Quotes about shout

A collection of quotes on the topic of shout, doing, likeness, people.

Quotes about shout

Lil Peep photo

“Shout out to everyone makin' my beats, you helpin' me preach This music's the only thing keepin' the peace when I'm fallin' to pieces”

Lil Peep (1996–2017) American rapper

Song Star Shopping, Album: LiL PEEP; PART ONE

Rick Riordan photo
Harriet Tubman photo
Leonardo Da Vinci photo
Padre Pio photo
Amos Oz photo

“Out there, in the world, all the walls were covered with graffiti: 'Yids, go back to Palestine,' so we came back to Palestine, and now the worldatlarge [sic] shouts at us: 'Yids, get out of Palestine.”

A Tale of Love and Darkness (2003).
Quoted on U.S. radio program " Fresh Air http://www.npr.org/templates/story/story.php?storyId=4195061" (December 1, 2004).

Zhuangzi photo
George Orwell photo
Bryan Adams photo

“Do I have to say the words?
Do I have to tell the truth?
Do I have to shout it out?
Do I have to say a prayer?
Must I prove to you how good we are together?
Do I have to say the words?”

Bryan Adams (1959) Canadian singer-songwriter

Do I Have to Say the Words?, written by Bryan Adams, Mutt Lange, and Jim Vallance
Song lyrics, Waking Up the Neighbours (1991)

George Orwell photo
Michael Jackson photo
Michael Jackson photo

“Let's dance, let's shout!
Shake your body down to the ground.”

Michael Jackson (1958–2009) American singer, songwriter and dancer

Shake Your Body (Down to the Ground) (co-written with Randy Jackson)
Destiny (1977)

Tawakkol Karman photo

“If you go to the protests now, you will see something you never saw before: hundreds of women. They shout and sing, they even sleep there in tents. This is not just a political revolution, it's a social revolution”

Tawakkol Karman (1979) Yemeni journalist, politician, human rights activist, and Nobel Peace Prize recipient

2010s, Tawakul Karman, Yemeni activist, and thorn in the side of Saleh (2011)

George Orwell photo

“To admit that an opponent might be both honest and intelligent is felt to be intolerable. It is more immediately satisfying to shout that he is a fool or a scoundrel, or both, than to find out what he is really like.”

George Orwell (1903–1950) English author and journalist

"As I Please," Tribune (8 December 1944)<sup> http://alexpeak.com/twr/tdoaom/</sup>
"As I Please" (1943–1947)
Context: The important thing is to discover which individuals are honest and which are not, and the usual blanket accusation merely makes this more difficult. The atmosphere of hatred in which controversy is conducted blinds people to considerations of this kind. To admit that an opponent might be both honest and intelligent is felt to be intolerable. It is more immediately satisfying to shout that he is a fool or a scoundrel, or both, than to find out what he is really like. It is this habit of mind, among other things, that has made political prediction in our time so remarkably unsuccessful.

Rick Riordan photo
Vladimir Lenin photo

“I am bound to accord you, in the name of free speech, the full right to shout, lie and write to your heart’s content. But you are bound to grant me, in the name of freedom of association, the right to enter into, or withdraw from, association with people advocating this or that view.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

.
1900s
Context: Everyone is free to write and say whatever he likes, without any restrictions. But every voluntary association (including the party) is also free to expel members who use the name of the party to advocate anti-party views. Freedom of speech and the press must be complete. But then freedom of association must be complete too. I am bound to accord you, in the name of free speech, the full right to shout, lie and write to your heart’s content. But you are bound to grant me, in the name of freedom of association, the right to enter into, or withdraw from, association with people advocating this or that view. The party is a voluntary association, which would inevitably break up, first ideologically and then physically, if it did not cleanse itself of people advocating anti-party views.

Graham Greene photo
Fernando Pessoa photo

“Ah! The anguish, the vile rage, the despair
Of not being able to express
With a shout, an extreme and bitter shout,
The bleeding of my heart.”

