Quotes about story
page 17

Ted Nelson photo
Vernor Vinge photo

“We've watched the Homo Sapiens interest group since the first appearance of the Blight. Where is this "Earth" the humans claim to be from? "Half way around the galaxy," they say, and deep in the Slow Zone. Even their proximate origin, Nyjora, is conveniently in the Slowness. We see an alternative theory: Sometime, maybe further back than the last consistent archives, there was a battle between Powers. The blueprint for this "human race" was written, complete with communication interfaces. Long after the original contestants and their stories had vanished, this race happened to get in position where it could Transcend. And that Transcending was tailor-made, too, re-establishing the Power that had set the trap to begin with.We're not sure of the details, but a scenario such as this is inevitable. What we must do is also clear. Straumli Realm is at the heart of the Blight, obviously beyond all attack. But there are other human colonies. We ask the Net to help in identifying all of them. We ourselves are not a large civilization, but we would be happy to coordinate the information gathering, and the military action that is required to prevent the Blight's spread in the Middle Beyond. For nearly seventeen weeks, we've been calling for action. Had you listened in the beginning, a concerted strike might have been sufficient to destroy the Straumli Realm. Isn't the Fall of Relay enough to wake you up? Friends, if we act together we still have a chance.Death to vermin.”

Source: A Fire Upon the Deep (1992), p. 245.

Murasaki Shikibu photo
Clint Eastwood photo

“Everybody wonders why I continue working at this stage. I keep working because there's always new stories. … And as long as people want me to tell them, I'll be there doing them.”

Clint Eastwood (1930) actor and director from the United States

Reflecting on his later career
The Eastwood Factor (Extended Edition). [DVD]. Warner Home Video. June 1, 2010. Event occurs at 1:26:15.

Wilfred Thesiger photo
Rupert Murdoch photo
George S. Patton IV photo
Clive Staples Lewis photo
Elizabeth Wormeley Latimer photo

“The Last Story, McKilt, 1902 p. 108”

Elizabeth Wormeley Latimer (1822–1904) English-American writer and translator
Taryn Manning photo
Robert E. Howard photo
Judith Krug photo

“I have heard some horror stories.”

Judith Krug (1940–2009) librarian and freedom of speech proponent

Referring to an incident in which an adult asked a librarian for a filter to be turned off and was told that the request had to go to a committee that would not meet for another two weeks
" Goodbye, Orlando? http://www.libraryjournal.com/article/CA443907.html" by John Berry et al., Library Journal (August 15, 2004)

Raymond Chandler photo
James Jeans photo
Kurt Lewin photo

“The life space… includes both the person and his psychological environment. The task of explaining behavior then becomes identical with (1) finding a scientific representation of the life space (LSp) and (2) determining the function (F) which links the behavior to the life space. This function (F) is what one usually calls a law… The novelist who tells the story behind the behavior and development of an individual gives us detailed data about his parents, his siblings, his character, his intelligence, his occupation, his friends, his status. He gives us these data in their specific interrelation, that is, as part of a total situation. Psychology has to fulfill the same task with scientific instead of poetic means…. The method should be analytical in that the different factors which influence behavior have to be specifically distinguished. In science, these data have also to be represented in their particular setting within the specific situation. A totality of coexisting facts which are conceived of as mutually interdependent is called a field. Psychology has to view the life space, including the person and his environment, as one field.”

Kurt Lewin (1890–1947) German-American psychologist

Kurt Lewin (1946) "Behavior and development as a function of the total situation". In K. Lewin (Ed.) Field theory in social science (pp. 238-305). New York: Harper & Row. p. 240 as cited in: John F. Kihlstrom (2013) " The Person-Situation Interaction" http://ist-socrates.berkeley.edu/~kihlstrm/PxSInteraction.htm
1940s

Larry Correia photo
John Pilger photo

“I love irony in pictures. There's one photograph from Vietnam by Philip Jones Griffiths that shows a very large GI having his pocket picked by a tiny Vietnamese woman. It told the whole story of the clash of two cultures and how the invader could never win.”

John Pilger (1939) Australian journalist

John Pilger, This much I know http://www.guardian.co.uk/media/2005/nov/13/pressandpublishing.observermagazine, The Observer, 13 November 2005

“The story of their gallantry came to epitomize a spirit of courage, duty and self-sacrifice.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 13

Jennifer Beals photo
John Adams photo

“Callender and Sally will be remembered as long as Jefferson as Blotts in his Character. The story of the latter, is a natural and almost unavoidable Consequence of that foul contagion in the human Character [—] Negro Slavery.”

