowers, like enamel worked on gold,
and made the stranger rose join with her pale
breast's native lily, and composed her veil.”

Torquato Tasso (1544–1595) Italian poet

Ride Armida a quel dir: ma non che cesse
Dal vagheggiarsi, o da' suoi bei lavori.
Poichè intrecciò le chiome, e che ripresse
Con ordin vago i lor lascivi errori,
Torse in anella i crin minuti, e in esse,
Quasi smalto su l'or, consparse i fiori:
E nel bel sen le peregrine rose
Giunse ai nativi giglj, e 'l vel compose.
Canto XVI, stanza 23 (tr. Wickert)
Gerusalemme Liberata (1581)

Alain de Botton photo
Samuel Johnson photo

“As with my hat upon my head
I walk'd along the Strand,
I there did meet another man
With his hat in his hand.”

Samuel Johnson (1709–1784) English writer

George Steevens, 310
Bartlett's Familiar Quotations, 10th ed. (1919), Johnsoniana

Mirkka Rekola photo

“The sea raises you to your feet. And dead calm.
Strands of light hold your hand. Now you have left
this shore. Now you are in the wind of an invisible sail.”

Mirkka Rekola (1931–2014) Finnish writer

Mirkka Rekola, Kuka lukee kanssasi (Who is Reading with You), 1990; Translated by Sari Hantula. Quoted at Mirkka Rekola http://www.electricverses.net/sakeet.php?poet=22&poem=645&language=3, at electricverses.net, accessed 20-03-2017.

Gautama Buddha photo
O. Henry photo

“She plucked from my lapel the invisible strand of lint (the universal act of woman to proclaim ownership).”

O. Henry (1862–1910) American short story writer

"A Ramble in Aphasia"
Strictly Business (1910)

Michael J. Sandel photo
Walter Scott photo

“With head upraised, and look intent,
And eye and ear attentive bent,
And locks flung back, and lips apart,
Like monument of Grecian art,
In listening mood, she seemed to stand,
The guardian Naiad of the strand.”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto I, stanza 17.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

Walter Scott photo
Theodore L. Cuyler photo
Robert Lowell photo