“It’s funny how one summer can change everything. It must be something about the heat and the smell of chlorine, fresh-cut grass and honeysuckle, asphalt sizzling after late-day thunderstorms, the steam rising while everything drips around it. Something about long, lazy days and whirring air conditioners and bright plastic flip-flops from the drugstore thwacking down the street. Something about fall being so close, another year, another Christmas, another beginning. So much in one summer, stirring up like the storms that crest at the end of each day, blowing out all the heat and dirt to leave everything gasping and cool. Everyone can reach back to one summer and lay a finger to it, finding the exact point when everything changed. That summer was mine.”

That Summer (1996)

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Sarah Dessen511

American writer 1970

Jasper Johns (1930) American artist

Book B (sketchbook), c 1967: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 62
1960s

“Under the sun the summer grasses fade.
The rose, expiring after the harsh ravage
Of the heat, languishes toward the shade.
Sleep drips from the foliage.”

Renée Vivien (1877–1909) British poet who wrote in the French language

L’herbe de l’été pâlit sous le soleil. La rose, expirant sous les âpres ravages Des chaleurs, languit vers l’ombre, et le sommeil Coule des feuillages. La fraîcheur se glisse http://www.reneevivien.com/sapho.html#fraicheur (Coolness glides...), trans. Margaret Porter (1977) Sapho http://www.reneevivien.com/sapho.html (1903)

“It was an unusually hot afternoon. One of those days all slowly ambling bumblebees and honeysuckle and so forth, at which the English countryside, when it puts its mind to it, excels, and quite unlike any summer day anywhere else. Calm and still and lovely, but never without a sense of something impending. The sort of day one misses even as one experiences it.”

China Miéville book The Design

The Design (p. 377)
Short Fiction, Three Moments of an Explosion (2015)

“We were all so different, temperamentally from one another, it's impossible to believe that we were together for so long. The cast and crew. How could we be more different from one another? It's difficult to imagine. But something lovely came of it.”

Madeleine Stowe (1958) American actress

Mohican Press interview (2005)
Context: There came a point in time, with all the difficulty, all the frustration, where I was quite content to be where I was. I suppose one could call it a kind of enchantment, I don't know. The shoot was so difficult on the crew and the extras. Often, it was unpleasant for them and many left. But difficulty also creates its own kind of beauty, I suppose. And while I don't revisit it unless asked, there is this sense of apartness I felt during that period of time from our own world. Perhaps the others felt the same, I'm unsure, and that is what you might feel when you watch the movie. We were all so different, temperamentally from one another, it's impossible to believe that we were together for so long. The cast and crew. How could we be more different from one another? It's difficult to imagine. But something lovely came of it.