Quotes about scene (780 quotes, page 8)

“Even though anthropologists have shown that certain primitive peoples seem to be free from the desire for power, nobody has yet shown how their state of mind can be re-created on a worldwide scale so as to eliminate the struggle for power from the international scene. … International politics, like all politics, is a struggle for power.”

Hans Morgenthau book Politics Among Nations

Source: Politics Among Nations (1948), p. 29 (1978 edition).
Context: The struggle for power is universal in time and space and is an undeniable fact of experience. It cannot be denied that throughout historic time, regardless of social, economic and political conditions, states have met each other in contests for power. Even though anthropologists have shown that certain primitive peoples seem to be free from the desire for power, nobody has yet shown how their state of mind can be re-created on a worldwide scale so as to eliminate the struggle for power from the international scene. … International politics, like all politics, is a struggle for power. Whatever the ultimate aims of international politics, power is always the immediate aim.

People

“He was always moving, advancing into new regions he had never seen before. A constantly unfolding panorama of sights and scenes, frozen landscapes spread out ahead. All objects were fixed.”

Philip K. Dick (1928–1982) American author

The Golden Man (1954)
Context: He was always moving, advancing into new regions he had never seen before. A constantly unfolding panorama of sights and scenes, frozen landscapes spread out ahead. All objects were fixed. Pieces on a vast chess board through which he moved, arms folded, face calm. A detached observer who saw objects that lay ahead of him as clearly as those under foot.
Right now, as he crouched in the small supply closet, he saw an unusually varied multitude of scenes for the next half hour. Much lay ahead. The half hour was divided into an incredibly complex pattern of separate configurations. He had reached a critical region; he was about to move through worlds of intricate complexity.

“Magnolia is operatic in its ambition, a great, joyous leap into melodrama and coincidence, with ragged emotions, crimes and punishments, deathbed scenes, romantic dreams, generational turmoil and celestial intervention, all scored to insistent music. It is not a timid film.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review of Magnolia in Chicago Sun-Times (7 January 2000) http://www.rogerebert.com/reviews/magnolia-2000
Reviews, Four star reviews
Context: Magnolia is operatic in its ambition, a great, joyous leap into melodrama and coincidence, with ragged emotions, crimes and punishments, deathbed scenes, romantic dreams, generational turmoil and celestial intervention, all scored to insistent music. It is not a timid film. … The movie is an interlocking series of episodes that take place during one day in Los Angeles, sometimes even at the same moment. Its characters are linked by blood, coincidence and by the way their lives seem parallel. Themes emerge: the deaths of fathers, the resentments of children, the failure of early promise, the way all plans and ambitions can be undermined by sudden and astonishing events. … All of these threads converge, in one way or another, upon an event there is no way for the audience to anticipate. This event is not "cheating," as some critics have argued, because the prologue fully prepares the way for it, as do some subtle references to Exodus. It works like the hand of God, reminding us of the absurdity of daring to plan. And yet plan we must, because we are human, and because sometimes our plans work out.
Magnolia is the kind of film I instinctively respond to. Leave logic at the door. Do not expect subdued taste and restraint, but instead a kind of operatic ecstasy. At three hours it is even operatic in length, as its themes unfold, its characters strive against the dying of the light, and the great wheel of chance rolls on toward them.

Dreams , Music

“I always want to try to understand why things work. I’m not interested in getting a formula without knowing what it means. I always try to dig behind the scenes, so if I have a formula, I understand why it’s there. And understanding is a very difficult notion”

Michael Atiyah (1929–2019) British mathematician

On an article by Qunta magazine(when asked: Is there one big question that has always guided you?) https://www.quantamagazine.org/michael-atiyahs-mathematical-dreams-20160303
Context: I always want to try to understand why things work. I’m not interested in getting a formula without knowing what it means. I always try to dig behind the scenes, so if I have a formula, I understand why it’s there. And understanding is a very difficult notion. People think mathematics begins when you write down a theorem followed by a proof. That’s not the beginning, that’s the end. For me the creative place in mathematics comes before you start to put things down on paper, before you try to write a formula. You picture various things, you turn them over in your mind. You’re trying to create, just as a musician is trying to create music, or a poet. There are no rules laid down. You have to do it your own way. But at the end, just as a composer has to put it down on paper, you have to write things down. But the most important stage is understanding. A proof by itself doesn’t give you understanding. You can have a long proof and no idea at the end of why it works. But to understand why it works, you have to have a kind of gut reaction to the thing. You’ve got to feel it.

Understanding

“I think … someone might do a little research on some of the inherent qualities of sex – its cruelty, its bullyingness, for instance. It seems to me that bending someone else to your will is the very stuff of sex, by force or neglect if you are male, by spitefulness or nagging or scenes if you are female.”

Philip Larkin (1922–1985) English poet, novelist, jazz critic and librarian

Letter to Monica Jones (1 November 1951) as quoted in "Philip Larkin's women" (23 October 2010) http://www.guardian.co.uk/books/2010/oct/23/martin-amis-philip-larkin-letters-monica
Context: I think … someone might do a little research on some of the inherent qualities of sex – its cruelty, its bullyingness, for instance. It seems to me that bending someone else to your will is the very stuff of sex, by force or neglect if you are male, by spitefulness or nagging or scenes if you are female. And what's more, both sides would sooner have it that way than not at all. I wouldn't. And I suspect that means not that I can enjoy sex in my own quiet way but that I can't enjoy it at all. It's like rugby football: either you like kicking & being kicked, or your soul cringes away from the whole affair. There's no way of quietly enjoying rugby football.

Sex , Thinking

“What would be the point of having this job if I didn't get to make up some of the maddest possible scenes I've ever had in my head since I was a kid?”

Steven Moffat (1961) Scottish television writer and producer

On writing a scene of the eleventh incarnation of The Doctor confronting his enemies in The Pandorica Opens, in an interview in Doctor Who Rewind (2011) by BBC America
Context: What would be the point of having this job if I didn't get to make up some of the maddest possible scenes I've ever had in my head since I was a kid? For him to stand there and take the mickey out of all those monsters — is just hugely exciting.

