Quotes about sky
page 12

John Constable photo

“I am most anxious to get into my London painting-room, for I do not consider myself at work unless I am before a six-foot canvas. I have done a good deal of skying for I am determined to conquer all difficulties, and that among the rest.”

John Constable (1776–1837) English Romantic painter

Quote from John Constable's letter to Rev. John Fisher (23 October 1821), as quoted in Richard Friedenthal, Letters of the great artists – from Blake to Pollock (Thames and Hudson, London, 1963), p. 41
1820s

Herb Caen photo

“A city is where you can sign a petition, boo the chief justice, fish off a pier, gaze at a hippopotamus, buy a flower at the corner, or get a good hamburger or a bad girl at 4 a. m. A city is where sirens make white streaks of sound in the sky and foghorns speak in dark grays. San Francisco is such a city.”

Herb Caen (1916–1997) American newspaper columnist

Caen, Herb. "A city is like San Francisco, not a faceless 'burb" http://www.sfgate.com/entertainment/article/A-city-is-like-San-Francisco-not-a-faceless-burb-3168435.php S.F. Gate, 2010.
Attributed

Anna Akhmatova photo
John Updike photo
John Updike photo

“Rain is grace; rain is the sky condescending to the earth; without rain, there would be no life.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Source: Self-Consciousness : Memoirs (1989), Ch. 1

Vitruvius photo

“Even peasants wholly without knowledge of the quarters of the sky believe that oxen ought to face only in the direction of the sunrise.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VI, Chapter VI, Sec. 1

W. H. Auden photo
Neil Young photo

“I gave to you, now, you give to me
I'd like to know what you learned.
The sky is blue and so is the sea
What is the color, when black is burned?”

Neil Young (1945) Canadian singer-songwriter

I Am a Child, from Last Time Around (1968)
Song lyrics, With Buffalo Springfield

T. E. Lawrence photo

“I loved you, so I drew these tides of men into my hands
and wrote my will across the sky in stars
To gain you Freedom, the seven-pillared worthy house,
that your eyes might be shining for me
When I came.”

Dedicatory poem, to "S. A.", as written in the 1922 "Oxford text"; variant : "When we came" for "When I came" in the 1926 edition, and others.
Seven Pillars of Wisdom (1922)

John Muir photo
Anna Laetitia Barbauld photo

“I read his awful name, emblazon'd high
With golden letters on th' illumin'd sky.”

Anna Laetitia Barbauld (1743–1825) English author

Poems (1773), "An Address to the Deity", p. 128.

Neil Gaiman photo
A.E. Housman photo
Letitia Elizabeth Landon photo

“Never day-beam hath shone o'er
Lovelier or wilder shore!
Half was land, and half was sea
Where the eye could only see
The blue sky for boundary.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(30th November 1822) Fragments in Rhyme V: the Happy Isle
7th December 1822) Fragments in Rhyme VI: The Painter's Love see The Improvisatrice (1824
14th December 1822) Fragments in Rhyme VII: Manmadin, The Indian Cupid. Floating down the Ganges see The Improvisatrice (1824
21st December 1822) Fragments in Rhyme IX: The Female Convict see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

Marcus Aurelius photo

“Earth loves the rain, the proud sky loves to give it. The whole world loves to create futurity. I say then to the world, "I share your love." Is this not the source of the phrase, "This loves to happen"?”

The last phrase is quoted in J. D. Salinger's Franny and Zooey as "It loved to happen".
Meditations (c. 121–180 AD), Book X, 21
Original: (el) ῾Ἐρᾷ μὲν ὄμβρου γαῖα, ἐρᾷ δὲ ὁ σεμνὸς αἰθήρ,᾿ ἐρᾷ δὲ ὁ κόσμος ποιῆσαι ὃ ἂν μέλλῃ γίνεσθαι. λέγω οὖν τῷ κόσμῳ ὅτι σοὶ συνερῶ. μήτι δὲ οὕτω κἀκεῖνο λέγεται, ὅτι: φιλεῖ τοῦτο γίνεσθαι;

Max Ernst photo
George Gissing photo
Leo Tolstoy photo
Bobby Fischer photo
Cormac McCarthy photo
Thomas Campbell photo
Homér photo

“His cold remains all naked to the sky,
On distant shores unwept, unburied lie.”