Fernando Pessoa (1888–1935) Portuguese poet, writer, literary critic, translator, publisher and philosopher

Source: A Little Larger Than the Entire Universe: Selected Poems

Terry Pratchett photo

“Let's just say that if complete and utter chaos were lightning, then he'd be the sort to stand on a hilltop in a thunderstorm wearing wet copper armor and shouting 'All Gods are bastards.”

Terry Pratchett (1948–2015) English author

Variant: If complete and utter chaos was lightning, then he'd be the sort to stand on a hilltop in a thunderstorm wearing wet copper armour and shouting 'All gods are bastards!
Source: The Color of Magic

Terry Pratchett photo
Virginia Woolf photo
Ozzy Osbourne photo
Abbie Hoffman photo

“Free speech is the right to shout "Theater!" in a crowded fire.”

Abbie Hoffman (1936–1989) American political and social activist

Source: Soon to be a Major Motion Picture (1980), p. 214.

Sharon Creech photo
Terry Pratchett photo
Terry Pratchett photo
Christopher Paolini photo
Derek Landy photo
H.P. Lovecraft photo
Mark Twain photo
Adolf Hitler photo
José Saramago photo

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

Source: Raised from the Ground (1980), pp. 172–174

José Saramago photo
Albert Schweitzer photo

“Most men are scantily nourished on a modicum of happiness and a number of empty thoughts which life lays on their plates. They are kept in the road of life through stern necessity by elemental duties which they cannot avoid.
Again and again their will-to-live becomes, as it were, intoxicated: spring sunshine, opening flowers, moving clouds, waving fields of grain — all affect it. The manifold will-to-live, which is known to us in the splendid phenomena in which it clothes itself, grasps at their personal wills. They would fain join their shouts to the mighty symphony which is proceeding all around them. The world seem beauteous…but the intoxication passes. Dreadful discords only allow them to hear a confused noise, as before, where they had thought to catch the strains of glorious music. The beauty of nature is obscured by the suffering which they discover in every direction. And now they see again that they are driven about like shipwrecked persons on the waste of ocean, only that the boat is at one moment lifted high on the crest of the waves and a moment later sinks deep into the trough; and that now sunshine and now darkening clouds lie on the surface of the water.
And now they would fain persuade themselves that land lies on the horizon toward which they are driven. Their will-to-live befools their intellect so that it makes efforts to see the world as it would like to see it. It forces this intellect to show them a map which lends support to their hope of land. Once again they essay to reach the shore, until finally their arms sink exhausted for the last time and their eyes rove desperately from wave to wave. …
Thus it is with the will-to-live when it is unreflective.
But is there no way out of this dilemma? Must we either drift aimlessly through lack of reflection or sink in pessimism as the result of reflection? No. We must indeed attempt the limitless ocean, but we may set our sails and steer a determined course.”

Albert Schweitzer (1875–1965) French-German physician, theologian, musician and philosopher

Source: The Spiritual Life (1947), p. 256

Omar Bradley photo

“The man who shouts wins battles; the quiet man wins the war.”

Robert Ferrigno (1947) American writer

Prayers For The Assassin (2006)

Mickey Spillane photo
Thelonious Monk photo
Gabriel Iglesias photo
Henri Barbusse photo
Terry Pratchett photo
Arthur Streeton photo
Naguib Mahfouz photo

“Voices were blended and intermingled in a tumultuous swirl around which eddied laughter, shouts, the squeaking of doors and windows, piano and accordion music, rollicking handclaps, a policeman's bark, braying, grunts, coughs of hashish addicts and screams of drunkards, anonymous calls for help, raps of a stick, and singing by individuals and groups.”

