Quotes about sky
page 6

John Betjeman photo

“No hope. And the X-ray photographs under his arm
Confirm the message. His wife stands timidly by.
The opposite brick-built house looks lofty and calm,
Its chimneys steady against the mackerel sky.”

John Betjeman (1906–1984) English poet, writer and broadcaster

"Devonshire Street W.1" line 1, from A Few Late Chrysanthemums (1954).
Poetry

Edward Thomson photo
Carl Barron photo
Mao Zedong photo
Christopher Moore photo
Samuel Beckett photo
Jimmy Carter photo
Edward Everett photo
Lord Dunsany photo
Ted Hughes photo
John Constable photo

“Our little drawing Room [Constable's lodgings at Hamptstead with a view on London] commands a view unequalled in Europe — from Westminster Abbey to Gravesend — the dome of St Paul's in the Air — realizes Michael Angelo's Idea on seeing that of the Pantheon — 'I will build such a thing in the Sky.”

John Constable (1776–1837) English Romantic painter

Letter to Rev. John Fisher (26 August 1827); as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 473
1820s

Michael Shea photo
Keeanga-Yamahtta Taylor photo
Barbara (singer) photo

“He died before the night was through
Without farewell, or I love you
My father, my father.
The sky in Nantes
Rips my heart with grief.”

Barbara (singer) (1930–1997) French singer

Mais il mourut à la nuit même
Sans un adieu, sans un je t'aime
Mon père, mon père
le ciel de Nantes
Rend mon coeur chagrin.

Nantes.
Song lyrics

Ogden Nash photo

“The sky is now indelible ink,
The branches reft asunder;
But you and I we do not shrink;
We love the lovely thunder.”

Ogden Nash (1902–1971) American poet

Many Long Years Ago (1945), A Watched Example Never Boils

Poul Anderson photo
Adi Shankara photo
Paul Cézanne photo
Caspar David Friedrich photo

“Gently rising hills block the view into the distance; line the wishes and desires of the children, who enjoy the blissful moments of the present without wanting to know what lies beyond. Bushes in bloom, nourishing herbs, and sweet-smelling flowers surround the quiet clear stream in which the pure blue of the cloudless sky is reflected like the glorious image of God in the souls of the children... There is no stone to be seen here, no withered branch, no fallen leaves. The whole of nature breathes, peace, joy, innocence and life.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from Friedrich's Diary entry, written Aug. 1803 at Loschwitz; as cited in Religious Symbolism in Caspar David Friedrich, by Colin J. Bailey https://www.escholar.manchester.ac.uk/api/datastream?publicationPid=uk-ac-man-scw:1m2225&datastreamId=POST-PEER-REVIEW-PUBLISHERS-DOCUMENT.PDF, paper; Oct. 1988 - Edinburgh College of Art, pp. 11-12
Friedrich is describing here his first composition of the painting 'Spring', 1803 (a later version he painted in 1808, viewed and described then by Gotthilf Heinrich von Schubert)
1794 - 1840

Bertolt Brecht photo
Vincent Van Gogh photo
Richard Brautigan photo
Ernesto Che Guevara photo

“Calica keeps cursing the filth and, whenever he treads on one of the innumerable turds lining the streets, he looks at his dirty shoes instead of at the sky or a cathedral outlined in space. He does not smell the intangible and evocative matter of which Cuzco is made, but only the odor of stew and excrement. It's a question of temperament.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Letter to his mother from Cuzco, Peru (22 August 1953); as quoted in "Making of a Marxist" in The Guardian (16 June 2001) http://books.guardian.co.uk/extracts/story/0,,507694,00.html

