Hay un concepto que es el corruptor y el desatinador de los otros. No hablo del mal cuyo limitado imperio es la ética; hablo del infinito.
"Avatars of the Tortoise"
Variant translations:
One concept corrupts and confuses the others. I am not speaking of the Evil whose limited sphere is ethics; I am speaking of the infinite.
There is a concept that is the corruptor and dazzler of others. I'm not talking about the evil whose limited empire is the ethic; I'm talking about infinity.
There is a concept that is the corrupter and destroyer of all others. I speak not of Evil, whose limited empire is that of ethics; I speak of the infinite.
Discussion (1932)
Quotes about realm
page 5
Source: Talking Science: Language, Learning, and Values. 1990, p. 133-134, as cited in: Mary U. Hanrahan, "Applying CDA to the analysis of productive hybrid discourses in science classrooms." (2002).
“The laws of the realm do admit nothing against the law of God.”
Colt v. Glover (1614), Lord Hobart's Rep. 149.
'Search for the Real in the Visual Arts', p. 45
Search for the Real and Other Essays (1948)
Rex v. Rusby (1800), Peake's N. P. Cases, 193.
“How many realms since Troy have been o'erthrown?
How many nations captive led? How oft
Has Fortune up and down throughout the world
Changed slavery for dominion?”
Quot post excidium Trojae sunt eruta regna?
Quot capti populi? quoties Fortuna per orbem
Servitium imperiumque tulit, varieque revertit?
Book I, line 506, as reported in Dictionary of Quotations (classical) (1897) by T. B. Harbottle, p. 248.
Astronomica
The French Revolution (Nelson Modern History) p. 17 (Melbourne, 2016)
Source: Books, Spiritual Warrior, Volume I: Uncovering Spiritual Truths in Psychic Phenomena (Hari-Nama Press, 1996), Chapter 1: Dreams: A State of Reality, p. 21
"Radical Activism and the Future of Animal Rights", in Pacific Standard (3 July 2013) https://psmag.com/social-justice/radical-activism-and-the-future-of-animal-rights-61789.
Source: Thanatopsis (1817–1821), l. 73. Note: The edition of 1821 read, "The innumerable caravan that moves / To the pale realms of shade, where each shall take".
As quoted in The Faith of Scientists : In Their Own Words (2008) by Nancy K. Frankenberry, p. 491
"Science as a Vocation" (1917)
October 21 (pp. 138-139)
A Night in the Lonesome October (1993)
Source: 1980s and later, The Fatal Conceit: The Errors of Socialism (1988), p.102
The Kasîdah of Hâjî Abdû El-Yezdî (1870)
The third is, that as new and as gladdening as it is received in that time, right so shall it last without end.
The Sixth Revelation, Chapter 14
Book 2, Chapter 9 (p. 613)
The Dragon in the Sword (1986)
“Man is the nobler growth our realms supply,
And souls are ripened in our northern sky.”
The Invitation.
Bartlett's Familiar Quotations, 10th ed. (1919)
“The Power of the Word,” p. 37.
Language is Sermonic (1970)
Broken Lights Letters 1951-59.
Speech to the Agricultural Association at Romsey, quoted in "Lord Palmerston At Romsey," The Times (16 December 1864), p. 12.
1860s
Tarikh-i-Salim Shahi, p. 16. quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 5
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 79.
The Lords and the New Creatures: Poems (1969), The Lords: Notes on Vision
Source: Number and Time (1974), p. .52
Dweller on the Threshold.
Song lyrics, Beautiful Vision (1982)
Source: Karen Ilse Horn (ed.) Roads to Wisdom, Conversations With Ten Nobel Laureates in Economics (2009)
4 Burr. Part IV., 2368.
Dissenting in Millar v Taylor (1769)
“A woman cannot be a pastor by the law of God. I say more, it is against the law of the realm.”
Colt and another v. Bishop of Coventry and Lichfield (1612), Hob. Rep. 148.
Interview on matthewsplace.com (October 2009) http://www.matthewsplace.com/2009/10/interview-with-jennifer-beals/.
c. 1960, in France
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 153
Chap XXV.
The Present Conflict of Ideals: A Study of the Philosophical Background of the World War (1918)
Quote in his letter to Gabriele Münter, September 4, 1916; as cited in Hans K. Rothel and Jean K. Benjamin, Kandinsky: Catalogue Raisonné of the Oil Paintings, Volume Two, 1916–1944; Cornell University Press, Ithaca, N.Y, 1984, p. 580
1916 -1920
A Tract on Monetary Reform (1923), Ch. 2 : Public Finance and Changes in the Value of Money
Source: Titus Alone (1959), Chapter 18 (p. 831)
“Life without prejudice,” p. 6.
