Quotes about scene
page 6

“The moonlight shown upon her as she lay back in my bed.
It was the kind of scene I only had imagined in my head.
I just could not believe it, to think that she was real.
And as I tried to tell her she said "Shhh.. I know just how you feel.
And if you want to come here with me, then that's all right with me.
'Cause I've been oh so lonely, lovin' someone is a better way to be.
anywhere's a better way to be."”

Harry Chapin (1942–1981) American musician

Better Place to Be
Song lyrics, Sniper and Other Love Songs (1972)

Way, Feeling, Imagination, Thinking

“The purpose of totalitarian parties, for which Bolshevism provided the model, was not to become the government, but to manipulate the government from behind the scenes.”

Richard Pipes (1923–2018) American historian

Source: Three “Whys” of the Russian Revolution (1995), p. 39

“My dream is to organize a Christian political party including the Protestant denominations, Catholics and all the religious sects. Then, the communist power will be helpless before ours. We are going to do this because the communists are coming to the political scene. Before the pulpit, all the ministers of the established churches must give their sermon on how to smash or absorb communism — but they are not doing that. We are going to do this. Unless we lay the foundation for this, we cannot carry it out. In the Medieval Ages, they had to separate from the cities — statesmanship from the religious field — because people were corrupted at that time. But when it comes to our age, we must have an automatic theocracy to rule the world. So, we cannot separate the political field from the religious. Democracy was born because people ruled the world, like the Pope does. Then, we come to the conclusion that God has to rule the world, and God loving people have to rule the world — and that is logical. We have to purge the corrupted politicians, and the sons of God must rule the world. The separation between religion and politics is what Satan likes most.”

Sun Myung Moon (1920–2012) Korean religious leader

Master Speaks: The Significance of the Training Session (1973-05-17 http://www.tparents.org/Moon-Talks/sunmyungmoon73/SM730517.htm) Note that the phrase "automatic theocracy" is seen within the church as a translation error. Mrs. Won Pok Choi, while translating the extemporaneous speech, compressed several minutes of Rev. Moon's exposition about the process by which the world would become transformed into the kingdom of heaven into this two-word phrase. Critics used to use this quote to "prove" their claim that Rev. Moon was dictatorial and anti-democratic, but Andrew Wilson had the recorded speech re-translated and exposed the discrepancy. Here is the word-for-word re-translation:[citation needed] : What? Separate religion from politics? Why separate religion from politics? Why separate politics from religion? Can you separate God from politics? God is active in the realization of all human affairs. Therefore, when the democracies produce a succession of many uncorrupted politicians, it will become heaven on earth. Don't you agree that this is the way it should be?

Love, God, People, Age

“Now to fit in on the Seattle scene
You had to show people something that they'd never seen
So thinkin' up a gimmick one day
We decided to be the only band that wouldn't play a note
Under any circumstance
We called it silence…
Music's original alternative
Root's grunge”

Todd Snider (1966) American singer

Talkin' Seattle Grunge Rock Blues.
Near Truths and Hotel Rooms (2003)

People, Music, Silence

“The Volta is taken from a Federico Fellini book about his films, what he characterizes as a changing of scene, or a turnaround; a new scene to him is called Volta. Y'know, changing of time and the changeover. And Mars, we're just fascinated by science fiction so and it's something that ultimately looked as in anything I write, its meaning is always up to the listener. As the way we write songs and words, if it looks great on paper then to us it's like painting, so if it looks good meaning the second then people usually have a better interpretation than we ever would.”

Cedric Bixler-Zavala (1974) American singer

Bixler-Zavala about the bandname The Mars Volta http://www.experiencefestival.com/a/The_Mars_Volta_-_Etymology_and_trivia/id/2070708

People, Books, Way, Science

“Shadwell threw down his gun, and—though he had no taste for abattoirs—forced himself to survey the carnage before him. It was, he knew, the responsibility of one aspiring to godhood never to look away. Willful ignorance was the last refuge of humanity, and that was a condition he would soon have transcended.
And, when he studied the scene, it wasn’t so unbearable. He could look at the tumble of corpses and see them for the empty sacks they were.”

Clive Barker (1952) author, film director and visual artist

Part Eight “The Return”, Chapter iii “The Horse Unharnessed”, Section 2 (p. 344)
(1987), BOOK TWO: THE FUGUE

Study

“In an essay entitled ‘The Poet’, published in 1844, the American writer Ralph Waldo Emerson lamented the narrow definition of beauty subscribed to by his peers, who tended to reserve the term exclusively for the bucolic landscapes and unspoilt pastoral scenes celebrated in the works of well-known artists and poets of the past. Emerson himself, however, writing at the dawn of the industrial age, observing with interest the proliferation of railways, warehouses, canals and factories, wished to make room for the possibility of alternative forms of beauty. He contrasted the nostalgic devotees of old-fashioned poetry with those whom he judged to be true contemporary poetic spirits, deserving of the title less by virtue of anything they had actually written than for their willingness to approach the world without prejudice or partiality. The former camp, he averred, ‘see the factory-village and the railway, and fancy that the beauty of the landscape is broken up by these, for they are not yet consecrated in their reading. But the true poet sees them fall within the great order of nature not less than the beehive or the spider’s geometrical web.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 216.

Age, World, Beauty, Fashion

“One of the things that I seek to bring out in this story is the fact of this inner direction of world affairs and to familiarise more people with the paralleling fact of the existence of Those Who are responsible (behind the scenes) for the spiritual guidance of humanity…”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

The Introduction
The Unfinished Autobiography (1951)

People, World

“As soon as you know the voice and understand what it is, the whole scene changes. The same world which was the ghastly battlefield of maya is now changed into something good and beautiful.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Pearls of Wisdom

World, Beauty, Understanding, Change

“But to get back to the point: did you ever imagine that your dad, who lives so far away from the bustle and intrigue of the world, working on his prints day after day like a hermit, would some day be drawn into the sickening scene of vain officialdom, despite himself?... But what on earth can I do about it? Luckily I can swear by God and all his angels that I never moved a finger to get the decoration or licked the boots of any bigwigs.”