Edwin Arnold photo
Robert Oppenheimer photo
Jopie Huisman photo

“In 1946 it was the first time I saw a Van Gogh, a painting from his years in France. It was excactly what I had always felt here [in the fields of Friesland]: infinity, the unimaginable. I was bewildered and thought: who has been painting here for God's sake? Pink stripes in a green sky, you can't imagine! Ultramarine and carmine in the soil with a big yellow sun behind it..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: In 1946 zag ik voor het eerst een Van Gogh, uit z'n Franse tijd. Dàt was wat ik hier [in Friesland] altijd gevoeld had: de oneindigheid, het onvoorstelbare. Ik was verbouwereerd, [en] dacht: wie is hier in godsnaam bezig geweest? Roze strepen in een groene lucht, moet je es nagaan. Ultramarijn en karmijn in de bodem, een grote gele zon erachter..
Mens & Gevoelens: Jopie Huisman', 1993

Jane Taylor photo
Edvard Munch photo

“I was walking along a path with two friends — the sun was setting — suddenly the sky turned blood red — I paused, feeling exhausted, and leaned on the fence — there was blood and tongues of fire above the blue-black fjord and the city — my friends walked on, and I stood there trembling with anxiety — and I sensed an infinite scream passing through nature.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Quote of an entry in his Diary (22 January 1892), on the experience which inspired his famous painting, '(The Scream)' ('Shrik'), originally titled: 'Der Schrei der Natur' ('The Cry of Nature')
1880 - 1895

Alastair Reynolds photo
Simon Munnery photo
Arthur Symons photo
Bruno Schulz photo
Letitia Elizabeth Landon photo
Gloria Estefan photo
Emily Brontë photo
Rebecca Solnit photo
Mike Oldfield photo
Caspar David Friedrich photo

“Through the gloomy clouds break / Blue sky, sunshine, / On the heights and in the valley / Sing the lark and the nightingale
God, I thank you that I live / Not forever in this world / Strengthen me that my soul rise / Upward toward your firmament.”

Caspar David Friedrich (1774–1840) Swedish painter

some poetry lines of Friedrich, c. 1802-05; as cited by C. D. Eberlein in C. D. Friedrich Bekenntnisse, p 57; as quoted & translated by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 48
1794 - 1840

Sueton photo

“His wastefulness showed most of all in the architectural projects. He built a palace, stretching from the Palatine to the Esquiline, which he called…"The Golden House". The following details will give some notion of its size and magnificence. The entrance-hall was large enough to contain a huge statue of himself, 120 feet high…Parts of the house were overlaid with gold and studded with precious stones and mother-of pearl. All the dining-rooms had ceilings of fretted ivory, the panels of which could slide back and let a rain of flowers, or of perfume from hidden sprinklers, shower upon his guests. The main dining-room was circular, and its roof revolved, day and night, in time with the sky. Sea water, or sulphur water, was always on tap in the baths. When the palace had been decorated throughout in this lavish style, Nero dedicated it, and condescended to remark: "Good, now I can at last begin to live like a human being!"”
Non in alia re tamen damnosior quam in aedificando domum a Palatio Esquilias usque fecit, quam…Auream nominavit. De cuius spatio atque cultu suffecerit haec rettulisse. Vestibulum eius fuit, in quo colossus CXX pedum staret ipsius effigie…In ceteris partibus cuncta auro lita, distincta gemmis unionumque conchis erant; cenationes laqueatae tabulis eburneis versatilibus, ut flores, fistulatis, ut unguenta desuper spargerentur; praecipua cenationum rotunda, quae perpetuo diebus ac noctibus vice mundi circumageretur; balineae marinis et albulis fluentes aquis. Eius modi domum cum absolutam dedicaret, hactenus comprobavit, ut se diceret quasi hominem tandem habitare coepisse.