XI. 72–73 (tr. Alexander Pope); of Elpenor.
Odyssey (c. 725 BC)

Jack Vance photo
Thomas Hardy photo
John Muir photo

“Nature is always lovely, invincible, glad, whatever is done and suffered by her creatures. All scars she heals, whether in rocks or water or sky or hearts.”

John Muir (1838–1914) Scottish-born American naturalist and author

24 March 1895, page 337
John of the Mountains, 1938

Frank Sinatra photo
Letitia Elizabeth Landon photo

“Well may storm be on the sky,
And the waters roll on high,
When MANMADIN passes by.
Earth below and heaven above
Well may bend to thee, oh Love!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Manmadin, The Indian Cupid. Floating down the Ganges from The London Literary Gazette (14th December 1822) Fragments in Rhyme VII
The Improvisatrice (1824)

Li Bai photo

“A cup of wine, under the flowering trees;
I drink alone, for no friend is near.
Raising my cup I beckon the bright moon,
For he, with my shadow, will make three men.
The moon, alas, is no drinker of wine;
Listless, my shadow creeps about at my side.
Yet with the moon as friend and the shadow as slave
I must make merry before the Spring is spent.
To the songs I sing the moon flickers her beams;
In the dance I weave my shadow tangles and breaks.
While we were sober, three shared the fun;
Now we are drunk, each goes his way.
May we long share our odd, inanimate feast,
And meet at last on the Cloudy River of the sky.”

Li Bai (701–762) Chinese poet of the Tang dynasty poetry period

"Drinking Alone by Moonlight" (月下獨酌), one of Li Bai's best-known poems, as translated by Arthur Waley in More Translations From the Chinese (1919)
Variant translation:
From a pot of wine among the flowers
I drank alone. There was no one with me—
Till, raising my cup, I asked the bright moon
To bring me my shadow and make us three.
Alas, the moon was unable to drink
And my shadow tagged me vacantly;
But still for a while I had these friends
To cheer me through the end of spring...
I sang. The moon encouraged me.
I danced. My shadow tumbled after.
As long as I knew, we were boon companions.
And then I was drunk, and we lost one another.
...Shall goodwill ever be secure?
I watch the long road of the River of Stars.
"Drinking Alone with the Moon" (trans. Witter Bynner and Kiang Kang-hu)

Donald Rumsfeld photo

“I picked up a newspaper today and I couldn't believe it. I read eight headlines that talked about chaos, violence, unrest. And it just was Henny Penny -- "The sky is falling." I've never seen anything like it! And here is a country that's being liberated, here are people who are going from being repressed and held under the thumb of a vicious dictator, and they're free. And all this newspaper could do, with eight or 10 headlines, they showed a man bleeding, a civilian, who they claimed we had shot —one thing after another.
From the very beginning, we were convinced that we would succeed, and that means that that regime would end. And we were convinced that as we went from the end of that regime to something other than that regime, there would be a period of transition. And, you cannot do everything instantaneously; it's never been done, everything instantaneously. We did, however, recognize that there was at least a chance of catastrophic success, if you will, to reverse the phrase, that you could in a given place or places have a victory that occurred well before reasonable people might have expected it, and that we needed to be ready for that; we needed to be ready with medicine, with food, with water. And, we have been.
Freedom's untidy, and free people are free to make mistakes and commit crimes and do bad things. They're also free to live their lives and do wonderful things. And that's what's going to happen here.”

Donald Rumsfeld (1932) U.S. Secretary of Defense

DOD news briefing following the fall of Baghdad (11 April 2003) http://www.defenselink.mil/transcripts/2003/tr20030411-secdef0090.html

Robert E. Howard photo

“A long bow and a strong bow, and let the sky grow dark!
The cord to the nock, the shaft to the ear, and the king of Koth for a mark!”

Robert E. Howard (1906–1936) American author

Song of the Bossonian Archers
"The Scarlet Citadel" (1933)

Stephen Crane photo

“There may be "pie in the sky when you die" but how the pie is dished out on the ground has considerable existential relevance.”

Eric Wolf (1923–1999) American anthropologist

Preface (1997), p. x.
Europe and the People Without History, 1982

Letitia Elizabeth Landon photo
William Cullen Bryant photo

“When April winds
Grew soft, the maple burst into a flush
Of scarlet flowers. The tulip tree, high up,
Opened in airs of June her multitude
Of golden chalices to humming-birds
And silken-wing'd insects of the sky.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

The Fountain http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page227, st. 3 (1839)

Malcolm Muggeridge photo
Jacob Bronowski photo
Giovanni Boccaccio photo

“Shortly afterwards the moon rose with a very clear sky, and [he] kept watch.”

