Quotes about storm
page 5

William Jennings Bryan photo
Sören Kierkegaard photo

“After a considerable walk through the forest, where I became acquainted with several of the little lakes I am so fond of, I came to Hestehaven and Lake Carl. Here is one of the most beautiful regions I have ever seen. The countryside is somewhat isolated and slopes steeply down to the lake, but with the beech forests growing on either side, it is not barren. A growth of rushes forms the background and the lake itself the foreground; a fairly large part of the lake is clear, but a still larger part is overgrown with the large green leaves of the waterlily, under which the fish seemingly try to hide but now and then peek out and flounder about on the surface in order to bathe in sunshine. The land rises on the opposite side, a great beech forest, and in the morning light the lighted areas make a marvelous contrast to the shadowed areas. The church bells call to prayer, but not in a temple made by human hands. If the birds do not need to be reminded to praise God, then ought men not be moved to prayer outside of the church, in the true house of God, where heaven's arch forms the ceiling of the church, where the roar of the storm and the light breezes take the place of the organ's bass and treble, where the singing of the birds make up the congregational hymns of praise, where echo does not repeat the pastor's voice as in the arch of the stone church, but where everything resolves itself in an endless antiphony — Hillerød, July 25, 1835”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

1830s, The Journals of Søren Kierkegaard, 1830s

Jones Very photo
Hillary Clinton photo
Maurice Glasman, Baron Glasman photo
Frederick Douglass photo
Honoré de Balzac photo

“A girl's coquetry is of the simplest, she thinks that all is said when the veil is laid aside; a woman's coquetry is endless, she shrouds herself in veil after veil, she satisfies every demand of man's vanity, the novice responds but to one.
And there are terrors, fears, and hesitations — trouble and storm in the love of a woman of thirty years, never to be found in a young girl's love. At thirty years a woman asks her lover to give her back the esteem she has forfeited for his sake; she lives only for him, her thoughts are full of his future, he must have a great career, she bids him make it glorious; she can obey, entreat, command, humble herself, or rise in pride; times without number she brings comfort when a young girl can only make moan.”

La jeune fille n'a qu'une coquetterie, et croit avoir tout dit quand elle a quitté son vêtement; mais la femme en a d'innombrables et se cache sous mille voiles; enfin elle caresse toutes les vanités, et la novice n'en flatte qu'une. Il s'émeut d'ailleurs des indécisions, des terreurs, des craintes, des troubles et des orages chez la femme de trente ans, qui ne se rencontrent jamais dans l'amour d'une jeune fille.Arrivée à cet âge, la femme demande à un jeune homme de lui restituer l'estime qu'elle lui a sacrifiée; elle ne vit que pour lui, s'occupe de son avenir, lui veut une belle vie, la lui ordonne glorieuse; elle obéit, elle prie et commande, s'abaisse et s'élève, et sait consoler en mille occasions, où la jeune fille ne sait que gémir.
Source: A Woman of Thirty (1842), Ch. III: At Thirty Years.

Friedrich Engels photo
Chief Seattle photo
Edwin Arnold photo
Thomas Fuller (writer) photo
Thomas Moore photo

“Alas! how light a cause may move
Dissension between hearts that love!
Hearts that the world in vain had tried,
And sorrow but more closely tied;
That stood the storm when waves were rough,
Yet in a sunny hour fall off,
Like ships that have gone down at sea
When heaven was all tranquillity.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Lalla Rookh http://www.columbia.edu/itc/mealac/pritchett/00generallinks/lallarookh/index.html (1817), Part IX: The Light of the Harem

George William Curtis photo
Wallace Stevens photo
Edwin M. Stanton photo
John Constable photo

“The landscapes of Ruysdael present the greatest possible contrast to those of Claude, showing how powerfully, from the most opposite directions, genius may command our homage. In Claude's pictures, with scarcely an exception, the sun ever shines. Ruysdael, on the contrary, delighted in, and has made delightful to our eyes, those solemn days, peculiar to his country and to ours, when without storm, large rolling clouds scarcely permit a ray of sunlight to break the shades of the forest.”

John Constable (1776–1837) English Romantic painter

Quote from 'The History of Landscape Painting,' third lecture, Royal Institution (9 June 1836), from notes taken by C.R. Leslie; as quoted in: 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 366-67
1830s, his lectures History of Landscape Painting (1836)

Frederic G. Kenyon photo

“Storm and stress; phrase suggested to F. M. Klinger as a title for his new play.”

