Quotes about nerve

A collection of quotes on the topic of nerve, doing, likeness, life.

Quotes about nerve

Kobe Bryant photo
Aleksandr Solzhenitsyn photo
Rick Riordan photo
Thomas Hobbes photo
Mike Tyson photo

“I don't have the desire to hurt anyone anymore. I see a fly, but I don't have the nerve to get up and kill it.”

Mike Tyson (1966) American boxer

http://www.usatoday.com/sports/columnist/saraceno/2005-06-12-saraceno-tyson_x.htm
On boxing

Alan Watts photo
George Orwell photo
Virginia Woolf photo
Virginia Woolf photo
Oscar Wilde photo
John Muir photo
Robert Browning photo
Virginia Woolf photo
Oscar Wilde photo
Nora Roberts photo
Virginia Woolf photo
Vladimir Lenin photo

“I can't listen to music too often. It affects your nerves, makes you want to say stupid nice things and stroke the heads of people who could create such beauty while living in this vile hell.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

From a personal conversation, quoted from memory by Maxim Gorky in "V.I. Lenin" (1924) http://www.marxists.org/archive/gorky-maxim/1924/01/x01.htm <!-- first edition -->
Attributions
Context: I know of nothing better than the Appassionata and could listen to it every day. What astonishing, superhuman music! It always makes me proud, perhaps with a childish naiveté, to think that people can work such miracles! … But I can’t listen to music very often, it affects my nerves. I want to say sweet, silly things, and pat the little heads of people who, living in a filthy hell, can create such beauty. These days, one can’t pat anyone on the head nowadays, they might bite your hand off. Hence, you have to beat people's little heads, beat mercilessly, although ideally we are against doing any violence to people. Hm — what a devillishly difficult job!

Robinson Jeffers photo
Alan Alda photo
Paul Valéry photo

“Since everything that lives is obliged to expend and receive life, there is an exchange of modifications between the living creature and its environment.
And yet, once that vital necessity is satisfied, our species—a positively strange species—thinks it must create for itself other needs and tasks besides that of preserving life. … Whatever may be the origin or cause of this curious deviation, the human species is engaged in an immense adventure, an adventure whose objective and end it does not know. …
The same senses, the same muscles, the same limbs—more, the same types of signs, the same instruments of exchange, the same languages, the same modes of logic—enter into the most indispensable acts of our lives, as they figure into the most gratuitous. …
In short, man has not two sets of tools, he has only one, and this one set must serve him for the preservation of his life and his physiological rhythm, and expend itself at other times on illusions and on the labours of our great adventure. …
The same muscles and nerves produce walking as well as dancing, exactly as our linguistic faculty enables us to express our needs and ideas, while the same words and forms can be combined to produce works of poetry. A single mechanism is employed in both cases for two entirely different purposes.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: Regards sur le monde actuel [Reflections on the World Today] (1931), pp. 158-159

Hunter S. Thompson photo

“Women are terrified of being raped, but somewhere in the back of the womb there is one rebellious nerve end that tingles with curiosity whenever the word is mentioned.”

Hunter S. Thompson (1937–2005) American journalist and author

1960s, Hell's Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs (1966)

Rita Levi-Montalcini photo

“She had this feeling for what was happening biologically. She was an intuitive observer, and she saw that something was making these nerve connections grow and was determined to find out what it was.”

Rita Levi-Montalcini (1909–2012) Italian neurologist

Stanley Cohen, quoted in New York Times obituary http://www.nytimes.com/2012/12/31/science/dr-rita-levi-montalcini-a-revolutionary-in-the-study-of-the-brain-dies-at-103.html?_r=0
About

Claude Monet photo
Theodor W. Adorno photo

“The thesis of the identity of concept and thing is in general the vital nerve of idealist thought, and indeed traditional thought in general. … Negative dialectics as critique means above all criticism of precisely this claim to identity.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

Source: Lectures on Negative Dialectics (1965-66), p. 20

Bertrand Russell photo

“Probably in time physiologists will be able to make nerves connecting the bodies of different people; this will have the advantage that we shall be able to feel another man's tooth aching.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Human Knowledge: Its Scope and Limits (1948), p. 493
1940s

Emil M. Cioran photo
Stefan Zweig photo
Nikola Tesla photo
Stefan Zweig photo
Abraham Lincoln photo

