Quotes about start
page 21

Glenn Beck photo

“Glenn Beck: But I was standing on the stage with Freedom Works on Friday in a show that we’re going to air tonight at 8:00 on TheBlaze and I was giving a speech and it struck me about halfway through, the similarities of what is being done right now to the beginning of our country— we are repeating, and we're at the very beginning of it, but we're repeating all of the steps that it took for use to be free in— around the time of the Declaration of Independence, don't you think?
David Barton: I agree. And I look—
Glenn Beck: It's starting to happen.”

Glenn Beck (1964) U.S. talk radio and television host

2012-11-05
Will Christians show up this time? Glenn interviews David Barton
http://www.glennbeck.com/2012/11/05/will-christians-show-up-this-time-glenn-interviews-david-barton/
The Glenn Beck Program
Radio, quoted in * 2012-11-05
Beck & Barton Say Romney Will Win Because 'We are Repeating all of the Steps' the Founders Took to Create This Nation
Kyle
Mantyla
RightWingWatch
http://www.rightwingwatch.org/content/beck-barton-say-romney-will-win-because-we-are-repeating-all-steps-founders-took-create-nati
2012-11-07
2010s, 2012

Nigel Cumberland photo

“Dreams are the fuel for your success. Without them there can never be any meaningful and lasting success in your life. Like a car engine without high-quality fuel you risk living a life that never quite gets started.”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Mitt Romney photo

“So we started a new business called Bain Capital. The only problem was, while WE believed in ourselves, nobody else did. We were young and had never done this before and we almost didn't get off the ground. In those days, sometimes I wondered if I had made a really big mistake. I had thought about asking my church's pension fund to invest, but I didn't. I figured it was bad enough that I might lose my investors' money, but I didn't want to go to hell too. Shows what I know. Another of my partners got the Episcopal Church pension fund to invest. Today there are a lot of happy retired priests who should thank him. That business we started with 10 people has now grown into a great American success story. Some of the companies we helped start are names you know. An office supply company called Staples – where I'm pleased to see the Obama campaign has been shopping; The Sports Authority, which became a favorite of my sons. We started an early childhood learning center called Bright Horizons that First Lady Michelle Obama rightly praised. At a time when nobody thought we'd ever see a new steel mill built in America, we took a chance and built one in a corn field in Indiana. Today Steel Dynamics is one of the largest steel producers in the United States.”

Mitt Romney (1947) American businessman and politician

2012-08-31
http://www.npr.org/2012/08/30/160357612/transcript-mitt-romneys-acceptance-speech
Transcript: Mitt Romney's Acceptance Speech
NPR
[2012-08-30, gopconvention2012, Mitt Romney: Introduction (video), YouTube, http://www.youtube.com/watch?v=J_cGyPwt5UI]
2012

Joseph Beuys photo
Noam Chomsky photo
William Cowper photo
Marilyn Manson photo
Bret Easton Ellis photo
Dylan Moran photo
Julio Cortázar photo

“"Hair loss and retrieval" (Translation of "Pérdida y recuperación del pelo")


To combat pragmatism and the horrible tendency to achieve useful purposes, my elder cousin proposes the procedure of pulling out a nice hair from the head, knotting it in the middle and droping it gently down the hole in the sink. If the hair gets caught in the grid that usually fills in these holes, it will just take to open the tap a little to lose sight of it.


Without wasting an instant, must start the hair recovery task. The first operation is reduced to dismantling the siphon from the sink to see if the hair has become hooked in any of the rugosities of the drain. If it is not found, it is necessary to expose the section of pipe that goes from the siphon to the main drainage pipe. It is certain that in this part will appear many hairs and we will have to count on the help of the rest of the family to examine them one by one in search of the knot. If it does not appear, the interesting problem of breaking the pipe down to the ground floor will arise, but this means a greater effort, because for eight or ten years we will have to work in a ministry or trading house to collect enough money to buy the four departments located under the one of my elder cousin, all that with the extraordinary disadvantage of what while working during those eight or ten years, the distressing feeling that the hair is no longer in the pipes anymore can not be avoided and that only by a remote chance remains hooked on some rusty spout of the drain.


