On the right to sodomy: Lawrence v. Texas (2003) (dissenting).
2000s
Quotes about stage
page 2
Boisgeloup, winter 1934
Richard Friedenthal, (1963, p. 256).
Quotes, 1930's, "Conversations avec Picasso," 1934–35
1910s, The New Nationalism (1910)
Ohlin (1924), quoted (and translated) in: Eli Filip Heckscher, Bertil Gotthard Ohlin, Henry Flam Heckscher-Ohlin trade theory, (1991), p. 76.
1920s
“Players and painted stage took all my love,
And not those things that they were emblems of.”
The Circus Animals' Desertion http://poetry.poetryx.com/poems/1603/, II, st. 3.
Last Poems (1936-1939)
Wesleyan Graduation Ceremony, Middletown, Connecticut (25 May 2008) http://www.politico.com/pdf/PPM42_remarks_of_obama.pdf
2008
Minnick v. Mississippi, 498 US 146 http://caselaw.lp.findlaw.com/scripts/getcase.pl?court=us&vol=498&invol=146#156 (1990) (dissenting).
1990s
The Three Phases of National Reconstruction (1918)
Herschel Browning Chip (1968, p. 267)
Other translation:
Formerly pictures used to move towards completion in progressive stages. Each day would bring something new. A picture was a sum of additions. With me, picture is a sum of destructions. I do a picture, then I destroy it. But in the long run nothing is lost; the red that I took away from one place turns up somewhere else.
Richard Friedenthal (1968, p. 256); Also quoted in: John Bowker (1988), Is anybody out there?: religions and belief in God in the contemporary world. p. 57.
1930s, "Conversations avec Picasso," 1934–35
interviewed on the Danish Monitor radio programme 2005-11-30
Source: 1880's, Renoir – his life and work, 1975, p. 169 : quote from Renoir's letter to his art-seller Durand-Ruel, 21st November 1881
"On Light And Other High Frequency Phenomena" A lecture delivered before the Franklin Institute, Philadelphia (24 February 1893), and before the National Electric Light Association, St. Louis (1 March 1893), published in The Electrical review (9 June 1893), p. Page 683; also in The Inventions, Researches And Writings of Nikola Tesla (1894)
“Tragedy on the stage is no longer enough for me, I shall bring it into my own life.”
Quoted in the memoirs of Jean-Louis Barrault, The Grenier des Grands-Augustins, pt. 2, Memories for Tomorrow (1972, trans. 1974).
On First Principles, Bk. 1, ch. 3; par. 8
On First Principles
Interview for Saturday Night Online [3:12]. http://www.saturdaynightonline.com/media/play/24063493/
11: A Sex Noblesse http://en.wikisource.org/wiki/The_Legal_Subjection_of_Men#A_Sex_Noblesse
The Legal Subjection of Men (1908)
Interview: Seven Magazine in the London Telegraph (6 January 2008)
Quoted in "Zakir Hussain and Master Musicians of India".
Quote
Summary of Freud's view found in Karen Armstrong's 'A History of God' (1993), p. 409
Misattributed
"Obama's a Star Who Doesn't Follow the Script" by John Kass in The Chigago Tribune (27 July 2004)
2004
1780s, The Newburgh Address (1783)
Source: A General View of Positivism (1848, 1856), p. 36
General Aspects of Dream Psychology (1928)
telegraph.co.uk http://www.telegraph.co.uk/culture/music/classicalmusic/10863146/Lang-Lang-Weve-never-met.html
Knox College Commencement Address (4 June 2005) http://www.knox.edu/x9803.xml
2005
"Recollection", Collected Works, vol. 1 (1972), as translated by David Paul
Variant translations:
A poem is never finished; it's always an accident that puts a stop to it — i.e. gives it to the public.
As attributed in Susan Ratcliffe, Concise Oxford Dictionary of Quotations (2011), p. 385.
A poem is never finished; it is only abandoned.
Widely quoted, this is a paraphrase of Valéry by W. H. Auden in 1965. See W. H. Auden: Collected Poems (2007), ed. Edward Mendelson, "Author's Forewords", p. xxx.
An artist never finishes a work, he merely abandons it.
A paraphrase by Aaron Copland in the essay "Creativity in America," published in Copland on Music (1944), p. 53
In the eyes of those lovers of perfection, a work is never finished — a word that for them has no sense — but abandoned; and this abandonment, whether to the flames or to the public (and which is the result of weariness or an obligation to deliver) is a kind of an accident to them, like the breaking off of a reflection, which fatigue, irritation, or something similar has made worthless.
Ukrainian opera singer Vasyl Slipak killed by sniper // The Washington Post. — 2016. — July 2. https://www.washingtonpost.com/news/worldviews/wp/2016/07/01/famous-ukrainian-opera-singer-vasyl-slipak-killed-by-sniper-in-eastern-ukraine/
Die neuesten Arbeiten des Spartacus und Philo in dem Illuminaten-Orden (1794) p. 20.
“Soul of the age!