“They searched all over the world for a motive, except for one place: the scene of the crime.”

Mark Ames (1965) American writer and journalist

Part V: More Rage. More Rage., page 184.
Going Postal: Rage, Murder, and Rebellion, From Reagan's Workplaces to Clinton's Columbine and Beyond (2005)
Context: Americans wanted to blame everything but Columbine High for the massacre- they blamed a violent media, Marilyn Manson, Goth culture, the Internet, the Trench Coat Mafia, video games, lax gun control laws, and liberal values. And still skipping over the school, they peered into the opposite direction, blaming the moral and/or mental sickness, or alleged homosexuality, of these two boys, as if they were exceptional freaks in a school of otherwise happy kids. They searched all over the world for a motive, except for one place: the scene of the crime.

World , Search , Motivation

“Make no mistake: I didn’t create the scene, I just witnessed and transcribed it.”

J.M. DeMatteis (1953) comics illustrator

"Changing the Channel" (11 June 2010) http://www.jmdematteis.com/2010/06/changing-channel.html
J.M. DeMatteis's CREATION POINT (2009 – present)
Context: We’re not really the authors of our work: we’re channels, tuning into another frequency, another dimension, and bringing that information down into the physical world, where — using the tools, the talents and perspectives that are uniquely ours — we transcribe and embellish that information, transforming it into that wonderful creature called a Story.
In the end, it doesn’t matter whether the transmission is instant or unfolds slowly, it’s the opening up that’s so magical. That moment of realizing that you’re connected to something so much bigger than yourself. I remember, years ago, when I was just beginning work on Moonshadow, standing in the shower — mouth open, eyes glazed, still as a statue — watching the ending of the series play out on the movie screen of my psyche. Make no mistake: I didn’t create the scene, I just witnessed and transcribed it.

“War is a contagion, whether it be declared or undeclared. It can engulf states and peoples remote from the original scene of hostilities. We are determined to keep out of war, yet we cannot insure ourselves against the disastrous effects of war and the dangers of involvement.”

Franklin D. Roosevelt (1882–1945) 32nd President of the United States

1930s, Quarantine Speech (1937)
Context: War is a contagion, whether it be declared or undeclared. It can engulf states and peoples remote from the original scene of hostilities. We are determined to keep out of war, yet we cannot insure ourselves against the disastrous effects of war and the dangers of involvement. We are adopting such measures as will minimize our risk of involvement, but we cannot have complete protection in a world of disorder in which confidence and security have broken down.

Hostility , War , People

Gustav Hasford (1947–1993) United States Marine

Fight , Sea , Country

“But though I'll gladly trace these scenes with thee,
Yet the sweet converse of an innocent mind,
Whose words are images of thoughts refin'd,
Is my soul's pleasure; and it sure must be
Almost the highest bliss of human-kind,
When to thy haunts two kindred spirits flee. Быть одному — ”

John Keats (1795–1821) English Romantic poet

Pleasure , Soul

“I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me-like food or water.”

Axel Munthe (1857–1949) Swedish physician

Source: supanet.com/find/famous-quotes-by/axel-munthe/a-man-can-stand-a-lot-as-fqb50991/

Food , Heart , Music , Water

“A gloomy scene for this distressed, disgraced country.”

William Pitt, 1st Earl of Chatham (1708–1778) British politician

Remark on the state of affairs (June 1757), quoted in Basil Williams, The Life of William Pitt, Earl of Chatham. Volume I (London: Longmans, 1913), p. 337
1750s

Country

“I always want to try to understand why things work. I’m not interested in getting a formula without knowing what it means. I always try to dig behind the scenes, so if I have a formula, I understand why it’s there. And understanding is a very difficult notion.People think mathematics begins when you write down a theorem followed by a proof. That’s not the beginning, that’s the end. For me the creative place in mathematics comes before you start to put things down on paper, before you try to write a formula. You picture various things, you turn them over in your mind. You’re trying to create, just as a musician is trying to create music, or a poet. There are no rules laid down. You have to do it your own way. But at the end, just as a composer has to put it down on paper, you have to write things down. But the most important stage is understanding. A proof by itself doesn’t give you understanding. You can have a long proof and no idea at the end of why it works. But to understand why it works, you have to have a kind of gut reaction to the thing. You’ve got to feel it.”

Michael Atiyah (1929–2019) British mathematician

On an article by Quanta magazine(when asked: Is there one big question that has always guided you?) https://www.quantamagazine.org/michael-atiyahs-mathematical-dreams-20160303

Understanding , Music , Thinking , Mathematics

“Never since the days of the Spartan Helots has history recorded such brutality as has been ever since the war and as is now being perpetrated upon the Negro in the South. How easy for us to go to Russia and drop a tear of sympathy over the persecuted Jew. But a step across Mason’s and Dixon’s line will bring us upon a scene of horrors before which those of Russia, bad as they are, pale into insignificance! No irresponsible, blood-thirsty mobs prowl over Russian territory, lashing and lynching its citizens.”

Lucy Parsons (1853–1942) American communist anarchist labor organizer

"Southern Lynching" (April 1892)

War , Bad luck , Tear , History

“I like visiting a lot of places, but I always am like, I’m just so glad I live in Baltimore. It’s like the perfect size city where it is a city and it’s large, but it’s also small enough where you can really feel like a part of a scene and a part of a community.”

Dan Deacon (1981) American musician

Interview: Dan Deacon http://wxjm.org/interview-dan-deacon/ (April 19, 2015)

Perfection , Feeling , Parting , Communication

“I live with them for a long time in my head. When I first start writing about a character, I don’t know them that well. It’s through the process of writing of putting them in scenes, and contemplating them—when I’ve spent more time with them—that they take on more flesh. When I start writing, I have a lot of characters that I’m not sure what their place in the novel will be…And some characters recede as I put more flesh on them. I think I don’t really need them; they’re not giving me anything. Or they’re there for a particular effect, and that’s it.”