John Adams (1735–1826) 2nd President of the United States

Letter to Joseph Ward, 8 January 1810 http://founders.archives.gov/documents/Adams/99-02-02-5495, stating his belief in the reports of James T. Callender that Thomas Jefferson was the father of the children of Sally Hemmings; also quoted in Scandalmonger‎ (2001) by William Safire, p. 431
1810s

Han-shan photo
Alan Rusbridger photo
Zainab Salbi photo
Roger Ebert photo
Ismail Serageldin photo

“I do believe that encyclopedias are dead as dodos in the old fashioned way. Let me just go back, because earlier around I was interviewed and I said: The book will always be with us. Books - we used to read in scrolls and then they got invented the codex which is basically the form of the book. It has not been improved on. It's like scissors, like a spoon, and like a hammer. It's technology that's perfect in itself and will remain very good. But: What about the content inside of it? Now, there are books that you read for information. And there what you want to do is how to get the information. And it is infinitely more efficient, of higher quality, to use digital sources rather than the published sources for references. So dictionaries and encyclopedias are not going to be done in this very ponderous way of having old books that by the time they come out the information in them is obsolete. Second, you have to search in all of these and open the pages and then you go to an index and come back whereas you can type to search in. […] But if you want to hold in your hand a slim volume, nicely bound, of the love sonnets of Shakespeare or historical romans, that's a different story. There is the book as artifact, there is the joy in holding the book. And there is an efficiency in the book that you can carry with you in different ways. But I think that the encyclopedias and the dictionaries really are providing a service. And that service can be provided so much more efficiently online that they are bound to change. And if they don't change themselves and go online themselves … I mean, the old providers, like Britannica, will go online, will provide it, and will try to, in fact, compete with the model that Wikipedia pioneered.”

Ismail Serageldin (1944) egyptian academic

Wikimania 2008 press conference 0'33 (August 2008).

Ursula Goodenough photo
Susie Bright photo

“When AIDS was at its most brutal, frightening, my-God-what-are-we-going-to-do era, that was when vampire stories and stories about blood and trust swept the literary world.”

Susie Bright (1958) American writer and feminist

" Bright Ideas http://www.bostonphoenix.com/boston/news_features/qa/multi_1/documents/04461778.asp", interview by Tamara Wieder, Boston Phoenix, February 11, 2005.

Edgar Rice Burroughs photo

“I had gone thoroughly through some of the all-fiction magazines and I made up my mind that if people were paid for writing such rot as I read I could write stories just as rotten. Although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a lot more so than any I chanced to read in those magazines.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list. I had never met an editor, or an author or a publisher. l had no idea of how to submit a story or what I could expect in payment. Had I known anything about it at all I would never have thought of submitting half a novel; but that is what I did.
Thomas Newell Metcalf, who was then editor of The All-Story magazine, published by Munsey, wrote me that he liked the first half of a story I had sent him, and if the second half was as good he thought he might use it. Had he not given me this encouragement, I would never have finished the story, and my writing career would have been at an end, since l was not writing because of any urge to write, nor for any particular love of writing. l was writing because I had a wife and two babies, a combination which does not work well without money.”

Edgar Rice Burroughs (1875–1950) American writer

How I Wrote the Tarzan Books (1929)

Chris Christie photo
Richard Henry Dana Jr. photo
John Green photo

“So I guess the first thing I would say is: you need to write a story that, unlike my story, has a beginning, a middle and an end. Also the beginning shouldn't involve hating foxes and the end shouldn't involve no one liking you.”

John Green (1977) American author and vlogger

John on a story he wrote when he was in elementary school Nov. 26th: Writing Advice (And Notes on Surnameless Tiffany) http://www.youtube.com/watch?v=7Gf69J1Go98&feature=channel
YouTube

Shaun Ellis photo
Shashi Tharoor photo
Patrick Rothfuss photo

“It was one of those perfect autumn days so common in stories and so rare in the real world.”

Source: The Name of the Wind (2007), Chapter 2, “A Beautiful Day” (p. 19)

Meat Loaf photo

“These stories get made up, and I don’t know from where. I have no idea. I didn’t make that one up — sometimes I make my own stories up — but I didn’t make that one up.”

Meat Loaf (1947) American musician, singer, songwriter, record producer and actor

On rumors that he wanted a guest role as a villain on the BBC TV series Doctor Who.
A chat with Meat Loaf (2006)

“Romeo and Juliet *died*. I always liked that in a teen romance story.”

