"Devonshire Street W.1" line 1, from A Few Late Chrysanthemums (1954).
Poetry
Quotes about sky
page 6
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 432.
Source: Lady of Mazes (2005), Chapter 14 (p. 158).
“On Tactics Against Japanese Imperialism” (December 27, 1935)
Carter slams Georgia's 'evolution' proposal, 30 January, 2004 http://edition.cnn.com/2004/EDUCATION/01/30/georgia.evolution/
Post-Presidency
Letter to Rev. John Fisher (26 August 1827); as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 473
1820s
The fight against racism doesn't stop here (2013)
Mais il mourut à la nuit même
Sans un adieu, sans un je t'aime
Mon père, mon père
le ciel de Nantes
Rend mon coeur chagrin.
Nantes.
Song lyrics
Source: Atma Bodha (1987), p. 121: Quote nr. 67.
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 197 in: 'What he told me – II. The Louvre'
Quote from Friedrich's Diary entry, written Aug. 1803 at Loschwitz; as cited in Religious Symbolism in Caspar David Friedrich, by Colin J. Bailey https://www.escholar.manchester.ac.uk/api/datastream?publicationPid=uk-ac-man-scw:1m2225&datastreamId=POST-PEER-REVIEW-PUBLISHERS-DOCUMENT.PDF, paper; Oct. 1988 - Edinburgh College of Art, pp. 11-12
Friedrich is describing here his first composition of the painting 'Spring', 1803 (a later version he painted in 1808, viewed and described then by Gotthilf Heinrich von Schubert)
1794 - 1840
"It's Raining In Love"
The Pill Versus the Springhill Mining Disaster
Letter to his mother from Cuzco, Peru (22 August 1953); as quoted in "Making of a Marxist" in The Guardian (16 June 2001) http://books.guardian.co.uk/extracts/story/0,,507694,00.html
"Crossing" describing memories of New Mexico in Hound and Horn (June 1928)
translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: In 1946 zag ik voor het eerst een Van Gogh, uit z'n Franse tijd. Dàt was wat ik hier [in Friesland] altijd gevoeld had: de oneindigheid, het onvoorstelbare. Ik was verbouwereerd, [en] dacht: wie is hier in godsnaam bezig geweest? Roze strepen in een groene lucht, moet je es nagaan. Ultramarijn en karmijn in de bodem, een grote gele zon erachter..
Mens & Gevoelens: Jopie Huisman', 1993
Quote of an entry in his Diary (22 January 1892), on the experience which inspired his famous painting, '(The Scream)' ('Shrik'), originally titled: 'Der Schrei der Natur' ('The Cry of Nature')
1880 - 1895
“The Cinnamon Shops” http://www.schulzian.net/translation/shops/shops.htm
His father, The heavens
The Moon from The London Literary Gazette (25th March 1826)
The Vow of the Peacock (1835)
www.nytimes.com (February 2, 2007)
2007, 2008
some poetry lines of Friedrich, c. 1802-05; as cited by C. D. Eberlein in C. D. Friedrich Bekenntnisse, p 57; as quoted & translated by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 48
1794 - 1840
“His wastefulness showed most of all in the architectural projects. He built a palace, stretching from the Palatine to the Esquiline, which he called…"The Golden House". The following details will give some notion of its size and magnificence. The entrance-hall was large enough to contain a huge statue of himself, 120 feet high…Parts of the house were overlaid with gold and studded with precious stones and mother-of pearl. All the dining-rooms had ceilings of fretted ivory, the panels of which could slide back and let a rain of flowers, or of perfume from hidden sprinklers, shower upon his guests. The main dining-room was circular, and its roof revolved, day and night, in time with the sky. Sea water, or sulphur water, was always on tap in the baths. When the palace had been decorated throughout in this lavish style, Nero dedicated it, and condescended to remark: "Good, now I can at last begin to live like a human being!"”
Non in alia re tamen damnosior quam in aedificando domum a Palatio Esquilias usque fecit, quam…Auream nominavit. De cuius spatio atque cultu suffecerit haec rettulisse. Vestibulum eius fuit, in quo colossus CXX pedum staret ipsius effigie…In ceteris partibus cuncta auro lita, distincta gemmis unionumque conchis erant; cenationes laqueatae tabulis eburneis versatilibus, ut flores, fistulatis, ut unguenta desuper spargerentur; praecipua cenationum rotunda, quae perpetuo diebus ac noctibus vice mundi circumageretur; balineae marinis et albulis fluentes aquis. Eius modi domum cum absolutam dedicaret, hactenus comprobavit, ut se diceret quasi hominem tandem habitare coepisse.