The day will come when we can break the pipes of all the departments, and for months to come we will live surrounded by basins and other containers full of wet hairs, as well as of assistants and beggars whom we will generously pay to search, assort, and bring us the possible hairs in order to achieve the desired certainty. If the hair does not appear, we will enter in a much more vague and complicated stage, because the next section takes us to the city's main sewers. After buying a special outfit, we will learn to slip through the sewers at late night hours, armed with a powerful flashlight and an oxygen mask, and explore the smaller and larger galleries, assisted if possible by individuals of the underworld, with whom we will have established a relationship and to whom we will have to give much of the money that we earn in a ministry or a trading house.


Very often we will have the impression of having reached the end of the task, because we will find (or they will bring us) similar hairs of the one we seek; but since it is not known of any case where a hair has a knot in the middle without human hand intervention, we will almost always end up with the knot in question being a mere thickening of the caliber of the hair (although we do not know of any similar case) or a deposit of some silicate or any oxide produced by a long stay against a wet surface. It is probable that we will advance in this way through various sections of major and minor pipes, until we reach that place where no one will decide to penetrate: the main drain heading in the direction of the river, the torrential meeting of detritus in which no money, no boat, no bribe will allow us to continue the search.


But before that, and perhaps much earlier, for example a few centimeters from the mouth of the sink, at the height of the apartment on the second floor, or in the first underground pipe, we may happen to find the hair. It is enough to think of the joy that this would cause us, in the astonished calculation of the efforts saved by pure good luck, to choose, to demand practically a similar task, that every conscious teacher should advise to its students from the earliest childhood, instead of drying their souls with the rule of cross-multiplication or the sorrows of Cancha Rayada.”

Julio Cortázar (1914–1984) Argentinian writer

Historias de Cronopios y de Famas (1962)

Roger Raveel photo

“That I started [in the creation of his art] from my immediate environment was extremely important to me. Only the things I knew, with which I was familiar, which I had caught on their reality value, I could approach free of extra-pictorial aesthetics and pale romanticism. Of course the question remained how I - who wanted to involve modern life in my art - could continue to seek my inspiration at Machelen-aan-de-Leie, a village in the countryside, far from the city and the crowds. Where can one sense better the infiltration of modern life than in a village in the countryside? In the city everything gets integrated immediately, you can't see clearly the insulating and contrasting-alienating effect of publicity, the gas-station, the concrete, the car, etc. On the other hand, I keep saying that we must continue to see the grass, the corn and the cows. Not within an animistic unity, but from a mentality that has the courage to approach these things freely and ruthless in our era. What ordinary people make out of life is fascinating me.”