Naguib Mahfouz (1911–2006) Egyptian writer

Mahfouz (1957) Palace of Desire Part II; Cited in Matt Schudel " Leading Arab Novelist Gave Streets a Voice http://www.washingtonpost.com/wp-dyn/content/article/2006/08/30/AR2006083000475.html" in: Washington Post, August 31, 2006

Barack Obama photo

“None of us can or should expect a transformation in race relations overnight. Every time something like this happens, somebody says we have to have a conversation about race. We talk a lot about race. There’s no shortcut. And we don’t need more talk. None of us should believe that a handful of gun safety measures will prevent every tragedy. It will not. People of goodwill will continue to debate the merits of various policies, as our democracy requires -- this is a big, raucous place, America is. And there are good people on both sides of these debates. Whatever solutions we find will necessarily be incomplete. But it would be a betrayal of everything Reverend Pinckney stood for, I believe, if we allowed ourselves to slip into a comfortable silence again. Once the eulogies have been delivered, once the TV cameras move on, to go back to business as usual -- that’s what we so often do to avoid uncomfortable truths about the prejudice that still infects our society. To settle for symbolic gestures without following up with the hard work of more lasting change -- that’s how we lose our way again. It would be a refutation of the forgiveness expressed by those families if we merely slipped into old habits, whereby those who disagree with us are not merely wrong but bad; where we shout instead of listen; where we barricade ourselves behind preconceived notions or well-practiced cynicism.”

Barack Obama (1961) 44th President of the United States of America

2015, Eulogy for the Honorable Reverend Clementa Pinckney (June 2015)

Ban Ki-moon photo
Abraham Lincoln photo
José de San Martín photo

“More noise occurs from a single man shouting than a hundred thousand who are quiet.”

José de San Martín (1778–1850) Argentine general and independence leader

Hace más ruído un sólo hombre gritando que cien mil que están callados.
100 Masones Su Palabra (2010)

Barack Obama photo

“And one of the rules of good civil society I believe is that you’re respectful of the people who disagree with you. And that's part of what makes civil society work. If you can have civil disagreements, and you can listen to each other and not just shout, that's what creates an environment that leads to progress over the long term.”

Barack Obama (1961) 44th President of the United States of America

Remarks by President Obama in Conversation with Members of Civil Society at YALI Regional Leadership Center, Kenyatta University,Nairobi, Kenya https://www.whitehouse.gov/the-press-office/2015/07/26/remarks-president-obama-conversation-members-civil-society (July 26, 2015)
2015

Justin Bieber photo

“You know you love me
I know you care
Just shout whenever,
And I'll be there
You want my love
You want my heart
And we will never, ever, ever be apart”

Justin Bieber (1994) Canadian singer-songwriter, record producer, and actor

My World 2.0 (2010 Album), Baby

Friedrich Nietzsche photo
Paul Weller (singer) photo
Frederick William Robertson photo

“We meet neath the sounding rafter,
And the walls around are bare;
As they shout back our peals of laughter
It seems that the dead are there.
Ho! stand to your glasses steady!
'T is all we have left to prize.
A cup to the dead already,—
Hurrah for the next that dies!”

Bartholomew Dowling (1823–1863) Irish poet

The Revel: Time of the Famine and Plague in India, reported in Bartlett's Familiar Quotations, 10th ed. (1919); alternately attributed to Alfred Domett.

Lewis Carroll photo
Statius photo

“…glad applause and the heaven-flung shout of the populace.”
Laetifici plausus missusque ad sidera vulgi clamor.

