Quotes about passing
page 24

Muhammad photo
Theognis of Megara photo

“Bright youth passes swiftly as a thought.”

Theognis of Megara (-570–-485 BC) Greek lyric poet active in approximately the sixth century BC

Source: Elegies, Line 985.

James Joyce photo

“One great part of every human existence is passed in a state which cannot be rendered sensible by the use of wideawake language, cutanddry grammar and goahead plot.”

James Joyce (1882–1941) Irish novelist and poet

Referring to Finnegans Wake in a letter to Harriet Shaw Weaver (24 November 1926)

Letitia Elizabeth Landon photo
Nas photo

“Now all these new cats with they hats flipped backwards
fingers intertwined in sum gang sign madness
I got an exam lets if you pass it
Now who can quote a Daddy Kane line the fastest?”

Nas (1973) American rapper, record producer and entrepreneur

Carry on Tradition
On Albums, Hip Hop Is Dead (2006)

William Lamb, 2nd Viscount Melbourne photo

“What all the wise men promised has not happened, and what all the damned fools said would happen has come to pass.”

William Lamb, 2nd Viscount Melbourne (1779–1848) British Whig statesman

W. M. Torrens Memoirs of William Lamb, Second Viscount Melbourne (1890), p. 234
Attributed

Lois McMaster Bujold photo
Maddox photo
Nicholas Sparks photo
Karl Wilhelm Friedrich Schlegel photo
Orson Scott Card photo
Walter Pater photo

“The presence that thus rose so strangely beside the waters, is expressive of what in the ways of a thousand years men had come to desire. Hers is the head upon which all "the ends of the world are come," and the eyelids are a little weary. It is a beauty wrought out from within upon the flesh, the deposit, little cell by cell, of strange thoughts and fantastic reveries and exquisite passions. Set it for a moment beside one of those white Greek goddesses or beautiful women of antiquity, and how would they be troubled by this beauty, into which the soul with all its maladies has passed! All the thoughts and experience of the world have etched and moulded there, in that which they have of power to refine and make expressive the outward form, the animalism of Greece, the lust of Rome, the reverie of the middle age with its spiritual ambition and imaginative loves, the return of the Pagan world, the sins of the Borgias. She is older than the rocks among which she sits; like the vampire, she has been dead many times, and learned the secrets of the grave; and has been a diver in deep seas, and keeps their fallen day about her; and trafficked for strange webs with Eastern merchants: and, as Leda, was the mother of Helen of Troy, and, as Saint Anne, the mother of Mary; and all this has been to her but as the sound of lyres and flutes, and lives only in the delicacy with which it has moulded the changing lineaments, and tinged the eyelids and the hands. The fancy of a perpetual life, sweeping together ten thousand experiences, is an old one; and modern thought has conceived the idea of humanity as wrought upon by, and summing up in itself, all modes of thought and life. Certainly Lady Lisa might stand as the embodiment of the old fancy, the symbol of the modern idea.”

Walter Pater (1839–1894) essayist, art and literature critic, fiction writer

On the Mona Lisa, in Leonardo da Vinci
The Renaissance http://www.authorama.com/renaissance-1.html (1873)

Will Rogers photo

“We are here just for a spell and then pass on. So get a few laughs and do the best you can. Live your life so that whenever you lose it, you are ahead.”

Will Rogers (1879–1935) American humorist and entertainer

Inscribed on the Will Rogers Memorial Building in Claremore, Oklahoma.
Variants: We are all here for a spell; get all the good laughs you can.
As quoted in Peter's Quotations : Ideas for Our Time (1979) by Laurence J. Peter, p. 285
We are all here for a short spell; so get all the good laughs you can.
As quoted in Civilization's Quotations : Life's Ideal (2002) by Richard Alan Krieger, p. 69
As quoted in ...