James Nicoll (1961) Canadian fiction reviewer

[Dn5px1.6Fs@novice.uwaterloo.ca, 1996]
1990s

Mitt Romney photo

“So we started a new business called Bain Capital. The only problem was, while WE believed in ourselves, nobody else did. We were young and had never done this before and we almost didn't get off the ground. In those days, sometimes I wondered if I had made a really big mistake. I had thought about asking my church's pension fund to invest, but I didn't. I figured it was bad enough that I might lose my investors' money, but I didn't want to go to hell too. Shows what I know. Another of my partners got the Episcopal Church pension fund to invest. Today there are a lot of happy retired priests who should thank him. That business we started with 10 people has now grown into a great American success story. Some of the companies we helped start are names you know. An office supply company called Staples – where I'm pleased to see the Obama campaign has been shopping; The Sports Authority, which became a favorite of my sons. We started an early childhood learning center called Bright Horizons that First Lady Michelle Obama rightly praised. At a time when nobody thought we'd ever see a new steel mill built in America, we took a chance and built one in a corn field in Indiana. Today Steel Dynamics is one of the largest steel producers in the United States.”

Mitt Romney (1947) American businessman and politician

2012-08-31
http://www.npr.org/2012/08/30/160357612/transcript-mitt-romneys-acceptance-speech
Transcript: Mitt Romney's Acceptance Speech
NPR
[2012-08-30, gopconvention2012, Mitt Romney: Introduction (video), YouTube, http://www.youtube.com/watch?v=J_cGyPwt5UI]
2012

Prince photo
Boniface Mwangi photo
Sherilyn Fenn photo
Ilana Mercer photo
Aron Ra photo

“Godzilla 2014 missed the mark primarily because it is not an origins story. Gojira was a monster of our own making. Similarly Gino was supposed to impose nature’s response to our meddling. But G2014 pre-existed genetic modifications and nuclear testing. We have no responsibility for him, nor the mutos either. They come from a time that never was, millions of years ago, “when the world was much more radioactive than it is today”. The story implies that mutos ‘eat radiation’. In the film, they can track it through every kind of protective shielding, and they eat nuclear devices like fruit -metallic peal and all. I guess millions of years ago, nuclear missiles grew on trees, and kaiju were common even though they’re absent from the fossil record -with only one top-secret exception. As an advocate of science education with a deep interest in paleontology, and as someone who would rather see humans held accountable for what they do to their environment, this film was very disappointing. As an atheist, it was even worse. The star of the film not only has impossible dimensions and an inexplicable power, he is also immortal. He’s been alive forever, and spends all his time sleeping. He awakens only he senses submarines or the arrival of other kaiju, because he has a mission to protect humanity. G2014 put the ‘god’ in Godzilla. The director called him a god, and some of the characters in the movie describe him as a god too. So he’s not a lizard, not a dinosaur, but one of the Lovecraftian great old ones like Cthulhu. In a video I made years ago, I too joked about Godzilla being a god. But it was still somewhat disappointing to see him depicted that way.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

George Burns photo
Oscar Levant photo
Roman Polanski photo

“I don't know that you can speak of shock … Nothing is too shocking for me. I don't really know what is shocking. When you tell the story of a man who is beheaded, you have to show how they cut off his head. If you don't, it's like telling a dirty joke and leaving out the punch line.”

Roman Polanski (1933) Polish-French film director, producer, writer, actor, and rapist

As quoted in Atlas magazine, Vol. 20 (1971), p. 56, and The Book of Hollywood Quotes (1979) by Gary Herman, p. 26

Barney Frank photo
Edgar Rice Burroughs photo

“What attracted me the most of all to the detective story, was the protective covering offered to the author.”

Margery Allingham (1904–1966) English writer of detective fiction

The Oaken Heart

Pat Condell photo
William Burges photo

“The great feature of our medieval chamber is the furniture; this, in a rich apartment, would be covered with paintings, both ornaments and subjects; it not only did its duty as furniture, but spoke and told a story.”

William Burges (1827–1881) English architect

Source: Art applied to industry: a series of lectures, 1865, p. 71; Partly cited in: Export of objects of cultural interest 2010/11: 1 May 2010 - 30 April 2011. Stationery Office, 13 dec. 2011

Nastassja Kinski photo

“A thriller is supposed to thrill you! So it's the plotting of the movie and the unveiling of the story which is important.”