Life Without Prejudice (1965)
“To be in touch with senses and emotions beyond conquest is to enter the realm of the mysterious.”
Source: Outlaw Culture: Resisting Representations (2006), Chapter 2, Altars of Sacrifice
Speech to Parliament (11 May 1532), as quoted in Hall's Chronicle (1809), edited by Sir Henry Ellis, p. 788
Well-beloved subjects! we thought that the clergy of our realm had been our subjects wholly, but now, we have well perceived that they be but half our subjects; yea, and scarce our subjects, for all the prelates, at their consecration, take an oath to the Pope clean contrary to the oath they make to us, so that they seem to be his subjects and not ours.
Source: As quoted in English Constitutional History from the Teutonic Conquest to the Present Time (1905) by Thomas Pitt Taswell-Langmead, p. 332
1860s, Our Composite Nationality (1869)
So dürfte von einem unvergeßlichen Leben oder Augenblick gesprochen werden, auch wenn alle Menschen sie vergessen hätten. Wenn nämlich deren Wesen es forderte, nicht vergessen zu werden, so würde jenes Prädikat nichts Falsches, sondern nur eine Forderung, der Menschen nicht entsprechen, und zugleich auch wohl den Verweis auf einen Bereich enthalten, in dem ihr entsprochen wäre: auf ein Gedenken Gottes.
The Task of the Translator (1920)
For My Legionaries: The Iron Guard (1936), The Legion
Source: The Income Tax: Root of All Evil (1954), p. 12
Teaching The Fa at The Conference in Europe http://www.falundafa.org/book/eng/lectures/19980530L.html
Source: Leisure, the Basis of Culture (1948), The Philosophical Act, pp. 68–69
The Aquinas quote cited — "The reason why the philosopher can be compared to the poet is that both are concerned with wonder" — is the epigraph of "The Philosophical Act".
Speech to The Lions' Club, Brussels (24 January 1972), from The Common Market: Renegotiate or Come Out (Elliot Right Way Books, 1973), pp. 49-50
1970s
Interview remarks published in Empire, from interviews conducted in November 2007.
[Dan Jolin, Fear Has a Face, http://www.empireonline.com/magazine/covers/image.asp?id=24227&gallery=1365&caption=%23223%20%28January%202008%29, Empire, 223, January, 2008, 87–88, Bauer Verlagsgruppe, 2008-07-08]
[Dan Jolin, The Dark Knight, http://www.empireonline.com/magazine/covers/image.asp?id=27819&gallery=1365&caption=%23229+%28July+2008%29, Empire, 229, July, 2008, 92–100, Bauer Verlagsgruppe, 2008-08-18]
[Olly Richards, World Exclusive: The Joker Speaks: He's a Cold-blooded Mass-murdering Clown, http://www.empireonline.com/news/story.asp?nid=21560, Empire, Web, Bauer Verlagsgruppe, November 28, 2007, 2008-08-18]
(p. 267)
The Ape that Kicked the Hornet's Nest (2013)
Scotland in the World Forum (February 4, 2008), Church of Scotland (May 25, 2009)
The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Æneis
1981 - 2008
Source: 'Colour Chart I', interview with Christoph Grunenberg, 1 May 2009; 'Sixty years at full intensity', Tate 2009
John Knox Off Edinburgh the 20. Day of Juli. 1559 http://biblehub.com/library/knox/the_first_blast_of_the_trumpet/20_july_1559_john_knoxs.htm
2010s, 2015, Speech on (20 July 2015)
"12th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=2TkY7HrJOhc Youtube (April 19, 2008)
Youtube, Foundational Falsehoods of Creationism
?
Books, Reflections on Sacred Teachings, Volume II: Madhurya Kadambini (Hari-Nama Press, 2003)
“Roll on, thou ball, roll on
Through pathless realms of space,
Roll on!”
To the Terrestrial Globe.
Bartlett's Familiar Quotations, 10th ed. (1919)
Ideal Family and Ideal World http://www.unification.net/1982/820606.html (1982-06-06)
(April 2017)[citation needed]
Guan Yin Citta Dharma Door
still held.
Spectrum: From Right to Left in the World of Ideas (2005), Ch. 7. "Arms and Rights, The Adjustable Centre" (1998)
Source: Leisure, the Basis of Culture (1948), The Philosophical Act, p. 109
Anti-Dühring http://www.marxists.org/archive/marx/works/subject/quotes/index.htm (1878)
“Nothing matters at all. Survival is the coin of the realm. Time is a river with banks.”
Source: Corridors (1982), p. 144 in The Nebula Awards 18 edited by Robert Silverberg
Sri Isopanisad - Mantra Two
Books, Reflections on Sacred Teachings, Volume IV: Sri Isopanisad (Hari-Nama Press, )
“The pure air
is cleansed of lingering lees
And mysteriously,
Heaven's realms are high.”