Bukola Saraki photo
Kristi Noem photo
James K. Morrow photo
T.S. Eliot photo

“so the countess passed on until she came through the little park, where Niobe presented her with a cabinet, and so departed.”

"Burbank with a Baedeker: Bleistein with a cigar"
Poems (1920)

Agnes Repplier photo

“War will pass when injustice passes. Never before, unless hope leaves the world.”

Agnes Repplier (1855–1950) American essayist

in "Woman Enthroned" (1920)

Titian photo
Winston S. Churchill photo
Ludovico Ariosto photo

“Arms of Orlando, paladin',
By this inscription meaning to deter
Whoever saw the splendid trophy shine,
As though to say: 'Hands off, all who pass by,
Unless Orlando's strength you wish to try.”

Armatura d'Orlando paladino;
Come volesse dir: nessun la muova,
Che star non possa con Orlando a prova.
Canto XXIV, stanza 57 (tr. B. Reynolds)
Orlando Furioso (1532)

Max Scheler photo

“There is usually no ressentiment just where a superficial view would look for it first: in the criminal. The criminal is essentially an active type. Instead of repressing hatred, revenge, envy, and greed, he releases them in crime. Ressentiment is a basic impulse only in the crimes of spite. These are crimes which require only a minimum of action and risk and from which the criminal draws no advantage, since they are inspired by nothing but the desire to do harm. The arsonist is the purest type in point, provided that he is not motivated by the pathological urge of watching fire (a rare case) or by the wish to collect insurance. Criminals of this type strangely resemble each other. Usually they are quiet, taciturn, shy, quite settled and hostile to all alcoholic or other excesses. Their criminal act is nearly always a sudden outburst of impulses of revenge or envy which have been repressed for years. A typical cause would be the continual deflation of one's ego by the constant sight of the neighbor's rich and beautiful farm. Certain expressions of class ressentiment, which have lately been on the increase, also fall under this heading. I mention a crime committed near Berlin in 1912: in the darkness, the criminal stretched a wire between two trees across the road, so that the heads of passing automobilists would be shorn off. This is a typical case of ressentiment, for any car driver or passenger at all could be the victim, and there is no interested motive. Also in cases of slander and defamation of character, ressentiment often plays a major role...”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Michelle Obama photo
Norman Angell photo

“What are the fundamental motives that explain the present rivalry of armaments in Europe, notably the Anglo-German? Each nation pleads the need for defence; but this implies that someone is likely to attack, and has therefore a presumed interest in so doing. What are the motives which each State thus fears its neighbors may obey?
They are based on the universal assumption that a nation, in order to find outlets for expanding population and increasing industry, or simply to ensure the best conditions possible for its people, is necessarily pushed to territorial expansion and the exercise of political force against others…. It is assumed that a nation's relative prosperity is broadly determined by its political power; that nations being competing units, advantage in the last resort goes to the possessor of preponderant military force, the weaker goes to the wall, as in the other forms of the struggle for life.
The author challenges this whole doctrine. He attempts to show that it belongs to a stage of development out of which we have passed that the commerce and industry of a people no longer depend upon the expansion of its political frontiers; that a nation's political and economic frontiers do not now necessarily coincide; that military power is socially and economically futile, and can have no relation to the prosperity of the people exercising it; that it is impossible for one nation to seize by force the wealth or trade of another — to enrich itself by subjugating, or imposing its will by force on another; that in short, war, even when victorious, can no longer achieve those aims for which people strive….”

The Great Illusion (1910)

Chinmayananda Saraswati photo

“Remember, Even This Will Pass Away.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

John C. Dvorak photo
Thomas Hobbes photo
Evelyn Waugh photo
Ray Kurzweil photo
James Jeans photo
Robert Spencer photo
William Shenstone photo
Muhammad photo
Alfred Jules Ayer photo
Nicolas Léonard Sadi Carnot photo
Jeanette Winterson photo
Tomislav Sunić photo
Nicholas Sparks photo
Stanley Baldwin photo
Robert Michels photo

“Historical evolution mocks all the prophylactic measures that have been adopted for the prevention of oligarchy. If laws are passed to control the dominion of the leaders, it is the laws which gradually weaken, and not the leaders.”