Tracy Chevalier (1962) American writer

On how she formulates her characters in “An Interview with Tracy Chevalier” https://fictionwritersreview.com/interview/an-interview-with-tracy-chevalier/ in Fiction Writers Review (2019 Sep 23)

Thinking , Time

“First, a good sex scene is about the exchange of emotions, not body fluids. In other words, what’s going on physically is not really important. It’s what’s going on emotionally that’s important. You use the physical attributes or setting, only as a means of anchoring the reader in the moment, but it’s about what’s going on between these two people. And that leads to the second principle, which is that a good sex scene can only happen between two unique and specific people…”

Diana Gabaldon (1952) American author

On how she conjures an erotic scene in her writing in “Outlander Author Diana Gabaldon on Her Two Rules for Writing a Good Sex Scene” https://www.townandcountrymag.com/leisure/arts-and-culture/a24146013/outlander-diana-gabaldon-interview-great-american-read in Town and Country (2018 Oct 24)

Sex , People

“Most trained actors can pick up a scene and give it a good sturdy first read, but a few coaching sessions does not a trained actor make - a lesson which has stayed with me ever since.”

Belita Moreno (1949) American actress

On what she has learned working as an acting coach in “Belita -- Not ‘Benny’ – Moreno” http://latinola.com/story.php?story=8908 in ¡LatinoLA! (2010 Sep 12)

Training , Making love , Reading

“I think it’s relative to the story you’re writing. Some novels are filled with summary and some are filled with scenes. Others are a beautiful, confusing mix, of course. Ultimately, I wanted to write a novel that I’d want to read later.”

Jon Pineda (1971) American writer

On choosing a story writing method in “7 QUESTIONS WITH JON PINEDA” https://hyphenmagazine.com/blog/2018/06/7-questions-jon-pineda in Hyphen Magazine (2018 Jun 7)

Beauty , Thinking , Reading

“Hindutva was a political argument made in a poetic register. It was an argument with and against an unnamed Gandhi at an opportune moment when he seemed finished with politics. Hindutva was also a political cry from behind prison walls, reminding the larger world outside that even if Gandhi was no longer on the political scene, Savarkar was back. He was still a leader, a politician capable of pulling together a nationalist community. But unlike Gandhi, he was offering a sense of Hindu-ness that could be the basis for a more genuine and, in the end, more effective nationalism than that of the Mahatma. The startling change for its time was Savarkar’s assertion that it was not religion that made Hindus Hindu. If Gandhi had officiated at the marriage of religion and politics, and Khilafat leaders were using the symbols of religion to forge a community, Savarkar argued that name and place were what bound the Hindu community, not religion . . . The fundamental (negative) contribution of Hindutva was to install a new term for nationalist discourse, one that was both modern and secular, if open to a secular understanding of religious identity. In place of religion qua religion, he secularized a plethora of Hindu religious leaders. In so doing, he did not create a sterilely secular nationalism. He did quite the opposite. He enchanted a secular nationalism by placing a mythic community into a magical land .”

Vinayak Damodar Savarkar (1883–1966) Indian pro-independence activist,lawyer, politician, poet, writer and playwright

Janaki Bakhle quoted in Vikram Sampath - Savarkar, Echoes from a Forgotten Past, 1883–1924 (2019)

Religion , Time , Understanding , Marriage

“By the time I get to coloring it’s usually the last step and I’m a little creatively tapped out. So I don’t spend a ton of time building a concept for the coloring, but I do love seeing things take final form. A lot of it is thinking about the scene, what the mood is, and how to light it. By that point I’ve spent enough time with the book I already know what I want to achieve when I get to it.”

Jen Wang (1984) American comics artist

On putting the final touches to her images in “The Prince and the Dressmaker’s Jen Wang Talks High-School Habits, Sensitive Storytelling & Her Favorite Princesses” https://www.pastemagazine.com/articles/2018/02/the-prince-and-the-dressmakers-jen-wang-talks-high.html in Paste Magazine (2018 Feb 13)

Time , Light , Thinking , Books

“The home office hates vigilantes in Lycra fancy-dress outfits almost as much as they hate lawbreakers. You see, superheroes don’t follow the rules of evidence. They take procedural shortcuts, assault criminals, mess up crime scenes, and generally make it almost impossible to secure a conviction. Not to mention committing a basketload of offenses in their own right: aggravated trespass, assault, violating controlled airspace and flying without a license, breaking and entering, criminal damage...”

Charles Stross The Laundry Files

Source: The Laundry Files, The Annihilation Score (2015), Chapter 4, “Briefings” (p. 63)

Home , Making love , Hate , Flying

“I never felt like I was in the grime scene…I was the outsider. So when I veered away from it, I didn’t feel like I was leaving the circle – I felt like I was never in it…No one paid me any attention…I had to do everything on my own.”

AJ Tracey (1994) British rapper from London

On his uneasiness with being called a grime rapper in “AJ Tracey: ‘I had to do everything on my own’” https://www.theguardian.com/music/2019/oct/27/aj-tracey-ladbroke-grove-rapper-interview-corbyn-boris-johnson in The Guardian (2019 Oct 27)

Feeling

“Bruce Lee’s first filmed fight scene of his career, was fighting me as Robin on Batman.”

Burt Ward (1945) American actor

Because we were friends, we sparred together,
As qtd. in Herbie J Pilato, “Burt Ward — The Man Wonder” https://medium.com/@herbiejpilato/burt-ward-the-man-wonder-4ba41eaf6c69, Medium, (Feb 14, 2019)

Fight

“Things have gone downhill since Mom decided a modal average dose of old-time religion was an essential part of her upbringing, to the point that absolutely the best thing in the world Tante Annette could send her is some scam programmed by Daddy to take her away. If it doesn’t work, Mom will take her to Church tonight, and she’s certain she’ll end up making a scene again. Amber’s tolerance of willful idiocy is diminishing rapidly, and while building up her memetic immunity might be the real reason Mom’s forcing this shit on her—it’s always hard to tell with Mom—things have been tense ever since she got expelled from Sunday school for mounting a spirited defense of the theory of evolution.”