Source: Thebaid, Book XII, Line 521 (tr. J. H. Mozley)

Mark Twain photo

“There has never been a just one, never an honorable one — on the part of the instigator of the war. I can see a million years ahead, and this rule will never change in so many as half a dozen instances. The loud little handful — as usual — will shout for the war. The pulpit will — warily and cautiously — object — at first; the great, big, dull bulk of the nation will rub its sleepy eyes and try to make out why there should be a war, and will say, earnestly and indignantly, "It is unjust and dishonorable, and there is no necessity for it." Then the handful will shout louder. A few fair men on the other side will argue and reason against the war with speech and pen, and at first will have a hearing and be applauded; but it will not last long; those others will outshout them, and presently the anti-war audiences will thin out and lose popularity. Before long you will see this curious thing: the speakers stoned from the platform, and free speech strangled by hordes of furious men who in their secret hearts are still at one with those stoned speakers — as earlier — but do not dare to say so. And now the whole nation — pulpit and all — will take up the war-cry, and shout itself hoarse, and mob any honest man who ventures to open his mouth; and presently such mouths will cease to open. Next the statesmen will invent cheap lies, putting the blame upon the nation that is attacked, and every man will be glad of those conscience-soothing falsities, and will diligently study them, and refuse to examine any refutations of them; and thus he will by and by convince himself that the war is just, and will thank God for the better sleep he enjoys after this process of grotesque self-deception.”

originally in The Chronicle of Satan (1905).
The Mysterious Stranger (1916)

“It did not last: the devil, shouting "Ho.
Let Einstein be," restored the status quo.”

J. C. Squire (1884–1958) British poet, writer, historian, and literary editor

"In continuation of Pope on Newton" from Poems (1926); Squire is here extending upon the famous statement of Alexander Pope:
Nature and Nature's laws lay hid in night:
God said, Let Newton be! — and all was light.
As quoted in The Epigrammatists : A Selection from the Epigrammatic Literature of Ancient, Mediæval, and Modern Times (1875) by Henry Philip Dodd, p. 329.

Henri Barbusse photo

“More than attacks that are like ceremonial reviews, more than visible battles unfurled like banners, more even than the hand-to-hand encounters of shouting strife, War is frightful and unnatural weariness, water up to the belly, mud and dung and infamous filth. It is befouled faces and tattered flesh, it is the corpses that are no longer like corpses even, floating on the ravenous earth.”

Under Fire (1916), Ch. 24 - The Dawn
Context: Waking, Paradis and I look at each other, and remember. We return to life and daylight as in a nightmare. In front of us the calamitous plain is resurrected, where hummocks vaguely appear from their immersion, the steel-like plain that is rusty in places and shines with lines and pools of water, while bodies are strewn here and there in the vastness like foul rubbish, prone bodies that breathe or rot.
Paradis says to me, "That's war."
"Yes, that's it," he repeats in a far-away voice, "that's war. It's not anything else."
He means — and I am with him in his meaning — "More than attacks that are like ceremonial reviews, more than visible battles unfurled like banners, more even than the hand-to-hand encounters of shouting strife, War is frightful and unnatural weariness, water up to the belly, mud and dung and infamous filth. It is befouled faces and tattered flesh, it is the corpses that are no longer like corpses even, floating on the ravenous earth. It is that, that endless monotony of misery, broken, by poignant tragedies; it is that, and not the bayonet glittering like silver, nor the bugle's chanticleer call to the sun!"
Paradis was so full of this thought that he ruminated a memory, and growled, "D'you remember the woman in the town where we went about a bit not so very long ago? She talked some drivel about attacks, and said, 'How beautiful they must be to see!'"
A chasseur who was full length on his belly, flattened out like a cloak, raised his bead out of the filthy background in which it was sunk, and cried, 'Beautiful? Oh, hell! It's just as if an ox were to say, 'What a fine sight it must be, all those droves of cattle driven forward to the slaughter-house!'

Romain Rolland photo

“Epic shouts passed, and trumpet calls, and tempestuous sounds borne upon sovereign rhythms. For in that sonorous soul everything took shape in sound. It sang of light. It sang of darkness, sang of life and death. It sang for those who were victorious in battle. It sang for himself who was conquered and laid low. It sang. All was song. It was nothing but song.”