M. C. Escher (1898–1972) Dutch graphic artist

Quote from Escher's letter to his son, 30 April 1955; as cited in 'Gaining Popularity', in Biography of M.C. Escher http://im-possible.info/english/articles/escher/escher.html - condensed mostly from the biography written by Bruno Ernst M.C. Escher - His Life and Complete Graphic Work, © 1981 27 April 1955 Escher was decorated (in the name of the Dutch Queen) in the 'Knighthood of the Order of Oranje Nassau' 1950's

God, World, Angels, Imagination

“It was W. C. Fields who hated to appear in the same scene with a child, a dog, or a plunging neckline - because nobody in the audience would be looking at him. Jennifer Aniston has the same problem in this movie even when she's in scenes all by herself.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/picture-perfect-1997 of Picture Perfect (1 August 1997) Reviews, Two star reviews

Hate, Dogs, Problem, Appearance

“Let’s try and create scenes that are about something… About something deeper than this ashtray.”

Martin de Maat (1949–2001) American theatre director

As quoted in "Community Mourns the Death of Martin de Maat" by Lisa Lewis (2 March 2001) http://www.performink.com/Archives/obituaries/DemaatMartin3201.html

“I prefer character-driven stuff. I am an actor and I come from theater and I love creating a scene and working with actors as opposed as opposed to working with CGI. But there is some fun to be had with the B-movie monster movies as well especially today because they are so self-aware, you can have a lot of fun. But I definitely prefer the more straightforward horror.”

Griff Furst (1981) American actor, director and musician

SLIFF 2016 Interview: Griff Furst – Director of COLD MOON http://www.wearemoviegeeks.com/2016/10/slif-2016-interview-cold-moon-director-griff-furst/ (October 31, 2016)

Love

“Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators?”

Percy Bysshe Shelley Adonaïs

St. XXI
Adonais (1821)

Love

“The significant point to be noted about the Syrian Christians, however, is their sudden change of colour as soon as the Portuguese arrived on the scene. They immediately rallied round the Portuguese and against their Hindu neighbours, and when the Portuguese started pressurizing the Hindu Rajas for extraterritorial rights so that their co-religionists could be “protected”, the Syrian Christians evinced great enthusiasm everywhere.”

Sita Ram Goel (1921–2003) Indian activist

History of Hindu-Christian Encounters (1996)

Change

“IF YOU ARE ACCUSTOMED to reading works of speculative fiction and enjoy puzzling things out on your own, skip this Note. Otherwise, know that the scene in which this book is set is not Earth, but a planet called Arbre that is similar to Earth in many ways.”

Neal Stephenson book Anathem

Note to the Reader
Source: Anathem (2008)

Books, Way, Reading

“The Saudi government has been pumping money in a quiet kind of revolution to shape Islam in its own images since 1973, [with] oil price rises. It wasn't a noisy revolution like the Iranian revolution was. It didn't have so much hubbub and noise associated with it and all. But it was quietly done [with] Saudi influence, using money, and the building of [madrassas] -- that is, religious schools and mosques all across the world. … The very particular kind of Islam associated with Saudi Arabia … is an upstart. It was created in the 18th century. It was constrained and confined entirely to the Arabian Peninsula right through to the late 1960s. All of a sudden, this [Wahhabi] Islam -- which is espoused by these young men, which considers even a Muslim like myself, because of my Shiite background, to be dirty or not a real Muslim … [is] probably the dominant form [of Islam] in the United States. It spreads from one end of the world to the next. It's been a quiet, silent revolution that's been happening, and suddenly exploded on the scene with Sept. 11.”

Kanan Makiya (1949) American orientalist

"Faith and Doubt at Ground Zero" http://www.pbs.org/wgbh/pages/frontline/shows/faith/interviews/makiya.html, PBS Frontline (2002)

Men, Money, World, School

“But after a while, some higher brain-center cut in, and I began being mentally able to fit the wildly changing scenery into a coherent four-dimensional whole. The process was really no more devious than the process by which one integrates the two hundred lines of a TV screen into a single two-dimensional image... which in turn is interpreted as a three-dimensional scene. It's just a matter of processing information. Impossible? I saw.”

Rudy Rucker (1946) American mathematician, computer scientist, science fiction author and philosopher

Source: The Sex Sphere (1983), p. 106

Change

“I look out the window sometimes to seek the color of the shadows and the different greens in the trees, but when I get ready to paint I just close my eyes and imagine a scene.”

Grandma Moses (1860–1961) American artist

As quoted in TIME magazine, Vol. 52 (1948)

Color, Imagination, Tree, Painting

“And Harry doesn't mind if he doesn't make the scene
He's got a daytime job, he's doing alright.
He can play the honky tonk like anything,
Saving it up for Friday night.
With the Sultans… with the Sultans of Swing.”

Mark Knopfler (1949) English guitarist

Sultans of Swing
Song lyrics, Dire Straits (1978)

Night

“Universal was like a family. When I was having a terrible time during my pregnancy, they came to my home and built sets right in my bedroom so I could finish the few scenes I had left in ‘That’s the Spirit’. But Columbia—that was work! I did a lot of crime pictures and another horror called ‘The Creeper’. When it was time for those cats to be all over my dead body, I yelled for a stand in. I couldn’t stand having dozens of cats walking all over me. It gave me the shivers!”

June Vincent (1920–2008) actress

An Interview with June Vincent (1996)

Family, Home, Cats, Universe

“There's always a sense of camaraderie between bands. The only thing that I ever remember that starts to go outside of the normal healthy competition was when Kurt [Cobain] was slamming Pearl Jam. Once you get outside of your local little scene, lot of cases, writers will bait you and lead you down that path as cunningly as they can. I've seen it happen dozens of times. I've had people say, "Well, so-and-so said this about you, what do you say about that?" And they might be misquoting them, or maybe that's not what that person meant, or maybe that person was just in a bad mood. It's provoked out of you. They'll get you in a position where you start firing and they'll throw out little things about different people. But everyone that anyone would know as a successful Seattle band, or even an integral part of the scene, are all friends. Always have been.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Soundgarden Era

People, Mood, Sense, Time

“When, however, not more than half that duration of time had elapsed, a small ray of light broke in upon my gloom. I was reading, accidentally, Marmontel's "Mémoires," and came to the passage which relates his father's death, the distressed position of the family, and the sudden inspiration by which he, then a mere boy, felt and made them feel that he would be everything to them-would supply the place of all that they had lost. A vivid conception of the scene and its feelings came over me, and I was moved to tears. From this moment my been grew lighter. The oppression of the thought that all feeling was dead within me, was gone. I was no longer hopeless: I was not a stock or a stone. I had still, it seemed, some of the material out of which all worth of character, and all capacity for happiness, are made.”