Charles Stross book Accelerando

Source: Accelerando (2005), Chapter 4 (“Halo”), p. 130

School , Religion , Time , Moms

“I am saddened to see these scenes of violence against unarmed protesters (in Hong Kong) and hope that Taiwan can continue to serve as a beacon of democracy for those who seek freedom.”

Tsai Ing-wen (1956) President of the Republic of China

Taiwan president condemns Hong Kong authorities for firing at protesters, Taiwan News, 1, 11 November 2019, 12 November 2019 https://www.taiwannews.com.tw/en/news/3814795,

Democracy , Hope , Freedom

“Look at the scenes to be met with in our great cities! They are sufficient to horrify any being susceptible enough to the sufferings of others to be rated as one-fifth civilized. An army of butchers standing in blood ankle-deep and plunging great knives into writhing, shrieking living beings; helpless swine swinging by their hinders with their blood gushing from their slashed jugulars; unsuspecting oxen with trustful eyes looking up at the deadly pole-ax, and a moment later lying aquiver under its relentless thud; an atmosphere in perpetual churn with the groans and screams of the dying; streets thronged with unprocessioned funerals; dead bodies dangling from sale hooks or sprawling on chopping blocks; men and women going about praying and preaching, and sitting down two or three times a day and pouncing on the uncoffined remains of some poor creature cut down for them by the callous hands of hired cutthroats—such are the sights in all our streets and stockyards, and such are the crimes inflicted day after day by Christian cannibals on the defenseless dumb ones of this world.”

J. Howard Moore (1862–1916)

Source: The New Ethics (1907), Human Attitude Toward Others, p. 44

Time , Swine , Dead , Suffering

“There is this great scene, that sometimes goes unnoticed. Clarence takes George to the graveyard, and there; there is a headstone of George’s younger brother, Terry.”

William H. McRaven (1955) United States admiral

George notices that Terry died when he was just three years old, then George looks at Clarence, the second class wingless angel, and says that can’t be right. Harry not only lived past three years old, but he also saved an entire ship of being sunk by Kamikaze pilots, but reminds George, that because Paul was never born then, and he actually wasn’t there to save his younger brother from choking.
Chancellor McRaven speaking at the FBI Agents Association’s G-Man Honors Event - October 28, 2015, in Washington, DC.

“With the unleashing of a mighty clash of peoples, the bourgeoisie is playing its last card and calls forth on the world scene that which Karl Marx called the sixth great power: the socialist revolution.”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

As quoted in Three Faces of Fascism: Action Française, Italian Fascism, National Socialism, Ernst Nolte, New York: NY, Holt, Rinehart and Winston (1966) p. 156. Opera Omnia di Benito Mussolini, V, p. 121
Undated

World , People

“Candelaio, Act IV, Scene XVII.”

Giordano Bruno (1548–1600) Italian philosopher, mathematician and astronomer

(Lucia.)
Chi vuole che la quaresima gli paia corta, si faccia debito per pagare a Pasqua.
Translation: He who wants Lent to seem short, should contract a debt to be repaid at Easter.
Translation reported in Harbottle’s Dictionary of quotations French and Italian (1904), p. 275

“Campaign groups which used to oppose neo-Nazis realized that there weren’t sufficient Nazis to justify their business models. They decided that, henceforth, attacking parties such as Ukip should also come under their anti-fascist remit. Soon anybody who opposed supranational institutions or sought to restrict immigration found themselves labelled as beyond the pale. It meant that the views of the majority of the public — in Britain and elsewhere — effectively became defined as far right. In recent years this terminological mission-creep has morphed from being annoying to being disturbing. For if everybody is a fascist, then nobody is. And anyone who knows the scene across Europe will understand that we may well have need of these terms.”

Douglas Murray (1979) British political commentator and far-right activist

Source: "Right from wrong: a guide to the new European politics" https://www.spectator.co.uk/2019/08/right-from-wrong-a-guide-to-the-new-european-politics/, The Spectator, August 17, 2019

Business , Understanding

“Here’s my attitude, and I’m sort of sorry to say this sometimes – but there are people who try and elevate film music - of all kinds – to being the great twentieth century classical music, and my opinion is it just isn’t. It’s very straightforward, major/minor or modal writing. The only time you get any kind of originality is usually in the timbres and the sounds and the mixture of elements. But to get through a scene it’s either happy, or sad – and it’s either going forward in action or it’s not – and it can be ironic, which means you’ve got to switch from major to minor frequently. But it’s not rocket science. It’s a lot of skills – a lot of political skills, frankly. It’s being in a room and playing off fifty opinions from studios, producers, directors, sometimes actors – and coming out the end with something that vaguely represents music. And frequently it doesn’t. The minute you try to get original or break the box – unless you’ve got either a very experimental or powerful director, it’s probably not going to happen.”

Graeme Revell (1955) New Zealand musician

Time , Box , People , Music

“Chris was my friend and he was at the very heart of the Seattle music scene and beyond. I miss him, but I realized that he went as far as he could in this world with his soul. He couldn’t go any farther.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Ann Wilson talking about Chris Cornell at the press room of the Rock and Hall of Fame Induction Ceremony, on April 14, 2018. ** Ann Wilson of Heart speaks backstage at Rock Hall induction, YouTube, April 14, 2018 https://www.youtube.com/watch?v=HjKO41QmGX8,

World , Soul , Music , Heart

“I now, my Lords, frankly declare that I resume office unequivocally and solely for this reason—that I will not abandon my Sovereign in a situation of difficulty and distress, and especially when a demand is made upon her Majesty, with which I think she ought not to comply—a demand, in my opinion, my Lords, inconsistent with her personal honour, and which, if acquiesced in, would make her reign liable to all the changes and variations of political parties, and render her domestic life one constant scene of unhappiness and discomfort.”

William Lamb, 2nd Viscount Melbourne (1779–1848) British Whig statesman

Speech https://api.parliament.uk/historic-hansard/lords/1839/may/14/ministerial-explanations#column_1015 in the House of Lords (14 May 1839) during the Bedchamber Crisis

Personality , Thinking , Life , Making love

“As the freedom struggle progressed, communalism steadily grew and to his dismay communal riots began spontaneously burst all over the nation and in Bihar. He rushed from one scene to another to control the riots, with Independence fast approaching, there was the prospect of partition. He had such fond memories of playing with his Hindu and Muslim friends in Zeradei, now he had the misfortune of witnessing the nation being ripped into two.”