Sturm und Drang
Concise Oxford Dictionary of Quotations (2nd ed. 1981) p. 138

Orrin H. Pilkey photo
Chinmayananda Saraswati photo

“Seek the Lord In the smiles of your friends, In the glow of angry eyes, In the storms of passion. He is everywhere, in everything.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

Letitia Elizabeth Landon photo
Artur Balder photo

“I am the unknown Will,
The Anger that threatens glory and ruin:
Lord of Storms am I,
in heaven high and caverns deep.
I am the Father of the War,
Odin for you, Wotan for him,
Wayfarer, Wanderer, beggar, king,
numen, genius, strength and ring.”

Artur Balder (1974) Spanish film director

Invocation of the Nordic god Odin, from "Invocations and Oracles", Germanic Appendices, Volume V of the Teutoburg Saga, as quoted in advance posting (30 September 2014) https://m.facebook.com/ArturBalderWeb/photos/a.328905527173875.77327.224962374234858/757576457640111/?type=1

John Muir photo
Silius Italicus photo

“Huge as the snakes that armed the Giants when they stormed heaven, or as the hydra that wearied Hercules by the waters of Lerna, or as Juno's snake that guarded the boughs with golden foliage.”
Quantis armati caelum petiere Gigantes anguibus, aut quantus Lernae lassavit in undis Amphitryoniaden serpens, qualisque comantis auro servauit ramos Junonius anguis.

Book VI, lines 181–184
Punica

F. Scott Fitzgerald photo
John Muir photo
Mark Ames photo
Justin D. Fox photo
Adelaide Anne Procter photo
John Muir photo
Kofi Annan photo
William Pitt the Younger photo
George W. Bush photo

“We are not this story's author, who fills time and eternity with His purpose. Yet His purpose is achieved in our duty, and our duty is fulfilled in service to one another. Never tiring, never yielding, never finishing, we renew that purpose today; to make our country more just and generous; to affirm the dignity of our lives and every life. This work continues. This story goes on. And an Angel still rides in the whirlwind and directs this storm.”

George W. Bush (1946) 43rd President of the United States

Bush concluded his address with these lines, paraphrasing a quotation by John Page he had used earlier within it: We know the race is not to the swift nor the battle to the strong. Do you not think an angel rides in the whirlwind and directs this storm?. Page himself, in a letter to Thomas Jefferson (20 July 1776), was quoting a phrase from Ecclesiastes 9:11: I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to the intelligent, nor yet favour to men of knowledge; but time and chance happeneth to them all.
2000s, 2001, First inaugural address (January 2001)

Robert Jordan photo
John Buchan photo
Sarah Dessen photo
Wilhelm Liebknecht photo

“All who are weary and heavy laden; all who suffer under injustice; all who suffer from the outrages of the existing bourgeois society; all who have in them the feeling of the worth of humanity, look to us, turn hopefully to us, as the only party that can bring rescue and deliverance. And if we, the opponents of this unjust world of violence, suddenly reach out the hand of brotherhood to it, conclude alliances with its representatives, invite our comrades to go hand in hand with the enemy whose misdeeds have driven the masses into our camp, what confusion must result in their minds! … It must be that for the hundreds and thousands, for the millions that have sought salvation under our banner, it was all a colossal mistake for them to come to us. If we are not different from the others, then we are not the right ones – the Savior is yet to come; and the Social Democracy was a false Messiah, no better than the other false ones! Just in this fact lies our strength, that we are not like the others, and that we are not only not like the others, and that we are not simply different from the others, but that we are their deadly enemy, who have sworn to storm and demolish the Bastile of Capitalism, whose defenders all those others are. Therefore we are only strong when we are alone. This is not to say that we are to individualise or to isolate ourselves. We have never lacked for company, and we never shall so long as the fight lasts. On the essentially true but literally false phrase about a “single reactionary mass,” the Social Democracy has never believed since it passed from the realm of theory to that of practice. We know that the individual members and divisions of the “single reactionary mass” are in conflict with each other, and we have always used these conflicts for our purposes. We have used opponents against opponents, but have never allowed them to use us.”

Wilhelm Liebknecht (1826–1900) German socialist politician

No Compromise – No Political Trading (1899)

George Villiers, 2nd Duke of Buckingham photo
Sam Houston photo
Walter Scott photo
Letitia Elizabeth Landon photo
Miguel de Unamuno photo
George Raymond Richard Martin photo