Robert Michels (1876–1936) German sociologist

[Frank Fischer, Critical Studies in Organization and Bureaucracy, https://books.google.com/books?id=v8Vzk3YqA9gC&pg=PA41, 1994, Temple University Press, 978-1-56639-122-1, 41]</ref>

Filippo Baldinucci photo

“He who puts up at the first inn he comes across, very often passes a bad night.”

Filippo Baldinucci (1625–1697) Italian art historian

Chi alloggia alia prima osteria in ch’ ei avviene, trova ben spesso la mala notte.
La Veglia. (Ed. Milan, 1812. Opere, Vol. XIV., p. 223).
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 261.

Neal A. Maxwell photo
Robert Burns photo
Nick Cave photo
Herbert Beerbohm Tree photo
Thomas Wolfe photo
Leo Tolstoy photo
Mark Hopkins (educator) photo
Malcolm McDowell photo

“I do recall one particular night shoot… We were called to the set at four o'clock in the afternoon. As usual, nothing was ready. They'd built a set of Tiberius's grotto, on three acres, and were assembling all of the extras and background. The producers worriedly asked if I would go into Peter's trailer (he was playing Tiberius) and go through the lines with him, which we did few times.
And then he told me the most remarkable story – whether it is true or not I have no idea – about his grave-robbing Etruscan tombs. He said the best way to find Etruscan jewellery and artefacts was to find the drains in the tombs, and very gingerly sift through them with your fingers because, as the bodies decompose, all of the artifacts deposit themselves into the channels. The thought of Peter O'Toole on his hands and knees in an Etruscan catacomb makes for a lovely image.
We spent hours and hours in this trailer. He was smoking … it certainly wasn't tobacco. By the time we got onto the set, 12 hours had passed. We couldn't believe our eyes: the set was covered with people engaging in every sexual perversion in the book. We were totally bemused.
Peter would start off his speech, "Rome was but a city…" then pause, look around, and say to me: "Are they doing the Irish jig over there?"”

Malcolm McDowell (1943) English actor

I'd look over and there would be two dwarves and an amputee dancing around some girls splayed out on a giant dildo. This went on quite a few times.
As quoted in "Malcolm McDowell on Peter O'Toole: Caligula, catacombs and chicken gizzards" https://www.theguardian.com/film/filmblog/2013/dec/17/malcolm-mcdowell-peter-otoole-caligula-graves, The Guardian (17 December, 2013)

John Muir photo

“The rugged old Norsemen spoke of death as Heimgang — home-going. So the snow-flowers go home when they melt and flow to the sea, and the rock-ferns, after unrolling their fronds to the light and beautifying the rocks, roll them up close again in the autumn and blend with the soil. Myriads of rejoicing living creatures, daily, hourly, perhaps every moment sink into death’s arms, dust to dust, spirit to spirit — waited on, watched over, noticed only by their Maker, each arriving at its own heaven-dealt destiny. All the merry dwellers of the trees and streams, and the myriad swarms of the air, called into life by the sunbeam of a summer morning, go home through death, wings folded perhaps in the last red rays of sunset of the day they were first tried. Trees towering in the sky, braving storms of centuries, flowers turning faces to the light for a single day or hour, having enjoyed their share of life’s feast — all alike pass on and away under the law of death and love. Yet all are our brothers and they enjoy life as we do, share heaven’s blessings with us, die and are buried in hallowed ground, come with us out of eternity and return into eternity. 'Our little lives are rounded with a sleep.”