E poco appresso levatasi la luna, e 'l tempo essendo chiarissimo, [egli] vegghiava.
Fifth Day, Third Story (tr. J. M. Rigg)
The Decameron (c. 1350)

Kate Bush photo

“I am ice and dust. I am sky.
I can see horses wading through snowdrifts.
My broken hearts, my fabulous dances.
My fleeting song, fleeting.
The world is so loud. Keep falling. I'll find you.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, 50 Words for Snow (2011)

Charles Lindbergh photo
Silius Italicus photo

“Like a trembling hind pursued by a Hyrcanian tigress, or like a pigeon that checks her flight when she sees a hawk in the sky, or like a hare that dives into the thicket at sight of the eagle hovering with outstretched wings in the cloudless sky.”
...ceu tigride cerva Hyrcana cum pressa tremit, vel territa pennas colligit accipitrem cernens in nube columba, aut dumis subit, albenti si sensit in aethra librantem nisus aquilam, lepus.

Book V, lines 280–284
Punica

Octavio Paz photo

“willow of crystal, a poplar of water,
a pillar of fountain by the wind drawn over,
tree that is firmly rooted and that dances,
turning course of a river that goes curving,
advances and retreats, goes roundabout,
arriving forever:
the calm course of a star
or the spring, appearing without urgency,
water behind a stillness of closed eyelids
flowing all night and pouring out prophecies,
a single presence in the procession of waves
wave over wave until all is overlapped,
in a green sovereignty without decline
a bright hallucination of many wings
when they all open at the height of the sky, course of a journey among the densities
of the days of the future and the fateful
brilliance of misery shining like a bird
that petrifies the forest with its singing
and the annunciations of happiness
among the branches which go disappearing,
hours of light even now pecked away by the birds,
omens which even now fly out of my hand, an actual presence like a burst of singing,
like the song of the wind in a burning building,
a long look holding the whole world suspended,
the world with all its seas and all its mountains,
body of light as it is filtered through agate,
the thighs of light, the belly of light, the bays,
the solar rock and the cloud-colored body,
color of day that goes racing and leaping,
the hour glitters and assumes its body,
now the world stands, visible through your body,
and is transparent through your transparency”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Sun Stone (1957)

Richard Dawkins photo

“I agree that it's very difficult to come to an absolute definition of what's moral and what is not. We are on our own, without a god, and we have to get together, sit down together and decide what kind of society do we want to live in. Do we want to live in a society where people steal, where people kill, where people don't pull their weight paying their taxes, doing that kind of thing? Do we want to live in a kind of society where everybody is out for themselves in a dog-eat-dog world? And we decide in conclave together that that's not the kind of world in which we want to live. It's difficult. There is no absolute reason why we should believe that that's true - it's a moral decision which we take as individuals - and we take it collectively as a collection of individuals. If you want to get that sort of value system from religion I want you to ask yourself - whereabouts in religion do you get it? Which religion do you get it from? They're all different. If you get it from the Judeo-Christian-Islamic tradition then I beg you - don't get it from your holy book! Because the morality you will get from reading your holy book is hideous. Don't get it from your holy book. Don't get it from sucking up to your god. Don't get it from saying “oh, I'm terrified of going to hell so I'd better be good” - that's a very ignoble reason to be good. Instead - be good for good reasons. Be good for the reason that's you've decided together with other people the society we want to live in: a decent humane society. Not one based on absolutism, not one based on holy books and not one based on sucking up to.. looking over your shoulder to the divine spy camera in the sky.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

http://www.youtube.com/watch?v=roFdPHdhgKQ&t=59m29s
Richard Dawkins vs. Jonathan Sacks - BBC's RE:Think Festival (2012)

TotalBiscuit photo

“Should've played the bloody Sky Golem. And now he's got my other one. Give it BACK!”

TotalBiscuit (1984–2018) British game commentator

Hearthstone series, Randuin 2 Electric Boogaloo (January 13, 2015)

“The sun has burst the sky
Because I love you
And the river its banks.”

