Quotes about nerve
A collection of quotes on the topic of nerve, doing, likeness, life.
Quotes about nerve

“It's not enough to be nice in life. You've got to have nerve.”

http://www.usatoday.com/sports/columnist/saraceno/2005-06-12-saraceno-tyson_x.htm
On boxing

Page 138
The Book on the Taboo Against Knowing Who You Are (1966)

From a personal conversation, quoted from memory by Maxim Gorky in "V.I. Lenin" (1924) http://www.marxists.org/archive/gorky-maxim/1924/01/x01.htm <!-- first edition -->
Attributions
Context: I know of nothing better than the Appassionata and could listen to it every day. What astonishing, superhuman music! It always makes me proud, perhaps with a childish naiveté, to think that people can work such miracles! … But I can’t listen to music very often, it affects my nerves. I want to say sweet, silly things, and pat the little heads of people who, living in a filthy hell, can create such beauty. These days, one can’t pat anyone on the head nowadays, they might bite your hand off. Hence, you have to beat people's little heads, beat mercilessly, although ideally we are against doing any violence to people. Hm — what a devillishly difficult job!

Source: Regards sur le monde actuel [Reflections on the World Today] (1931), pp. 158-159

1960s, Hell's Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs (1966)

Stanley Cohen, quoted in New York Times obituary http://www.nytimes.com/2012/12/31/science/dr-rita-levi-montalcini-a-revolutionary-in-the-study-of-the-brain-dies-at-103.html?_r=0
About

Quote of Monet, ca. 1900, London; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 72
1900 - 1920

Source: Lectures on Negative Dialectics (1965-66), p. 20
On Hinduism (2000)

Human Knowledge: Its Scope and Limits (1948), p. 493
1940s

“It destroys one's nerves to be amiable every day to the same human being.”
Book III, Chapter 2.
Books, Coningsby (1844), The Young Duke (1831)

The Ballot or the Bullet (1964), Speech in Detroit, Michigan (12 April 1964)

"Hypothesis explaining the Properties of Light" (1675)

Say It Loud – I'm Black and I'm Proud, written with Alfred "Pee Wee" Ellis (1968)
Song lyrics

The Notebooks of Leonardo da Vinci (1883), XIV Anatomy, Zoology and Physiology

<p>À dolorosa luz das grandes lâmpadas eléctricas da fábrica
Tenho febre e escrevo.
Escrevo rangendo os dentes, fera para a beleza disto,
Para a beleza disto totalmente desconhecida dos antigos.</p><p>Ó rodas, ó engrenagens, r-r-r-r-r-r-r eterno!
Forte espasmo retido dos maquinismos em fúria!
Em fúria fora e dentro de mim,
Por todos os meus nervos dissecados fora,
Por todas as papilas fora de tudo com que eu sinto!
Tenho os lábios secos, ó grandes ruídos modernos,
De vos ouvir demasiadamente de perto,
E arde-me a cabeça de vos querer cantar com um excesso
De expressão de todas as minhas sensações,
Com um excesso contemporâneo de vós, ó máquinas!</p>
Álvaro de Campos (heteronym), Ode Triunfal ["Triumphal Ode"] (1914), in A Little Larger Than the Entire Universe, trans. Richard Zenith (Penguin, 2006)

Quote in Dix' letter from Görden 1917, to his brother-in-law, Otto Schmalhausen; as cited in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 248

" Beasts https://books.google.it/books?id=WQpJAQAAIAAJ&pg=PA8", in A Philosophical Dictionary, Volume 2, J. and H. L. Hunt, 1824, p. 9
Citas, Dictionnaire philosophique (1764)

Letter to Lillian D. Clark (29 March 1926), quoted in Lord of a Visible World: An Autobiography in Letters edited by S. T. Joshi, p. 186
Non-Fiction, Letters

Second Dialogue; translated by Judith R. Bush, Christopher Kelly, Roger D. Masters
Dialogues: Rousseau Judge of Jean-Jacques (published 1782)

“Even the relationship of a nerve stimulus to the generated image is not a necessary one.”
On Truth and Lie in an Extra-Moral Sense (1873)
Context: Between two absolutely different spheres, as between subject and object, there is no causality, no correctness, and no expression; there is, at most, an aesthetic relation: I mean, a suggestive transference, a stammering translation into a completely foreign tongue — for which I there is required, in any case, a freely inventive intermediate sphere and mediating force. "Appearance" is a word that contains many temptations, which is why I avoid it as much as possible. For it is not true that the essence of things "appears" in the empirical world. A painter without hands who wished to express in song the picture before his mind would, by means of this substitution of spheres, still reveal more about the essence of things than does the empirical world. Even the relationship of a nerve stimulus to the generated image is not a necessary one. But when the same image has been generated millions of times and has been handed down for many generations and finally appears on the same occasion every time for all mankind, then it acquires at last the same meaning for men it would have if it were the sole necessary image and if the relationship of the original nerve stimulus to the generated image were a strictly causal one. In the same manner, an eternally repeated dream would certainly be felt and judged to be reality. But the hardening and congealing of a metaphor guarantees absolutely nothing concerning its necessity and exclusive justification.
“For 2.000 years, you've had the nerve to tell women who we are.”
Blood and Guts in High School (1978)
Context: For 2.000 years, you've had the nerve to tell women who we are. We use your words; we eat your food. Every way we get money has to be a crime. We are plagiarists, liars and criminals.

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 95

Letter to the Louis D. Oaks, Los Angeles Chief of Police (17 May 1923)

The Secret Teachings of All Ages p.306 https://ia800809.us.archive.org/15/items/Thesecretteachingsofallages2/The%20Secret%20Teachings%20Of%20All%20Ages%20-%20Manly%20P.%20Hall.pdf
The Secret Teachings of All Ages (1928)

“I had an alarm, I had nerve gas, I had a yogurt. What more could anyone want?”
Source: One for the Money

Source: Conquest of the Useless: Reflections from the Making of Fitzcarraldo

“I feel like, like pudding," Iggy groaned. "Pudding with nerve endings. Pudding in great pain.”
Source: The Angel Experiment

“A hero can go anywhere, challenge anyone, as long as he has the nerve.”
Source: Percy Jackson & the Olympians: The Ultimate Guide

Variant: when you [lose someone], it feels like the hole in your gum when a tooth falls out. You can chew, you can eat, you have plenty of other teeth, but your tongue keeps going back to that empty place, where all nerves are still a little raw
Source: House Rules
“Where the hell do you get your nerve?
From a Cracker Jack box.”
Source: Wicked Pleasure

“Never miss a party… good for the nerves--like celery.”
Source: Gatsby Girls

“The nerve. Threatening you and not being precise about it.”
Source: Dreamfever

“You got a lotta nerve to say you are my friend. When I was down, you just stood there grinning.”
Song lyrics, Highway 61 Revisited (1965), Positively 4th Street

“I should’ve been very cross with Anubis. Kissing me without permission—the nerve!”
Source: The Throne of Fire
“I am nothing but a bundle of nerves dressed up to look like a man.”
Volume II [Tauchnitz,
Source: The Woman in White (1859)

Volume iii, p. 453
Reflections on the Revolution in France (1790)
Context: Difficulty is a severe instructor, set over us by the supreme ordinance of a parental Guardian and Legislator, who knows us better than we know ourselves, as he loves us better too. Pater ipse colendi haud facilem esse viam voluit. He that wrestles with us strengthens our nerves, and sharpens our skill. Our antagonist is our helper.