John Stuart Mill book Autobiography

Source: https://archive.org/details/autobiography01mill/page/140/mode/1up pp. 140-141

Death, Happiness, Family, Feeling

“Still I should paint my own places best; painting is with me but another word for feeling, and I associate "my careless boyhood" with all that lies on the banks of the Stour; those scenes made me a painter, and I am grateful; that is, I had often thought of pictures of them before ever I touched a pencil, and your picture ['The White Horse'] is one of the strongest instance I can recollect of it.”

John Constable (1776–1837) English Romantic painter

Quote from John Constable's letter to Rev. John Fisher (23 October 1821), from John Constable's Correspondence, part 6, pp. 76-78
1820s

Feeling, Horse, Painting

Lysander Spooner (1808–1887) Anarchist, Entrepreneur, Abolitionist

Sections I–II, p. 11–12
Natural Law; or The Science of Justice (1882), Chapter II. The Science of Justice (Continued)

Men, Pleasure, World, Justice

“I still do politics but I do it behind the scenes now. So that's still my passion. It's what I believe most strongly in, and I love that. Do I miss being in elective politics? Sometimes. This show is fun to do, my American show, and it's obviously silly, sometimes stupid. It gives me a good living and I enjoy it but I'm not passionate about it like I am about politics.”

Jerry Springer (1944) American television presenter, former lawyer, politician, news presenter, actor, and musician

Chatshow Net http://www.chatshow.com/Interviews/interview.aspx?interviewID=23 interview with Lara Lewington 07/13/01

Love, Stupidity, Passion

“At this point the march of invention brought a new factor upon the scene. Iron was dug and forged. Men armed with iron entered Britain from the Continent and killed the men of bronze. At this point we can plainly recognise across the vanished millenniums a fellow-being. A biped capable of slaying another with iron is evidently to modern eyes a man and a brother.”

Winston S. Churchill book A History of the English-Speaking Peoples

On the end of the Bronze Age and start of the Iron Age, Vol I; The Birth of Britain.
A History of the English-Speaking Peoples (1956–58)

Men

“So I do the test, and we do this scene, and it's the scene at the end where I throw dishes, and so I threw some dishes… and 'Cut!'… And I look around, and there's blood everywhere, because I broke a plate or something, and they're all checking me — 'Oh my God, she cut herself' — and couldn't find any cut, and then I look, and I realise. I see Al's hand is bleeding. And I cut Al Pacino, in my screen test. I think then he liked me. I think that was actually the turning point.”

Michelle Pfeiffer (1958) American actress

On auditioning for Scarface, from Inside the Actors Studio (2007) http://uk.youtube.com/user/pfeifferpfan2

God, Thinking

“Why should not I call my works 'symphonies', 'arrangements', 'harmonies', and 'nocturnes'?... The vast majority of English folk cannot and will not consider a picture as a picture, apart from any story which it may be supposed to tell. My picture of 'Harmony in Grey and Gold' is an illustration of my meaning – as snow scene with a single black figure and lighted tavern. I care nothing for the past, present, or future of the black figure, placed there because the black was wanted at that spot. All that I know is that my combination of grey and gold is the basis of the picture, Now this is precisely what my friends cannot grasp.”

James McNeill Whistler (1834–1903) American-born, British-based artist

Quote in a letter to 'The World', London 22 Mai, 1878; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 186
1870 - 1903

Light, Past, Future

“I found myself going over a particular troublesome scene in the novel, for the one thousand and seventy-third time, in the manner of a lunatic ape in a cage at the zoo, running his fingers back and forth along the iron bars of his home.”

Michael Chabon book Wonder Boys

Wonder Boys (1995)

Home, Time

“Standing on my watch-tower I am commanded, if I see aught of evil coming, to give warning. I solemnly declare that I do discern evil approaching; I see a storm collecting in the heavens; I discover the commotion of the troubled elements; I hear the roar of a distant wind — heaven and earth seem mingled in the conflict — and I cry to those for whom I watch, "A storm! A storm! Get you into the ark or you are swept away. "Oh! what is it I see? I see a world convulsed and falling to ruins — the sea burning like oil — nations rising from under ground — the sun falling — the damned in chains before the bar, and some of my poor hearers among them! I see them cast from the battlements of the judgment scene. My God! the eternal pit has closed upon them forever!”

Edward Dorr Griffin (1770–1837) American academic administrator

Sermons, vol. II (1839), sermon XXXIX: "The Watchman".

God, World, Distant, Evil

“It is vain to recount further the catalogue of miseries. In earlier ages such horrors remain unknown because unrecorded. Just enough flickering light plays upon this infernal scene to give us the sense of its utter desolation and hopeless wretchedness and cruelty.”

Winston S. Churchill book A History of the English-Speaking Peoples

On a series of Viking raids; Vol I; The Birth of Britain.
A History of the English-Speaking Peoples (1956–58)

Age, Sense, Light

“Reading what they never wrote,
Just fifteen minutes, huddle up their work,
And with a well-bred whisper close the scene.”

William Cowper The Task

Source: The Task (1785), Book II, The Timepiece, Line 411.

Reading

“I know that our bodies were made to thrive only in pure air, and the scenes in which pure air is found.”

John Muir (1838–1914) Scottish-born American naturalist and author

September 1874, page 191
John of the Mountains, 1938

“Imagine finding out you got rejected from community college, then finding out that your alcoholic father got arrested for domestic abuse, you lost all your life savings in a Ponzi scheme, and all of this happens to you while you're on the space shuttle Challenger. Then you wake up and it's all a bad dream, except you realize that you're at work without clothes on, and work is NASA and you're really on the space shuttle Challenger. That's what this movie is like, only infinitely worse. Everything about this movie pissed me off, save for the lesbian finger bang scene. Except even that sucked because it wasn't in the movie.”

Maddox (1978) American internet writer

Quantum of Solace is a shitpile. http://www.thebestpageintheuniverse.net/c.cgi?u=quantum_of_phallus The Best Page in the Universe

Life, Alcohol, Dreams, Imagination

“And once again the scene was chang’d,
New earth there seem’d to be,
I saw the Holy City
Beside the tideless sea;
The light of God was on its streets,
The gates were open wide,
And all who would might enter,
And no one was denied.
No need of moon or stars by night,
Or sun to shine by day,
It was the new Jerusalem,
That would not pass away.”