Jenny Joseph (1932–2018) Poet

Poem The sun has burst the sky http://www.poemhunter.com/poem/the-sun-has-burst-the-sky/

Jack Johnson (musician) photo

“And the water below gives a gift to the sky
And the clouds give back every time that they cry
And make the grass grow green beneath my toes.”

Jack Johnson (musician) (1975) American musician

Talk of the Town.
Song lyrics, Sing-A-Longs and Lullabies for the Film Curious George (2006)

Ayaan Hirsi Ali photo
Giorgio de Chirico photo

“Painting is the magic art, the fire set alight on the windows of the rich dwelling, as on those of the humble hovel, from the last rays of the setting sun, it is the long mark, the humid mark, the fluent and still mark that the dying wave etches on the hot sand, it is the darting of the immortal lizard on the rock burnt by the midday heat, it is the rainbow of conciliation, on sad May afternoons, after the storm has passed, down there, making a dark backdrop to the almond trees in flower, to the gardens with their washed colours, to the ploughmen's huts, smiling and tranquil, it is the livid cloud chased by the vehement blowing of Aeolus enraged, it is the nebulous disk of the fleeting moon behind the ripped-open funereal curtain of a disturbed sky in the deep of night, it is the blood of the bull stabbed in the arena, of the warrior fallen in the heat of battle, of Adonis' immaculate thigh wounded by the obstinate boar's curved tusk, it is the sail swollen with the winds of distant seas, it is the centuries-old tree browned in the autumn..”

Giorgio de Chirico (1888–1978) Italian artist

Quote from the first lines in De Cirico's essay 'Painting', 1938; from http://www.fondazionedechirico.org/wp-content/uploads/211_Painting_1938_Metaphysical_Art.pdf 'Painting', 1938 - G. de Chirico, presentation to the catalogue of his solo exhibition Mostra personale del pittore Giorgio de Chirico, Galleria Rotta, Genoa, May 1938], p. 211
1920s and later

Elton John photo
George Mallory photo
William Cullen Bryant photo
Sara Teasdale photo
Sarah McLachlan photo
Alan Guth photo
Nathalia Crane photo
Max Wertheimer photo
Terence photo

“What now if the sky were to fall?”

Act IV, scene 3, line 41 (719).
Heauton Timorumenos (The Self-Tormentor)

Maurice de Vlaminck photo
Amit Chaudhuri photo
Paramahansa Yogananda photo
Georges Seurat photo

“.. the flag is green with a red spot in the center; above, the blue of the sky, the orange-tinted white of the walls, and the orange-grey of the clouds.”

Georges Seurat (1859–1891) French painter

short notation, 1881: from 'Notes inedites de Seurat sur Delacroix', in 'Bulletin de la Vie Artistique', April 1922; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 6 - note 9
Seurat studied carefully the paintings of Eugene Delacroix, and wrote in 1881 about Delacroix's painting 'The Fanatics of Tangier' https://upload.wikimedia.org/wikipedia/commons/a/a0/Eug%C3%A8ne_Delacroix_-_The_Fanatics_of_Tangier_-_WGA06195.jpg this notation
Quotes, 1881 - 1890

Johannes Warnardus Bilders photo

“I worked hard the whole day, so that I am very tired now. Yesterday I made the sketch of the castle [in Vorden] on the canvas and today I painted the sky, the whole day long. I made the composition even more simple by leaving out the creel; the air is painted in the spirit of the [ Swartzwald [? ], but much more stronger and sadder. I hope to show the people how beautiful, how profoundly poetical the castle [is].... please save this thumbnail-sketch [drawn in the letter, on the same paper] and also my previous letter. Who knows the descendants - when reading them, and looking at the sketch - will say: Look, it was in this way how Bilder's very lovely painting was discussed at the House 't Velde, and how it came into life in Vorden. Good-by, my dear Lady..”

