Quotes about realm
page 4

Wassily Kandinsky photo

“[ Schoenberg's ] music leads us into a realm where musical experience is a matter not of the ear but of the soul alone, and at this point the music of the future begins.”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Kandinsky, 1911; in Concerning the Spiritual in Art, transl. Michael T. Sadler (1914); reprint. New York: Dover, 1977), p. 17
1910 - 1915

Helen Diner photo
Karl Freund photo
John Gray photo
Lewis Mumford photo
Paramahansa Yogananda photo

“Not an unconscious state
Or mental chloroform without wilful return,
Samadhi but extends my realm of consciousness
Beyond the limits of my mortal frame
To the boundaries of eternity,
Where I, the Cosmic Sea,
Watch the little ego floating in Me.”

Paramahansa Yogananda (1893–1952) Yogi, a guru of Kriya Yoga and founder of Self-Realization Fellowship

Songs of the Soul by Paramahansa Yogananda, Quotes drawn from the poem "Samadhi"

Theo van Doesburg photo
Vanna Bonta photo
Marsden Hartley photo
Ervin László photo
William Cecil, 1st Baron Burghley photo
Gillian Anderson photo

“I've always been a believer. I've been a believer in many different realms of alternate reality, the human capacity to move out of different planes of reality. It's something that has been with me since I was a child.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

Time Inc. "8 Questions With Gillian Anderson" http://time.com/4153871/gillian-anderson-questions/ (December 21, 2015)
2010s

“Infernal Gods, who rule the Shades below,
Chaos and Phlegethon, ye Realms of Woe,
Grant what I've heard I may to light expose,
Secrets which Earth, and Night, and Hell inclose.”

Richard Maitland, 4th Earl of Lauderdale (1653–1695) Scottish Jacobite politician

The Works of Virgil, Translated Into English Verse (1709), Aeneid, Book VI, lines 328–331, p. 210

Anthony Kennedy photo

“The respondents in this case insist that a difficult question of public policy must be taken from the reach of the voters, and thus removed from the realm of public discussion, dialogue, and debate in an election campaign. Quite in addition to the serious First Amendment implications of that position with respect to any particular election, it is inconsistent with the underlying premises of a responsible, functioning democracy. One of those premises is that a democracy has the capacity—and the duty—to learn from its past mistakes; to discover and confront persisting biases; and by respectful, rationale deliberation to rise above those flaws and injustices. That process is impeded, not advanced, by court decrees based on the proposition that the public cannot have the requisite repose to discuss certain issues. It is demeaning to the democratic process to presume that the voters are not capable of deciding an issue of this sensitivity on decent and rational grounds. The process of public discourse and political debate should not be foreclosed even if there is a risk that during a public campaign there will be those, on both sides, who seek to use racial division and discord to their own political advantage. An informed public can, and must, rise above this. The idea of democracy is that it can, and must, mature. Freedom embraces the right, indeed the duty, to engage in a rational, civic discourse in order to determine how best to form a consensus to shape the destiny of the Nation and its people.”

Anthony Kennedy (1936) Associate Justice of the Supreme Court of the United States

Schuette v. Coalition to Defend Affirmative Action, 572 U. S. ____, (2016), plurality opinion.

Newton Lee photo
Stanley Baldwin photo
Jagadish Chandra Bose photo
Bill Gates photo
John Lancaster Spalding photo
Denis Diderot photo
Šantidéva photo

“Those who injure me are really impelled by my actions.
For this they will go to the realms of hell.
Surely it is they who are harmed by me?”

Šantidéva (685–763) 8th-century Indian Buddhist monk and scholar

Bodhicaryavatara

W. H. Auden photo
Lisa Randall photo
Ray Kurzweil photo
Torquato Tasso photo

“Such death makes happier end
than conquests of huge realms or infinite gold.”

Torquato Tasso (1544–1595) Italian poet

Felice e cotal morte e scempio,
Via più ch' acquisto di province e d'oro.
Canto VIII, stanza 44 (tr. Wickert)
Gerusalemme Liberata (1581)

“It is time for students of the evolutionary process, especially those who have been misquoted and used by the creationists, to state clearly that evolution is a fact, not theory, and that what is at issue within biology are questions of details of the process and the relative importance of different mechanisms of evolution. It is a fact that the earth, with liquid water, is more than 3.6 billion years old. It is a fact that cellular life has been around for at least half of that period and that organized multicellular life is at least 800 million years old. It is a fact that major life forms now on earth were not at all represented in the past. There were no birds or mammals 250 million years ago. It is a fact that major life forms of the past are no longer living. There used to be dinosaurs and Pithecanthropus, and there are none now. It is a fact that all living forms come from previous living forms. Therefore, all present forms of life arose from ancestral forms that were different. Birds arose from nonbirds and humans from nonhumans. No person who pretends to any understanding of the natural world can deny these facts any more than she or he can deny that the earth is round, rotates on its axis, and revolves around the sun. The controversies about evolution lie in the realm of the relative importance of various forces in molding evolution.”