Fred Weatherly (1848–1929) English lawyer, author, lyricist and broadcaster

Song The Holy City http://www.biblestudycharts.com/SH_The_Holy_City.html

God, Star, Light, Sun

“I do love Alice in Wonderland though, that's something I think I could do very well. Don't you think we ought to do an A. W.? A. W.'s Alice in Wonderland? Andy Warhol's Alice in Wonderland? A. W. stands for a lot of things, I understand. It, uh, it would make a fantastic film. So I wanted somebody to write the script for it, in a modern sense. I think it would be the most marvelous movie in the world, if it could be done. Don't you think? Really, I don't think they'e done one since they did a Walt Disney one — which isn’t really doing it. In a sense it is, but not in the way it really should be done. What's needed right now is a real scene. I mean not just cartoon characters, but the actual character of people because there's so many fantastic people that you might as well use the people.”

Edie Sedgwick (1943–1971) Socialite, actress, model

Inner and Outer Space (1965), directed by Andy Warhol

Love, People, World, Way

“I never realised the passing hours of evening showers.
A slip noose hanging in my darkest dreams,
I'm strangled by your haunted social scene.
Just a pawn out-played by a dominating queen.
It's four o'clock in the morning,
Damn it listen to me good.
I'm sleeping with myself tonight,
Saved in time, thank God my music's still alive.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Someone Saved My Life Tonight
Song lyrics, Captain Fantastic and the Brown Dirt Cowboy (1975)

God, Dreams, Music, Sleep

“He looked around the landscape. Drenched in the golden haze of late afternoon it seemed wonderfully tranquil and beautiful, though permeated with a sense of remoteness and even melancholy, like a scene remembered from one’s youth.”

Jack Vance book Space Opera

Source: Space Opera (1965), Chapter 13 (p. 130)

Youth, Beauty, Sense

“I don't really feel sexy when I do love scenes because when I kiss a girl or a guy I want to be the one to decide to do that. And if someone says "OK, kiss him!" and you are getting paid for it, what is your profession? I don't want to be a prostitute being told stuff like "Show us your boob!", you know. So for me it really is a very uncomfortable day whenever you shoot that stuff. And so what you really is someone that you trust and feel comfortable with and someone who you really think has your back as a friend.”

James Marsters (1962) American actor

James Marsters talks kissing Sarah and John at Phoenix Comic Con (May 29 '10) https://www.youtube.com/watch?v=cAEH8t4-t7U&t=0s&list=PLC81dErieu1XuNMZ7LzXSB1LZmxGIpZif

Love, Guy, Feeling, Girl

“As the scene of life would be more the cold emptiness of space than the warm, dense atmosphere of planets, the advantage of containing no organic material at all, so as to be independent of both these conditions, would be increasingly felt.”

John Desmond Bernal (1901–1971) British scientist

Source: The world, the flesh & the devil (1929) (1969), p. 63

Life

“He's the bafflement of Scotland Yard, the Flying Squad's despair:
For when they reach the scene of crime — Macavity's not there!”

T.S. Eliot book Old Possum's Book of Practical Cats

Macavity: The Mystery Cat
Old Possum's Book of Practical Cats (1939)

Flying, Despair

“Now (Burt Lancaster) was a guy, terrific. I've worked with some Hollywood actors, but he was worth all of them. He used to be a circus acrobat. He had this marvellous physique, and while other actors would choose to act like primadonnas when it came to dangerous scenes, Lancaster would do most of the stuff himself. And he was a friendly guy, always helping us little-knowns when we had problems. This was one of my first more important parts and I was very unsure of myself. He was always telling us what we could do to improve our stuff. A great guy.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Guy, Problem, Help, Parting

“But in the second half of the twelfth century A. D., we find a new type of Muslim saint appearing on the scene and dominating it in subsequent centuries. That was the sufi joined to a silsila. This is not the place to discuss the character of some outstanding sufis (…) The common name which is used for these early sufis as well as for the teeming breed belonging to the latter-day silsilas, has caused no end of confusion. So far as India is concerned, it is difficult to find a sufi whose consciousness harboured even a trace of any spirituality. By and large, the sufis that functioned in this country were the most fanatic and fundamentalist activists of Islamic imperialism, the same as the latter-day Christian missionaries in the context of Spanish and Portuguese imperialism.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume I (1990)

Appearance, Country

“.. not exactly prostitutes, but a class of unattached young women, characteristic of the Parisian scene before and after the Empire, changing lovers easily, satisfying any whim, going nonchalantly from a mansion in the Champs-Elyseées to a garret in the Batignolles. [describing the place w:Bain à la Grenouillère at Croissy-sur-Seine and the women there, where Renoir together with Monet painted in open air and used them as models in their paintings 'la Grenouillère', 1868-69]”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

as quoted in The private lives of the Impressionists, Sue Roe, HarperCollins Publishers, New York, 2006, p. 59
undated quotes

Women, Lovers, Change, Painting

“A certain type of outdoor activity has been much developed in recent years and calls great throngs together, which may properly be designated as exhibition games. Under this head comes first in importance baseball, which is often known as the national game. Football and polo come in the same class. These activities require such long and intensive training that participation in them is necessarily confined to a class and can not be said to be open to the general public. But for creating an interest which extends to every age and every class, for giving an opportunity for a few hours in the open air which will provide a change of scene, a new trend of thought, and the arousing of new enthusiasm for the great multitude of our people, these have no superior.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Democracy of Sports (1924)

People, Age, Game, Change

“I was surprised as anyone when T-shirts, jeans and leather jackets suddenly became symbols of rebellion. In the film there was a scene in which somebody asked my character, Johnny, what I was rebelling against, and I answered 'Whaddya got?' But none of us involved in the picture ever imagined that it would instigate or encourage youthful rebellion.”

Marlon Brando (1924–2004) American screen and stage actor

Speaking about the film The Wild One (1953) in Songs My Mother Taught Me (1994)

Youth, Imagination

“The chief reason warfare is still with us is neither a secret death-wish of the human species, nor an irrepressible instinct of aggression, nor, finally and more plausibly, the serious economic and social dangers inherent in disarmament, but the simple fact that no substitute for this final arbiter in international affairs has yet appeared on the political scene.”

Hannah Arendt book On Violence

"On Violence".
Crises of the Republic (1969)

Death, Secret, Appearance

“What decent person would want to spend a life picking and cavilling? Picture this scene. A critic arrives at the gates of heaven. 'And what did you do?' asks Saint Peter. 'Well', says the dead soul. 'I criticised things'. 'I beg your pardon?' 'You know, other people wrote things, performed things, painted things and I said stuff like, "thin and unconvincing", "turgid and uninspired", "competent and serviceable,"… you know'.”