Johannes Warnardus Bilders (1811–1890) painter from the Northern Netherlands

translation from Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Johannes Warnardus Bilders' brief, in het Nederlands:) Ik heb den gehelen dag hart gewerkt. Zoo dat ik erg moede ben. gisteren had ik de schets van t kasteel [in Vorden] op t' doek gebracht en vandaag heb ik de gehelen dag aan de lucht geschildert , ik heb de compositie nog eenvoudiger gemaakt door de vischkaar weg te laten; de lucht is in de geest van t [Swartzwald[?], maar nog veel sterker en droeviger, ik hoop de menschen te laten zien, hoe schoon, hoe diep poetisch, het kasteel bi.. ..bewaar de krabbel èn ook mijn voorgaande brief, wie weet als het nageslacht, die dan leest, en de krabbel ziet of ze dan niet zeggen, zie op deze wijze kwam dit schoonste schilderij van Bilders in t leven, t werd op ’t Velde besproken, en te Vorden in 't leven geroepen, dag zeer geliefde juffrouw..
J.W. Bilders, in his letter [including a sketch by pen of the landscape with the castle, seen from the garden of the hotel where he stayed] to Georgina van Dijk van 't Velde, from Vorden, 1 Sept. 1868; from an excerpt of the letter https://rkd.nl/nl/explore/excerpts/751236 in the RKD-Archive, The Hague
1860's + 1870's

Thomas Hood photo
Giordano Bruno photo

“Since I have spread my wings to purpose high,
The more beneath my feet the clouds I see,
The more I give the winds my pinions free,
Spurning the earth and soaring to the sky.”

Giordano Bruno (1548–1600) Italian philosopher, mathematician and astronomer

As quoted in "Giordano Bruno" by Thomas Davidson, in The Index Vol. VI. No. 36 (4 March 1886), p. 429

“Who would have thought that [director] Cameron Crowe had a movie as bad as Vanilla Sky in him? It's a punishing picture, a betrayal of everything that Crowe has proved he knows how to do right.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2001/12/14/vanilla/index.html of Vanilla Sky (2001)

Rose Wilder Lane photo

“When I die
let the black rag fly
raven falling
from the sky.”

George Woodcock (1912–1995) Canadian writer of political biography and history, an anarchist thinker, an essayist and literary critic

"Black Flag" in Collected Poems (1983)

Stephen King photo
Henry Fielding photo

“Passion isn't something that lives way up in the sky, in abstract dreams and hopes. It lives at ground level, in the specific details of what you're doing every day.”

Marcus Buckingham (1966) British writer

Author Marcus Buckingham, cited in: Michel Beaudry, " Sam Rees - making the Whistler leap http://www.piquenewsmagazine.com/whistler/sam-rees-making-the-whistler-leap/Content?oid=2519430," at piquenewsmagazine.com, November 28, 2013.

Christopher Hitchens photo

“We are introduced to Iraq, "a sovereign nation"…In this peaceable kingdom, according to Moore's flabbergasting choice of film shots, children are flying little kites, shoppers are smiling in the sunshine, and the gentle rhythms of life are undisturbed. Then—wham! From the night sky come the terror weapons of American imperialism. Watching the clips Moore uses, and recalling them well, I can recognize various Saddam palaces and military and police centers getting the treatment. But these sites are not identified as such. In fact, I don't think Al Jazeera would, on a bad day, have transmitted anything so utterly propagandistic. You would also be led to think that the term "civilian casualty" had not even been in the Iraqi vocabulary until March 2003…the "insurgent" side is presented in this film as justifiably outraged, whereas the 30-year record of Baathist war crimes and repression and aggression is not mentioned once.That this—his pro-American moment—was the worst Moore could possibly say of Saddam's depravity is further suggested by some astonishing falsifications. Moore asserts that Iraq under Saddam had never attacked or killed or even threatened (his words) any American. I never quite know whether Moore is as ignorant as he looks, or even if that would be humanly possible…Baghdad was the safe house for the man whose "operation" murdered Leon Klinghoffer…In 1991, a large number of Western hostages were taken by the hideous Iraqi invasion of Kuwait and held in terrible conditions for a long time. After that same invasion was repelled—Saddam having killed quite a few Americans and Egyptians and Syrians and Brits in the meantime and having threatened to kill many more—the Iraqi secret police were caught trying to murder former President Bush during his visit to Kuwait. Never mind whether his son should take that personally…Iraqi forces fired, every day, for 10 years, on the aircraft that patrolled the no-fly zones and staved off further genocide in the north and south of the country…And it was after, and not before, the 9/11 attacks that Abu Mussab al-Zarqawi moved from Afghanistan to Baghdad and began to plan his now very open and lethal design for a holy and ethnic civil war.”