The applause, delight, the wonder of our stage!”
Source: To the Memory of My Beloved, the Author, Mr. William Shakespeare (1618), Lines 17 - 24; this was inspired by a eulogy by William Basse, On Shakespeare:
Context: Soul of the age!
The applause, delight, the wonder of our stage!
My Shakespeare, rise; I will not lodge thee by
Chaucer or Spenser, or bid Beaumont lie
A little further, to make thee a room;
Thou art a monument, without a tomb,
And art alive still, while thy book doth live,
And we have wits to read, and praise to give.
The Cat Inside (1986)
Context: Last night I encountered a dream cat with a very long neck and a body like a human fetus, gray and transluscent. I don't know what it needs or how to provide for it. Another dream years ago of a human child with eyes on stalks. It is very small, but can walk and talk "Don't you want me?" Again, I don't know how to care for the child. But I am dedicated to protecting and nurturing him at any cost! It is the function of the Guardian to protect hybrids and mutants in the vulnerable stage of infancy.
Preface to ' (1859).
Context: In the social production of their life, men enter into definite relations that are indispensable and independent of their will; these relations of production correspond to a definite stage of development of their material forces of production. The sum total of these relations of production constitutes the economic structure of society — the real foundation, on which rises a legal and political superstructure and to which correspond definite forms of social consciousness. The mode of production of material life determines the social, political and intellectual life process in general. It is not the consciousness of men that determines their being, but, on the contrary, their social being that determines their consciousness. [Es ist nicht das Bewußtsein der Menschen, das ihr Sein, sondern umgekehrt ihr gesellschaftliches Sein, das ihr Bewusstsein bestimmt. ] At a certain stage of their development, the material productive forces in society come in conflict with the existing relations of production, or — what is but a legal expression for the same thing — with the property relations within which they have been at work before. From forms of development of the productive forces these relations turn into fetters. Then begins an epoch of social revolution. With the change of the economic foundation the entire immense superstructure is more or less rapidly transformed. In considering such transformations a distinction should always be made between the material transformation of the economic conditions of production, which can be determined with the precision of natural science, and the legal, political, religious, aesthetic or philosophic — in short, ideological forms in which men become conscious of this conflict and fight it out. Just as our opinion of an individual is not based on what he thinks of himself, so we can not judge of such a period of transformation by its own consciousness; on the contrary, this consciousness must be explained rather from the contradictions of material life, from the existing conflict between the social productive forces and the relations of production. No social order ever disappears before all the productive forces for which there is room in it have been developed; and new, higher relations of production never appear before the material conditions of their existence have matured in the womb of the old society itself. Therefore, mankind always sets itself only such tasks as it can solve; since, looking at the matter more closely, we will always find that the task itself arises only when the material conditions necessary for its solution already exist or are at least in the process of formation. In broad outlines we can designate the Asiatic, the ancient, the feudal, and the modern bourgeois modes of production as so many progressive epochs in the economic formation of society. The bourgeois relations of production are the last antagonistic form of the social process of production — antagonistic not in the sense of individual antagonism, but of one arising from the social conditions of life of the individuals; at the same time the productive forces developing in the womb of bourgeois society create the material conditions for the solution of that antagonism. This social formation constitutes, therefore, the closing chapter of the prehistoric stage of human society.
Quoted on The Guardian, "Joe Root leads the way as England record stunning World Twenty20 win" http://www.theguardian.com/sport/2016/mar/18/england-south-africa-world-twenty20-match-report, March 18, 2016.
“In this stage the Lord leads a person out of himself into himself”
Sermons, Sermon 3
Context: When our Lord has prepared a person in this unbearable state of misery - for this prepares him much better than all the spiritual practices that all people might be able to accomplish - then our Lord comes and leads him to the third stage. In this stage the Lord removes the cloak from his eyes and reveals the truth to him. Bright sunshine appears and lifts him right out of all his misery. It seems to this person just as though the Lord had raised him from the dead. In this stage the Lord leads a person out of himself into himself. He makes him forget all his former loneliness and heals all his wounds. God How can reason possibly grasp that immensity beyond all being where the precious food of the Eucharist is made one with us, drawing us wholly to itself and changing us into itself?... This food of love draws the soul above distinction or difference, beyond resemblance to divine unity draws the person out of his human mode into a divine mode, out of all misery into divine security. Here a person becomes so divinized that everything he is and does God does and is in him. And he is lifted up so far above his natural state that he becomes through Grace what God in his essence is by nature. In this state a person feels and is aware that he has lost himself and does not at all feel himself or is he aware of himself. He is aware of nothing but one simple Being.
