Quotes about stage
page 2

Antonin Scalia photo

“[Laws] prohibiting sodomy do not seem to have been enforced against consenting adults acting in private… I do not know what 'acting in private' means; surely consensual sodomy, like heterosexual intercourse, is rarely performed on stage.”

Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States

On the right to sodomy: Lawrence v. Texas (2003) (dissenting).
2000s

Pablo Picasso photo
Karl Marx photo

“The entire revolutionary movement necessarily finds both its empirical and its theoretical basis in the movement of private property – more precisely, in that of the economy. This material, immediately perceptible private property is the material perceptible expression of estranged human life. Its movement – production and consumption – is the perceptible revelation of the movement of all production until now, i. e., the realisation or the reality of man. Religion, family, state, law, morality, science, art, etc., are only particular modes of production, and fall under its general law. The positive transcendence of private property as the appropriation of human life, is therefore the positive transcendence of all estrangement – that is to say, the return of man from religion, family, state, etc., to his human, i. e., social, existence. Religious estrangement as such occurs only in the realm of consciousness, of man’s inner life, but economic estrangement is that of real life; its transcendence therefore embraces both aspects. It is evident that the initial stage of the movement amongst the various peoples depends on whether the true recognised life of the people manifests itself more in consciousness or in the external world – is more ideal or real. Communism begins where atheism begins (Owen), but atheism is at the outset still far from being communism; indeed it is still for the most part an abstraction. The philanthropy of atheism is therefore at first only philosophical, abstract philanthropy, and that of communism is at once real and directly bent on action.”

Private Property and Communism
Paris Manuscripts (1844)

Theodore Roosevelt photo
Bertil Ohlin photo
W.B. Yeats photo

“Players and painted stage took all my love,
And not those things that they were emblems of.”

W.B. Yeats (1865–1939) Irish poet and playwright

The Circus Animals' Desertion http://poetry.poetryx.com/poems/1603/, II, st. 3.
Last Poems (1936-1939)

Bahá'u'lláh photo
Barack Obama photo
Bahá'u'lláh photo
Antonin Scalia photo

“Today's extension of the Edwards prohibition is the latest stage of prophylaxis built upon prophylaxis, producing a veritable fairyland castle of imagined constitutional restriction upon law enforcement.”

Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States

Minnick v. Mississippi, 498 US 146 http://caselaw.lp.findlaw.com/scripts/getcase.pl?court=us&vol=498&invol=146#156 (1990) (dissenting).
1990s

Romain Rolland photo
Bahá'u'lláh photo
Sun Yat-sen photo
Pablo Picasso photo

“In the old days pictures went forward toward completion by stages. Every day brought something new. A picture used to be a sum of additions. In my case a picture is a sum of destructions. I do a picture — then I destroy it. In the end though, nothing is lost: the red I took away from one place turns up somewhere else”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Herschel Browning Chip (1968, p. 267)
Other translation:
Formerly pictures used to move towards completion in progressive stages. Each day would bring something new. A picture was a sum of additions. With me, picture is a sum of destructions. I do a picture, then I destroy it. But in the long run nothing is lost; the red that I took away from one place turns up somewhere else.
Richard Friedenthal (1968, p. 256); Also quoted in: John Bowker (1988), Is anybody out there?: religions and belief in God in the contemporary world. p. 57.
1930s, "Conversations avec Picasso," 1934–35

Jean-Michel Jarre photo
Pierre-Auguste Renoir photo
Nikola Tesla photo

“Nature may reach the same result in many ways. Like a wave in the physical world, in the infinite ocean of the medium which pervades all, so in the world of organisms, in life, an impulse started proceeds onward, at times, may be, with the speed of light, at times, again, so slowly that for ages and ages it seems to stay, passing through processes of a complexity inconceivable to men, but in all its forms, in all its stages, its energy ever and ever integrally present. A single ray of light from a distant star falling upon the eye of a tyrant in bygone times may have altered the course of his life, may have changed the destiny of nations, may have transformed the surface of the globe, so intricate, so inconceivably complex are the processes in Nature. In no way can we get such an overwhelming idea of the grandeur of Nature than when we consider, that in accordance with the law of the conservation of energy, throughout the Infinite, the forces are in a perfect balance, and hence the energy of a single thought may determine the motion of a universe.”