Stephen Fry book Paperweight

On critics, from "Paperweight", 2006. http://wongablog.co.uk/2006/07/14/stephen-fry-on-critics/ 2000s

Life, People, Soul, Painting

“My mom was always my biggest teacher, my inspiration, my role model. My mom was just the most amazing person. She was like a bon vivant in that she just lived each day to the fullest. As soon as I became a vegetarian, she became a vegetarian. … I was actually inspired by a book she was reading that I picked up off the nightstand when I was about 13. It was a Norman Mailer book [Miami and the Siege of Chicago] and it had a very graphic scene of the slaughterhouses in Chicago. So I read that and I said, "I love animals. I don't want to be a part of that system."”

Christie Brinkley (1954) American model

“Christie Brinkley on Skin Care and the Secret to Staying Young”, interview with Elle (5 March 2015) http://www.elle.com/beauty/makeup-skin-care/news/a27143/christie-brinkley-on-skincare-and-the-secret-to-staying-young/.

Love, Books, Moms, Teachers

“A great and gentle radiance has left our scene with the death of Rabbi Maurice Davis. He was one of the people who first brought me into the circle of those devoted to helping cult victims. His compassion and vision were inspiring. He saw clearly the dangers which awaited those who lost their free will to totalism. I remember vividly one of my early contacts with Rabbi Davis, when an attorney for a destructive group was trying to get him to explain what he had said to a member of that group when she returned briefly to her family and agreed to speak with him. "I prayed with her," he said. "I prayed that she remember the teachings of her youth and her love for her family." The lawyer for the group was taken aback. "Is that all you did?", he said. "Was that all it was.'?…. Yes," Rabbi Davis answered, "the rest was up to her." It was that blend of hope, vision, and respect for the judgment of others that became the cornerstone of the American Family Foundation's ideals. We owe much to Rabbi Davis and we honor him with our continued commitment.”

Maurice Davis (1921–1993) American rabbi

In Memoriam - Rabbi Maurice Davis: Human Rights Champion http://www.whyaretheydead.net/misc/Factnet/CO0194.TXT, The Cult Observer, Vol. 11 No. 1 1994., Herbert L. Rosedale, President, American Family Foundation. About

Love, Death, People, Youth

“We've traveled halfway 'round the world
To find ourselves again
September morn
We danced until the night became a brand new day
Two lovers playing scenes from some romantic play
September morning still can make me feel that way”

Neil Diamond (1941) American singer-songwriter

September Morn, co-written with Gilbert Bécaud
Song lyrics, September Morn (1979)

World, Way, Travel, Feeling

“Hitherto our principal difficulty has arose from a want of proper supplies of money, and from the inefficacy of that which we obtained; but now there appears a scene opening which will introduce new embarrassments. The Congress have recommended to the different States to take upon themselves the furnishing certain species of supplies for our department. The recommendation falls far short of the general detail of the business, the difficulty of ad justing which, between the different agents as well as the different authorities from which they derive their appointments, I am very apprehensive will introduce some jarring interests, many improper disputes, as well as dangerous delays. Few persons, who have not a competent knowledge of this employment, can form any tolerable idea of the arrangements necessary to give despatch and success in discharging the duties of the office, or see the necessity for certain relations and dependencies. The great exertions which are frequently necessary to be made, require the whole machine to be moved by one common interest, and directed to one general end. How far the present measures, recommended to the different States, are calculated to promote these desirable purposes, I cannot pretend to say; but there appears to me such a maze, from the mixed modes adopted by some States, and about to be adopted by others, that I cannot see the channels, through which the business may be conducted, free from disorder and confusion.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (January 1780)

Money, Idea, Business, Knowledge

“The Mahabharata carries a complete picture of this cultural unity in its tîrtha-yãtrã-parva, which is part of the larger Vana-parva. The Pandavas accompany their Purohita, Dhaumya, on a long pilgrimage to all parts of Bharatavarsha. They pay their homage to many mountains, rivers, saMgamas, lakes, tanks, forest groves and other sacred shrines which had become hallowed by association with Gods and Goddesses, rishis and munis, satees and sãdhvees, heroes and heroines. And they feel fulfilled as they never did before or after in their long lives. The same Pandavas made an imperial conquest of the whole country, not once but twice and performed a rãjasûya yajña at the end of each triumph. But the Pandava empire is a faint memory of the forgotten past. On the other hand, the sacred spots which the Pandavas visited during their one and only pilgrimage, draw millions of devotees in our own days as they did in the distant past, long before the Pandavas appeared on the scene.”

Sita Ram Goel (1921–2003) Indian activist

Muslim Separatism – Causes and Consequences (1987)

God, Feeling, Mountain, Distant

“My favorite form is the short story. From an aesthetics stand point you really have to pare down to the bone. You can't write a throw-away scene.”

Roger Zelazny (1937–1995) American speculative fiction writer

Phlogiston interview (1995)

“As [Phoenix] drew near her room, she heard a woman's voice saying, "It will be easier for us when that monster of yours dies."
"There will be another one, and she will be the same," answered Chia Lien's voice.
"You can make Patience your wife," the woman said. "She will be easier to manage."
"She won't even let me touch Patience," Chia Lien said. "And Patience doesn't dare complain, though she doesn't like her vigilance either. I wonder what I have done to deserve such a wife."
Phoenix shook with rage. Thinking that Patience must have complained behind her back, she turned to her and slapped her face. She then burst into the room, seized Pao-er's wife and struck her repeatedly. Fearing that Chia Lien would bolt from the room, she planted herself at the door while she denounced the woman. "Prostitute!" she cried, "you seduce your mistress's husband and then plot to murder her! And you," she turned to Patience, "you prostitutes are all in conspiracy against me, though you pretend to be on my side." She struck Patience again.
Patience was outraged. She cried, "You two—is it not enough for you to do this shameful thing without dragging me in?" She also made for Pao-er's wife.
Chia Lien, who had until now stood helplessly watching Phoenix beat Pao-er's wife, took the opportunity to hide his own embarrassment by beating Patience. "Who are you to raise your hand against her?" he said to the maid.
Patience retreated and said, weeping, "But why did you drag me into it?"
Phoenix's anger mounted when she saw that Patience was afraid of Chia Lien and commanded her to ignore him and beat Pao-er's wife. The maid, outraged and helpless, ran out of the room, crying and threatening to kill herself.
Phoenix now threw herself at Chia Lien, crying that he might as well kill her then and there since he wanted to get rid of her. Chia Lien grew desperate. He seized a sword from the wall and said he would gladly oblige if she insisted.
Yu-shih and others arrived on the scene. "What is the matter now?"”