Nastassja Kinski (1961) German actress

Interview with actress Nastassja Kinski http://www.indiantelevision.com/interviews/y2k3/actor/nastassja.htm, Indiantelevision.com, 23 August, 2003

Isaac Asimov photo
Ahmad Shamlou photo

“I am not a story to tell me”

Ahmad Shamlou (1925–2000) Iranian Persian poet, writer, and journalist

sourced, poetry

Richard Holbrooke photo

“The fighting in western Bosnia intensified as the cease-fire approached. (…) Facing the end of the fighting, the Croats and the Bosnians finally buried their differences, if only momentarily, and took Sanski Most and several other smaller towns. But Prijedor still eluded them. For reasons we never fully undestood, they did not capture this important town, a famous symbol of ethnic cleansing.* (*In March 1997, I attended a showing at the Council on Foreign Relations in New York of a powerful documentary film, Calling the ghosts, that recounted the brual treatmen two Bosnian women from Prijedor had suffered during their incarceration at the notorious Omarska prison camp. Following the film, the two women angrily asked me why they were still unable to return to their hometown. I told them we'd repeatedly encouraged an assault on Prijedor. They were stonished; they said General Dudakovic, the Bosnian commander, had told them personally that "Holbrooke would not let us capture Prijedor and Bosanski Novi". I subsequently learned that this story was widely believed in the region. This revisionism was not surprising; it absolved Dudakovic and his associates of responsibility for the failure to take Prijedor. I suspect the truth is that after the disaster at the Una River the Croatians did not want to fight for a town the would have to turn over to the Muslims - and the Bosnians could not capture it unaided.”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), p. 206

Bob Woodward photo

“I don't believe you on the 'Jimmy' story. No, I don't, and I'm going to prove it if it's the last thing I do.”

Bob Woodward (1943) American journalist

Post Reporter's Pulitzer Prize Is Withdrawn; Pulitzer Board Withdraws Post Reporter's Prize (19 April 1981)

Tom Wolfe photo
Alan M. Dershowitz photo
Milkha Singh photo

“Discipline, hard work, will power…. My experience made me so hard that I wasn't even scared of death." But one story reflects his desire clearest.”

Milkha Singh (1935) Indian track and field athlete

But one story reflects his desire clearest. The 'Flying Sikh' remembers, Rohit, Brijnath, 30 July 2008, 12 July 2013, BBC News http://news.bbc.co.uk/1/hi/world/south_asia/7532626.stm,

“Layla’s story, though not always accurate, was far more interesting than the truth.”

Source: A Mask for the General (1987), Chapter 12 (p. 214)

Anthony Burgess photo

“I have always had a fascination with traveling to magical places. Many of my own stories take place in other places, other dimensions. I guess I'm the ultimate escapist.”

Robert D. San Souci (1946–2014) Children's writer

Robert D. San Souci – Penguin Books USA http://www.penguin.com/author/robert-d-san-souci/26813

Joe Strummer photo

“I'd define it as self-awareness: an ability to trust your own judgment. An ability to see through veils of bullshit or spins on stories or propaganda. Maybe an ability to think for yourself.”

Joe Strummer (1952–2002) British musician, singer, actor and songwriter

About punk.
Joe Strummer: Putting a Scare into he Hearts of All Things Corporate (2002)

Ursula K. Le Guin photo
Neal Stephenson photo
Robert M. Price photo

“Links in the gospels, e. g., with Herod the Great, Joseph Caiaphas, and Pontius Pilate, are so problematical on internal grounds that most critical scholars, never meaning to espouse Mythicism, reject these features of the story as legendary.”

Robert M. Price (1954) American theologian

[Price, Robert M., w:Robert M. Price, The Christ-Myth Theory and Its Problems, https://books.google.com/books?id=qhyzNAEACAAJ, 2011, American Atheist Press, 978-1-57884-017-5, 425, Conclusion: Do You “No” Jesus?]

Francis Escudero photo
Louis-ferdinand Céline photo
John Cheever photo

“A collection of short stories is generally thought to be a horrendous clinker; an enforced courtesy for the elderly writer who wants to display the trophies of his youth, along with his trout flies.”

John Cheever (1912–1982) American novelist and short story writer

Quoted in James Charlton's The Writer’s Quotation Book (1980).