Richard C. Lewontin (1929) American evolutionary biologist

" Evolution/Creation Debate: A Time for Truth http://bioscience.oxfordjournals.org/content/31/8/local/ed-board.pdf", BioScience volume 31 (1981), p. 559; Reprinted in J. Peter Zetterberg, editor, Evolution versus Creationism, Oryx Press, Phoenix, Arizona, 1983.

Max Wertheimer photo
Donald Barthelme photo
Norbert Wiener photo
Herbert Marcuse photo
Herbert Marcuse photo
Thomas Cromwell, 1st Earl of Essex photo
Carl Schmitt photo
L. Ron Hubbard photo
Thomas Gray photo
Pete Doherty photo
Marsden Hartley photo
Andrew Sullivan photo

“They reach the realms of tranquil bliss.
Green spaces folded in with trees,
A paradise of pleasances.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book VI, p. 215

Frank Wilczek photo
Camille Paglia photo
Felix Adler photo
Albert Einstein photo

“As an eminent pioneer in the realm of high frequency currents… I congratulate you on the great successes of your life's work.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Einstein's letter http://www.teslasociety.com/einsteinletter.jpg to Nikola Tesla for Tesla's 75th birthday (1931)
1930s

William Ewart Gladstone photo
Wonhyo photo
Kenneth Minogue photo
Wilhelm Liebknecht photo

“All who are weary and heavy laden; all who suffer under injustice; all who suffer from the outrages of the existing bourgeois society; all who have in them the feeling of the worth of humanity, look to us, turn hopefully to us, as the only party that can bring rescue and deliverance. And if we, the opponents of this unjust world of violence, suddenly reach out the hand of brotherhood to it, conclude alliances with its representatives, invite our comrades to go hand in hand with the enemy whose misdeeds have driven the masses into our camp, what confusion must result in their minds! … It must be that for the hundreds and thousands, for the millions that have sought salvation under our banner, it was all a colossal mistake for them to come to us. If we are not different from the others, then we are not the right ones – the Savior is yet to come; and the Social Democracy was a false Messiah, no better than the other false ones! Just in this fact lies our strength, that we are not like the others, and that we are not only not like the others, and that we are not simply different from the others, but that we are their deadly enemy, who have sworn to storm and demolish the Bastile of Capitalism, whose defenders all those others are. Therefore we are only strong when we are alone. This is not to say that we are to individualise or to isolate ourselves. We have never lacked for company, and we never shall so long as the fight lasts. On the essentially true but literally false phrase about a “single reactionary mass,” the Social Democracy has never believed since it passed from the realm of theory to that of practice. We know that the individual members and divisions of the “single reactionary mass” are in conflict with each other, and we have always used these conflicts for our purposes. We have used opponents against opponents, but have never allowed them to use us.”

Wilhelm Liebknecht (1826–1900) German socialist politician

No Compromise – No Political Trading (1899)

Antonio Negri photo
Jimmy Carter photo

“The government and the church are two different realms of service, and those in political office have to face a subtle but important difference between the implementation of the high ideals of religious faith and public duty.”

Jimmy Carter (1924) American politician, 39th president of the United States (in office from 1977 to 1981)

Pages 57-58
Post-Presidency, Our Endangered Values (2005)

Amir Taheri photo

“From 1860 to 1977, a string of Afghan monarchs imposed effective rule throughout their realm. But the monarchy was never absolute, if only because the loya jigrah, a high assembly of tribal and religious leaders, would restrain a despotic king or help a weak one.”

Amir Taheri (1942) Iranian journalist

"Myths of our Afghanistan debate" http://nypost.com/2009/10/15/myths-of-our-afghanistan-debate/, New York Post (October 15, 2009).
New York Post

Max Stirner photo
Lotfi A. Zadeh photo

“It was a biologist — Ludwig von Bertalanffy — who long ago perceived the essential unity of system concepts and techniques in the various fields of science and who in writings and lectures sought to attain recognition for “general systems theory” as a distinct scientific discipline. It is pertinent to note, however, that the work of Bertalannfy and his school, being motivated primarily by problems arising in the study of biological systems, is much more empirical and qualitative in spirit than the work of those system theorists who received their training in exact sciences.
In fact, there is a fairly wide gap between what might be regarded as “animate” system theorists and “inanimate” system theorists at the present time, and it is not at all certain that this gap will be narrowed, much less closed, in the near future.
There are some who feel this gap reflects the fundamental inadequacy of the conventional mathematics—the mathematics of precisely defined points, functions, sets, probability measures, etc.—for coping with the analysis of biological systems, and that to deal effectively with such systems, we need a radically different kind of mathematics, the mathematics of fuzzy or cloudy quantities which are not describable in terms of probability distributions. Indeed the need for such mathematics is becoming increasingly apparent even in the realms of inanimate systems”