Wang Chi-chen (1899–2001)

she asked. "Everything was going well a moment ago."
Emboldened by the presence of the newcomers, Chia Lien became more menacing. Phoenix, on the other hand, quieted herself and left the scene to seek the protection of the Matriarch. She threw herself sobbing into the Matriarch's arms and said, "Save me, Lao Tai-tai. Lien Er-yeh wants to kill me."
Source: Dream of the Red Chamber (1958), pp. 198–199

Fear, Thinking, Rage, Cry

“My object in all my proceeding has been simply to establish the independence of Ireland for the benefit of all the people of Ireland - noblemen, clergymen, judges, professional men - in fact, all Irishmen. I sought that object first, because I thought it was our right; because I thought, and think still, national independence was the right of the people of this country. And secondly, I admit, that being a man who loves retirement, I never would have engaged in politics did I not think it necessary to do all in my power to make an end of the horrible scenes the country presents - the pauperism, and starvation, and crime, and vice, and the hatred of all classes against each other. I thought there should be an end to that horrible system, which while it lasted, gave me no peace of mind, for I could not enjoy anything in my country, so long as I saw my countrymen forced to be vicious, forced to hate each other, and degraded to the level of paupers and brutes. This is the reason I engaged in politics.”

John Martin (1812–1875) (1812-1875) Irish nationalist activist

Love, Men, Hate, People

“Erasmus dramatizes a well-established political position: that of the fool who claims license to criticize all and sundry without reprisal, since his madness defines him as not fully a person and therefore not a political being with political desires and ambitions. The Praise of Folly, therefore sketches the possibility of a position for the critic of the scene of political rivalry, a position not simply impartial between the rivals but also, by self-definition, off the stage of rivalry altogether.”

J.M. Coetzee (1940) South African writer

“Erasmus’s Praise of Folly: Rivalry and Madness,” Neophilologus 76 (1992), p. 1

Fools, Personality, Madness

“The ancient owls' nest must have burned.
Hastily, all alone,
a glistening armadillo left the scene,
rose-flecked, head down, tail down”

Elizabeth Bishop (1911–1979) American poet

Poem: The Armadillo http://unix.cc.wmich.edu/~cooneys/poems/bishop.armadillo.html

“If an artist can't do anymore, then he should just quit; and an artist ought to be able to change his style without feeling bad. I heard that Lichtenstein said he might not be painting comic strips a year of two from now [1963]. I think that would be so great, to be able to change styles. And I think that's what's going to happen; that's going to be the whole new scene.”

Andy Warhol (1928–1987) American artist

Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

Feeling, Thinking, Change, Painting

“No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous —
Almost, at times, the Fool.”

T.S. Eliot The Love Song of J. Alfred Prufrock

The Love Song of J. Alfred Prufrock (1915)

Fools, Time

“Pope Benedict XVI is working softly, slowly, often silently, unobtrusively, behind the scenes, mostly unseen. But he is working hard. I like the great job of reconciliation that he is doing inside the Roman Catholic Church: reconciliation between traditionalists and liberals, conservative and reform-oriented faithful, liturgical Latinists and Mass polyglots, old-time lovers and progressives, high-flying souls and pedestrian believers, thinkers and doers--Christians and Catholics. It is a hidden work of diplomacy, interactions, influences, concessions, agreements, acknowledgments. A "hard job" well done until now.”

Leon Bertoletti (1971)

Christians and Catholics http://www.hicsuntleones.co.uk/2008/10/christians-and-catholics.html, Hic Sunt Leones, 9/10/2008

Faith, Soul, Lovers, Time

“And sometime around 2 AM you end up taking advantage of yourself. Ain't no way around that. Making a scene with a magazine.”

Tom Waits (1949) American singer-songwriter and actor

Nighthawks at the Diner (1975).

Way

“I try to avoid repetitions of any shot. It isn't easy to find one in my films. You might, I suppose, see something twice, but it would be rare. And then, you know, every line requires its own kind of shot. The American method of shooting one actor continuously, then moving to the other, then intercutting both — this method is wrong. A scene has to have a rhythm of its own, a structure of its own.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

Encountering Directors interview (1969)

“Tis soothing, oh! most soothing to the heart,
To rove 'mid scenes where once we have been blest!
Each tree, each blossom, has a thrilling charm;
They seem memorials of those happier hours :
The very sigh that tells they are no more,
Is sweet unto the spirit; former days,
And former feelings, rise upon the soul,
Dear as they once have been.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Canto II, XII
The Fate of Adelaide (1821)

Feeling, Soul, Tree, Memory

“In Shakespeare's The Merchant of Venice, act V, scene 1, we find this exchange between the two young lovers: JESSICA: I am never merry when I hear sweet music
LORENZO: The reason is, your spirits are attentiveThe opening of the finale of Beethoven' s 'Emperor' Concerto provides a splendid example of the kind of theme that is the inspiration for this book. A completely unified theme that hangs together beautifully, it nevertheless portrays vividly a series of contrasting sentiments in a succession that amounts to a small narrative …”

Charles Rosen (1927–2012) American pianist and writer on music

Prologue
Music and Sentiment (2010)

Books, Music, Lovers, Success

“He nothing common did or mean
Upon that memorable scene,
But with his keener eye
The axe's edge did try.”

Andrew Marvell (1621–1678) English metaphysical poet and politician

Upon Cromwell's Return from Ireland (1650)

“I've started painting much more freely, and faster. I think it's working in the theatre that did it. You know what the Glyndebourne scene-painters said about my The Magic Flute? They said they had to wear sunglasses to paint it.”

David Hockney (1937) British artist

"Portrait of the Artist as a Naughty Boy," interview with John Mortimer, In Character (1983) p. 97
1980s

Thinking, Painting

“Once the support of the Nehruvian historians to such utter falsifications of history is tackled and exposed, they have no chance of saving their reputations or even the hold of their theories over the public arena. They have gone too far in their distortions of history, so they are very vulnerable. If they have held out in the role of oft-quoted "eminent historians" for so long, it is only due to the slackness and timidity of the Hindu intellectuals. Only because of a configuration of forces peculiar to India have the anti-Hindu historians been able to completely dominate the scene. In most free countries, they would have been exposed long ago.”

Koenraad Elst (1959) orientalist, writer

1990s, Ayodhya and After: Issues Before Hindu Society (1991)

Quotes, History, Support, Chance

“Each lonely scene shall thee restore;
For thee the tear be duly shed;
Beloved till life can charm no more,
And mourn'd till Pity’s self be dead.”