Nikola Tesla (1856–1943) Serbian American inventor

"On Light And Other High Frequency Phenomena" A lecture delivered before the Franklin Institute, Philadelphia (24 February 1893), and before the National Electric Light Association, St. Louis (1 March 1893), published in The Electrical review (9 June 1893), p. Page 683; also in The Inventions, Researches And Writings of Nikola Tesla (1894)

Antonin Artaud photo

“Tragedy on the stage is no longer enough for me, I shall bring it into my own life.”

Antonin Artaud (1896–1948) French-Occitanian poet, playwright, actor and theatre director

Quoted in the memoirs of Jean-Louis Barrault, The Grenier des Grands-Augustins, pt. 2, Memories for Tomorrow (1972, trans. 1974).

Origen photo
Kanye West photo

“I’m just giving of my body on the stage and putting my life at risk, literally. […] And I think about it. I think about my family and I’m like, wow, this is like being a police officer or something, in war or something.”

Kanye West (1977) American rapper, singer and songwriter

Interview for Saturday Night Online [3:12]. http://www.saturdaynightonline.com/media/play/24063493/

Ernest Belfort Bax photo
Novalis photo

“The rude, discursive Thinker is the Scholastic (Schoolman Logician). The true Scholastic is a mystical Subtlist; out of logical Atoms he builds his Universe; he annihilates all living Nature, to put an Artifice of Thoughts (Gedankenkunststuck, literally Conjuror's-trick of Thoughts) in its room. His aim is an infinite Automaton. Opposite to him is the rude, intuitive Poet: this is a mystical Macrologist: he hates rules and fixed form; a wild, violent life reigns instead of it in Nature; all is animate, no law; wilfulness and wonder everywhere. He is merely dynamical. Thus does the Philosophic Spirit arise at first, in altogether separate masses. In the second stage of culture these masses begin to come in contact, multifariously enough; and, as in the union of infinite Extremes, the Finite, the Limited arises, so here also arise "Eclectic Philosophers" without number; the time of misunderstanding begins. The most limited is, in this stage, the most important, the purest Philosopher of the second stage. This class occupies itself wholly with the actual, present world, in the strictest sense. The Philosophers of the first class look down with contempt on those of the second; say, they are a little of everything, and so nothing; hold their views as the results of weakness, as Inconsequentism. On the contrary, the second class, in their turn, pity the first; lay the blame on their visionary enthusiasm, which they say is absurd, even to insanity.”

Novalis (1772–1801) German poet and writer

Pupils at Sais (1799)

John Lydon photo
Zakir Hussain (musician) photo

“Every time you step out on to the stage, you learn something which helps you grow and be a better communicator. It’s not like you’re the master. You’re always a student.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quoted in "Zakir Hussain and Master Musicians of India".
Quote

Sigmund Freud photo
Barack Obama photo

“On Iraq, on paper, there's not as much difference, I think, between the Bush administration and a Kerry administration as there would have been a year ago. There's not much of a difference between my position and George Bush's position at this stage.”

Barack Obama (1961) 44th President of the United States of America

"Obama's a Star Who Doesn't Follow the Script" by John Kass in The Chigago Tribune (27 July 2004)
2004

George Washington photo
Auguste Comte photo
Josiah Royce photo

“Error is not a mere accident of an untrained intellect, but a necessary stage or feature or moment of the expression of the truth.”

Josiah Royce (1855–1916) United States philosopher

Lectures on Modern Idealism (1919), p. 79

Mike Shinoda photo
C.G. Jung photo

“This whole creation is essentially subjective, and the dream is the theater where the dreamer is at once scene, actor, prompter, stage manager, author, audience, and critic.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

General Aspects of Dream Psychology (1928)

Li Yundi photo
Barack Obama photo
Paul Valéry photo

“A work is never completed except by some accident such as weariness, satisfaction, the need to deliver, or death: for, in relation to who or what is making it, it can only be one stage in a series of inner transformations.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

"Recollection", Collected Works, vol. 1 (1972), as translated by David Paul
Variant translations:
A poem is never finished; it's always an accident that puts a stop to it — i.e. gives it to the public.
As attributed in Susan Ratcliffe, Concise Oxford Dictionary of Quotations (2011), p. 385.
A poem is never finished; it is only abandoned.
Widely quoted, this is a paraphrase of Valéry by W. H. Auden in 1965. See W. H. Auden: Collected Poems (2007), ed. Edward Mendelson, "Author's Forewords", p. xxx.
An artist never finishes a work, he merely abandons it.
A paraphrase by Aaron Copland in the essay "Creativity in America," published in Copland on Music (1944), p. 53
In the eyes of those lovers of perfection, a work is never finished — a word that for them has no sense — but abandoned; and this abandonment, whether to the flames or to the public (and which is the result of weariness or an obligation to deliver) is a kind of an accident to them, like the breaking off of a reflection, which fatigue, irritation, or something similar has made worthless.