Lotfi A. Zadeh (1921–2017) Electrical engineer and computer scientist

Zadeh (1962) "From circuit theory to system theory", Proceedings I.R.E., 1962, 50, 856-865. cited in: Brian R. Gaines (1979) " General systems research: quo vadis? http://pages.cpsc.ucalgary.ca/~gaines/reports/SYS/GS79/GS79.pdf", General Systems, Vol. 24 (1979), p. 12
1960s

Aron Ra photo

“The original 1954 Japanese film, Gojira was iconic, and only made a couple mistakes of any significance. (1)They killed him in the end, and we saw his body turned to skeleton. Not the best way to begin 60 years worth of sequels. (2) Godzilla was depicted as a dinosaur, and was associated with living trilobites. Even if there was some sort of ‘realm that time forgot’ out in the Pacific somewhere, Trilobites were already extinct before the first dinosaurs, and Godzilla was clearly no dinosaur. The conceptual artists reportedly referenced illustrations of dinosaurs, but that’s not what they rendered. All bi-pedal dinosaurs [Therapods] were digigrade, walking on their toes, like birds, and usually only three or four digits. Godzilla was plantigrade and pentadactyle, (having five digits and walking on the whole foot) just like lizards. It even looks like a lizard, apart from the fact that no reptile has an actual nose or external ears. In a sense, what Toho pictures created was actually an oriental dragon. These tend to mix reptilian and mammalian traits. Amusingly in 1954, Toho made a giant lizard and called it a dinosaur. In 1998, Tristar re-designed Godzilla as a dinosaur, but called it a lizard. Of course that wasn’t the only thing Tristar did wrong. They tried to ruin the monster completely. They took away the only thing that worked in decades of sequels, the look of the monster itself. Then they took away everything that made Godzilla appealing to Kaiju fans, then they tied it down and shot it. Such disrespect. If you’re going to make a movie that already has a fan-base, and they are the ones who will decide whether your film will pay off, respect those fans and the story they’re paying to see.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Colin Wilson photo
Clarence Thomas photo
Bernard Harcourt photo
H. G. Wells photo
Carl Menger photo
Nadine Gordimer photo
David Lloyd George photo
Samuel Taylor Coleridge photo
Heinrich Heine photo
Richard Huelsenbeck photo

“The dissection of words into sounds is contrary to the purpose of language and applies musical principles to an independent realm whose symbolism is aimed at a logical comprehension of one’s environment.... the value of language depends on comprehensibility rather than musicality”

Richard Huelsenbeck (1892–1974) German poet

as quoted in The Sound of Poetry / The poetry of Sound, ed. Marjorie Perloff & Craig Dworkin; University of Chicago Press, 2009, p. 310, note 22
a critic on the sound-poetry of Dadaist Hugo Ball

Ervin László photo

“In the penultimate decade of the twentieth century science is sufficiently advanced to resolve the puzzles that stymied scientists in the last century and demonstrate, without metaphysical speculation, the consistency of evolution in all realms of experience. It is now possible to advance a general evolution theory based on unitary and mutually consistent concepts derived from the empirical sciences.”

Ervin László (1932) Hungarian musician and philosopher

Source: Evolution: the general theory (1996), p. 21 as cited in: Kingsley L. Dennis (2003) An evolutionary paradigm of social systems : An Application of Ervin Laszlo's General. Evolutionary Systems Theory to the Internet http://quigley.mab.ms/wp-content/uploads/2012/01/An-Evolutionary-Paradigm-of-Social-Systems-MA-Thesis.pdf.

Steven Heighton photo
Otto Pfleiderer photo

“In the integrated relational model presented here, sexuality and relational issues are not seen as alternative foci. Rather, sexuality is regarded as a central realm in which relational conflicts are shaped and played out.”