Chuck Klosterman photo
Mahmud of Ghazni photo

“Asjadi composed the following qaSida in honour of this expedition: When the King of kings marched to Somnat, He made his own deeds the standard of miracles' 'Once more he led his army against Somnat, which is a large city on the coast of the ocean, a place of worship of the Brahmans who worship a large idol. There are many golden idols there. Although certain historians have called this idol Manat, and say that it is the identical idol which Arab idolaters brought to the coast of Hindustan in the time of the Lord of the Missive (may the blessings and peace of God be upon him), this story has no foundation because the Brahmans of India firmly believe that this idol has been in that place since the time of Kishan, that is to say four thousand years and a fraction' The reason for this mistake must surely be the resemblance in name, and nothing else' The fort was taken and Mahmud broke the idol in fragments and sent it to Ghaznin, where it was placed at the door of the Jama' Masjid and trodden under foot.'….'In the year AH 402 (AD 1011) he set out for Thanesar and Jaipal, the son of the former Jaipal, offered him a present of fifty elephants and much treasure. The Sultan, however, was not to be deterred from his purpose; so he refused to accept his present, and seeing Thanesar empty he sacked it and destroyed its idol temples, and took away to Ghaznin, the idol known as Chakarsum on account of which the Hindus had been ruined; and having placed it in his court, caused it to be trampled under foot by the people… From thence he went to Mathra (Mathura) which is a place of worship of the infidels and the birthplace of Kishan, the son of Basudev, whom the Hindus Worship as a divinity - where there are idol temples without number, and took it without any contest and razed it to the ground. Great wealth and booty fell into the hands of the Muslims, among the rest they broke up by the orders of the Sultan, a golden idol.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Muntakhabut-Tawarikh, translated into English by George S.A. Ranking, Patna Reprint 1973, Vol. I, p. 17-28
Quotes from Muslim medieval histories

Errol Morris photo

“There's the Mike Wallace approach, or you can call it the Michael Moore approach, which is the adversarial approach. In the end, that is not in the service of finding out anything. It's in service of dramatizing a received view: Namely, "This guy is an asshole, and now I will illustrate how this guy is an asshole by showing his inability to answer the questions I put to him." It's not what I'm about. It's not that one approach is good and the other is bad. They just have different valences. I like confrontation as much as the next guy. I'll give you the best example I can think of for why I like my method. [During] my interview with Emily Miller, one of the wacko eyewitnesses in The Thin Blue Line, she volunteered that she had failed to pick out Randall Adams in a police lineup. It wasn't me saying to her, "Emily Miller, how come you failed to pick out Randall Adams in a police lineup?" Why? Because I didn't know she failed to do it, because part of the trial record said she had successfully picked him out. When I heard this, not in response to some adversarial question, just her telling me her story, I asked her, "How did you know you failed to pick out Randall Adams?"”

Errol Morris (1948) American filmmaker and writer

She said, "I know because the policeman sitting next to me told me I had picked out the wrong person and pointed out the right person so I wouldn't make that mistake again."
Source: Pitch Weekly http://www.tipjar.com/dan/errolmorris.html

Kent Hovind photo
Walt Disney photo

“Animation offers a medium of story telling and visual entertainment which can bring pleasure and information to people of all ages everywhere in the world.”

Walt Disney (1901–1966) American film producer and businessman

As quoted in "COSI exhibit explores world of cartoons" by Jeffrey Zupanic in The Review (2 August 2007) http://www.the-review.com/news/article/2344671

Fredric Jameson photo
Richard Matheson photo

“Somewhere In Time is the story of a love which transcends time, What Dreams May Come is the story of a love which transcends death. … I feel that they represent the best writing I have done in the novel form.”

Richard Matheson (1926–2013) American fiction writer

Introduction to an Omnibus edition of his work, as quoted in Somewhere in Time (1998), p. 318 - 319

George Eliot photo
Sarah Schulman photo
Jef Raskin photo
Philippe Starck photo
John C. Reilly photo
John R. Erickson photo
John Crowe Ransom photo
Steve Ballmer photo
Jane Roberts photo
Ernest Hemingway photo
Ann Coulter photo

“For years I've been privileged to receive words of thanks and encouragement from people all over the world, often simply asking how I'm doing. I'm thrilled to have the opportunity to share my story in the hope it will continue to resonate with people facing challenges in their own lives.”

Lauren Manning (1961) American banker

Sept. 11 burn survivor, Lauren Manning, has book deal http://blog.syracuse.com/entertainment/2011/01/sept_11_burn_survivor_lauren_m.html as quoted in Association Press, 10 January 2011