Romain Rolland (1866–1944) French author

Jean-Christophe (1904 - 1912), Journey's End: The Burning Bush (1911)
Context: God was not to him the impassive Creator, a Nero from his tower of brass watching the burning of the City to which he himself has set fire. God was fighting. God was suffering. Fighting and suffering with all who fight and for all who suffer. For God was Life, the drop of light fallen into the darkness, spreading out, reaching out, drinking up the night. But the night is limitless, and the Divine struggle will never cease: and none can know how it will end. It was a heroic symphony wherein the very discords clashed together and mingled and grew into a serene whole! Just as the beech-forest in silence furiously wages war, so Life carries war into the eternal peace.
The wars and the peace rang echoing through Christophe. He was like a shell wherein the ocean roars. Epic shouts passed, and trumpet calls, and tempestuous sounds borne upon sovereign rhythms. For in that sonorous soul everything took shape in sound. It sang of light. It sang of darkness, sang of life and death. It sang for those who were victorious in battle. It sang for himself who was conquered and laid low. It sang. All was song. It was nothing but song.

Barack Obama photo

“There's no room for violence. There's no place for shouting. There's no room for a politics that fails to at least listen to the other side — even if you vehemently disagree.”

Barack Obama (1961) 44th President of the United States of America

At a DNC fundraiser in Florida, as quoted in "Obama condemns violence at Trump rally" http://thehill.com/blogs/blog-briefing-room/news/282199-obama-on-anti-trump-violence-thats-not-what-our-democracy-is by Evelyn Rupert, The Hill (3 June 2016)
2016
Context: We saw in San Jose these protesters starting to pelt stuff [at] Trump supporters. That's not what our democracy is about. That's not what you do. There's no room for violence. There's no place for shouting. There's no room for a politics that fails to at least listen to the other side — even if you vehemently disagree.

James I of England photo
Omar Khayyám photo

“And, as the Cock crew, those who stood before
The Tavern shouted — "Open then the Door!
You know how little while we have to stay,
And, once departed, may return no more."”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

Source: The Rubaiyat (1120)

Abraham Lincoln photo
Kim Harrison photo
Cassandra Clare photo
Suzanne Collins photo
Marjane Satrapi photo

“I had learned that you should always shout louder than your aggressor.”

Marjane Satrapi (1969) Artist

Source: Persepolis: The Story of a Childhood

Rick Riordan photo
Kim Harrison photo
F. Scott Fitzgerald photo

“They’re a rotten crowd’, I shouted across the lawn. ‘You’re worth the whole damn bunch put together.”

Variant: They're a rotten lot," I shouted, across the lawn. "You're worth the whole damn bunch put together.
Source: The Great Gatsby

“The world that used to nurse us
now keeps shouting inane instructions.
That's why I ran to the woods.”

Jim Harrison (1937–2016) American novelist, poet, essayist

Source: Songs of Unreason

John Flanagan photo
Anne Lamott photo
Cassandra Clare photo
Kim Harrison photo
Rudyard Kipling photo
Megan Whalen Turner photo
Rick Riordan photo
Amy Tan photo
Rachel Caine photo
Kazuo Ishiguro photo
Roald Dahl photo
Richelle Mead photo
Cassandra Clare photo
Cassandra Clare photo
Kim Harrison photo
William Golding photo

“The rules!" shouted Ralph, "you're breaking the rules!"
"Who cares?”

Source: Lord of the Flies (1954), Ch. 5: Beast from Water
Context: "The rules!" shouted Ralph, "you're breaking the rules!"
"Who cares?"
Ralph summoned his wits.
"Because the rules are the only thing we've got!"
But Jack was shouting against him.
"Bollocks to the rules! We're strong — we hunt! If there's a beast, we'll hunt it down! We'll close in and beat and beat and beat —!"

Tariq Ramadan photo
Cassandra Clare photo
Alexandre Dumas photo
Anne Sexton photo

“The snow has quietness in it; no songs,
no smells, no shouts or traffic.
When I speak
my own voice shocks me.”

Anne Sexton (1928–1974) poet from the United States

Source: All My Pretty Ones