William Collins (1721–1759) English poet, born 1721

Source: Dirge (1744), line 21.

Life, Tear, Dead

“It struck me as I waited that all great enterprises are about logistics. Not genius or inspiration or flights of imagination, skill or cunning, but logistics. Building pyramids or landing spacecraft on Jupiter or invading whole continents or painting divine scenes over the roofs of chapels: logistics.”

Tom McCarthy (writer) book Déjà vu

Source: Remainder (2005), Ch. 11.

Imagination, Waiting, Painting

“I was happy to do it when I saw the chance of helping out the local theater scene … I am delighted to be able to help the theaters where I grew up and learned my profession. I have never forgotten my past.”

Goran Višnjić (1972) Croatian actor

Happiness, Learning, Chance, Past

“"On the club scene we rate about two out of ten and 'Must try harder.' "We've had problems with our equipment and we can't get the P. A. to work because we play extremely loudly. It's a pity because Syd (singer Syd Barrett) writes great lyrics and nobody ever hears them."”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

Melody Maker, August, 1967
Roger Keith "Syd" Barrett

Problem

“From scenes like these, old Scotia's grandeur springs,
That makes her loved at home, revered abroad:
Princes and lords are but the breath of kings,
"An honest man's the noblest work of God."”

Robert Burns The Cotter's Saturday Night

Stanza 19
The Cotter's Saturday Night (1786)

Love, God, Home, Spring

“The wind breath'd soft as lover's sigh,
And, oft renew'd, seem'd oft to die,
With breathless pause between,
O who, with speech of war and woes,
Would wish to break the soft repose
Of such enchanting scene!”

Walter Scott The Lord of the Isles

Canto IV, stanza 13.
The Lord of the Isles (1815)

War, Lovers

“I'm a sucker for tragedy - I love the death scenes.”

Shirley Manson (1966) Scottish singer and artist

The Modern Age, Bradley Bambarger, Billboard, 11 January 1997, 30 January 2015 https://books.google.com/books?id=wQ4EAAAAMBAJ&pg=PT88&dq=shirley+manson+tragedy&hl=en&sa=X&ei=pVHLVIa7CcKhNuuNhLgP&ved=0CB8Q6AEwAA#v=onepage&q=shirley%20manson%20tragedy&f=false,

Love, Death

“I always consider the settlement of America with reverence and wonder, as the opening of a grand scene and design in providence, for the illumination of the ignorant and the emancipation of the slavish part of mankind all over the earth.”

John Adams (1735–1826) 2nd President of the United States

1760s, A Dissertation on the Canon and Feudal Law (1765)

Parting

“I love coming in with a battle plan, but I also love the freedom to make things up with my actors, and my DP, too. Sometimes we’ll be in a scene and I see new things we can do, so I will throw whatever stuff that has been cooking away in my brain for a long time because I think what I'm coming up with on the set might serve the film better. You know, your instinct will tell you, “This is a better way, try this other way instead,” and that's very important for me, and that is my style of filmmaking, for better or for worse. That's how I like to approach it. And a lot of it comes to me when I'm designing the script, the screenplay. I'm generally very involved in the screenplay, even the ones I'm not on officially as a writer, I'm still extremely involved in how I craft the screen with the writers. I like to get in there and I really craft the world so I can have an idea of how all that will play out before I go on set. Then when I go on set, I like to keep it free, so that I can improvise with my actors.”

James Wan (1977) Malaysian-born Australian film director, screenwriter and producer

Interview: James Wan on His Creative Process, Returning to Horror with The Conjuring 2 and His Approach to Aquaman https://dailydead.com/interview-james-wan-creative-process-returning-horror-conjuring-2-approach-aquaman/ (June 9, 2016)

Love, World, Way, Idea

“You had to play the big scene,” he said coldly. “Stand on your rights, talk about the law. How ingenuous can a man get, Marlowe? A man like you who is supposed to know his way around. The law isn’t justice. It’s a very imperfect mechanism. If you press exactly the right buttons and are also lucky, justice may show up in the answer. A mechanism is all the law was ever intended to be.”

Raymond Chandler book The Long Goodbye

Source: The Long Goodbye (1954), chapter 8

Justice, Law, Way

“Nancy and I were married in January 1918 at St. James's Church, Piccadilly, she being just eighteen, and I twenty-two. George Mallory acted as the best man. Nancy had read the marriage-service for the first time that morning, and been so disgusted that she all but refused to go through with the wedding, though I had arranged for the ceremony to be modified and reduced to the shortest possible form. Another caricature scene to look back on: myself striding up the red carpet, wearing field-boots, spurs and sword; Nancy meeting me in a blue-check silk wedding-dress, utterly furious; packed benches on either side of the church, full of relatives; aunts using handkerchiefs; the choir boys out of tune; Nancy savagely muttering the responses, myself shouting them in a parade-ground voice.”

Robert Graves (1895–1985) English poet and novelist

Source: Goodbye to All That (1929), Ch. 25.

Marriage, Boy, Wedding, Time

“To be benevolent in speculation, is often to be selfish in action and in reality. The vanity and the indolence of man delude him into a thousand inconsistencies. He professes to love the name and the semblance of virtue, but the labour of exertion and of self-denial terrifies him from attempting it. The emotions of kindness are delightful to his bosom, but then they are little better than a selfish indulgence—they terminate in his own enjoyment—they are a mere refinement of luxury. His eye melts over the picture of fictitious distress, while not a tear is left for the actual starvation and misery with which he is surrounded. It is easy to indulge the imaginations of a visionary heart in going over a scene of fancied affliction, because here there is no sloth to overcome—no avaricious propensity to control—no offensive or disgusting circumstance to allay the unmingled impression of sympathy which a soft and elegant picture is calculated to awaken. It is not so easy to be benevolent in action and in reality, because here there is fatigue to undergo—there is time and money to give — there is the mortifying spectacle of vice, and folly, and ingratitude, to encounter.”

Thomas Chalmers (1780–1847) Scottish mathematician and a leader of the Free Church of Scotland

Source: Discourses on the Christian Revelation viewed in connection with the Modern Astronomy together with his sermons... (1818), P. 175.