“Some twelve thousand voters in the heretofore slave-state of Louisiana have sworn allegiance to the Union, assumed to be the rightful political power of the State, held elections, organized a State government, adopted a free-state constitution, giving the benefit of public schools equally to black and white, and empowering the Legislature to confer the elective franchise upon the colored man. Their Legislature has already voted to ratify the constitutional amendment recently passed by Congress, abolishing slavery throughout the nation. These twelve thousand persons are thus fully committed to the Union, and to perpetual freedom in the state — committed to the very things, and nearly all the things the nation wants — and they ask the nations recognition and it's assistance to make good their committal. Now, if we reject, and spurn them, we do our utmost to disorganize and disperse them. We in effect say to the white men "You are worthless, or worse — we will neither help you, nor be helped by you." To the blacks we say "This cup of liberty which these, your old masters, hold to your lips, we will dash from you, and leave you to the chances of gathering the spilled and scattered contents in some vague and undefined when, where, and how." If this course, discouraging and paralyzing both white and black, has any tendency to bring Louisiana into proper practical relations with the Union, I have, so far, been unable to perceive it. If, on the contrary, we recognize, and sustain the new government of Louisiana the converse of all this is made true. We encourage the hearts, and nerve the arms of the twelve thousand to adhere to their work, and argue for it, and proselyte for it, and fight for it, and feed it, and grow it, and ripen it to a complete success. The colored man too, in seeing all united for him, is inspired with vigilance, and energy, and daring, to the same end. Grant that he desires the elective franchise, will he not attain it sooner by saving the already advanced steps toward it, than by running backward over them? Concede that the new government of Louisiana is only to what it should be as the egg is to the fowl, we shall sooner have the fowl by hatching the egg than by smashing it? Again, if we reject Louisiana, we also reject one vote in favor of the proposed amendment to the national Constitution. To meet this proposition, it has been argued that no more than three fourths of those States which have not attempted secession are necessary to validly ratify the amendment. I do not commit myself against this, further than to say that such a ratification would be questionable, and sure to be persistently questioned; while a ratification by three-fourths of all the States would be unquestioned and unquestionable.”

Abraham Lincoln (1809–1865) 16th President of the United States

1860s, Last public address (1865)

Benjamin Disraeli photo

“It destroys one's nerves to be amiable every day to the same human being.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Book III, Chapter 2.
Books, Coningsby (1844), The Young Duke (1831)

Malcolm X photo
Isaac Newton photo
James Brown photo
Leonardo Da Vinci photo
Fernando Pessoa photo

“By the painful light of the factory’s huge electric lamps
I write in a fever.
I write gnashing my teeth, rabid for the beauty of all this,
For this beauty completely unknown to the ancients.

O wheels, O gears, eternal r-r-r-r-r-r-r!
Bridled convulsiveness of raging mechanisms!
Raging in me and outside me,
Through all my dissected nerves,
Through all the papillae of everything I feel with!
My lips are parched, O great modern noises,
From hearing you at too close a range,
And my head burns with the desire to proclaim you
In an explosive song telling my every sensation,
An explosiveness contemporaneous with you, O machines!”

Fernando Pessoa (1888–1935) Portuguese poet, writer, literary critic, translator, publisher and philosopher

<p>À dolorosa luz das grandes lâmpadas eléctricas da fábrica
Tenho febre e escrevo.
Escrevo rangendo os dentes, fera para a beleza disto,
Para a beleza disto totalmente desconhecida dos antigos.</p><p>Ó rodas, ó engrenagens, r-r-r-r-r-r-r eterno!
Forte espasmo retido dos maquinismos em fúria!
Em fúria fora e dentro de mim,
Por todos os meus nervos dissecados fora,
Por todas as papilas fora de tudo com que eu sinto!
Tenho os lábios secos, ó grandes ruídos modernos,
De vos ouvir demasiadamente de perto,
E arde-me a cabeça de vos querer cantar com um excesso
De expressão de todas as minhas sensações,
Com um excesso contemporâneo de vós, ó máquinas!</p>
Álvaro de Campos (heteronym), Ode Triunfal ["Triumphal Ode"] (1914), in A Little Larger Than the Entire Universe, trans. Richard Zenith (Penguin, 2006)

Otto Dix photo

“My nerves fell apart before I saw the front this time, the decaying corpses and piercing wire; for a while, they made me harmless, locking me up in order to undertake a special diagnosis of whatever military ability I might still have. The nerves, every last fiber, repugnance, repulsion!”