Vasyl Slipak photo

“Ukraine can become a successful country and a major player on the political stage if we start heeding the voices of the people.”

Vasyl Slipak (1974–2016) Ukrainian opera singer

Ukrainian opera singer Vasyl Slipak killed by sniper // The Washington Post. — 2016. — July 2. https://www.washingtonpost.com/news/worldviews/wp/2016/07/01/famous-ukrainian-opera-singer-vasyl-slipak-killed-by-sniper-in-eastern-ukraine/

Theodor W. Adorno photo

“All the world's not a stage.”

E. Jephcott, trans. (1974), § 94
Minima Moralia (1951)

Adam Weishaupt photo
Ben Jonson photo

“Soul of the age!
The applause, delight, the wonder of our stage!”

Source: To the Memory of My Beloved, the Author, Mr. William Shakespeare (1618), Lines 17 - 24; this was inspired by a eulogy by William Basse, On Shakespeare:
Context: Soul of the age!
The applause, delight, the wonder of our stage!
My Shakespeare, rise; I will not lodge thee by
Chaucer or Spenser, or bid Beaumont lie
A little further, to make thee a room;
Thou art a monument, without a tomb,
And art alive still, while thy book doth live,
And we have wits to read, and praise to give.

William S. Burroughs photo

“I don't know how to care for the child. But I am dedicated to protecting and nurturing him at any cost! It is the function of the Guardian to protect hybrids and mutants in the vulnerable stage of infancy.”

The Cat Inside (1986)
Context: Last night I encountered a dream cat with a very long neck and a body like a human fetus, gray and transluscent. I don't know what it needs or how to provide for it. Another dream years ago of a human child with eyes on stalks. It is very small, but can walk and talk "Don't you want me?" Again, I don't know how to care for the child. But I am dedicated to protecting and nurturing him at any cost! It is the function of the Guardian to protect hybrids and mutants in the vulnerable stage of infancy.

Karl Marx photo

“This social formation constitutes, therefore, the closing chapter of the prehistoric stage of human society.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Preface to ' (1859).
Context: In the social production of their life, men enter into definite relations that are indispensable and independent of their will; these relations of production correspond to a definite stage of development of their material forces of production. The sum total of these relations of production constitutes the economic structure of society — the real foundation, on which rises a legal and political superstructure and to which correspond definite forms of social consciousness. The mode of production of material life determines the social, political and intellectual life process in general. It is not the consciousness of men that determines their being, but, on the contrary, their social being that determines their consciousness. [Es ist nicht das Bewußtsein der Menschen, das ihr Sein, sondern umgekehrt ihr gesellschaftliches Sein, das ihr Bewusstsein bestimmt. ] At a certain stage of their development, the material productive forces in society come in conflict with the existing relations of production, or — what is but a legal expression for the same thing — with the property relations within which they have been at work before. From forms of development of the productive forces these relations turn into fetters. Then begins an epoch of social revolution. With the change of the economic foundation the entire immense superstructure is more or less rapidly transformed. In considering such transformations a distinction should always be made between the material transformation of the economic conditions of production, which can be determined with the precision of natural science, and the legal, political, religious, aesthetic or philosophic — in short, ideological forms in which men become conscious of this conflict and fight it out. Just as our opinion of an individual is not based on what he thinks of himself, so we can not judge of such a period of transformation by its own consciousness; on the contrary, this consciousness must be explained rather from the contradictions of material life, from the existing conflict between the social productive forces and the relations of production. No social order ever disappears before all the productive forces for which there is room in it have been developed; and new, higher relations of production never appear before the material conditions of their existence have matured in the womb of the old society itself. Therefore, mankind always sets itself only such tasks as it can solve; since, looking at the matter more closely, we will always find that the task itself arises only when the material conditions necessary for its solution already exist or are at least in the process of formation. In broad outlines we can designate the Asiatic, the ancient, the feudal, and the modern bourgeois modes of production as so many progressive epochs in the economic formation of society. The bourgeois relations of production are the last antagonistic form of the social process of production — antagonistic not in the sense of individual antagonism, but of one arising from the social conditions of life of the individuals; at the same time the productive forces developing in the womb of bourgeois society create the material conditions for the solution of that antagonism. This social formation constitutes, therefore, the closing chapter of the prehistoric stage of human society.