Written on the Ninth Day of the Ninth Month of the Year yi-yu (A.D. 409)
Translated by William Acker
Context: Slowly, slowly,
the autumn draws to its close.
Cruelly cold
the wind congeals the dew.
Vines and grasses
will not be green again—
The trees in my garden
are withering forlorn.
The pure air
is cleansed of lingering lees
And mysteriously,
Heaven's realms are high.
Nothing is left
of the spent cicada's song,
A flock of geese
goes crying down the sky.
The myriad transformations
unravel one another
And human life
how should it not be hard?
From ancient times
there was none but had to die,
Remembering this
scorches my very heart.
What is there I can do
to assuage this mood?
Only enjoy myself
drinking my unstrained wine.
I do not know
about a thousand years,
Rather let me make
this morning last forever.
“Follow me on a journey into heaven and hell,
past angels and devils, into the realm of dreams.”
The Silence of Trees (2010)
Context: Follow me on a journey into heaven and hell,
past angels and devils, into the realm of dreams.
That is where our souls go when we sleep,
to meet up with our soul mate, to love without abandon,
without regret. For in the morning we must return
to life and all its painful illusions.
Source: Against Interpretation and Other Essays (1966), p. 6
Context: Interpretation is not (as most people assume) an absolute value, a gesture of mind situated in some timeless realm of capabilities. Interpretation must itself be evaluated, within a historical view of human consciousness. In some cultural contexts, interpretation is a liberating act. It is a means of revising, of transvaluing, of escaping the dead past. In other cultural contexts, it is reactionary, impertinent, cowardly, stifling.
The New Divinity (1964)
Context: The entire cosmos is made out of one and the same world-stuff, operated by the same energy as we ourselves. "Mind" and "matter" appears as two aspects of our unitary mind-bodies. There is no separate supernatural realm: all phenomena are part of one natural process of evolution. There is no basic cleavage between science and religion; they are both organs of evolving humanity.
The Earth Speaks to Bryan (1925), p. 5; written in response to the Scopes Trial, where Bryan spoke against the theory of evolution. They had previously been engaged in the controversy about the theory for several years. The title refers to a Biblical verse from the Book of Job (12:8), “Speak to the earth and it shall teach thee.”
Context: The Earth Speaks, clearly, distinctly, and, in many of the realms of Nature, loudly, to William Jennings Bryan, but he fails to hear a single sound. The earth speaks from the remotest periods in its wonderful life history in the Archaeozoic Age, when it reveals only a few tissues of its primitive plants. Fifty million years ago it begins to speak as “the waters bring forth abundantly the moving creatures that hath life.” In successive eons of time the various kinds of animals leave their remains in the rocks which compose the deeper layers of the earth, and when the rocks are laid bare by wind, frost, and storm we find wondrous lines of ascent invariably following the principles of creative evolution, whereby the simpler and more lowly forms always precede the higher and more specialized forms.
The earth speaks not of a succession of distinct creations but of a continuous ascent, in which, as the millions of years roll by, increasing perfection of structure and beauty of form are found; out of the water-breathing fish arises the air-breathing amphibian; out of the land-living amphibian arises the land-living, air-breathing reptile, these two kinds of creeping things resembling each other closely. The earth speaks loudly and clearly of the ascent of the bird from one kind of reptile and of the mammal from another kind of reptile.
This is not perhaps the way Bryan would have made the animals, but this is the way God made them!
Review of Magnolia (1999), in review for Great Movies (27 November 2008) http://www.rogerebert.com/reviews/great-movie-magnolia-1999
Reviews, Four star reviews
Context: Magnolia is a film of sadness and loss, of lifelong bitterness, of children harmed and adults destroying themselves. As the narrator tells us near the end, "We may be through with the past, but the past is never through with us." In this wreckage of lifetimes, there are two figures, a policeman and a nurse, who do what they can to offer help, hope and love. … The central theme is cruelty to children, and its lasting effect. This is closely linked to a loathing or fear of behaving as we are told, or think, that we should. … As an act of filmmaking, it draws us in and doesn't let go. It begins deceptively, with a little documentary about amazing coincidences (including the scuba diver scooped by a fire-fighting plane and dumped on a forest fire) … coincidences and strange events do happen, and they are as real as everything else. If you could stand back far enough, in fact, everything would be revealed as a coincidence. What we call "coincidences" are limited to the ones we happen to notice. … In one beautiful sequence, Anderson cuts between most of the major characters all simultaneously singing https://www.youtube.com/watch?v=aNmKghTvj0E Aimee Mann's "It's Not Going to Stop." A directorial flourish? You know what? I think it's a coincidence. Unlike many other "hypertext movies" with interlinking plots, Magnolia seems to be using the device in a deeper, more philosophical way. Anderson sees these people joined at a level below any possible knowledge, down where fate and destiny lie. They have been joined by their actions and their choices.