Otto Dix (1891–1969) German painter and printmaker

Quote in Dix' letter from Görden 1917, to his brother-in-law, Otto Schmalhausen; as cited in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 248

Voltaire photo
H.P. Lovecraft photo

“I am essentially a recluse who will have very little to do with people wherever he may be. I think that most people only make me nervous—that only by accident, and in extremely small quantities, would I ever be likely to come across people who wouldn't. It makes no difference how well they mean or how cordial they are—they simply get on my nerves unless they chance to represent a peculiarly similar combination of tastes, experiences, and heritages; as, for instance, Belknap chances to do... Therefore it may be taken as axiomatic that the people of a place matter absolutely nothing to me except as components of the general landscape and scenery. Let me have normal American faces in the streets to give the aspect of home and a white man's country, and I ask no more of featherless bipeds. My life lies not among people but among scenes—my local affections are not personal, but topographical and architectural. No one in Providence—family aside—has any especial bond of interest with me, but for that matter no one in Cambridge or anywhere else has, either. The question is that of which roofs and chimneys and doorways and trees and street vistas I love the best; which hills and woods, which roads and meadows, which farmhouses and views of distant white steeples in green valleys. I am always an outsider—to all scenes and all people—but outsiders have their sentimental preferences in visual environment. I will be dogmatic only to the extent of saying that it is New England I must have—in some form or other. Providence is part of me—I am Providence—but as I review the new impressions which have impinged upon me since birth, I think the greatest single emotion—and the most permanent one as concerns consequences to my inner life and imagination—I have ever experienced was my first sight of Marblehead in the golden glamour of late afternoon under the snow on December 17, 1922. That thrill has lasted as nothing else has—a visible climax and symbol of the lifelong mysterious tie which binds my soul to ancient things and ancient places.”

H.P. Lovecraft (1890–1937) American author

Letter to Lillian D. Clark (29 March 1926), quoted in Lord of a Visible World: An Autobiography in Letters edited by S. T. Joshi, p. 186
Non-Fiction, Letters

Jean Jacques Rousseau photo

“Sensitivity is the principle of all action. A being, albeit animated, who would feel nothing, would never act, for what would its motive for acting be? God himself is sensitive since he acts. All men are therefore sensitive, and perhaps to the same degree, but not in the same manner. There is a purely passive physical and organic sensitivity which seems to have as its end only the preservation of our bodies and of our species through the direction of pleasure and pain. There is another sensitivity that I call active and moral which is nothing other than the faculty of attaching our affections to beings who are foreign to us. This type, about which study of nerve pairs teaches nothing, seems to offer a fairly clear analogy for souls to the magnetic faculty of bodies. Its strength is in proportion to the relationships we feel between ourselves and other beings, and depending on the nature of these relationships it sometimes acts positively by attraction, sometimes negatively by repulsion, like the poles of a magnet. The positive or attracting action is the simple work of nature, which seeks to extend and reinforce the feeling of our being; the negative or repelling action, which compresses and diminishes the being of another, is a combination produced by reflection. From the former arise all the loving and gentle passions, and from the latter all the hateful and cruel passions.”

Jean Jacques Rousseau (1712–1778) Genevan philosopher

Second Dialogue; translated by Judith R. Bush, Christopher Kelly, Roger D. Masters
Dialogues: Rousseau Judge of Jean-Jacques (published 1782)

Friedrich Nietzsche photo

“Even the relationship of a nerve stimulus to the generated image is not a necessary one.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

On Truth and Lie in an Extra-Moral Sense (1873)
Context: Between two absolutely different spheres, as between subject and object, there is no causality, no correctness, and no expression; there is, at most, an aesthetic relation: I mean, a suggestive transference, a stammering translation into a completely foreign tongue — for which I there is required, in any case, a freely inventive intermediate sphere and mediating force. "Appearance" is a word that contains many temptations, which is why I avoid it as much as possible. For it is not true that the essence of things "appears" in the empirical world. A painter without hands who wished to express in song the picture before his mind would, by means of this substitution of spheres, still reveal more about the essence of things than does the empirical world. Even the relationship of a nerve stimulus to the generated image is not a necessary one. But when the same image has been generated millions of times and has been handed down for many generations and finally appears on the same occasion every time for all mankind, then it acquires at last the same meaning for men it would have if it were the sole necessary image and if the relationship of the original nerve stimulus to the generated image were a strictly causal one. In the same manner, an eternally repeated dream would certainly be felt and judged to be reality. But the hardening and congealing of a metaphor guarantees absolutely nothing concerning its necessity and exclusive justification.