Source: The Twelve Caesars, Nero, Ch. 31

Ellen G. White photo
Alastair Reynolds photo
Martin Luther King, Jr. photo

“And I say to you this morning in conclusion that I'm not going to put my ultimate faith in things. I'm not going to put my ultimate faith in gadgets and contrivances. As a young man with most of my life ahead of me, I decided early to give my life to something eternal and absolute. Not to these little gods that are here today and gone tomorrow, but to God who is the same yesterday, today, and forever. Not in the little gods that can be with us in a few moments of prosperity, but in the God who walks with us through the valley of the shadow of death, and causes us to fear no evil. That's the God. Not in the god that can give us a few Cadillac cars and Buick convertibles, as nice as they are, that are in style today and out of style three years from now, but the God who threw up the stars to bedeck the heavens like swinging lanterns of eternity. Not in the god that can throw up a few skyscraping buildings, but the God who threw up the gigantic mountains, kissing the sky, as if to bathe their peaks in the lofty blues. Not in the god that can give us a few televisions and radios, but the God who threw up that great cosmic light that gets up early in the morning in the eastern horizon, (who paints its technicolor across the blue—something that man could never make. I'm not going to put my ultimate faith in the little gods that can be destroyed in an atomic age, but the God who has been our help in ages past, and our hope for years to come, and our shelter in the time of storm, and our eternal home. That's the God that I'm putting my ultimate faith in.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1950s, Rediscovering Lost Values (1954)

Gerald Kaufman photo
Al-Biruni photo
Robert A. Heinlein photo

“Mercifully, we stay our hand. Earth’s cities will not be bombed. The free citizens of Venus Republic have no wish to slaughter their cousins still on Terra. Our only purpose is to establish our own independence, to manage our own affairs, to throw off the crushing yoke of absentee ownership and taxation without representation which has bleed us poor.
In doing so, in so taking our stand as free men, we call on all oppressed and impoverished nations everywhere to follow our lead, accept our help. Look up into the sky! Swimming there above you is the very station from which I now address you. The fat and stupid rulers of the Federation have made of Circum-Terra an overseer’s whip. The threat of this military base in the sky has protected their empire from the just wrath of their victims for more then five score years.
We now crush it.
In a matter of minutes this scandal in the clean skies, this pistol pointed at the heads of men everywhere on your planet, will cease to exist. Step out of doors, watch the sky. Watch a new sun blaze briefly, and know that its light is the light of Liberty inviting all of Earth to free itself.
Subject peoples of Earth, we free men of the free Republic of Venus salute you with that sign!”

Source: Between Planets (1951), Chapter 6, “The Sign in the Sky” (p. 74) - Speech given before the destruction of the nuclear-armed satellite Circum-Terra.

Greg Egan photo
Emily Dickinson photo
Letitia Elizabeth Landon photo
John Muir photo
Stephen King photo
Steven Erikson photo
Daniel Webster photo

“Washington is in the clear upper sky.”

Daniel Webster (1782–1852) Leading American senator and statesman. January 18, 1782 – October 24, 1852. Served as the Secretary of Sta…

Source: Discourse in Commemoration of Adams and Jefferson (1826), p. 148

Luther Burbank photo
Elie Wiesel photo
Fyodor Dostoyevsky photo
Bruce Springsteen photo
Ernst Gombrich photo
Caterina Davinio photo

“Destiny was superb
it spoke among mountains and gray cumuli
like castles in the sky,
swollen with heat,
with rain,
with harvests,
with infinite richness.
…”

Caterina Davinio (1957) Italian writer

Waiting for the End of the World
Source: Caterina Davinio, Aspettando la fine del mondo / Waiting for the End of the World, with parallel English text, English translation by Caterina Davinio and David W. Seaman, Fermenti, Rome 2012, p. 15. </ref>

George Holmes Howison photo
Aaro Hellaakoski photo

“When the early morning sun
first pierced the grayness in the sky,
a pickerel rose from his watery home
to climb a pine tree, singing.
And high in the branches, he looked upon
the morning's glowing beauty -
the wind-blown ripples on the lake,
dew-freshened flowers and fields below.”

Aaro Hellaakoski (1893–1952) Finnish writer, poet, geographer and teacher

Aaro Hellaakoski. "The song of the pike hauen laulu." Aina Swan Cutler (trans.) in: Aili Jarvenpa, ‎Michael G. Karni (1989), Sampo, the magic mill: a collection of Finnish-American writing.