John Muir (1838–1914) Scottish-born American naturalist and author

pages 439-440
("Trees towering … into eternity" are the next-to-last lines of the documentary film " John Muir in the New World http://www.pbs.org/wnet/americanmasters/episodes/john-muir-in-the-new-world/watch-the-full-documentary-film/1823/" (American Masters), produced, directed, and written by Catherine Tatge.)
John of the Mountains, 1938

Edward de Vere, 17th Earl of Oxford photo

“A little apish hat, couched fast to the pate, like an oyster;
French cambric ruffs, deep with a witness, starched to the purpose:
Delicate in speech; quaint in array; conceited in all points;
In courtly guiles, a passing singular odd man.”

Edward de Vere, 17th Earl of Oxford (1550–1604) English peer and courtier of the Elizabethan era

Source: About, Lines attributed to Gabriel Harvey by Thomas Nashe, said to have been written to ridicule Oxford.

Ronald Firbank photo

“There was a pause – just long enough for an angel to pass, flying slowly.”

Ronald Firbank (1886–1926) British novelist

Vainglory (1915), cited from The Complete Ronald Firbank (London: Duckworth, 1961) p. 117.

Calvin Coolidge photo
Rudyard Kipling photo

“Oh, Adam was a gardener, and God who made him sees
That half a proper gardener's work is done upon his knees,
So when your work is finished, you can wash your hands and pray
For the Glory of the Garden that it may not pass away!”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

The Glory of the Garden http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/verse/english_history/glorygarden.html, Stanza 8.
Other works

Umberto Boccioni photo

“The time has passed for our sensations in painting to be whispered. We wish them in the future to sing and re-echo upon our canvasses in deafening and triumphant flourishes.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 132.
1910, Manifesto of Futurist Painters,' April 1910

Leo Tolstoy photo
Michelle Obama photo
Henry Suso photo
Nikos Kazantzakis photo
Frances Kellor photo

“It is clear that every civilization undergoes a process of historical change. We can see that a civilization comes into existence, passes through a long experience, and eventually goes out of existence.”

Carroll Quigley (1910–1977) American historian

Source: The Evolution of Civilizations (1961) (Second Edition 1979), Chapter 5, Historical Change in Civilizations, p. 127

Samuel Taylor Coleridge photo

“If a man could pass through Paradise in a dream, and have a flower presented to him as a pledge that his soul had really been there, and if he found that flower in his hand when he awake — Aye! and what then?”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

"Anima Poetæ : From the Unpublished Note-books of Samuel Taylor Coleridge" (1895) edited by Ernest Hartley Coleridge, p. 238

Amir Taheri photo

“Ever since its emergence a few months ago, the declared ambition of the startup caliphate of the Islamic State has been to “wipe out every trace of Infidel influence” in areas under its control. Yet, with each passing day, it becomes more clear that, its deadly fantasies notwithstanding, the IS can’t escape from a world created and dominated by the Infidel. Start with the name that the IS, or Daesh in Arabic, has chosen for itself: ad-dawlat al-Islamiyah, or “Islamic Government.” The concepts of “state” and “government” are entirely Western, not adopted by Muslim peoples until the 19th century. The very words “state” and “government” are never mentioned in the Quran. Daesh’s “caliph” has also appointed a number of vizirs. This, too, is un-Islamic. Of Persian origin, the word vizir designated high officials of the pre-Islamic Sasanian Empire overthrown by Arab Muslim warriors in the 7th century. Mohammad had no vizirs, nor did any of his four immediate successors, the so-called “Well Guided caliphs…” The Islamic State’s most noteworthy embrace of the works of the “Infidel,” however, is surely its use of the satanic Internet. Its personnel, including converts from Europe and North America, regularly display across the Web what seems to be the main, if not the only, thing they’ve learned from Islam: cutting the throats of defenseless captives.”