Roger Raveel (1921–2013) painter

Dat ik [met het maken van mijn kunst] vertrok uit mijn onmiddellijke omgeving vond ik uiterst belangrijk. Alleen de dingen die ik kende, waarmee ik vertrouwd was, die ik op hun werkelijkheidswaarde had betrapt konden vrij van extra-picturale esthetiek en van bleek romantisme door mij benaderd worden. De vraag bleef natuurlijk hoe ik, die het moderne leven in mijn kunst wou betrekken, mijn inspiratie kon blijven zoeken te Machelen-aan-de-Leie, een dorp op het platteland, ver van de stad en van de drukte. Waar kan men beter het infiltreren van het moderne leven gewaar worden dan in een dorp op het platteland? In de stad wordt alles onmiddellijk geïntegreerd, ziet men niet zo scherp de isolerende en tevens contrasterend-bevreemdende werking van de publiciteit, het benzinestation, het beton, de auto, enz. Aan de andere kant blijf ik ervan overtuigd dat ook het gras, het koren en de koe nog moeten gezien worden. Niet binnen een animistische eenheid, maar wel vanuit een mentaliteit die vrij en meedogenloos deze dingen in ons tijdperk nog zou durven benaderen. Wat de gewone man van het leven maakt, dat boeit mij.
Quote of Raveel, 1969, in the text 'In gesprek met mezelf' ('In conversation with myself'), in the exhibition-catalog of his exhibition in 'De Hallen' (museum in Haarlem, The Netherlands; as cited by Ludo Bekkers in 'Roger Raveel en zijn keuze uit het Museum voor Schone Kunsten in Gent' http://www.tento.be/sites/default/files/tijdschrift/pdf/OKV1975/Roger%20Raveel%20en%20zijn%20keuze%20uit%20het%20Museum%20voor%20Schone%20Kunsten%20in%20Gent.pdf, Dutch art-magazine 'Openbaar Kunstbezit', Jan/Maart 1975, p. 3-4
1960's

Martin Rushent photo
Grant Morrison photo

“Most human lives are forgotten after four generations. We build our splendid houses on the edge of the abyss then distract and dazzle ourselves with entertainers and sex while we slowly at first, then more rapidly, spin around the ever-thirsty plughole in the middle. My treasured possessions -- all the silly little mementoes and toys and special books I’ve carried with me for decades -- will wind up on flea market tables or rot on garbage heaps. Someone else will inhabit the rooms that were mine. Everything that was important to me will mean nothing to the countless generations that follow our own. In the grand sprawl of it all, I have no significance at all. I don’t believe a giant gaseous pensioner will reward or censure me when my body stops working and I don’t believe individual consciousness survives for long after brain death so I lack the consolations of religion. I wanted Annihilator to peek into that implacable moment where everything we are comes to an end so I had to follow the Black Brick Road all the way down and seriously consider the abject pointlessness of all human endeavours. I found these contemplations thrilling and I was drawn to research pure nihilism, which led me to Ray Brassier’s Nihil Unbound and back to Ligotti. I have a fundamentally optimistic and positive view of human existence and the future and I think it’s important to face intelligent, well-argued challenges to that view on a regular basis. While I agree with Ligotti that the universe is, on the face of it, a blind emergent process, driven by chance over billions of years of trial and error to ultimately produce creatures capable of little more than flamboyant expressions of the agonizing awareness of their own imminent deaths, I don’t share his slightly huffy disappointment at this state of affairs. If the universe is intrinsically meaningless, if the mindless re-arrangement of atomic debris into temporarily arising then dissipating forms has no point, I can only ask, why do I see meaning everywhere, why can I find a point in everything? Why do other human beings like me seem to see meaning in everything too? If the sun is only an apocalyptic series of hydrogen fusion reactions, why does it look like an angel and inspire poetry? Why does the flesh and fur-covered bone and jelly of my cat’s face melt my heart? Is all that surging, roaring incandescent meaning inside me, or is it out there? “Meaning” to me is equivalent to “Magic.” The more significance we bring to things, even to the smallest and least important things, the more special, the more “magical” they seem to become. For all that materialistic science and existential philosophy tells us we live in a chaotic, meaningless universe, the evidence of my senses and the accounts of other human beings seem to indicate that, in fact, the whole universe and everything in it explodes second-to-second with beauty, horror, grandeur and significance when and wherever it comes into contact with consciousness. Therefore, it’s completely down to us to revel in our ability to make meaning, or not. Ligotti, like many extreme Buddhist philosophers, starts from the position that life is an agonizing, heartbreaking grave-bound veil of tears. This seems to be a somewhat hyperbolic view of human life; as far as I can see most of us round here muddle through ignoring death until it comes in close and life’s mostly all right with just enough significant episodes of sheer joy and connection and just enough sh-tty episodes of pain or fear. The notion that the whole span of our lives is no more than some dreadful rehearsal for hell may resonate with the deeply sensitive among us but by and large life is pretty okay generally for most of us. And for some, especially in the developed countries, “okay” equals luxurious. To focus on the moments of pain and fear we all experience and then to pretend they represent the totality of our conscious experience seems to me a little effete and indulgent. Most people don’t get to be born at all, ever. To see in that radiant impossibility only pointlessness, to see our experience as malignantly useless, as Ligotti does, seems to me a bit camp.”

