Quotes about skirt

A collection of quotes on the topic of skirt, herring, likeness, short.

Quotes about skirt

Winston S. Churchill photo
Christine de Pizan photo

“Does a rake deserve to possess anything of worth, since he chases everything in skirts and then imagines he can successfully hide his shame by slandering [women in general]?”

Christine de Pizan (1365–1430) Italian French late medieval author

Source: Der Sendbrief vom Liebesgott / The Letter of the God of Love

Taylor Swift photo
Joseph Conrad photo

“Above all, we must forgive the unhappy souls who have elected to make the pilgrimage on foot, who skirt the shore and look uncomprehendingly upon the horror of the struggle, the joy of victory, the profound hopelessness of the vanquished.”

Joseph Conrad (1857–1924) Polish-British writer

Letter (March 1890), published in The Collected Letters of Joseph Conrad, edited by Frederick R. Karl and Laurence Davies, Vol. 1, p. 43 ISBN 0521242169

Marie de France photo
Robert Browning photo

“Just my vengeance complete,
The man sprang to his feet,
Stood erect, caught at God's skirts, and prayed!
So, I was afraid!”

Robert Browning (1812–1889) English poet and playwright of the Victorian Era

Instans Tyrannus, vii.
Bartlett's Familiar Quotations, 10th ed. (1919)

José Saramago photo
Toni Morrison photo
Zakir Naik photo
Seth Grahame-Smith photo
Maira Kalman photo
Jeanette Winterson photo
Woody Allen photo
Derek Landy photo

“A good speech is like a woman's skirt: short enough to hold your attention, long enough to cover the subject”

Jonathan Tropper (1970) American writer

Source: This is Where I Leave You

Jonathan Stroud photo
Suzanne Collins photo
Naomi Novik photo
Charles Bukowski photo
Yasunari Kawabata photo
Meg Cabot photo
Laurie Halse Anderson photo
Margaret Atwood photo
Jonathan Stroud photo
Dorothy Parker photo

“If you wear a short enough skirt, the party will come to you.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist
Gail Carson Levine photo
Rachel Caine photo

“Morely: You're trying to make me [i]Amelie[/i]
Oliver: Goodness, no. You'd look terrible in a skirt”

Rachel Caine (1962) American writer

Source: Kiss of Death

Kelley Armstrong photo
Madeleine Stowe photo
Henry Wadsworth Longfellow photo
Edward Hopper photo
Czeslaw Milosz photo
Nick Cave photo
Georges Bataille photo

“Man's secret horror of his foot is one of the explanations for the tendency to conceal its length and form as much as possible. Heels of greater or lesser height, depending on the sex, distract from the foot's low and flat character. Besides the uneasiness is often confused with a sexual uneasiness; this is especially striking among the Chinese who, after having atrophied the feet of women, situate them at the most excessive point of deviance. The husband himself must not see the nude feet of his wife, and it is incorrect and immoral in general to look at the feet of women. Catholic confessors, adapting themselves to this aberration, ask their Chinese penitents "if they have not looked at women's feet.
The same aberration is found among the Turks (Volga Turks, Turks of Central Asia), who consider it immortal to show their nude feet and whoe ven go to bed in stockings.
Nothing similar can be cited from classical antiquity (apart from the use of very high soles in tragedies). The most prudish Roman matrons constantly allowed their nude toes to be seen. On the other hand, modesty concerning feet developed excessively in the modern ea and only started to disappear in the nineteenth century. M. Salomon Reinarch has studied this development in detail in the article entitled Pieds pudiques [Modest Feet], insisting on the role of Spain, where women's feet have been the object of most dreaded anxiety and thus were the cause of crimes. The simple fact of allowing the shod foot to be seen, jutting up from under a skirt, was regarded as indecent. Under no circumstances was it possible to touch the foot of a woman.”

Georges Bataille (1897–1962) French intellectual and literary figure

Source: Visions of Excess: Selected Writings 1927-1939, p.21-22

Mircea Eliade photo
Anthony Burgess photo
Andy Partridge photo
Salman Rushdie photo

“The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skits, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims. United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list — yes, even the short skirts and the dancing — are worth dying for? The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them. How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.”