Rajendra Prasad (1884–1963) Indian political leader

First Citizen

Freedom , Memory , Communication

“In following this movement towards its end we shall inevitably reach a point beyond which the scene is darkened by the shadow of Hitler. Unfortunately, it does not go without saying that in our examination we must avoid the fallacy that in the last decades has frequently been used as a substitute for the reductio ad absurdum: the reductio ad Hitlerum. A view is not refuted by the fact that it happens to have been shared by Hitler.”

Leo Strauss (1899–1973) Classical philosophy specialist and father of neoconservativism

Source: Natural Right and History (1953), p. 42

“Neokantianism represents in the last analysis nothing but a certain academic line of thought, which has supplied us with a better knowledge of Kant and a useful literature of educated people. Agnosticism, on the other hand, on account of its diffusion among the people, is an actual symptom of the present condition of certain social classes. The socialists would have good grounds for believing that this symptom is one of the evidences of the decadence of the bourgeoisie. It certainly stands in marked contrast to the heroic devotion to truth shown by the thought of the precursors of modern history, such as Bruno and Spinoza, or to that conventional assertiveness, which was typical of the thinkers of the 18th century, until the classic German philosophy gradually came upon the scene.”

Baruch Spinoza (1632–1677) Dutch philosopher

Antonio Labriola, Socialism and Philosophy (1897) [original in Italian]
G - L

History , People , Knowledge , Truth

“Whoever visits some estates there, and witnesses the good-humored indulgence of some masters and mistresses, and the affectionate loyalty of some slaves, might be tempted to dream the oft-fabled poetic legend of a patriarchal institution, and all that; but over and above the scene there broods a portentous shadow — the shadow of law.”

Harriet Beecher Stowe book Uncle Tom's Cabin

So long as the law considers all these human beings, with beating hearts and living affections, only as so many things belonging to a master — so long as the failure, or misfortune, or imprudence, or death of the kindest owner, may cause them any day to exchange a life of kind protection and indulgence for one of hopeless misery and toil — so long it is impossible to make anything beautiful or desirable in the best regulated administration of slavery.
Source: Uncle Tom's Cabin (1852), Ch. 1.

Loyalty , Dreams , Law

“I want to put over my emotions in the spectator, - I want to make him fascinated by the scene, which I have not only seen with my naked eyes, but which I have seen moving deep inside myself.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls's brief, in het Nederlands): Ik wil in den beschouwer mijne aandoeningen overbrengen, - ik wil hem laten boeijen door het tafereel, dat ik niet enkel met mijn bloot oog gezien hebben, maar dat ik diep in mij heb zien bewegen.
Quote of Israëls in his letter in 1891, to an unknown person; as cited in the museum-catalog, Museum Mesdag, 1996, p.236, note 10
Quotes of Jozef Israels, 1871 - 1900

Making love

“As Chairman of the Rajya Sabha, he had the awesome task of dealing with some unruly scenes. He did so with aplomb and finesse, often with a witticism that helped defuse the situation.”

Mohammad Hidayatullah (1905–1992) 11th Chief Justice of India

By I.M Chagla
Speech By Mr. S. G. Page, Government Pleader, High Court, Bombay, Made OnMonday, 28 September, 1992

Help

“The Muslims, whom I have seen in my time i. e., the 20th century, appearing on the scene of history, were of both kinds, truthful and hypocritical. We confess with grief that amongst the Muslims generally artificial materials were more popular than the genuine ones because it possessed outward, whose popularity is still limited to few, but the temporary glitter of gilded material has started fading out and the genuine gold is stable with its permanent radiance. Now perhaps the Indian Muslim will start appreciating him.”

Zakir Hussain (politician) (1897–1969) 3rd President of India

Abid Husain in: p. 3.
About Zakir Hussain, Quest for Truth (1999)

Truth , Appearance , History , Time

“If any screen actress of recent times had ruled the film scene with the sway and swagger of a fabled queen it was surely Vyjayanthimala, the volatile, vibrant and the most gorgeous star of Hindi screen.”

Vyjayanthimala (1936) Indian actress, politician & dancer

In [Lipika, http://books.google.com/books?id=_wvlAAAAMAAJ, 1973, 26]

Star , Time

“I was told when he died he was listening to Jab Dil Hi Toot Gaya, which I thought was far-fetched, because Saigal never liked his film songs, just his Ghalib compositions. But it was dramatic, so we used it. So imagine my surprise, when after a show in Delhi, a lady came up to me and said she was the niece, Durgesh, seen in that death scene, and her uncle had indeed listened to that song on his deathbed.”

K. L. Saigal (1904–1947) Indian actor

By M Syed Alam in "A tribute to KL Saigal."

Imagination , Death

“Behind the the scenes of the fantastic success of Operation Flood is the nearly invisible skillful guding hand, vision and the brilliant mind and the unique management skill of Kurien.”

Verghese Kurien (1921–2012) Indian founder of dairy-cooperative Amul

By Norman Borlauge in "Our Leaders".

Success

“Is not just a faded echo of the feeble voice of decadent romanticism but an authentic Indian English utterance exquisitely tuned to the composite to Indian ethos, bringing home to the unbiased reader all the opulence, pageantry and charm of Indian life, and the spenders of Indian scene.”

Sarojini Naidu (1879–1949) Indian politician, governor of the United Provinces of Agra and Oudh from 1947 to 1949

Review of her poetry publications in *[Das, Sisir Kumar, History of Indian Literature: 1911-1956, struggle for freedom : triumph and tragedy, http://books.google.com/books?id=sqBjpV9OzcsC, 1 January 1995, Sahitya Akademi, 978-81-7201-798-9, 184]

Home , Life

“Manikda was always different from the others. He did everything — from writing the script to choosing the location, finalizing the cast to designing sets and costumes, supervising make-up to framing the shots to editing. He was involved with each and every part of his film and was always very clear about what he wanted. His films were Indian but the production process was western. He also proved that silence can say a million words if used properly and was very economical with dialogues. He used barking of dogs, birdcalls, mechanical clatter or other natural sounds to brilliant effect. It was because of this detailing that every scene of his films became powerful and meaningful. And though he played so many roles behind the scenes, he accepted remuneration from the producer only for direction.”