John Marston photo
Gabriel García Márquez photo
John Fante photo
John Dryden photo
Letitia Elizabeth Landon photo
Ali Shariati photo

“The sky was dark, the night was black, obscurity reigned, the gleam of the wolves eyes was the only light that came to sight, the howling of the jackal was the only sound to be heard, conspiracies were in the making while slanderers and the malicious were busily chattering”

Ali Shariati (1933–1977) Iranian academic and activist

Quote in: Ali Rahnema An Islamic Utopian: A Political Biography of Ali Shariati. (2000), p. 258
Rahnema commented that "Shariati did not believe he had any chance of returning to Ershad and evaluated his situation in a poetical and macabre fashion".

Letitia Elizabeth Landon photo
Pierre-Auguste Renoir photo
Rod Serling photo
Mikha'il Na'ima photo
W. H. Auden photo
Kazimir Malevich photo
Paul Cézanne photo
Alfred Stieglitz photo
Stevie Nicks photo

“Lindsey [Buckingham] and I went up to Aspen and we went to somebody's incredible house and they had a piano and I had my guitar with me and I went in their living room, looking out over the incredible Aspen sky and I wrote 'Landslide.”

Stevie Nicks (1948) American singer and songwriter, member of Fleetwood Mac

Laura Furman, Rumours Exposed http://books.google.com/books?id=SW31aVVDc_AC (2003: Citadel Press), ISBN 9780806524726, p. 75

Philip Roth photo

“Each year she taught him the names of the flowers in her language and in his, and from one year to the next he could not even remember the English. For nearly thirty years Sabbath had been exiled in these mountains, and still he could name hardly anything. They didn't have this stuff where he came from. All these things growing were beside the point there. He was from the shore. There was sand and ocean, horizon and sky, daytime and nighttime - the light, the dark, the tide, the stars, the boats, the sun, the mists, the gulls. There were the jetties, the piers, the boardwalk, the booming, silent, limitless sea. Where he grew up they had the Atlantic. You could touch with your toes where America began. They lived in a stucco bungalow two short streets from the edge of America. The house. The porch. The screens. The icebox. The tub. The linoleum. The broom. The pantry. The ants. The sofa. The radio. The garage. The outside shower with the slatted wooden floor Morty had built and the drain that always clogged. In summer, the salty sea breeze and the dazling light; in September, the hurricanes; in January, the storms. They had January, February, March, April, May, June, July, August, September, November, December. And then January. And then again January, no end to the stockpile of Januaries, of Mays, of Marches. August, December, April - name a month, and they had it in spades. They'd had endlessness. He had grown up on endlessness and his mother - in the beginning they were the same thing. His mother, his mother, his mother, his mother, his mother… and then there was his mother, his father, Grandma, Morty, and the Atlantic at the end of the street. The ocean, the beach, the first two streets in America, then the house, and in the house a mother who never stopped whistlîg until December 1944. If Morty had come alive, if the endlessness had ended naturally instead of with the telegram, if after the war Morty had started doing electrical work and plumbing for people, had become a builder at the shore, gone into the construction business just as the boom in Monmouth County was beginning…Didn't matter. Take your pick. Get betrayed by the fantasy of endlessness or by the fact of finitude. No, Sabbath could only have wound up Sabbath, begging for what he was begging, bound to what he was bound, saying what he did not wish to stop himself from saying.”

Sabbath's Theater (1995)

Iain Banks photo
Ursula K. Le Guin photo
Ruan Ji photo
Stephen Crane photo
Walter de la Mare photo

“What is the world, O soldiers?
It is I,
I, this incessant snow,
This northern sky.”

Walter de la Mare (1873–1956) English poet and fiction writer

Napoleon.

“So quiet and subtle is the beauty of December that escapes the notice of many people their whole lives through.. Colour gives way to form. every branch distinct, in a delicate tracery against the sky.. new vistas obscured all Summer by leafage, now open up.”