Joe Root photo

“We tried not to be too greedy, and to play smart cricket and take it deep. It sets it up nicely for the group stages.”

Joe Root (1990) English cricketer

Quoted on The Guardian, "Joe Root leads the way as England record stunning World Twenty20 win" http://www.theguardian.com/sport/2016/mar/18/england-south-africa-world-twenty20-match-report, March 18, 2016.

Johannes Tauler photo

“In this stage the Lord leads a person out of himself into himself”

Johannes Tauler (1300–1361) German theologian

Sermons, Sermon 3
Context: When our Lord has prepared a person in this unbearable state of misery - for this prepares him much better than all the spiritual practices that all people might be able to accomplish - then our Lord comes and leads him to the third stage. In this stage the Lord removes the cloak from his eyes and reveals the truth to him. Bright sunshine appears and lifts him right out of all his misery. It seems to this person just as though the Lord had raised him from the dead. In this stage the Lord leads a person out of himself into himself. He makes him forget all his former loneliness and heals all his wounds. God How can reason possibly grasp that immensity beyond all being where the precious food of the Eucharist is made one with us, drawing us wholly to itself and changing us into itself?... This food of love draws the soul above distinction or difference, beyond resemblance to divine unity draws the person out of his human mode into a divine mode, out of all misery into divine security. Here a person becomes so divinized that everything he is and does God does and is in him. And he is lifted up so far above his natural state that he becomes through Grace what God in his essence is by nature. In this state a person feels and is aware that he has lost himself and does not at all feel himself or is he aware of himself. He is aware of nothing but one simple Being.

Friedrich Nietzsche photo

“What men avoid by excluding the liar is not so much being defrauded as it is being harmed by means of fraud. Thus, even at this stage, what they hate is basically not deception itself, but rather the unpleasant, hated consequences of certain sorts of deception. It is in a similarly restricted sense that man now wants nothing but truth: he desires the pleasant, life-preserving consequences of truth.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

On Truth and Lie in an Extra-Moral Sense (1873)
Context: The liar is a person who uses the valid designations, the words, in order to make something which is unreal appear to be real. He says, for example, "I am rich," when the proper designation for his condition would be "poor." He misuses fixed conventions by means of arbitrary substitutions or even reversals of names. If he does this in a selfish and moreover harmful manner, society will cease to trust him and will thereby exclude him. What men avoid by excluding the liar is not so much being defrauded as it is being harmed by means of fraud. Thus, even at this stage, what they hate is basically not deception itself, but rather the unpleasant, hated consequences of certain sorts of deception. It is in a similarly restricted sense that man now wants nothing but truth: he desires the pleasant, life-preserving consequences of truth. He is indifferent toward pure knowledge which has no consequences; toward those truths which are possibly harmful and destructive he is even hostilely inclined.

Bruce Lee photo

“The Three Stages of Cultivation”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker

The first is the primitive stage. It is a stage of original ignorance in which a person knows nothing about the art of combat. In a fight, he simply blocks and strikes instinctively without a concern for what is right and wrong. Of course, he may not be so-called scientific, but, nevertheless, being himself, his attacks or defenses are fluid. The second stage — the stage of sophistication, or mechanical stage — begins when a person starts his training. He is taught the different ways of blocking, striking, kicking, standing, breathing, and thinking — unquestionably, he has gained the scientific knowledge of combat, but unfortunately his original self and sense of freedom are lost, and his action no longer flows by itself. His mind tends to freeze at different movements for calculations and analysis, and even worse, he might be called “intellectually bound” and maintain himself outside of the actual reality. The third stage — the stage of artlessness, or spontaneous stage — occurs when, after years of serious and hard practice, the student realizes that after all, gung fu is nothing special. And instead of trying to impose on his mind, he adjusts himself to his opponent like water pressing on an earthen wall. It flows through the slightest crack. There is nothing to try to do but try to be purposeless and formless, like water. All of his classical techniques and standard styles are minimized, if not wiped out, and nothingness prevails. He is no longer confined.
Source: The Warrior Within : The Philosophies of Bruce Lee (1996), p. 108-109

Jacque Fresco photo
George Adamski photo
Joseph Stalin photo

“The Communists base themselves on rich historical experience which teaches that obsolete classes do not voluntarily abandon the stage of history.”