Satyajit Ray (1921–1992) Indian author, poet, composer, lyricist, filmmaker

After working with Satyajit Ray, working in Bombay was confusing: Sharmila Tagore

Silence , Dogs , Nature , Making love

“Act I, scene II. — (Polinico).”

Bernardo Dovizi book La calandria

Un padrone, quanti ha più servi, tanti più ha inimici.
Translation: The more servants a master has, the more enemies he has.
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 432.
La Calandria (c. 1507)

“Act I, scene II. — (Fesserio).”

Bernardo Dovizi book La calandria

Non può il vitello, e vuol che porti il hue.
Translation: He cannot manage the calf, and wants to carry the ox.
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 377.
La Calandria (c. 1507)

“Nobody associated with Sahodarakal is really willing to disclose what camera wizardry it was that finally transformed Kamalahasan into a fascinating midget. Some of the dwarf scenes were shot in a circus playing in Cochin by digging a pit with the actor standing knee-deep in it. The shoes were fixed to his knee and the pit was covered with a carpet.”

Kamal Haasan (1954) Indian actor

Ramesh Menon, in “Comeback king (31May 1989)”

Shoe

“Most observers agree that Rainer won her Oscar as the result of her moving and poignant performance in just one, single scene in the picture, the famous telephone scene in which the broken-hearted Held congratulates Ziegfeld over the telephone on his upcoming marriage to Billie Burke while trying to retain her composure and her dignity. During the scene, the camera is entirely focused on Rainer, and she delivers a tour-de-force performance. Seventy years later, it remains one of the most famous scenes in movie history.”

Luise Rainer (1910–2014) German-born Austrian and American film actress

Jon Hopwood
About, Spartacus Schoolnet biography

Marriage , Heart , History

“Subject.... no specific scene but many incidents.”

Arshile Gorky (1904–1948) Armenian-American painter

The first word I spoke was Argula – it has no meaning. I was then five years old. Thus I called this painting 'Argula' as I was entering a new period closer to my instincts.
(Technique..:) Hundreds and hundreds of layers of paint to obtain the weight of reality – Art this period I measured by weight. [mid 1930's]
in his reply to Questionnaires of the MOMA museum, 1941
Gorky's quote refers on his multi-layered painting technique Gorky applied those days
1930 - 1941

“I am in the profession of acting and so to suit the character I sometimes have to indulge in kissing and provocative scenes. I have never felt comfortable shooting for kissing sequences. Although, kissing scenes like the ones in Yuva with Abhishek Bachchan and in Hum Tum with Saif were shot in an aesthetic manner. I am still pretty much uncomfortable performing such scenes.”

Rani Mukerji (1978) Indian film actress

citation needed
The Actress' Take On Films

Kiss

“While the others had got married and moved out to suburbia, I had stayed in London and got into the arts scene through friends like Robert Fraser and Barry Miles and papers like The International Times.”

Paul McCartney (1942) English singer-songwriter and composer

We opened the Indica gallery with John Dunbar, Peter Asher and people like that. I heard about people like John Cage, and that he’d just performed a piece of music called 4’33” (which is completely silent) during which if someone in the audience coughed he would say, ‘See?’ Or someone would boo and he’d say, ‘See? It’s not silence—it’s music.’ I was intrigued by all of that. So these things started to be part of my life. I was listening to Stockhausen; one piece was all little plink-plonks and interesting ideas. Perhaps our audience wouldn’t mind a bit of change, we thought, and anyway, tough if they do! We only ever followed our own noses—most of the time, anyway. ‘Tomorrow Never Knows’ was one example of developing an idea.
The Beatles Anthology (2000), p. 212

Time , Art

“These are times in which a genius would wish to live. It is not in the still calm of life, or in the repose of a pacific station, that great characters are formed. The habits of a vigorous mind are formed in contending with difficulties. Great necessities call out great virtues. When a mind is raised, and animated by the scenes that engage the heart, then those qualities which would otherwise lay dormant, wake into life and form the character of the hero and the statesman.”

Abigail Adams (1744–1818) 2nd First Lady of the United States (1797–1801)

Letter to John Quincy Adams (19 January 1780)

Animals , Life , Time , Heart

“Lazy, and would cost you a morning. I never started a day with Clint Eastwood in the first scene, because you knew he was gonna be late, at least a half hour or an hour.”

Clint Eastwood (1930) actor and director from the United States

Rawhide director Thomas Carr on Eastwood
McGilligan, Patrick (1999). Clint: The Life and Legend. p. 111. London: Harper Collins. ISBN 0006383548.

“Jane Austen is thus a mistress of much deeper emotion than appears upon the surface. She stimulates us to supply what is not there. What she offers is, apparently, a trifle, yet is composed of something that expands in the reader’s mind and endows with the most enduring form of life scenes which are outwardly trivial. Always the stress is laid upon character. How, we are made to wonder, will Emma behave when Lord Osborne and Tom Musgrave make their call at five minutes before three, just as Mary is bringing in the tray and the knife-case? It is an extremely awkward situation. The young men are accustomed to much greater refinement. Emma may prove herself ill-bred, vulgar, a nonentity. The turns and twists of the dialogue keep us on the tenterhooks of suspense. Our attention is half upon the present moment, half upon the future. And when, in the end, Emma behaves in such a way as to vindicate our highest hopes of her, we are moved as if we had been made witnesses of a matter of the highest importance. Here, indeed, in this unfinished and in the main inferior story, are all the elements of Jane Austen’s greatness. It has the permanent quality of literature. Think away the surface animation, the likeness to life, and there remains, to provide a deeper pleasure, an exquisite discrimination of human values.”