And all leads to the remarkable, famous, sequence near the film's end when it rains frogs. Yes. Countless frogs, still alive, all over Los Angeles, falling from the sky. That this device has sometimes been joked about puzzles me. I find it a way to elevate the whole story into a larger realm of inexplicable but real behavior. We need something beyond the human to add another dimension. Frogs have rained from the sky eight times this century, but never mind the facts. Attend instead to Exodus 8:2, which is cited on a placard in the film: "And if thou refuse to let them go, behold, I will smite your whole territory with frogs." Let who go? In this case, I believe, it refers not to people, but to fears, shames, sins.
Magnolia is one of those rare films that works in two entirely different ways. In one sense, it tells absorbing stories, filled with detail, told with precision and not a little humor. On another sense, it is a parable. The message of the parable, as with all good parables, is expressed not in words but in emotions. After we have felt the pain of these people, and felt the love of the policeman and the nurse, we have been taught something intangible, but necessary to know.
Japan, the Beautiful and Myself (1969)
Context: The Zen disciple sits for long hours silent and motionless, with his eyes closed. Presently he enters a state of impassivity, free from all ideas and all thoughts. He departs from the self and enters the realm of nothingness. This is not the nothingness or the emptiness of the West. It is rather the reverse, a universe of the spirit in which everything communicates freely with everything, transcending bounds, limitless. There are of course masters of Zen, and the disciple is brought toward enlightenment by exchanging questions and answers with his master, and he studies the scriptures. The disciple must, however, always be lord of his own thoughts, and must attain enlightenment through his own efforts. And the emphasis is less upon reason and argument than upon intuition, immediate feeling. Enlightenment comes not from teaching but through the eye awakened inwardly. Truth is in "the discarding of words", it lies "outside words". And so we have the extreme of "silence like thunder", in the Vimalakirti Nirdesa Sutra.
“That which is and that which cannot be are both outside the realm of becoming.”
Source: Gravity and Grace (1947), p. 154 (1972 edition)
Context: We must wish either for that which actually exists or for that which cannot in any way exist — or, still better, for both. That which is and that which cannot be are both outside the realm of becoming.
Lecture XX, "Conclusions"
1900s, The Varieties of Religious Experience (1902)
Context: This thoroughly 'pragmatic' view of religion has usually been taken as a matter of course by common men. They have interpolated divine miracles into the field of nature, they have built a heaven out beyond the grave. It is only transcendentalist metaphysicians who think that, without adding any concrete details to Nature, or subtracting any, but by simply calling it the expression of absolute spirit, you make it more divine just as it stands. I believe the pragmatic way of taking religion to be the deeper way. It gives it body as well as soul, it makes it claim, as everything real must claim, some characteristic realm of fact as its very own. What the more characteristically divine facts are, apart from the actual inflow of energy in the faith-state and the prayer-state, I know not. But the over-belief on which I am ready to make my personal venture is that they exist. The whole drift of my education goes to persuade me that the world of our present consciousness is only one out of many worlds of consciousness that exist, and that those other worlds must contain experiences which have a meaning for our life also; and that although in the main their experiences and those of this world keep discrete, yet the two become continuous at certain points, and higher energies filter in. By being faithful in my poor measure to this over-belief, I seem to myself to keep more sane and true. I can, of course, put myself into the sectarian scientist's attitude, and imagine vividly that the world of sensations and scientific laws and objects may be all. But whenever I do this, I hear that inward monitor of which W. K. Clifford once wrote, whispering the word 'bosh!' Humbug is humbug, even though it bear the scientific name, and the total expression of human experience, as I view it objectively, invincibly urges me beyond the narrow 'scientific' bounds. Assuredly, the real world is of a different temperament — more intricately built than physical science allows. So my objective and my subjective conscience both hold me to the over-belief which I express. Who knows whether the faithfulness of individuals here below to their own poor over-beliefs may not actually help God in turn to be more effectively faithful to his own greater tasks?
Ben Yamen's Song of Geometry (1853)
Context: Ascend with me above the dust, above the cloud, to the realms of the higher geometry, where the heavens are never clouded; where there is no impure vapour, and no delusive or imperfect observation, where the new truths are already arisen, while they are yet dimly dawning on the world below; where the earth is a little planet; where the sun has dwindled to a star; where all the stars are lost in the Milky Way to which they belong; where the Milky Way is seen floating through space like any other nebula; where the whole great girdle of nebulae has diminished to an atom and has become as readily and completely submissive to the pen of the geometer, and the slave of his formula, as the single drop, which falls from the clouds, instinct with all the forces of the material world.