“Back at the Philadelphia Worldcon (which seems a million years ago), I announced the famous five-year gap: I was going to skip five years forward in the story, to allow some of the younger characters to grow older and the dragons to grow larger, and for various other reasons. I started out writing on that basis in 2001, and it worked very well for some of my myriad characters but not at all for others, because you can't just have nothing happen for five years. If things do happen you have to write flashbacks, a lot of internal retrospection, and that's not a good way to present it. I struggled with that essentially wrong direction for about a year before finally throwing it out, realizing there had to be another interim book. That became A Feast for Crows, where the action is pretty much continuous from the preceding book. Even so, that only accounts for one year. Why the four after that? I don't know, except that this was a very tough book to write -- and it remains so, because I've only finished half. Going in, I thought I could do something about the length of the second book in the series, A Clash of Kings, roughly 1,200 pages in manuscript. But I passed that and there was a lot more to write. Then I passed the length of the third book, A Storm of Swords, which was something like 1,500 pages in manuscript and gave my publishers all around the world lots of production problems. I didn't really want to make any cuts because I had this huge story to tell. We started thinking about dividing it in two and doing it as A Feast for Crows, Parts One and Two, but the more I thought about that the more I really did not like it. Part One would have had no resolution whatsoever for 18 viewpoint characters and their 18 stories. Of course this is all part of a huge megaseries so there is not a complete resolution yet in any of the volumes, but I try to give a certain sense of completion at the end of each volume -- that a movement of the symphony has wrapped up, so to speak.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

Interview with Locus magazine (November 2005)

Osamu Dazai photo
Ben Croshaw photo
Baba Amte photo
Newton Lee photo

“Temporary safety is not the same as long-term security. A false sense of security is like the calm before the storm.”

Newton Lee American computer scientist

Counterterrorism and Cybersecurity: Total Information Awareness (2nd Edition), 2015

Sathya Sai Baba photo
George William Curtis photo
Ho Chi Minh photo

“Remember that the storm is a good opportunity for the pine and the cypress to show their strength and their stability.”

Ho Chi Minh (1890–1969) Vietnamese communist leader and first president of Vietnam

As quoted in From Colonialism to Communism : A Case History of North Vietnam (1964) by Văn Chí Hoàng, p. 37

Pauline Kael photo
Willa Cather photo
Wassily Kandinsky photo

“.. the works of Mozart. They create a welcome pause amidst the storms of our inner life, a vision of consolation and hope, but we hear them like sounds of another, vanished and essential unfamiliar age. Clashing discords, loss of equilibrium..”

Wassily Kandinsky (1866–1944) Russian painter

Quote from: On the Spiritual in Art, 1911; as cited in Schönberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint of Taylor & Francis, an informal company), 2003, p. 17
1910 - 1915

“…In the year 832 he marched again to Idur; and on the sixth of Suffur, AH 832 (AD Nov. 14, 1428) carried by storm one of the principal forts in that province, wherein he built a magnificent mosque…”

Firishta (1560–1620) Indian historian

Sultãn Ahmad Shãh I of Gujrat (AD 1411-1443) Idar (Gujarat)
Tãrîkh-i-Firishta

Peter Gabriel photo
Yury Dombrovsky photo
Park Benjamin, Sr. photo

“Remember the storm, the lighthouse
That brought us together
Another storm, a different light
Drove us asunder again
Even though morning or evening
Sky and ocean stand between us
You are always on my voyage
I am always in your sight”

Shu Ting (1952) Chinese writer

"Two-Masted Ship" (27 August 1979), in The Red Azalea: Chinese Poetry Since the Cultural Revolution, ed. Edward Morin (University of Hawaii Press, 1990), p. 101

Ella Wheeler Wilcox photo
John Muir photo

“Storms of every sort, torrents, earthquakes, cataclysms, "convulsions of nature," etc., however mysterious and lawless at first sight they may seem, are only harmonious notes in the song of creation, varied expressions of God's love.”

John Muir (1838–1914) Scottish-born American naturalist and author

" The Fountains and Streams of the Yosemite National Park http://books.google.com/books?id=2CsRAAAAMAAJ&pg=PA556", The Atlantic Monthly, volume LXXXVII, number 519 (January 1901) pages 556-565 (at page 565); reprinted in Our National Parks http://www.sierraclub.org/john_muir_exhibit/writings/our_national_parks/ (1901), chapter 8: The Fountains and Streams of the Yosemite National Park
1900s, Our National Parks (1901)

Dylan Moran photo
Anne Rice photo
Jean Paul Sartre photo
John Muir photo

“The rugged old Norsemen spoke of death as Heimgang — home-going. So the snow-flowers go home when they melt and flow to the sea, and the rock-ferns, after unrolling their fronds to the light and beautifying the rocks, roll them up close again in the autumn and blend with the soil. Myriads of rejoicing living creatures, daily, hourly, perhaps every moment sink into death’s arms, dust to dust, spirit to spirit — waited on, watched over, noticed only by their Maker, each arriving at its own heaven-dealt destiny. All the merry dwellers of the trees and streams, and the myriad swarms of the air, called into life by the sunbeam of a summer morning, go home through death, wings folded perhaps in the last red rays of sunset of the day they were first tried. Trees towering in the sky, braving storms of centuries, flowers turning faces to the light for a single day or hour, having enjoyed their share of life’s feast — all alike pass on and away under the law of death and love. Yet all are our brothers and they enjoy life as we do, share heaven’s blessings with us, die and are buried in hallowed ground, come with us out of eternity and return into eternity. 'Our little lives are rounded with a sleep.”