Jane Austen (1775–1817) English novelist

Virginia Woolf, The Common Reader (1925)

Future , Hope , Pleasure , Animals

“The struggle for power is universal in time and space and is an undeniable fact of experience. It cannot be denied that throughout historic time, regardless of social, economic and political conditions, states have met each other in contests for power. Even though anthropologists have shown that certain primitive peoples seem to be free from the desire for power, nobody has yet shown how their state of mind can be re-created on a worldwide scale so as to eliminate the struggle for power from the international scene. … International politics, like all politics, is a struggle for power. Whatever the ultimate aims of international politics, power is always the immediate aim.”

Hans Morgenthau book Politics Among Nations

Source: Politics Among Nations (1948), p. 29 (1978 edition)

Universe , Time , People

“The last scene came really, really early, disconnected from even the idea of a woman painter…I wanted to write a love story and I thought, ‘What do I want to tell?’ And that scene came up really, really quickly, alone, by itself. The weird compass of the film was its last scene. That’s a compass, but it’s a high pressure one.”

Céline Sciamma (1978) French director and screenwriter

On her creative process for Portrait of a Lady on Fire in “‘Portrait of a Lady on Fire’ Filmmaker Céline Sciamma Is Trying to Break Your Heart” https://www.indiewire.com/2019/12/portrait-of-a-lady-on-fire-filmmaker-celine-sciamma-interview-1202193537/ in IndieWire (2019 Dec 05)

Idea , Love , Making love

“Born amongst husbandmen, bred to husbandry, delighting in its pursuits even to the minutest details, never having, in all my range through life, lost sight of the English farm-house and of those scenes in which my mind took its first spring, it is natural that I should have a strong partiality for a country life, and that I should enter more in detail into the feelings of labourers in husbandry than into those of other labourers.”

William Cobbett (1763–1835) English pamphleteer, farmer and journalist

‘To Mr. Attwood’, Political Register (5 May 1821), p. 343
1820s

Housing , Country , Strong , Spring

“The achievements of the age, the aspirations of the millions, the readiness to share, the aid agencies, organizations like the United Nations and the various international groupings which, behind the scenes, unite people with people and give a sense of internationalism and co-operation, will be maintained and will grow; they can only flourish in the new situation. But those which stand in the way, those narrow, nationalistic structures based on competition, market forces and greed, will find it impossible to stand against the “onslaught of the new”, the ideas of the new time.”

Benjamin Creme (1922–2016) artist, author, esotericist

The Awakening of Humanity (2008)

Time , People , Way , Age

“[T]he Skeksis will always be horribly memorable. I'm pretty sure the scene where the Chamberlain is attacked and defrocked by his sneering brothers gave me nightmares as a youngster.”

Simon Spurrier (1981) British comic writer

Interview with Syfy Wire

“Eternity! thou pleasing dreadful thought!
Through what variety of untried being,
Through what new scenes and changes must we pass!”

Joseph Addison book Cato

Act V, scene i
Cato, A Tragedy (1713)

Change

“Should I say, that the river (in this place) from shore to shore, and perhaps near half a mile above and below me, appeared to be one solid bank of fish, of various kinds, pushing through this narrow pass of San Juan's into the little lake, on their return down the river, and that the alligators were in such incredible numbers, and so close from shore to shore, that it would have easy to have walked across on their heads, had the animals been harmless? What expressions can sufficiently declare the shocking scene that for some minutes continued, whilst this mighty army of fish were forcing the pass? During this attempt, thousands, I may say hundreds of thousands, of them were caught and swallowed by the devouring alligators. I have seen an alligator take up out of the water several great fish at a time, and just squeeze them betwixt his jaws, while the tails of the great trout flapped about his eyes and lips, ere he had swallowed them. The horrid noise of their closing jaws, their plunging amidst the broken banks of fish, and rising with their prey some feet upright above the water, the floods of water and blood rushing out of their mouths, and the clouds of vapor issuing from their wide nostrils, were truly frightful.”

William Bartram (1739–1823) American naturalist

[Van Doren, Mark, The travels of William Bartram, An American Bookshelf, volume 3, 118–119, 1928, New York, Macy-Masius, https://babel.hathitrust.org/cgi/pt?id=uc1.$b281934&view=1up&seq=124]
Travels of William Bartram (1791)

Time , Animals , Water , Appearance

“When the bands and the Seattle scene started taking off, I had been at it for so long that it felt very natural - it was just 'this is another day in the life'. Not having been through it before, there wasn't the perspective to say,' Oh my God, we're in the eye of the hurricane.'”

Susan Silver (1958) American music manager

It was just, 'This is what we do today. Okay, just one more thing. One more thing to accomplish today'. I guess the part that felt...the only thing that started to feel strange, this could be strange or this could be detrimental to people, was when the press started taking pot shots at people personally. Digging for dirt in the artists' private lives, being exploitative of the artist. That was the hardest part. Suddenly this private world that we had was public. Which was okay, that was exciting, except when the press got...when they looked for sensational avenues to report on. Which there wasn't for a long time. There really wasn't [any]. They had to keep coming back and saying, 'I guess all they know how to do up there is make amazing music'. Which is what continues to happen. The Seattle backlash and highly circulated reports that there was nothing new in Seattle after '93 just keep getting proved wrong again and again. I love that.
Source: Article written by Susan Silver for RIP Magazine, January 1996 http://web.stargate.net/soundgarden/articles/rip_1-96.shtml,

God , Life , Nature

“I tell you again that the recollection of the manner in which I saw the Queen of France in the year 1774 and the contrast between that brilliancy, Splendour, and beauty, with the prostrate Homage of a Nation to her, compared with the abominable Scene of 1789 which I was describing did draw Tears from me and wetted my Paper. These Tears came again into my Eyes almost as often as I lookd at the description. They may again. You do not believe this fact, or that these are my real feelings, but that the whole is affected, or as you express it, 'downright Foppery.'”