Grant Morrison (1960) writer

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

Richard Stallman photo
Theodore Dalrymple photo

“It seems that when an impending catastrophe will affect them personally, in their very flesh and blood, intellectuals start to think more clearly about the legal and institutional prerequisites of a free society.”

Theodore Dalrymple (1949) English doctor and writer

Ideas That Kill http://www.city-journal.org/html/10_1_diarist.html (Winter 2000).
City Journal (1998 - 2008)

Richard Stallman photo
Invader (artist) photo

“Well, When I started my "Invasions," the word "street art" did not even exist yet! Now "Street Art" is a Pivotal moment”

Invader (artist) (1969) French urban artist

"http://www.complex.com/style/2014/07/space-invader-interview"

Ammon Hennacy photo
Gilbert Ryle photo
Jacques Derrida photo

“The disciple must break the glass, or better the mirror, the reflection, his infinite speculation on the master. And start to speak.”

Cogito and The History of Madness, p.37 (Routledge classics edition)
Writing and Difference (1978)

Akon photo

“As life goes on I'm starting to learn more and more about responsibility.”

Akon (1973) singer

Sorry, Blame It on Me
Song lyrics, Konvicted (2006)

Charlie Brooker photo
Noam Chomsky photo
Ranil Wickremesinghe photo
Robert Solow photo
Ram Dass photo
Vincent Van Gogh photo
Jane Collins photo
Donald J. Trump photo
John Howard photo
Anni-Frid Lyngstad photo

“I've learned never to say never. You just don't know. But I've reached an age when you start taking it easier. But I enjoy singing. I still sing – at home.”

Anni-Frid Lyngstad (1945) Swedish female singer

When Fredrik Skavlan asks Lyngstad about her comeback to her musical career
Interview on Skavlan (2014)

Andy Warhol photo
Sudhir Ruparelia photo

“When starting out, ensure your business has adequate capital for growth.”

Sudhir Ruparelia (1956) Ugandan businessman

Interview http://www.newvision.co.ug/mobile/Detail.aspx?NewsID=630054&CatID=3 with New Vision

John Ashbery photo
Paul Williams (songwriter) photo

“Before the rising sun we fly,
So many roads to choose
We start out walking and learn to run.”

Paul Williams (songwriter) (1940) American composer, singer, songwriter and actor

"We've Only Just Begun" (1970).

John Clare photo
Rick Baker photo
Pierce Brown photo
Will Arnett photo
Herman Cain photo
Phillip Guston photo
Aldo Capitini photo
Gary Johnson photo

“Our understanding of the four basic concepts of Physics -- space, time, matter and force -- has undergone radical change in the course of work on unification, starting with Maxwell's unification of electricity with magnetism, all the way to present day string theory. What started as four independent concepts, with space and time postulated and the possible forms of matter and force arbitrarily chosen, now appear as different aspects of a rich and novel dynamically determined structure.”

Peter Freund (1936–2018) American physicist

Physics and Geometry, a paper written for the Symposium on Theoretical Physics at the University of Helsinki, Helsinki, Finland on August 28, 2003 and at the Freydoon Mansouri Memorial Session of the 3rd International Symposium on Quantum Theory and Symmetries at the University of Cincinnati, Cincinnati, OH, on September 13, 2003. Report #EFI03-47.