Christopher Hitchens (1949–2011) British American author and journalist

2004-06-21
Unfairenheit 9/11
Slate
1091-2339
http://www.slate.com/articles/news_and_politics/fighting_words/2004/06/unfairenheit_911.html: On Michael Moore
2000s, 2004

Emily Brontë photo
Denis Diderot photo

“Are we not madder than those first inhabitants of the plain of Sennar? We know that the distance separating the earth from the sky is infinite, and yet we do not stop building our tower.”

Denis Diderot (1713–1784) French Enlightenment philosopher and encyclopædist

No. 4
On the Interpretation of Nature (1753)

Robert Chambers (publisher, born 1802) photo
Philip K. Dick photo

“What about [my] books? How do I feel about them?
I enjoyed writing all of them. But I think that if I could only choose a few, which, for example, might escape World War Three, I would choose, first, Eye in the Sky. Then The Man in the High Castle. Martian Time-Slip (published by Ballantine). Dr. Bloodmoney (a recent Ace novel). Then The Zap Gun and The Penultimate Truth, both of which I wrote at the same time. And finally another Ace book, The Simulacra.
But this list leaves out the most vital of them all: The Three Stigmata of Palmer Eldritch. I am afraid of that book; it deals with absolute evil, and I wrote it during a great crisis in my religious beliefs. I decided to write a novel dealing with absolute evil as personified in the form of a "human." When the galleys came from Doubleday I couldn't correct them because I could not bear to read the text, and this is still true.
Two other books should perhaps be on this list, both very new Doubleday novels: Do Androids Dream of Electric Sheep? and another as yet untitled Ubik]. Do Androids has sold very well and has been eyed intently by a film company who has in fact purchased an option on it. My wife thinks it's a good book. I like it for one thing: It deals with a society in which animals are adored and rare, and a man who owns a real sheep is Somebody… and feels for that sheep a vast bond of love and empathy. Willis, my tomcat, strides silently over the pages of that book, being important as he is, with his long golden twitching tail. Make them understand, he says to me, that animals are really that important right now. He says this, and then eats up all the food we had been warming for our baby. Some cats are far too pushy. The next thing he'll want to do is write SF novels. I hope he does. None of them will sell.”

Philip K. Dick (1928–1982) American author

"Self Portrait" (1968), reprinted in The Shifting Realities of Philip K. Dick (1995), ed. Lawrence Sutin

Letitia Elizabeth Landon photo
William Styron photo
Elie Wiesel photo
William Ellery Channing photo
William Wordsworth photo
Bob Dylan photo
Anna Laetitia Barbauld photo

“Man is the nobler growth our realms supply,
And souls are ripened in our northern sky.”

Anna Laetitia Barbauld (1743–1825) English author

The Invitation.
Bartlett's Familiar Quotations, 10th ed. (1919)

Bill Shankly photo

“Aim for the sky and you’ll reach the ceiling. Aim for the ceiling and you’ll stay on the floor.”

Bill Shankly (1913–1981) Scottish footballer and manager

Attributed to Shankly in 2013, thirty years after Shankly's death. However, very similar sayings are found anonymously from the late twentieth-century.
Disputed
Source: http://www.empireofthekop.com/2013/07/26/liverpool-should-aim-for-epl-title-and-possibly-finish-in-the-top-four-by-liverpool_red1/
Source: Harrington and Kavanagh, Prayer for Parish Groups: Preparing and Leading Prayer for Group Meetings https://books.google.com/books?id=tnpYzxOSsDoC&pg=PT120&dq=%22Aim+for+the+sky%22+ceiling&hl=en&sa=X&ved=0CCUQ6AEwAGoVChMIoszvpuGkyAIVyD6ICh0pVwwm#v=onepage&q=%22Aim%20for%20the%20sky%22%20ceiling&f=false, p. 32, 1998

Henry David Thoreau photo

“The bluebird carries the sky on his back.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

April 3, 1852
Journals (1838-1859)

Jeremy Clarkson photo
Sara Teasdale photo

“The greenish sky glows up in misty reds,
The purple shadows turn to brick and stone,
The dreams wear thin, men turn upon their beds,
And hear the milk-cart jangle by alone.”

Sara Teasdale (1884–1933) American writer and poet

"City Vignettes, I: Dawn"
Helen of Troy and Other Poems (1911)

Jeremy Clarkson photo
Gao Xingjian photo
Yves Klein photo
John Banville photo