Edmund Burke (1729–1797) Anglo-Irish statesman

My friend, I tell you it is truth—and that it is true, and will be true, when you and I are no more, and will exist as long as men—with their Natural feelings exist.
Letter to Philip Francis (20 February 1790), quoted in Alfred Cobban and Robert A. Smith (eds.), The Correspondence of Edmund Burke, Volume VI: July 1789–December 1791 (1967), p. 91
1790s

Feeling , Beauty , Drawing , Tear

“As a writer, I think I’m more an eye than an ear — the world comes mainly in for me at the eye. So I’m glad the visuals came through for you. As I’m writing my books, I really do see them almost literally — I experience scenes almost as an onlooker, watching from the outside.”

Donna Tartt (1963) American writer

Source: On how she uses visualization in her writings in “Interview with Donna Tartt” https://medium.com/@Powells/interview-with-donna-tartt-8d86a2438b41 in Medium (2015 Jul 13)

World , Thinking , Books

“There's so many inside jokes because you spend so much time together. You spend fourteen hours a day together and you're together all the time and you're doing all these strange activities and there's strange scenes and lines so you just kind of end up with these really weird in-jokes that keep you going and give you belly laughs.”

Isabel Durant (1991) Australian actor and dancer

Source: Exclusive | Mako Mermaids | CAST Reunion https://www.youtube.com/watch?v=eDGRc7z7zeA (July 2, 2020)

Time

“Too much you've view'd, too poignantly you've felt,
Too long on human sufferings we've dwelt;
These woful visions shift, but scenes appear,
Which tho' less painful, cause the conscious tear.”

Isaac Gompertz (1774–1856)

"Time", Part IV, pp. 199–200
Time, or Light and Shade (1815)

Suffering , Pain , Appearance , Tear

“My favorite scene is the one I’m shooting at the moment. When people ask me which of my movies is my favorite, I always say, “the next one.””

Kieth Merrill (1940) American filmmaker

Perhaps the same is true of every scene. The next one is perfect. It is finished in my mind without a flaw. Untainted by the reality of time running out, actors forgetting their lines, light dropping fast, wagon stuck in the mud or mismatched piece of clothing that must be found and brought to set.
Kieth Merrill Talks About His Greatest Hits https://latterdaysaintmag.com/article-1-11923/ (December 14, 2012)

People

“You do what you can with what you've got, but you also have to know you're part in the ensemble. If you have no lines, you can't be in the background trying to steal the scene.”

Claudette Mink (1971) Canadian actress

HitFix Interview: 'Harper's Island's' deceased Single Girl and Stepmother speak Amber Borycki and Claudette Mink discuss their recent 'Harper's Island' demise https://web.archive.org/web/20090618163737/http://www.hitfix.com/articles/2009-6-16-hitfix-interview-harper-s-island-s-deceased-single-girl-and-stepmother-speak (June 18, 2009)

Parting

“I drew a lot of scenes [in Preacher] of people vomiting. I'm probably the world's leading expert on drawing vomiting now.”

Steve Dillon (1962–2016) British comic artist

as quoted by Matt Adler, Comic Book Resources, "WWPhilly: Garth Ennis & Steve Dillon" https://www.cbr.com/wwphilly-garth-ennis-steve-dillon/ (22 June 2009)
Miscellaneous Quotes

Drawing , People , World

“Well, I don’t ever plan anything in my books. Since I don’t outline, I tend to just go wherever my imagination leads me and where I feel excited to write about. I tend to write scenes that I would want to read.”

Jenny Han (1980) American writer

As quoted in "To All the Boys I’ve Loved Before author Jenny Han on watching her book become a phenomenon" in Vox (4 June 2019) https://www.vox.com/culture/2019/6/4/18648808/to-all-the-boys-ive-loved-before-jenny-han-interview

Imagination , Books , Reading , Feeling

“It was one long scene of unrelieved misery; not the sort of thing a man of his position should ever be subjected to. One knew that these things happened in war, of course; they were regrettable but necessary. But one preferred not to experience them at first hand.”

Margaret Ball (1515–1584) Lady Mayoress of Dublic and Catholic martyr

Source: Lost in Translation (1995), Chapter 11 (p. 201)

War

“We press the enemy backward with memories, with the power of history, with scenes of sense and order.”

Jack Cady (1932–2004) American writer

Source: Kilroy Was Here (1996), p. 158

History , Memory , Sense

“I never liked horses, but after this scene, I hate them. I hate them, they are nasty animals, and I hate cows. Cows are evil. Cows are absolutely evil, I tell you. They look, like, inoffensive, but they're perverted creatures, and so are horses, they are absolutely evil motherfuckers.”

Guillermo del Toro (1964) Mexican film director

Pan's Labyrinth DVD director's commentary

Hate , Animals , Horse , Evil

“Luena, the scene of frequent military operations, was not a good place to live. But for me, it was the best environment to encounter God in mission, in communion with a new people who immediately adopted me as one of their family.”

Jesús Tirso Blanco (1957–2022) Argentinian bishop

Interview with the Salesian Bulletin https://www.infoans.org/en/sections/news/item/14769-italy-archbishop-tirso-blanco-sdb-reaches-the-garden-of-heaven (2015)

God , People , Family

“There is power in being open and honest about your "behind-the-scenes." In showing others that sometimes it's okay not to be okay. Because those moments are all a part of a longer, and larger, process of becoming who we are.”

Michelle Wu (1985) City Councilor in Boston, Massachusetts

26 May 2022 "2022 Commencement" in BHCCBoston https://www.youtube.com/watch?v=XmUxxL_gFGw&t=4274s

Parting

“The triviality of the current scene usually put her off, but now she supposed that the politics of the moment always looked petty and stupid; only later did it take on the look of respectable statecraft, of immutable History.”

Kim Stanley Robinson (1952) American science fiction writer

Source: Blue Mars (1996), Chapter 12, “It Goes So Fast” (p. 563)

History , Stupidity

“Humility is the most complicated part to play. Be wary of imitations: sooner or later, time simply reveals who must leave the scene.”

Prevale (1983) Italian DJ and producer

Original: L'umiltà è la parte più complicata da recitare. Diffidate delle imitazioni: prima o poi, il tempo rivela semplicemente chi deve uscire di scena.
Source: prevale.net

Time , Parting

Quotes about scene page 8

Quotes about scene
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