On Truth and Lie in an Extra-Moral Sense (1873)
Context: The liar is a person who uses the valid designations, the words, in order to make something which is unreal appear to be real. He says, for example, "I am rich," when the proper designation for his condition would be "poor." He misuses fixed conventions by means of arbitrary substitutions or even reversals of names. If he does this in a selfish and moreover harmful manner, society will cease to trust him and will thereby exclude him. What men avoid by excluding the liar is not so much being defrauded as it is being harmed by means of fraud. Thus, even at this stage, what they hate is basically not deception itself, but rather the unpleasant, hated consequences of certain sorts of deception. It is in a similarly restricted sense that man now wants nothing but truth: he desires the pleasant, life-preserving consequences of truth. He is indifferent toward pure knowledge which has no consequences; toward those truths which are possibly harmful and destructive he is even hostilely inclined.
“The Three Stages of Cultivation”
The first is the primitive stage. It is a stage of original ignorance in which a person knows nothing about the art of combat. In a fight, he simply blocks and strikes instinctively without a concern for what is right and wrong. Of course, he may not be so-called scientific, but, nevertheless, being himself, his attacks or defenses are fluid. The second stage — the stage of sophistication, or mechanical stage — begins when a person starts his training. He is taught the different ways of blocking, striking, kicking, standing, breathing, and thinking — unquestionably, he has gained the scientific knowledge of combat, but unfortunately his original self and sense of freedom are lost, and his action no longer flows by itself. His mind tends to freeze at different movements for calculations and analysis, and even worse, he might be called “intellectually bound” and maintain himself outside of the actual reality. The third stage — the stage of artlessness, or spontaneous stage — occurs when, after years of serious and hard practice, the student realizes that after all, gung fu is nothing special. And instead of trying to impose on his mind, he adjusts himself to his opponent like water pressing on an earthen wall. It flows through the slightest crack. There is nothing to try to do but try to be purposeless and formless, like water. All of his classical techniques and standard styles are minimized, if not wiped out, and nothingness prevails. He is no longer confined.
Source: The Warrior Within : The Philosophies of Bruce Lee (1996), p. 108-109
“Stalin-Wells Talk: The Verbatim Report and A Discussion”, G.B. Shaw, J.M. Keynes et al., London, The New Statesman and Nation, (1934) p. 13
Stalin's speeches, writings and authorised interviews
On never expressing anger in his comedy in “Trevor Noah interview” https://www.timeout.com/london/comedy/trevor-noah-interview in Time Out
Personal life
Autobiography (1936; 1949; 1958)
The Creation of Patriarchy, Introduction, pp. 13-14
The Creation of Patriarchy (1986)
Alvin Toffler
"Transhuman FM-2030" http://www.transhuman.org/transhumanfm-2030.htm, transhuman.org
1930s, Die verfluchten Hakenkreuzler. Etwas zum Nachdenken (1932)
“For actors on the stage, but not for men.”
Diogenes Laertius
Grundrisse (1857-1858)
Source: Notebook VII, The Chapter on Capital, pp. 628–629.
real, active men, as they are conditioned by a definite development of their productive forces and of the intercourse corresponding to these, up to its furthest forms. Consciousness can never be anything else than conscious existence, and the existence of men is their actual life-process. If in all ideology men and their circumstances appear upside down as in a camera obscura, this phenomenon arises just as much from their historical life-process as the inversion of objects on the retina does from their physical life-process.
Source: The German Ideology (1845-1846)
"Development of Ideological Unity Among Marxist Leninist Parties" (August 3, 1956)
1950s
“Imperialism: The final stage of Capitalism.”
Source: Imperialism, The Highest Stage of Capitalism (1917), Chapter Seven
Context: We must now try to sum up, to draw together the threads of what has been said above on the subject of imperialism. Imperialism emerged as the development and direct continuation of the fundamental characteristics of capitalism in general. But capitalism only became capitalist imperialism at a definite and very high stage of its development, when certain of its fundamental characteristics began to change into their opposites, when the features of the epoch of transition from capitalism to a higher social and economic system had taken shape and revealed themselves in all spheres. Economically, the main thing in this process is the displacement of capitalist free competition by capitalist monopoly.
“Maturity comes in three stages: dependence, independence and interdependence”
Source: How to Make Love Like a Porn Star: A Cautionary Tale
Source: There's a (Slight) Chance I Might Be Going to Hell: A Novel of Sewer Pipes, Pageant Queens, and Big Trouble
“Picnics are very dear to those who are in the first stage of the tender passion.”
There's Treasure Everywhere
“Fanny! You are killing me!"
"No man dies of love but on the stage, Mr. Crawford.”
Source: Mansfield Park
Source: Prologue to Mr. Addison's Cato (1713), Line 1.
“Hope for the best. Expect the worst.
The world's a stage. We're unrehearsed.”
Chorus
12 Chairs
Source: Divine Secrets of the Ya-Ya Sisterhood
Variant: Someday being with Dex will be a distant memory. This fact makes me sad too. Its the initial stages of grief that seem to be worst but in some ways, Its sadder as time goes by and you consider how much they're missed in your life.
Source: Something Borrowed
“Movies are a fad. Audiences really want to see live actors on a stage.”
“The man had arrived at that stage of drunkenness where affection is felt for the universe.”
Source: Maggie: A Girl of the Streets
“If all the world is a stage, where is the audience sitting?”