Joseph Stalin (1879–1953) General secretary of the Communist Party of the Soviet Union

“Stalin-Wells Talk: The Verbatim Report and A Discussion”, G.B. Shaw, J.M. Keynes et al., London, The New Statesman and Nation, (1934) p. 13
Stalin's speeches, writings and authorised interviews

Trevor Noah photo
Jawaharlal Nehru photo
Jawaharlal Nehru photo

“The conflict between capitalism and democracy is inherent and continuous; it is often hidden by misleading propaganda and by the outward forms of democracy, such as parliaments, and the sops that the owning classes throw to the other classes to keep them more or less contented. A time comes when there are no more sops left to be thrown, and then the conflict between the two groups comes to a head, for now the struggle is for the real thing, economic power in the State. When that stage comes, all the supporters of capitalism, who had so far played with different parties, band themselves together to face the danger to their vested interests. Liberals and such-like groups disappear, and the forms of democracy are put aside. This stage bas now arrived in Europe and America, and fascism, which is dominant in some form or other in mast countries, represents that stage. Labour is everywhere on the defensive, not strong enough to face this new and powerful consolidation of the forces of capitalism. And yet, strangely enough, the capitalist system itself totters and cannot adjust itself to the new world. It seems certain that even if it succeeds in surviving, it will be but another stage in the long conflict. For modern industry and modern life itself, under any form of capitalism, are battlefields where armies are continually clashing against each other.”

Glimpses of World History (1949)

Gerda Lerner photo
FM-2030 photo

“The exhilarating voice of a new, nonmystical consciousness … FM dares us to step outside our encaged historical selves and leap to a new stage of evolution.”

FM-2030 (1930–2000) author, teacher, transhumanist philosopher, futurist and consultant

Alvin Toffler
"Transhuman FM-2030" http://www.transhuman.org/transhumanfm-2030.htm, transhuman.org

Simone Bittencourt de Oliveira photo
Joseph Goebbels photo
Socrates photo

“For actors on the stage, but not for men.”

Socrates (-470–-399 BC) classical Greek Athenian philosopher

Diogenes Laertius

Karl Marx photo

“The development of fixed capital indicates in still another respect the degree of development of wealth generally, or of capital…
The creation of a large quantity of disposable time apart from necessary labour time for society generally and each of its members (i.e. room for the development of the individuals’ full productive forces, hence those of society also), this creation of not-labour time appears in the stage of capital, as of all earlier ones, as not-labour time, free time, for a few. What capital adds is that it increases the surplus labour time of the mass by all the means of art and science, because its wealth consists directly in the appropriation of surplus labour time; since value directly its purpose, not use value. It is thus, despite itself, instrumental in creating the means of social disposable time, in order to reduce labour time for the whole society to a diminishing minimum, and thus to free everyone’s time for their own development. But its tendency always, on the one side, to create disposable time, on the other, to convert it into surplus labour...
The mass of workers must themselves appropriate their own surplus labour. Once they have done so – and disposable time thereby ceases to have an antithetical existence – then, on one side, necessary labour time will be measured by the needs of the social individual, and, on the other, the development of the power of social production will grow so rapidly that, even though production is now calculated for the wealth of all, disposable time will grow for all. For real wealth is the developed productive power of all individuals. The measure of wealth is then not any longer, in any way, labour time, but rather disposable time. Labour time as the measure of value posits wealth itself as founded on poverty, and disposable time as existing in and because of the antithesis to surplus labour time; or, the positing of an individual’s entire time as labour time, and his degradation therefore to mere worker, subsumption under labour. The most developed machinery thus forces the worker to work longer than the savage does, or than he himself did with the simplest, crudest tools.”

Grundrisse (1857-1858)
Source: Notebook VII, The Chapter on Capital, pp. 628–629.