Colin Meloy photo
Nastassja Kinski photo
Justin Trudeau photo
Allen C. Guelzo photo
Albert Finney photo
Jacques Derrida photo
Demi Lovato photo

“Now I know who you are
Yeah, I see I should have known it from the start.”

Demi Lovato (1992) American singer, songwriter, actress, and author

U Got Nothing On Me
Lyrics, Here We Go Again (2009)

Umberto Eco photo

“I started to write [The Name of the Rose] in March of 1978, moved by a seminal idea. I wanted to poison a monk.”

Umberto Eco (1932–2016) Italian semiotician, essayist, philosopher, literary critic, and novelist

Quoted in Myriem Bouzaher's introduction to the French version of The Name of the Rose, Postille al Nome della Rosa, Page 18 (1985)

Lois McMaster Bujold photo
Eugene V. Debs photo
Mark Helprin photo
John Buchan photo
Nicholas Sparks photo

“Kids are people, too, and once they start getting older, they make their own decisions. There's only so much you can do.”

Nicholas Sparks (1965) American writer and novelist

Lexie Darnell, Chapter 16, p. 196
2000s, At First Sight (2005)

Paul Krugman photo

“So let's start telling the truth: competitiveness is a meaningless word when applied to national economies. And the obsession with competitiveness is both wrong and dangerous.”

Paul Krugman (1953) American economist

Pop Internationalism (1996), Competitiveness: A Dangerous Obsession (1994)

John Holloway photo
Yagyū Munenori photo

“Once a fight has started, if you get involved in thinking about what to do, you will be cut down by your opponent with the very next blow.”

Yagyū Munenori (1571–1646) samurai and daimyo of the early Edo period

A Hereditary Book on the Art of War (1632)

Auguste Rodin photo
Maurice Glasman, Baron Glasman photo
Peter Galison photo

“To Donham, the case study stood squarely in the legal and cultural tradition of Anglo-American thought. Unlike French or Spanish law. Donham emphasized, English law was grounded on the doctrine of stare decisis, in which the written case decisions of the past shape, and instantiate, the law. Just as the recording of cases allowed English common law to break the arbitrariness of local law. Donham argued in 1925, business needed to universalize its procedures by itself adopting the case system. The chaos of local law that ruled in England before the common law. Donham contended, "is exactly the same situation that we have [in the world of business] where practically every large corporation is tightly hound by traditions which are precedents in its particular narrow field and narrow held only The recording of decisions from industry to industry [enables] us to start from facts and draw inferences from those facts; [it] will introduce principle… in the field of business to such an extent that it will control executive action in the field where executive action is haphazard or unprincipled or bound by narrow, instead of broad precedent and decision"”

Peter Galison (1955) American physicist

W. Donham, transcript of talk to the Association of Coll. School of Business Committee Reports and Other Literature, 5-7 May 1925. Harvard Business School, box 17, folder 10. 62
Source: Image and Logic, 1997, p. 57, footnote 66

Isaac Asimov photo
Bhimrao Ramji Ambedkar photo
Christopher Titus photo
Andrew Sega photo
Douglas MacArthur photo
Gillian Anderson photo
Charles Krauthammer photo

“Longevity for a columnist is a simple proposition: once you start, you don't stop. You do it until you die, or can no longer put a sentence together. It has always been my intention to die at my desk, although my most cherished ambition is to outlive the estate tax.”

Charles Krauthammer (1950–2018) American journalist

Column, 18 December 2009, An anniversary of sorts http://www.jewishworldreview.com/cols/krauthammer121809.php3#.WzW2c8KWyUk at jewishworldreview.com.
2000s, 2009

Lucille Ball photo
Anni-Frid Lyngstad photo

“The person who started my nomadic life was my grandmother.”

Anni-Frid Lyngstad (1945) Swedish female singer

Interview on Skavlan (2014)

Charles Wheelan photo
Ron White photo
Robert Crumb photo
Paul Karl Feyerabend photo
Spiro Agnew photo

“Perhaps the place to start looking for a credibility gap is not in the offices of the Government in Washington but in the studios of the networks in New York!”