Salman Rushdie (1947) British Indian novelist and essayist

Step Across This Line: Collected Nonfiction 1992–2002

Rose Wilder Lane photo
Robert Seymour Bridges photo

“Were I a cloud I'd gather
My skirts up in the air,
And fly I well know whither,
And rest I well know where.”

Robert Seymour Bridges (1844–1930) British writer

Book I, No. 4, The Cliff-Top.
Shorter Poems (1879-1893)

Samuel Taylor Coleridge photo

“Ye living flowers that skirt the eternal frost.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

"Hymn in the Vale of Chamouni" (1802)

Richard Huelsenbeck photo
Henry Timrod photo
Antoine Bethea photo

“Not everybody likes to get really dressed up, but everybody wears shorts and T-shirts. … A dress and a skirt, you definitely won’t see me in. Other than that, I’m pretty much open.”

Antoine Bethea (1984) American football player, defensive back, safety

"Antoine Bethea sportswear makes a statement with inspirational sayings" https://www.sfchronicle.com/style/article/Antoine-Bethea-sportswear-makes-a-statement-with-6497263.php, interview with the San Francisco Chronicle (10 September 2015).

Gillian Anderson photo
Bruno Schulz photo
Elaine Goodale Eastman photo
Tim McGraw photo
Arundhati Roy photo

“To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows he played in. They are his windows and his way of seeing. So when he tells a story, he handles it as he would a child of his own. He teases it. He punishes it. He sends it up like a bubble. He wrestles it to the ground and lets it go again. He laughs at it because he loves it. He can fly you across whole worlds in minutes, he can stop for hours to examine a wilting leaf. Or play with a sleeping monkey's tail. He can turn effortlessly from the carnage of war into the felicity of a woman washing her hair in a mountain stream. From the crafty ebullience of a rakshasa with a new idea into a gossipy Malayali with a scandal to spread. From the sensuousness of a woman with a baby at her breast into the seductive mischief of Krishna's smile. He can reveal the nugget of sorrow that happiness contains. The hidden fish of shame in a sea of glory.
He tells stories of the gods, but his yarn is spun from the ungodly, human heart.
The Kathakali Man is the most beautiful of men. Because his body is his soul. His only instrument. From the age of three he has been planed and polished, pared down, harnessed wholly to the task of story-telling. He has magic in him, this man within the painted mark and swirling skirts.
But these days he has become unviable. Unfeasible. Condemned goods. His children deride him. They long to be everything that he is not. He has watched them grow up to become clerks and bus conductors. Class IV non-gazetted officers. With unions of their own.
But he himself, left dangling somewhere between heaven and earth, cannot do what they do. He cannot slide down the aisles of buses, counting change and selling tickets. He cannot answer bells that summon him. He cannot stoop behind trays of tea and Marie biscuits.
In despair he turns to tourism. He enters the market. He hawks the only thing he owns. The stories that his body can tell.
He becomes a Regional Flavour.”

page 230-231.
The God of Small Things (1997)

“It’s no go the Yogi-Man, it’s no go Blavatsky,
All we want is a bank balance and a bit of skirt in a taxi.”

Louis MacNeice (1907–1963) poet

"Bagpipe Music", line 9, from The Earth Compels (1938)

Richard Rodríguez photo
Edmund White photo
Christian Dior photo
Taylor Swift photo
F. Scott Fitzgerald photo
Pink (singer) photo

“I've been the girl with her skirt pulled high,
Been the outcast never running with mascara eyes.
I see the world as a candy store
With a cigarette smile saying things you can't ignore.”

Pink (singer) (1979) American singer-songwriter

God Is a DJ, written by Pink, Billy Mann and Jonathan S. Davis
Song lyrics, Try This (2003)

Adele (singer) photo
Amanda Filipacchi photo
Christian Dior photo

“Colour is what gives jewels their worth. They light up and enhance the face. Nothing is more elegant than a black skirt and sweater worn with a sparkling multi-stoned necklace.”