Karl Marx photo

“The fact is, therefore, that definite individuals who are productively active in a definite way enter into these definite social and political relations. Empirical observation must in each separate instance bring out empirically, and without any mystification and speculation, the connection of the social and political structure with production. The social structure and the state are continually evolving out of the life-process of definite individuals, but of individuals, not as they appear in their own or other people's imagination, but as they really are; i.e. as they are effective, produce materially, and are active under definite material limits, presuppositions and conditions independent of their will.
The production of ideas, of conceptions, of consciousness, is at first directly interwoven with the material activity and the material intercourse of men, the language of real life. Conceiving, thinking, the mental intercourse of men, appear at this stage as the direct efflux of their material behaviour. The same applies to mental production as expressed in the language of the politics, laws, morality, religion, metaphysics of a people. Men are the producers of their conception, ideas, etc.”

real, active men, as they are conditioned by a definite development of their productive forces and of the intercourse corresponding to these, up to its furthest forms. Consciousness can never be anything else than conscious existence, and the existence of men is their actual life-process. If in all ideology men and their circumstances appear upside down as in a camera obscura, this phenomenon arises just as much from their historical life-process as the inversion of objects on the retina does from their physical life-process.
Source: The German Ideology (1845-1846)

William Shakespeare photo
Ho Chi Minh photo

“Obviously, Lenin meant that the stage of fierce civil war and the restriction of democracy imposed on the Soviet people were only provisional and had to be abolished as soon as the new regime was consolidated.”

Ho Chi Minh (1890–1969) Vietnamese communist leader and first president of Vietnam

"Development of Ideological Unity Among Marxist Leninist Parties" (August 3, 1956)
1950s

Cassandra Clare photo

“If I had not been a Shadowhunter, I would have had a future on the stage. I have no doubt I would have been greeted with acclaim.”

Variant: I am dramatic," said Will. "If i had not been a Shadowhunter, i would have had a future on the stage.
Source: Clockwork Princess

Francesca Lia Block photo
Maya Angelou photo
Haruki Murakami photo
Leon Uris photo
Aldo Leopold photo
Richard Bach photo

“What a delighted fascination it is, to stand aside and watch our dearest friend perform on stage without us.”

Richard Bach (1936) American spiritual writer

Source: The Bridge Across Forever: A True Love Story

Lorrie Moore photo

“All the world's a stage we're going through.”

Lorrie Moore (1957) American writer

Source: Anagrams

Charlotte Perkins Gilman photo
Vladimir Lenin photo

“Imperialism: The final stage of Capitalism.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Source: Imperialism, The Highest Stage of Capitalism (1917), Chapter Seven
Context: We must now try to sum up, to draw together the threads of what has been said above on the subject of imperialism. Imperialism emerged as the development and direct continuation of the fundamental characteristics of capitalism in general. But capitalism only became capitalist imperialism at a definite and very high stage of its development, when certain of its fundamental characteristics began to change into their opposites, when the features of the epoch of transition from capitalism to a higher social and economic system had taken shape and revealed themselves in all spheres. Economically, the main thing in this process is the displacement of capitalist free competition by capitalist monopoly.

Jenna Jameson photo
Kelly Link photo
John Steinbeck photo
Tom Stoppard photo
Graham Greene photo

“… Everyone knows there's only one thing less welcome on a stage than a mime, and that's a clown, because everyone knows that clowns eat people.”

Laurie Notaro American writer

Source: There's a (Slight) Chance I Might Be Going to Hell: A Novel of Sewer Pipes, Pageant Queens, and Big Trouble

Chuck Palahniuk photo
John Flanagan photo
Jane Austen photo
Yann Martel photo
Alexander Pope photo
Mel Brooks photo

“Hope for the best. Expect the worst.
The world's a stage. We're unrehearsed.”

Mel Brooks (1926) American director, writer, actor, and producer

Chorus
12 Chairs

Dorothy L. Sayers photo
George Carlin photo

“It's like when someone dies, the initial stages of grief seem to be the worst. But in some ways, it's sadder as time goes by and you consider how much they've missed in your life. In the world.”

Variant: Someday being with Dex will be a distant memory. This fact makes me sad too. Its the initial stages of grief that seem to be worst but in some ways, Its sadder as time goes by and you consider how much they're missed in your life.
Source: Something Borrowed

Rachel Caine photo
Seth Grahame-Smith photo
Arthur Conan Doyle photo
Kazuo Ishiguro photo
Jennifer Donnelly photo
Stephen Crane photo
Haruki Murakami photo
Jodi Picoult photo