Flora Thompson (1876–1947) English author and poet

December Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers

George Gordon Byron photo

“And thou wert lovely to the last,
Extinguish'd, not decay'd;
As stars that shoot along the sky
Shine brightest as they fall from high.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

And Thou Art Dead as Young and Fair (1812).

George Carlin photo
Cat Stevens photo

“Sun is the reason
And the world it will bloom
‘Cause sun lights the sky
And the sun lights the moon”

Cat Stevens (1948) British singer-songwriter

Sun C79
Song lyrics, Buddha and the Chocolate Box (1974)

H. G. Wells photo
William Blake photo

“Pancrass & Kentish-town repose
Among her golden pillars high:
Among her golden arches which
Shine upon the starry sky.”

William Blake (1757–1827) English Romantic poet and artist

Source: 1800s, Jerusalem The Emanation of The Giant Albion (c. 1803–1820), Ch. 1, plate 27, "To the Jews" 1) lines 9-12

Letitia Elizabeth Landon photo

“Once the buds of the pomegranate
Paled beside her cheek's warm dye,
Now 'tis like the last sad planet
Waning in the morning sky —
She has wept away its red.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(1836-3) (Vol.48) Subjects for Pictures. Second Series. III. The Moorish Maiden’s Vigil
The Monthly Magazine

Ebenezer Howard photo

“All, then, are agreed on the pressing nature of this problem, all are bent on its solution, and though it would doubtless be quite Utopian to expect a similar agreement as to the value of any remedy that may be proposed, it is at least of immense importance that, on a subject thus universally regarded as of supreme importance, we have such a consensus of opinion at the outset. This will be the more remarkable and the more hopeful sign when it is shown, as I believe will be conclusively shown in this work, that the answer to this, one of the most pressing questions of the day, makes of comparatively easy solution many other problems which have hitherto taxed the ingenuity of the greatest thinkers and reformers of our time. Yes, the key to the problem how to restore the people to the land — that beautiful land of ours, with its canopy of sky, the air that blows upon it, the sun that warms it, the rain and dew that moisten it — the very embodiment of Divine love for man — is indeed a Master-Key, for it is the key to a portal through which, even when scarce ajar, will be seen to pour a flood of light on the problems of intemperance, of excessive toil, of restless anxiety, of grinding poverty — the true limits of Governmental interference, ay, and even the relations of man to the Supreme Power.”

Ebenezer Howard (1850–1928) British writer, founder of the garden city movement

Introduction.
Garden Cities of To-morrow (1898)

Maulana Karenga photo
Kerli photo
Aldo Capitini photo

“And you mother still close to me,
you know that it is not enough to live an ordered and honest life.
You have been faithful for years to bring order into our house.
As soon as the dawn appeared in the night sky,
you rose towards the tasks awaiting you –
in the silence of a mental prayer.
Perhaps it is not enough even the overwhelming love,
to which you gave the sober expression of concrete acts.
The sacred wool, the steaming milk and the bed
composed with inimitable care by your hands.
Going back in time you recounted to your children their births,
and the birthdays have slowly vanished.
The beginning is now found from a thousand beginnings,
with the ancient, with the unknown, with Christ.
A present act includes them all,
opening after the events have passed.
And there is a severe duty for struggle,
something in our own life could be wrenched away by it.
The guards will soon appear,
and they will take me to my cell with the high window.
You will still be with me,
as mother and inexhaustible human presence.
Giving freely of your love, you still knew that your son is freedom.
You were a nearness, that always found something to do.
I have watched you unflinching under hardness and spite,
always moving, and acting,
holding back your inner rebellion you had pity on rage.
Now we are together to work and open all around.
In the loving gift to the world which ever crucifies us
is our fulfilment.
Seeing its limitations, still to treasure everything
is the gesture of infinite miracle,
and you were right: order comes from this principle,
the earthly goods, as our brothers the prophets tell us,
will be given unto us.”

Aldo Capitini (1899–1968) Italian philosopher and political activist