Love, Money, Imagination, Reality

“The Spice Girls are easier to tell apart than the Teenage Mutant Ninja Turtles, but that is small consolation: What can you say about five women whose principal distinguishing characteristic is that they have different names? They occupy Spice World as if they were watching it: They're so detached they can't even successfully lip-synch their own songs. During a rehearsal scene, their director tells them, with such truth that we may be hearing a secret message from the screenwriter, "That was absolutely perfect — without being actually any good." Spice World is obviously intended as a ripoff of A Hard Day's Night which gave The Beatles to the movies… the huge difference, of course, is that the Beatles were talented — while, let's face it, the Spice Girls could be duplicated by any five women under the age of 30 standing in line at Dunkin' Donuts.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/spice-world-1998 of Spice World (23 January 1998) Reviews, Half-star reviews

Women, Truth, Secret, Age

“As long as there is one upright man, as long as there is one compassionate woman, the contagion may spread and the scene is not desolate. Hope is the one thing left to us in a bad time.”

E. B. White (1899–1985) American writer

Letter to M. Nadeau (30 March 1973)

Hope, Time

“Five years have passed; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a sweet inland murmur.—Once again
Do I behold these steep and lofty cliffs,
Which on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.”

William Wordsworth book Lyrical Ballads

Stanza 1.
Lyrical Ballads (1798–1800), Lines written a few miles above Tintern Abbey (1798)

Mountain, Spring, Water, Winter

“I'll come no more behind your scenes, David [Garrick]; for the silk stockings and white bosoms of your actresses excite my amorous propensities.”

Samuel Johnson (1709–1784) English writer

1750 Journal
Life of Samuel Johnson (1791), Vol I

“I admired [c. 1952-54] his [ Motherwell's] painting. But the rest of the painters I was involved with --. I mean I didn't know [Clyfford] Still either and therefore Still didn't come up in my life as much. But I liked to look at Still. And I went of course to all of his [Robert Motherwell's] shows. But Bill de Kooning and Jackson [Pollock] were all around all the time. And it wasn't just following a career and a gallery and a social scene then, and a party scene, and the peripheral part of it at all. And I knew Bob [Motherwell] not personally at all”

Helen Frankenthaler (1928–2011) American artist

till 1957-58
quote about several contemporary artists
1960s, Interview with Barbara Rose', Archives - American Art, 1968

Life, Time, Parting, Painting

“The scientistic sociologist wishes people to feel that he is just as empirical and thoroughgoing as the natural scientist, and that his conclusions are based just as relentlessly on observed data. The desire to present this kind of façade accounts, one may suspect, for the many examples and the extensive use of statistical tables found in the works of some of them. It has been said of certain novelists that they create settings having such a wealth of realistic detail that the reader assumes that the plot which is to follow will be equally realistic, when this may be far from the case. What happens is that the novelist disarms the reader with the realism of his setting in order that he may “get away with murder” in his plot. The persuasiveness of the scene is thus counted on to spill over into the action of the story. In like manner, when a treatise on social science is filled with this kind of data, the realism of the latter can influence our acceptance of the thesis, which may, on scrutiny, rest on very dubious constructs, such as definitions of units. Along with this there is sometimes a great display of scientific preciseness in formulations. But my reading suggests that some of these writers are often very precise about matters which are not very important and rather imprecise about matters which are. Most likely this is an offsetting process. If there are subjects one cannot afford to be precise about because they are too little understood or because one’s views of them are too contrary to traditional beliefs about society, one may be able to maintain an appearance of scientific correctness by taking great pains in the expressing of matters of little consequence. These will afford scope for a display of scholarly meticulousness and of one’s command of the scientific terminology.”

Richard M. Weaver (1910–1963) American scholar

“Concealed Rhetoric in Scientistic Sociology,” pp. 148-149.
Language is Sermonic (1970)

Pain, People, Feeling, Nature

“[Nature] only give it you, when you carefully consider its majesty and greatness. Does it not present beautiful scenes in front of your eyes that impossibly could be described to you by somebody else?…. [scenes], which you can try to realize afterwards in your room on the canvas or panel.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

translation from original Dutch: Fons Heijnsbroek (original Dutch, citaat van B.C. Koekkoek:) [de natuur] alleen schenkt u die bij eene aandachtige beschouwing harer majesteit en grootheid.. .Spreidt zij geene prachttaferelen voor uw oog ten toon, die onmogelijk een ander u zou kunnen beschrijven?. ..die gij naderhand op uwe kamer op het doek of paneel kunt trachten te verwezenlijken. Quote of Koekkoek, 1841: in: Herinneringen aan en Mededeelingen van eenen Landschapschilder, as cited in 'Andreas Schelfhout Onsterfelijk schoon', p. 35 https://www.simonis-buunk.nl/wp-content/uploads/2016/06/catalogus_schelfhout.pdf

Beauty, Nature

“The Hawthorne researchers became more and more interested in the informal employee groups which tend to form within the formal organisation of the Company, and which are not likely to be represented in the organisation chart. They became interested in the beliefs and creeds which have the effect of making each individual feel an integral part of the group and which make the group appear as a single unit, in the social codes and norms of behaviour by means of which employees automatically work together in a group without any conscious choice as to whether they will or will not co-operate. They studied the important social functions these groups perform for their members, the histories of these informal work groups, how they spontaneously appear, how they tend to perpetuate themselves, multiply, and disappear, how they are in constant jeopardy from technical change, and hence how they tend to resist innovation.
In particular, they became interested in those groups whose norms and codes of behaviour are at variance with the technical and economic objectives of the Company as a whole. They examined the social conditions under which it is more likely for the employee group to separate itself out in opposition to the remainder of the groups which make up the total organisation. In such phenomena they felt that they had at last arrived at the heart of the problem of effective collaboration, and obtained a new enlightenment of the present industrial scene.”

Fritz Roethlisberger (1898–1974) American business theorist

Cited in: Lyndall Fownes Urwick, ‎Edward Franz Leopold Brech (1961), The Making of Scientific Management: The Hawthorne investigations https://archive.org/stream/makingofscientif032926mbp#page/n191/mode/2up. p. 166-167 Management and the worker, 1939

Feeling, History, Problem, Study

“I want to put over my emotions in the spectator, - I want to make him fascinated by the scene, which I have not only seen with my naked eyes, but which I have seen moving deep inside myself. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat van Jozef Israëls's brief, in het Nederlands): Ik wil in den beschouwer mijne aandoeningen overbrengen, - ik wil hem laten boeijen door het tafereel, dat ik niet enkel met mijn bloot oog gezien hebben, maar dat ik diep in mij heb zien bewegen.
Quote of Israëls in his letter in 1891, to an unknown person; as cited in the museum-catalog, Museum Mesdag, 1996, p.236, note 10
Quotes of Jozef Israels, 1871 - 1900