Christian Dior (1905–1957) French fashion designer

Source: Maria Doulton Simply brilliant: Cher Dior lights up Paris http://www.telegraph.co.uk/luxury/jewellery/2928/simply-brilliant-cher-dior-lights-up-paris.html. The Telegraph, 16 August 2011

“In televisionland we are all sophisticated enough now to realize that every statistic has an equal and opposite statistic somewhere in the universe. It is not a candidate's favorite statistic per se that engages us, but the assurance with which he can use it.
We are testing the candidates for self-confidence, for "Presidentiality" in statistical bombardment. It doesn't really matter if their statistics be homemade. What settles the business is the cool with which they are dropped.
And so, as the second half hour treads the decimaled path toward the third hour, we become aware of being locked in a tacit conspiracy with the candidates. We know their statistics go to nothing of importance, and they know we know, and we know they know we know.
There is total but unspoken agreement that the "debate," the arguments which are being mustered here, are of only the slightest importance.
As in some primitive ritual, we all agree — candidates and onlookers — to pretend we are involved in a debate, although the real exercise is a test of style and manners. Which of the competitors can better execute the intricate maneuvers prescribed by a largely irrelevant ritual?
This accounts for the curious lack of passion in both performers. Even when Ford accuses Carter of inconsistency, it is done in a flat, emotionless, game-playing style. The delivery has the tuneless ring of an old press release from the Republican National Committee. Just so, when Carter has an opportunity to set pulses pounding by denouncing the Nixon pardon, he dances delicately around the invitation like a maiden skirting a bog.
We judge that both men judge us to be drained of desire for passion in public life, to be looking for Presidents who are cool and noninflammable. They present themselves as passionless technocrats using an English singularly devoid of poetry, metaphor and even coherent forthright declaration.
Caught up in the conspiracy, we watch their coolness with fine technical understanding and, in the final half hour, begin asking each other for technical judgments. How well is Carter exploiting the event to improve our image of him? Is Ford's television manner sufficiently self-confident to make us sense him as "Presidential"?
It is quite extraordinary. Here we are, fully aware that we are being manipulated by image projectionists, yet happily asking ourselves how obligingly we are submitting to the manipulation. It is as though a rat running a maze were more interested in the psychologist's charts on his behavior than in getting the cheese at the goal line.”

Russell Baker (1925–2019) writer and satirst from the United States

"And All of Us So Cool" (p.340)
There's a Country in My Cellar (1990)

Aron Ra photo

“Remember, [in the Bible] it's adultery only if the woman is already married. It doesn't matter if the man is married. If he is, she may just become another one of his wives, and a man can have sex with other women who aren't his wives, and that's not cheating either, as long as they live with him, because a man is also allowed to have concubines, and a concubine is a sort of sexual servant who serves no other purpose and has no claim to your estate. Your wife may not have a claim to your estate either, because when you die your wife may become your brother's sexual property. That's how the Bible defines marriage! The Bible does not prohibit multiple wives or incest either. In fact, both are promoted. However, when your father dies, your mother does not become your wife, and you can't inherit any of his other wives either, and the reason that the Bible gives for that is because that would be like looking up your father's skirt… So, a man can have multiple wives and a collection of personal harlots, but he can also have sex with his slaves, and that's not cheating either. You've heard of friends with benefits? You can call this your property rights. That's the only way that makes sense, because according to the Bible all women are property, and property doesn't have rights. Now, some people equate having sex with slaves to rape, because the slave doesn't have any choice. But, according to the Bible, women don't have any choice anyway, and rape can be a prelude to matrimony; if you're a Bronze Age Israelite and you see some young cutie walking unescorted, if you like her, you want her, you can have her, even if she doesn't want you. Now, if you rape a married woman, that's a death sentence for both of you (because the Bible is stupid like that). But if she's not promised to someone else, and you rape her and you get caught, you have to pay her father fifty shekels of silver and she's yours. He may not want her back after that, even his own child, because an unmarried woman who wasn't a virgin was considered damaged goods back then, so they had this rule that "if you pop it, you buy it." So your victim becomes your bride and you're stuck together forever, and can never get divorced (so be careful who you rape). There's actually a cheaper [and] easier way to get a bride; if a man takes a wife and decides he doesn't like her, if he can prove she wasn't a virgin (or if he can convince other people that was probably not a virgin), she she will be murdered on her father's doorstep because, according to the god of infinite mercy, that's the moral thing to do. But if she can prove that she was a virgin, then she must remain married forever to the man who hates her, because that's divine wisdom too. That unpleasant arrangement for both of you will also cost you a hundred shekels, whereas you can marry your rape victim for half the price. So, if you're a complete loser, and you can't get any woman who appeals to you by the normal way, just rape whoever you like and she's yours forever.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Youtube, Other, Biblical Family Values https://www.youtube.com/watch?v=bldw8X5apnY (July 11, 2015)

James Beattie photo
Dashiell Hammett photo
Christian Dior photo

“I know very well the women. The short skirt was never a good fashion — very vulgar. The American women will accept the new fashions. You can never stop the fashions.”