“For 2.000 years, you've had the nerve to tell women who we are.”

Blood and Guts in High School (1978)
Context: For 2.000 years, you've had the nerve to tell women who we are. We use your words; we eat your food. Every way we get money has to be a crime. We are plagiarists, liars and criminals.

Alan Watts photo
Nikola Tesla photo
Upton Sinclair photo
Manly P. Hall photo
Charles Bukowski photo
Janet Evanovich photo
Roberto Bolaño photo
Lesslie Newbigin photo
Werner Herzog photo
James Patterson photo

“I feel like, like pudding," Iggy groaned. "Pudding with nerve endings. Pudding in great pain.”

James Patterson (1947) American author

Source: The Angel Experiment

Rick Riordan photo

“A hero can go anywhere, challenge anyone, as long as he has the nerve.”

Rick Riordan (1964) American writer

Source: Percy Jackson & the Olympians: The Ultimate Guide

Christopher Moore photo
Suzanne Collins photo
Marsha Norman photo
Jodi Picoult photo

“When someone dies, it feels like the hole in your gum when a tooth falls out. You can chew, you can eat, you
have plenty of other teeth, but your tongue keeps going back to that empty place, where all the nerves are still a little raw.”

Variant: when you [lose someone], it feels like the hole in your gum when a tooth falls out. You can chew, you can eat, you have plenty of other teeth, but your tongue keeps going back to that empty place, where all nerves are still a little raw
Source: House Rules

John Muir photo
Jane Austen photo
Frank McCourt photo
T.S. Eliot photo
Cassandra Clare photo
Richard Halliburton photo
Frank O'Hara photo

“You just go on your nerve.”

Frank O'Hara (1926–1966) American poet, art critic and writer

“Where the hell do you get your nerve?
From a Cracker Jack box.”

Lora Leigh (1965) American writer

Source: Wicked Pleasure

Emily Dickinson photo
Zora Neale Hurston photo
Swami Vivekananda photo
F. Scott Fitzgerald photo
F. Scott Fitzgerald photo

“Never miss a party… good for the nerves--like celery.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

Source: Gatsby Girls

Sherrilyn Kenyon photo
Karen Marie Moning photo

“The nerve. Threatening you and not being precise about it.”

Karen Marie Moning (1964) author

Source: Dreamfever

Yann Martel photo
E.E. Cummings photo

“I like my body when it is with your body. It is so quite new a thing. Muscles better and nerves more.”

E.E. Cummings (1894–1962) American poet

Source: Selected Poems

Bram Stoker photo
David Foster Wallace photo
Douglas Coupland photo
Karen Marie Moning photo
Bob Dylan photo

“You got a lotta nerve to say you are my friend. When I was down, you just stood there grinning.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Highway 61 Revisited (1965), Positively 4th Street

Harriet Beecher Stowe photo
Chuck Palahniuk photo
Jeanette Winterson photo
Cassandra Clare photo
Rick Riordan photo
Wilkie Collins photo

“I am nothing but a bundle of nerves dressed up to look like a man.”

Volume II [Tauchnitz,
Source: The Woman in White (1859)

George Eliot photo
Don DeLillo photo
James Patterson photo
Quentin Crisp photo
Edmund Burke photo

“He that wrestles with us strengthens our nerves and sharpens our skill. Our antagonist is our helper.”

Volume iii, p. 453
Reflections on the Revolution in France (1790)
Context: Difficulty is a severe instructor, set over us by the supreme ordinance of a parental Guardian and Legislator, who knows us better than we know ourselves, as he loves us better too. Pater ipse colendi haud facilem esse viam voluit. He that wrestles with us strengthens our nerves, and sharpens our skill. Our antagonist is our helper.

Walter Bagehot photo