Spiro Agnew (1918–1996) 39th Vice President of the United States

From speech delivered Nov 13, 1969 in Des Moines, Iowa

Aurangzeb photo

“The infidels demolished a mosque that was under construction and wounded the artisans. When the news reached Shah Yasin, he came to Banaras from Mandyawa and collecting the Muslim weavers, demolished the big temple. A Sayyid who was an artisan by profession agreed with one Abdul Rasul to build a mosque at Banaras and accordingly the foundation was laid. Near the place there was a temple and many houses belonging to it were in the occupation of the Rajputs. The infidels decided that the construction of a mosque in the locality was not proper and that it should be razed to the ground. At night the walls of the mosque were found demolished. Next day the wall was rebuilt but it was again destroyed. This happened three or four times. At last the Sayyid hid himself in a corner. With the advent of night the infidels came to achieve their nefarious purpose. When Abdul Rasul gave the alarm, the infidels began to fight and the Sayyid was wounded by Rajputs. In the meantime, the Musalman resident of the neighbourhood arrived at the spot and the infidels took to their heels. The wounded Muslims were taken to Shah Yasin who determined to vindicate the cause of Islam. When he came to the mosque, people collected from the neighbourhood. The civil officers were outwardly inclined to side with the saint, but in reality they were afraid of the royal displeasure on account of the Raja, who was a courtier of the Emperor and had built the temple (near which the mosque was under construction). Shah Yasin, however, took up the sword and started for Jihad. The civil officers sent him a message that such a grave step should not be taken without the Emperor's permission. Shah Yasin, paying no heed, sallied forth till he reached Bazar Chau Khamba through a fusillade of stones' The, doors (of temples) were forced open and the idols thrown down. The weavers and other Musalmans demolished about 500 temples. They desired to destroy the temple of Beni Madho, but as lanes were barricaded, they desisted from going further.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Varanasi (Uttar Pradesh) Ganj-i-Arshadi, cited in : Sharma, Sri Ram, Religious Policy of the Mughal Emperors, Bombay, 1962. p. 144-45
Quotes from late medieval histories

Alex Salmond photo
Anatoliy Tymoshchuk photo
Adyashanti photo
Alex Jones photo
Paul Graham photo

“Software has to be designed by hackers who understand design, not designers who know a little about software. If you can't design software as well as implement it, don't start a startup.”

Paul Graham (1964) English programmer, venture capitalist, and essayist

"The Other Road Ahead" http://www.paulgraham.com/road.html, September 2001

Edgar Rice Burroughs photo
Albert Hofmann photo
Amir Khan (boxer) photo
Jayant Narlikar photo
Morarji Desai photo
Donald J. Trump photo

“Hillary Clinton and her campaign of 2008 started the birther controversy. I finished it. I finished it. You know what I mean. President Barack Obama was born in the United States, period. Now we all want to get back to making America strong and great again.”

Donald J. Trump (1946) 45th President of the United States of America

[Trump finally says Obama born in U.S., blames Clinton for controversy, USA Today, 16 September 2016, http://www.usatoday.com/story/news/politics/elections/2016/2016/09/16/donald-trump-barack-obama-hillary-clinton-presidential-campaign-birtherism/90471868/]
Conspiracy theories about Barack Obama's citizenship were not started by Hillary Clinton's 2008 campaign according to PolitiFact.com http://www.politifact.com/truth-o-meter/statements/2016/sep/16/donald-trump/fact-checking-donald-trumps-claim-hillary-clinton-/, and Trump continued to question Obama's citizenship for years after he released his long-form birth certificate in 2011 http://www.politifact.com/truth-o-meter/statements/2016/sep/16/donald-trump/donald-trumps-pants-fire-claim-he-finished-obama-b/.
2010s, 2016, September

Beck photo