Christian Dior (1905–1957) French fashion designer

Source: Malcolm Perrine McNair, ‎Harry L. Hansen (1949) Problems in Marketing. p. 165

Isaac Asimov photo

“Inspect every piece of pseudoscience and you will find a security blanket, a thumb to suck, a skirt to hold. What does the scientist have to offer in exchange? Uncertainty! Insecurity!”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Asimov's Guide to Science (1972), p. 15
General sources

Slim Burna photo

“Dirty wind, I like the way you dey wind
And the way you dey do
You fit make Timaya go mad
So fine girl, pull down your skirt ah”

Slim Burna (1988) Nigerian singer and record producer

"Shokoto" (track 9)
I'm On Fire (2013)

Voltairine de Cleyre photo

“And yet, gentlemen, you expect your wives, the creatures you say you respect and love, to wear the longest skirts and the highest necked clothing, in order to conceal the obscene human body. There is no society for the prevention of cruelty to women.”

Voltairine de Cleyre (1866–1912) American anarchist writer and feminist

Sex Slavery (1890)
Context: Who thinks a dog is impure or obscene because its body is not covered with suffocating and annoying clothes? What would you think of the meanness of a man who would put a skirt upon his, horse and compel it to walk or run with such a thing impeding its limbs? Why, the "Society for the Prevention of Cruelty to Animals" would arrest him, take the beast from him, and he would be sent to a lunatic asylum for treatment on the score of an impure mind. And yet, gentlemen, you expect your wives, the creatures you say you respect and love, to wear the longest skirts and the highest necked clothing, in order to conceal the obscene human body. There is no society for the prevention of cruelty to women.

Benjamin Harrison photo

“Shall the prejudices and paralysis of slavery continue to hang upon the skirts of progress? How long will those who rejoice that slavery no longer exists cherish or tolerate the incapacities it put upon their communities?”

Benjamin Harrison (1833–1901) American politician, 23rd President of the United States (in office from 1889 to 1893)

Inaugural address (1889)
Context: Shall the prejudices and paralysis of slavery continue to hang upon the skirts of progress? How long will those who rejoice that slavery no longer exists cherish or tolerate the incapacities it put upon their communities? I look hopefully to the continuance of our protective system and to the consequent development of manufacturing and mining enterprises in the States hitherto wholly given to agriculture as a potent influence in the perfect unification of our people. The men who have invested their capital in these enterprises, the farmers who have felt the benefit of their neighborhood, and the men who work in shop or field will not fail to find and to defend a community of interest.

Attar of Nishapur photo

“I shall grasp the soul's skirt with my hand
and stamp on the world's head with my foot.”

Attar of Nishapur (1145–1230) Persian Sufi poet

As quoted in Music of a Distant Drum: Classical Arabic, Persian, Turkish, and Hebrew Poems (2001) by Bernard Lewis, p. 119
Context: I shall grasp the soul's skirt with my hand
and stamp on the world's head with my foot.
I shall trample Matter and Space with my horse,
beyond all Being I shall utter a great shout,
and in that moment when I shall be alone with Him,
I shall whisper secrets to all mankind.
Since I have neither sign nor name
I shall speak only of things unnamed and without sign.

Elizabeth Taylor photo
Christian Dior photo
Julie Taymor photo
Zoya Akhtar photo

“Who told me to, stay true to the story. Told me not to lose my femininity, because I am directing. So if I want to go to work in a skirt and lipstick, I should. I don't have to be male, to be the boss. And to never hook up with the actors. Best piece of Advise.”

Zoya Akhtar (1974) Indian film director

as an answer to the question: Whats the most useful advise you ever got from a fellow director?

From Mira Nair.

On the Sets, at 25 Min 06 Sec https://www.youtube.com/watch?v=3deXjh9X0_U
Panel interview at MAMI(Mumbai Academy of Moving Image) Film Festival

Rudy Rucker photo

“Mother Nature doesn’t want power-tripping greedheads looking up her skirts.”

Source: Mathematicians in Love (2006), Chapter 2, “Cone Shell Aliens” (p. 59)