Amir Taheri (1942) Iranian journalist

"The not-so-Islamic State: ISIS’ huge debt to the infidel" http://nypost.com/2014/11/20/the-not-so-islamic-state-isis-huge-debt-to-the-infidel/, New York Post (November 20, 2014).
New York Post

Frederick II of Prussia photo
Clarence Thomas photo
Jair Bolsonaro photo
Kurt Student photo
Berthe Morisot photo
Francesco Dall'Ongaro photo

“Slowly doth bud, and slowly doth mature
The woodland oak, yet doth long time endure.
Lashed by the winds, her leaves around she steews,
But, the wind passed, her beauty she renews.”

Francesco Dall'Ongaro (1808–1873) Italian poet, playwright and librettist

Stornelli Politici, ""Costanza"".
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 354.

Hunter S. Thompson photo
Bill Whittle photo
Homér photo

“Two gates there are for our evanescent dreams,
one is made of ivory, the other made of horn.
Those that pass through the ivory cleanly carved
are will-o'-the-wisps, their message bears no fruit.
The dreams that pass through the gates of polished horn
are fraught with truth, for the dreamer who can see them.”

Δοιαὶ γάρ τε πύλαι ἀμενηνῶν εἰσὶν ὀνείρων·
αἱ μὲν γὰρ κεράεσσι τετεύχαται, αἱ δ' ἐλέφαντι.
οἵ ῥ' ἐλεφαίρονται, ἔπε' ἀκράαντα φέροντες·
οἳ δὲ διὰ ξεστῶν κεράων ἔλθωσι θύραζε,
οἵ ῥ' ἔτυμα κραίνουσι, βροτῶν ὅτε κέν τις ἴδηται.
XIX. 563–568 (tr. Robert Fagles); spoken by Penelope.
Odyssey (c. 725 BC)

“We passed on the email to the Eastern India Motion Pictures Association. They have informed Lalbazar’s anti-piracy cell. We’ve also informed Bhawani Bhavan and will write to the copyright authorities.”

Arin Paul (1980) Indian film director

On Music Piracy of 10:10 http://www.telegraphindia.com/1081117/jsp/calcutta/story_10119609.jsp(2008)

Ross Mintzer photo
Jacques Derrida photo

“No one can deny the suffering, fear, or panic, the terror or fright that can seize certain animals and that we humans can witness. … No doubt either, then, of there being within us the possibility of giving vent to a surge of compassion, even if it is then misunderstood, repressed, or denied, held at bay. … The two centuries I have been referring to somewhat casually in order to situate the present in terms of this tradition have been those of an unequal struggle, a war (whose inequality could one day be reversed) being waged between, on the one hand, those who violate not only animal life but even and also this sentiment of compassion, and, on the other hand, those who appeal for an irrefutable testimony to this pity. War is waged over the matter of pity. This war is probably ageless but, and here is my hypothesis, it is passing through a critical phase. We are passing through that phase, and it passes through us. To think the war we find ourselves waging is not only a duty, a responsibility, an obligation, it is also a necessity, a constraint that, like it or not, directly or indirectly, no one can escape. Henceforth more than ever. And I say “to think” this war, because I believe it concerns what we call “thinking.””

The animal looks at us, and we are naked before it. Thinking perhaps begins there.
Specters of Marx (1993), The Animal That Therefore I Am, 1997

Ann Richards photo
Stanley Baldwin photo

“…one day there came a great strike in the coalfields. It was one of the earlier strikes, and it became a national strike. We tried to carry on as long as we could, but of course it became more and more difficult to carry on, and gradually furnace after furnace was damped down; the chimneys erased to smoke, and about 1,000 men who had no interest in the dispute that was going on were thrown out of work through no fault of their own, at a time when there was no unemployment benefit. I confess that that event set me thinking very hard. It seemed to me at that time a monstrous injustice to these men, because I looked upon them as my own family, and it hit me very hard—I would not have mentioned this only it got into the Press two or three years ago—and I made an allowance to them, not a large one, but something, for six weeks to carry them along, because I felt that they were being so unfairly treated. But there was more in it really than that. There was no conscious unfair treatment, of these men by the miners. It simply was that we were gradually passing into a new state of industry, when the small firms and the small industries were being squeezed out. Business was all tending towards great amalgamations on the one side of employers and on the other side of the men…We have to see what wise statesmanship can do to steer the country through this time of evolution, until we can get to the next stage of our industrial civilisation.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/commons/1925/mar/06/industrial-peace in the House of Commons (6 March 1925).
1925