John Muir (1838–1914) Scottish-born American naturalist and author

pages 439-440
("Trees towering … into eternity" are the next-to-last lines of the documentary film " John Muir in the New World http://www.pbs.org/wnet/americanmasters/episodes/john-muir-in-the-new-world/watch-the-full-documentary-film/1823/" (American Masters), produced, directed, and written by Catherine Tatge.)
John of the Mountains, 1938

Rick Warren photo
Sydney Smith photo
Erasmus Darwin photo
Wesley Clark photo
Patrick Buchanan photo
Elie Wiesel photo

“"Safety first" has been the motto of the human race for half a million years; but it has never been the motto of leaders. A leader must face danger. He must take the risk and the blame, and the brunt of the storm.”

Herbert N. Casson (1869–1951) Canadian journalist and writer

Herbert N. Casson in: The Office Economist (1935) Vol. 17-21. p. 145
1920s-1940s

Percy Bysshe Shelley photo
William the Silent photo

“They stormed Oudewater, and delivered it over to all imaginable cruelties, sparing neither sex nor age.”

William the Silent (1533–1584) stadtholder of Holland, Zeeland and Utrecht, leader of the Dutch Revolt

On the actions of the Spanish at Oudewater, as quoted in William the Silent (1897) by Frederic Harrison, p. 87

Subcomandante Marcos photo
Mahmoud Ahmadinejad photo
Edward Dorr Griffin photo
Joaquin Miller photo
Pauline Kael photo
Adelaide Anne Procter photo
Peter Gabriel photo
Steve Kilbey photo
Gerard Bilders photo

“For me Ruisdael is the true man of poetry, the real poet. There is a world of sad, serious and beautiful thoughts in his paintings. They possess a soul and a voice that sounds deep, sad and dignified. They tell melancholic stories, speak of gloomy things and are witnesses of a sad spirit. I see him wander, turned in on himself, his heart opened to the beauties of nature, in accordance with his mood, on the banks of that dark gray stream that rustles and splashes along the reeds. And those skies!... In the skies one is completely free, untied, all of himself.... what a genius he is! He is my ideal and almost something perfect. When it storms and rains, and heavy, black clouds fly back and forth, the trees whiz and now and then a strange light breaks through the air, and falls down here and there on the landscape, and there is a heavy voice, a grand mood in nature; that is what he paints; that is what he [Ruysdael] is imaging.”

Gerard Bilders (1838–1865) painter from the Netherlands

(version in original Dutch / citaat van Bilders' brief, in het Nederlands:) Ruisdael is voor mij de ware man der poezië, de echte dichter. Daar is een wereld van droevige, ernstige schone gedachten in zijn schilderijen. Ze hebben een ziel en een stem, die diep, treurig, deftig klinkt. Zij doen weemoedige verhalen, spreken van sombere dingen, getuigen van een treurige geest. Ik zie hem dwalen, in zichzelf gekeerd, het hart geopend voor de schoonheden der natuur, in overeenstemming met zijn gemoed, aan de oevers van die donkere grauwe stroom die ritselt en plast langs het riet. En die luchten!.. .In de luchten is men geheel vrij, ongebonden, geheel zichzelf.. ..welke een genie is hij [Ruisdael]! Hij is mijn ideaal en bijna iets volmaakts.Als het stormt en regent, en zware, zwarte wolken heen en weer vliegen, de bomen suizen en nu en dan een wonderlijk licht door de lucht breekt en hier en daar op het landschap neervalt, en er een zware stem, een grootse stemming in de natuur is, dat schildert hij, dat geeft hij weer.
Source: 1860's, Vrolijk Versterven' (from Bilders' diary & letters), pp. 51+52, - quote from Bilders' diary, 24 March 1860, written in Amsterdam

Grover Cleveland photo

“The ship of Democracy, which has weathered all storms, may sink through the mutiny of those aboard.”

Grover Cleveland (1837–1908) 22nd and 24th president of the United States

Quoted in The American Mercury (1961), in a letter from Cleveland to his law partner, Wilson S. Bissell, February 15th, 1894. https://books.google.com/books?id=BIsqAAAAMAAJ&q=%22The+present+danger%22+cleveland+bissell&dq=%22The+present+danger%22+cleveland+bissell&hl=en&sa=X&ved=0ahUKEwj68-CIhenSAhXpCMAKHdsXCKQQ6AEIHjAB.

Halldór Laxness photo
Liam O'Flaherty photo
John Muir photo
Fyodor Tyutchev photo
Mahmoud Ahmadinejad photo
Jerome K. Jerome photo
John Ogilby photo
George Gissing photo