“The Chinese language lacked terms capable of conveying Buddhist meanings; and not until the fifth century did a handful of scholars become sufficiently at home in both Chinese and Indian learning to be able to translate Buddhist texts into Chinese with a modicum of adequacy. …the novel and initially alien outlook of the Indian faith had somehow to come to terms with the various strands already woven into Chinese culture, ranging… from Confucian and Taoist learning to local sub-literate peasant magic. …while accommodating themselves to older Chinese expectations, Buddhist doctrines and practices simultaneously widened and redefined traditional Chinese sensibilities and aspirations.”

— William H. McNeill, book The Rise of the West: A History of the Human Community

The Rise of the West: A History of the Human Community (1963)

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William H. McNeill43

Canadian historian 1917–2016

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“By the sixth century A. D., …a distinctively Chinese Buddhist art had arisen, in which figures with Chinese dress and Chinese faces nonetheless continued to conform to Indian conventions of gesture and ornament.”

William H. McNeill book The Rise of the West: A History of the Human Community

The Rise of the West: A History of the Human Community (1963)

“[S]poken or colloquial Chinese is […] in fact the language of a child. Now as a proof of this, we all know how easily European children learn colloquial or spoken Chinese, while learned philogues and sinologues insist in saying that Chinese is so difficult. Chinese, colloquial Chinese, I say again is the language of a child. My first advice therefore to my foreign friends who want to learn Chinese is "Be ye like little children, you will then not only enter into the Kingdom of Heaven, but you will also be able to learn Chinese."”

Gu Hongming book The Spirit of the Chinese People

page 103
The Spirit of the Chinese People (1915), Chinese Language

“In Korea and Japan, the Chinese example began to find fertile ground as the political and social organization or those regions developed toward civilized complexity. Buddhist monks became the principle carriers of high Chinese culture to Korea and Japan. …The Chinese model, while of the utmost importance, never eclipsed the local differences that made Japan always and Korea sometimes so distinct from China as properly to constitute a separate civilization.”

William H. McNeill book The Rise of the West: A History of the Human Community

The Rise of the West: A History of the Human Community (1963)

“As the global expansion of Indian and Chinese restaurants suggests, xenophobia is directed against foreign people, not foreign cultural imports.”

Eric Hobsbawm (1917–2012) British academic historian and Marxist historiographer

Mapping the Nation (Mappings Series) http://books.google.co.in/books?id=39IHUaOV9fUC&pg=PA263 (13 November 2012), p. 263.

“My English name is Bowinn Ma, but in Chinese, it’s Ma Bo Wen. Ma literally translates as “horse,” which is the family name, and Bo Wen literally translates to “plentiful script.” But what it means can be roughly translated as “ocean of knowledge” or “broad scholar.””

Bowinn Ma (1985) Canadian politician

It means someone who has a broad understanding of many things and someone who has the wisdom to use this knowledge in a good way. It represents what my parents and grandparents had hoped I would become as an adult. In English, my name is just a name, a series of sounds used to identify me. But in my traditional language, those two simple syllables are a culmination of all of the hopes and dreams that my family have had of me since my birth — aspirations that could never truly be translated properly across cultures in as succinct a way.
British Columbia Legislative Hansard, March 12, 2018: INDIGENOUS LANGUAGES
Meaning of Name

“My main concern was to write a novel that uses all of this stuff that is accessible, to write a novel that deals with white racism and Chinese American history and the real Chinese fairy tales and the heroic tradition, and to demonstrate that a Chinese American could do all of this without sending whites up the wall or alienating anybody…”

Frank Chin (1940) American writer

On his novel Donald Duk (as quoted in ““FRANK CHIN: HIS OWN VOICE” https://resisters.com/by-frank-abe/frank-chin-his-own-voice/ in the Bloombury Review; September 1991)

“It’s always challenging to portray foreign characters in a novel that is told mainly from a Chinese perspective or, you may say, in a Chinese story.”

Geling Yan (1958) Chinese writer and screenwriter

Source: "What War Does to Human Hearts: Interview with Geling Yan" http://www.chinaww2.com/2016/04/30/what-war-does-to-human-hearts-interview-with-geling-yan/ (30 April 2016)

“I commenced the study of the Chinese language at the University of Munich. I had then about 3 years in Germany, engaged in various studies. Happening to notice the announcement of a course of lectures on the language of the Chinese by Professor Neumman, the interest I have always taken in the people, induced me to employ an otherwise vacant hour in learning something of their tongue.”

Thomas Taylor Meadows (1815–1868) British sinologist and diplomatic interpreter from Chinese

Page 7 of "The Chinese and their Rebellions, viewed in connection with their national philosophy, ethics, legislation and administration, to which is added An Essay on Civilization and its present state in the East and West" https://books.google.com/books?id=dKEBAAAAQAAJ&pg=PR3&dq=The+Chinese+and+their+Rebellions,+viewed+in+connection+with+their+national+philosophy,+ethics,+legislation+and+administration,+to+which+is+added+An+Essay+on+Civilization+and+its+present+state+in+the+East+and+West&hl=en&sa=X&ei=x626UaDJKsnWyQHLmoG4BA&ved=0CC0Q6AEwAA#v=onepage&q=The%20Chinese%20and%20their%20Rebellions%2C%20viewed%20in%20connection%20with%20their%20national%20philosophy%2C%20ethics%2C%20legislation%20and%20administration%2C%20to%20which%20is%20added%20An%20Essay%20on%20Civilization%20and%20its%20present%20state%20in%20the%20East%20and%20West&f=false

“Chinese cultural influence is virtually nil, and unlikely to increase… Indeed, high Chinese culture and art are almost all imitative of western forms: Chinese concert pianists are technically brilliant, but brilliant at Schubert and Rachmaninov. Chinese ballerinas dance to the scores of Diaghilev. The number of Chinese Nobel prizes won on home turf is zero, although there are of course legions of bright Chinese trying to escape to Stanford and Caltech… It is hard to think of a single Chinese sport at the Olympics, compared with umpteen invented by Britain, including ping-pong, I’ll have you know, which originated at upper-class dinner tables and was first called whiff-whaff. The Chinese have a script so fiendishly complicated that they cannot produce a proper keyboard for it.”

Boris Johnson (1964) British politician, historian and journalist

Have I Got Views for You, p277
2000s, 2006

“A scholar like myself who is not a Sinologist and yet ventures the proposition that Chinese languages should be rewritten in the Greek alphabet (or "Romanized", to use the current term) is treading on uncharted territory (for him) and does so at his peril.”

Eric A. Havelock (1903–1988) 1903-1988, British classical philologist

"Chinese Characters and the Greek Alphabet" in Sino-Platonic Papers, 5 (December 1987) http://sino-platonic.org/complete/spp005_chinese_greek.html

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William H. McNeill43

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