Theo van Doesburg photo

“After having passed through the various phases of plastic creation [the phases of arrangement, composition, and construction] I have arrived at the creation of 'universal forms' through constructing upon an arithmetical basis with the pure elements of painting.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote in Van Doesburg's article 'From intuition towards certitude', 1930; as quoted in 'Réalités nouvelles', 1947, no. 1, p. 3
1926 – 1931

Letitia Elizabeth Landon photo
Henry Wadsworth Longfellow photo

“When she had passed, it seemed like the ceasing of exquisite music.”

Part I, section 1.
Evangeline: A Tale of Acadie (1847)

“Sitting in a metropolis like Delhi, it’s easy to pass a judgement that laws are being misused. But we should look at the larger reality where the laws are yet to reach the minimum standards of use.”

Flavia Agnes (1947) Indian activist and lawyer

On the claim that India's anti-dowry laws are being misused, as quoted " Women mis(using) laws to get even? http://www.tribuneindia.com/1999/99oct19/nation.htm#7" The Tribune (19 October 1999)

Emily Dickinson photo
Julian of Norwich photo
Giovanni della Casa photo
Elton Mayo photo
Leszek Kolakowski photo

“The proletariat thus shared its dictatorship with nobody. As to the question of the "majority", this never troubled Lenin much. In an article "Constitutional Illusions" (Aug. 1917; Works, vol. 25, p. 201) he wrote: "in time of revolution it is not enough to ascertain the ‘ will of the majority’ – you must prove to be stronger at the decisive moment and at the decisive place; you must win … We have seen innumerable examples of the better organized, more politically conscious and better armed minority forcing its will upon the majority and defeating it." (pg. 503) Trotsky, however, answers questions [in The Defence of Terrorism] that Lenin evaded or ignored. "Where is your guarantee, certain wise men ask us, that it is just your party that expresses the interests of historical development? Destroying or driving underground the other parties, you have thereby prevented their political competition with you, and consequently you have deprived yourselves of the possibility of testing your line of action." Trotsky replies: "This idea is dictated by a purely liberal conception of the course of the revolution. In a period in which all antagonisms assume an open character; and the political struggle swiftly passes into a civil war, the ruling party has sufficient material standard by which to test its line of action, without the possible circulation of Menshevik papers. Noske crushes the Communists, but they grow. We have suppressed the Mensheviks and the S. R. s [Socialist Republics] … and they have disappeared. This criterion is sufficient for us" (p. 101). This is one of the most enlightening theoretical formulations of Bolshevism, from which it appears that the "rightness" of a historical movement or a state is to be judged by whether its use of violence is successful. Noske did not succeed in crushing the German Communists, but Hitler did; it would thus follow from Trotsky’ s rule that Hitler "expressed the interests of historical development". Stalin liquidated the Trotskyists in Russia, and they disappeared – so evidently Stalin, and not Trotsky, stood for historical progress.”

Leszek Kolakowski (1927–2009) Philosopher, historian of ideas

pg. 510
Main Currents Of Marxism (1978), Three Volume edition, Volume II, The Golden Age

Muhammad photo
H. G. Wells photo
Charles Dickens photo
Brian W. Aldiss photo

“I kill from conviction, not to pass a personality quiz.”

Brian W. Aldiss (1925–2017) British science fiction author

“Basis for Negotiations” p. 143
Short fiction, Who Can Replace a Man? (1965)

El Lissitsky photo
Tom Stoppard photo