Stephen Mitchell (1946–2000) American psychologist

Relational Concepts in Psychoanalysis (Cambridge, Massachusetts: Harvard University Press, 1988), p. 66

Pope Benedict XVI photo
Jerry Coyne photo
Leo Tolstoy photo
Oliver Goldsmith photo
Robert Silverberg photo
Henry Suso photo
Francis Beaumont photo

“Mortality, behold and fear!
What a change of flesh is here!
Think how many royal bones
Sleep within this heap of stones:
Here they lie, had realms and lands,
Who now want strength to stir their hands”

Francis Beaumont (1584–1616) British dramatist

On the Tombs in Westminster Abbey http://www.englishverse.com/poems/on_the_tombs_in_westminster_abbey

Silius Italicus photo

“When Hannibal's eyes were sated with the picture of all that valour, he saw next a marvellous sight—the sea suddenly flung upon the land with the mass of the rising deep, and no encircling shores, and the fields inundated by the invading waters. For, where Nereus rolls forth from his blue caverns and churns up the waters of Neptune from the bottom, the sea rushes forward in flood, and Ocean, opening his hidden springs, rushes on with furious waves. Then the water, as if stirred to the depths by the fierce trident, strives to cover the land with the swollen sea. But soon the water turns and glides back with ebbing tide; and then the ships, robbed of the sea, are stranded, and the sailors, lying on their benches, await the waters' return. It is the Moon that stirs this realm of wandering Cymothoe and troubles the deep; the Moon, driving her chariot through the sky, draws the sea this way and that, and Tethys follows with ebb and flow.”
Postquam oculos varia implevit virtutis imago, mira dehinc cernit: surgentis mole profundi injectum terris subitum mare nullaque circa litora et infuso stagnantis aequore campos. nam qua caeruleis Nereus evoluitur antris atque imo freta contorquet Neptunia fundo, proruptum exundat pelagus, caecosque relaxans Oceanus fontis torrentibus ingruit undis. tum uada, ceu saevo penitus permota tridenti, luctantur terris tumefactum imponere pontum. mox remeat gurges tractoque relabitur aestu, ac ratis erepto campis deserta profundo, et fusi transtris expectant aequora nautae. Cymothoes ea regna vagae pelagique labores Luna mouet, Luna, immissis per caerula bigis, fertque refertque fretum, sequiturque reciproca Tethys.

Postquam oculos varia implevit virtutis imago,
mira dehinc cernit: surgentis mole profundi
injectum terris subitum mare nullaque circa
litora et infuso stagnantis aequore campos.
nam qua caeruleis Nereus evoluitur antris
atque imo freta contorquet Neptunia fundo,
proruptum exundat pelagus, caecosque relaxans
Oceanus fontis torrentibus ingruit undis.
tum uada, ceu saevo penitus permota tridenti,
luctantur terris tumefactum imponere pontum.
mox remeat gurges tractoque relabitur aestu,
ac ratis erepto campis deserta profundo,
et fusi transtris expectant aequora nautae.
Cymothoes ea regna vagae pelagique labores
Luna mouet, Luna, immissis per caerula bigis,
fertque refertque fretum, sequiturque reciproca Tethys.
Book III, lines 45–60
Punica

Honoré de Balzac photo

“To those who have exhausted statecraft, nothing remains but the realm of pure thought.”

Honoré de Balzac (1799–1850) French writer

A ceux qui ont épuisé la politique, il ne reste plus que la pensée pure.
Source: About Catherine de' Medici (1842), Part II: The Ruggieri's Secret, Ch. V: The Alchemists.

Sarah Bakewell photo
Herbert Marcuse photo
Marino Marini photo
W. Somerset Maugham photo
Florbela Espanca photo

“To be a poet is to be taller, to be bigger
Than men! It is to bite as if you’re kissing!
It is to give alms, although you are a beggar like
King of the Realm where only pain is missing!It is to have a thousand desires for splendor
And do not even know what we want!
It is to have inside yourself a flaming star,
It is to have the condor’s mighty claw and wing!It is to be hungry, to be thirsty of Infinity!
By helmet, golden and satin mornings…
It is to condense the world into one lonely cry!And it is loving you, thus, hopelessly…
And it is you being soul, and blood, and life in me
And tell it singing to everyone!”

Florbela Espanca (1894–1930) Portuguese poet

Ser poeta é ser mais alto, é ser maior
Do que os homens! Morder como quem beija!
É ser mendigo e dar como quem seja
Rei do Reino de Áquem e de Além Dor!<p>É ter de mil desejos o esplendor
E não saber sequer que se deseja!
É ter cá dentro um astro que flameja,
É ter garras e asas de condor!<p>É ter fome, é ter sede de Infinito!
Por elmo, as manhas de oiro e de cetim...
É condensar o mundo num só grito!<p>E é amar-te, assim, perdidamente...
É seres alma, e sangue, e vida em mim
E dizê-lo cantando a toda a gente!
Quoted in Citações e Pensamentos de Florbela Espanca (2012), p. 163
Translated http://emocaoeeuforia.wordpress.com/2012/12/10/beautiful-flower-flor-bela/ by Isabel Teles
The Flowering Heath (1931), "Perdidamente"

Paul Klee photo
Ralph Vary Chamberlin photo