Source: The Twelve Caesars, Nero, Ch. 31
1950s, Rediscovering Lost Values (1954)
That was the reply of a Nazi. I suppose the Jews fighting for their lives in the Warsaw Ghetto could have been dismissed as militants.
Speech to the House of Commons, Jan 2009
Worthless http://www.infinityplus.co.uk/stories/worth.htm, published in the anthology In Dreams (1992)
Fiction
No.8. The Black Dwarf — ISABEL VERE.
Literary Remains
letter to Mrs. Ezra S. Carr (December 1872); published as " A Geologist's Winter Walk http://books.google.com/books?id=OAEbAAAAYAAJ&pg=PA355", Overland Monthly, volume 10, number 4 (April 1873) pages 355-358 (at page 358); modified slightly and reprinted in Steep Trails (1918), chapter 2
1870s
“Washington is in the clear upper sky.”
Source: Discourse in Commemoration of Adams and Jefferson (1826), p. 148
p, 125
The Training of the Human Plant (1907)
Source: Translations, The Aeneid of Virgil (1866), Book IX, p. 324
Hope, Despair, and Memory (1986)
'Brezhnev: A State of Boredom'
Opening lines of his review of the Brezhnev: A Short Biography
Essays and reviews, From the Land of Shadows (1982)
"Death to My Hometown"
Song lyrics, Wrecking Ball (2012)
Waiting for the End of the World
Source: Caterina Davinio, Aspettando la fine del mondo / Waiting for the End of the World, with parallel English text, English translation by Caterina Davinio and David W. Seaman, Fermenti, Rome 2012, p. 15. </ref>
Appendix (p. 527)
The Coyote Kings of the Space-Age Bachelor Pad (2004)
Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Limits of Evolution, p.53
Aaro Hellaakoski. "The song of the pike hauen laulu." Aina Swan Cutler (trans.) in: Aili Jarvenpa, Michael G. Karni (1989), Sampo, the magic mill: a collection of Finnish-American writing.
Source: The Paris Review interview (1981), p. 324
(29th September 1832) On the death of Sir Walter Scott
The London Literary Gazette, 1832
Quote in: Ali Rahnema An Islamic Utopian: A Political Biography of Ali Shariati. (2000), p. 258
Rahnema commented that "Shariati did not believe he had any chance of returning to Ershad and evaluated his situation in a poetical and macabre fashion".
On a Replica of the Parthenon
Source: undated quotes, Renoir – his life and work, 1975, p. 196 : on painting landscape in open air, to art-buyer George Riviere.
1921 - 1930
Source: 'God is not cast down', Malevich, 1922; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 65
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 158-159, in: 'What he told me – I. The motif'
w:Dorothy Norman recorded a conversation between Stieglitz and a man, looking at one of his 'Equivalents' prints
Source: 'Minor White, A Living Remembrance', Dorothy Norman, in 'Aperture', 1984, p. 9.
Source: The Beak of the Finch: A Story of Evolution in Our Time (1994), Chapter 7, Twenty-Five Thousand Darwins
Laura Furman, Rumours Exposed http://books.google.com/books?id=SW31aVVDc_AC (2003: Citadel Press), ISBN 9780806524726, p. 75
“Family Cucurbita” The MacGuffin, Vol. XXVII No. 1 (Fall, 2010)
2010-
Poem XIX, translated by Wu Fusheng and Graham Hartill in The Poem of Ruan Ji (2006), p. 39, as reported in Constructing Irregular Theology (2009) by Paul S. Chung, p. 13
“What is the world, O soldiers?
It is I,
I, this incessant snow,
This northern sky.”
Napoleon.
December Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers
And Thou Art Dead as Young and Fair (1812).
Mother Jones Magazine, March/April 1997
Interviews, Print Interviews
“Sun is the reason
And the world it will bloom
‘Cause sun lights the sky
And the sun lights the moon”
Sun C79
Song lyrics, Buddha and the Chocolate Box (1974)
Source: 1800s, Jerusalem The Emanation of The Giant Albion (c. 1803–1820), Ch. 1, plate 27, "To the Jews" 1) lines 9-12
(1836-3) (Vol.48) Subjects for Pictures. Second Series. III. The Moorish Maiden’s Vigil
The Monthly Magazine
Introduction.
Garden Cities of To-morrow (1898)